Reading Shakespeare’s The Winter’s Tale – Act 3 Scene 2 (part 2)

Re-reading Shakespeare’s The Winter’s Tale! Here’s the second part of act 3 scene 3, the midpoint of the story, and the point of no return.

As Hermoine’s trial continues, she says whether she lives or dies is based on Leontes’ wild imagination. He seems to agree with her, saying, “Your actions are my dreams.” He describes dreaming she had a “brat” with Polixenes, and that the child was cast out. Is this the baby from act 2 scene 3, who will soon grow up to be a main character, or is all this happening in Leontes’ increased madness? It can be played either way.

On trial.

Hermoine says to spare his threats, because the “bug” that he’s using to frighten her is better than the reality of her situation. The footnote on my Folger edition says “bug” means bugbear. I thought those were made up for Dungeons and Dragons, but I guess they go back to olden days. My Pelican edition goes one step farther in its footnote, saying bugbear is another word for “boogeyman.” My Oxford edition’s glossary entry for bugbear says “terror, bogey.” In D&D, bugbears are 7-foot-tall humanoids related goblins, bred solely for the purpose of battle. If we’re staging an epic fantasy retelling of The Winter’s Tale, would it be worth it to portray a bugbear in person, somehow menacing Hermoine? I don’t think so, because it would take away the intensity of the actual bear that’s going to show up soon.

Exit, pursued by a… bugbear?

Where were we? Hermoine gives another great speech about all the things she’s lost, listing them one by one. This is another good one that a talented actress can really run with. She concludes by saying she will leave her fate to what the Oracle said. The lord character who’s been hanging around throughout the play calls for the Oracle’s messengers. Here’s where Hermoine mentions her father, the deceased Emperor of Russia, and how heartbroken he’d be to see this. This speaks to a whole other backstory for her we don’t get to see.

What if Hermoine pulled an Anastasia to become queen.

An officer shows up with Dion and Cleomenes, the two messengers from the oracle. There’s another “swear by the sword” moment, though I imagine this one would have to be less dramatic than the one from earlier. In a low-budget staging of the play, the lord and the officer can easily be combined into one character. The two guys read the message from the oracle, which states Hermoine is chaste, Leontes is a jealous tyrant, and “the King shall live without an heir until that if that which is lost be not found.” If we’re going to have the oracle appear in person, this would be the part to do it. On stage, she can pop up on the balcony under a spotlight, as if stating these words as an apparition projected from far away. In a film, we could cut to a flashback of her saying this to the two messengers.

And maybe Pythia can look like the DC Comics version.

Leontes confirms that the message was read correctly, and then he says, “There is no truth at all” and “This is a mere falsehood.” When staged, I imagine there should be a long pause before he says this, as if he’s considering the oracle’s words while everyone else waits breathlessly to see how he will respond. The film version can do a slow and quiet push in on the actor’s face before he says these lines. Everyone else on stage can react with fear.

The madness of the king!

Then there’s more drama, and it happens fast. A servant rushes in to report that Mamillus, Leontes and Hermoine’s beloved son from the start of play, had died! Hermoine faints and taken off stage. Leontes has an immediate change of heart, thinking this is the god Apollo seeking revenge for denying the oracle, and for his treatment of his wife overall. (Remember that the Oracle of Delphi represents the Temple of Apollo.) The timing of this would indicate that if it’s not the gods, it’s at least fate that has brought about the boy’s death.

Leontes wouldn’t want to anger these guys.

This is still all happening during the trial. Leontes then admits all his plots in front of the lord and officers, including the plot to murder Polixenes and then Antigonus’ reasons for leaving. He pleads for innocence for them both. Leontes’ change of heart happens so fast. How do you stage and perform this? The actor would have to have a true breakdown at this point. On the other hand, The Winter’s Tale is categorized under Shakespeare’s comedies, so this could be done to make Leontes look buffoonish. Or, in a film version, we could do some edits to show the passage of time, and then set the rest of this scene in a new location, visually illustrating Leontes’ change of mind.

All the drama.

But the scene’s not over yet, with even more drama to come. We’ll get to that… next time.

Next: Pawn takes queen.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Hicksville

Reading the Fantastic Four comics from the start. Issue #570 has a new writer and artist, and yet another far-out new concept for us to wrap our heads around.

This is the first issue of Fantastic Four for writer Jonathan Hickman, one of the biggest stars of modern Marvel. Hickman writes big, sprawling epics that influence Marvel continuity in huge ways. This includes the 2015 Secret Wars, which took over the entire Marvel line for a bit, and the years-long Krakoa storyline in all the X-Men books, which just recently wrapped up. Artist Dale Eaglesham has worked in comics steadily since the 80s. He’s best known for DC’s Villains United, and Justice Society of America.

We begin with a flashback to young Reed and his dad, where his dad encourages him to make a big jump from a treehouse, saying Reed will never know the outcome if he doesn’t try. Cut to the present, where the FF is in the middle of a battle against a giant robot who says it has been programmed for one purpose – to destroy the Fantastic Four. They defeat the robot, and Reed deduces that it was piloted clones of the Wizard. In his base, the Wizard makes speeches about “the failure of creation” and fathers being disappointed in their sons.

Reed uses a teleporter to follow the Wizard’s signal to his HQ. They have a brief debate about playing God with science, all while the Wizard is surrounded by his clones in the form of infants and young boys. Reed apprehends the Wizard. Cut to later, when Reed is telling the story of this to Franklin and Valeria before bedtime. Franklin asks what happened to the little boy clone, and Reed says people are at work finding him a new home. Franklin drifts off to sleep asking if Reed will help the boy.

Johnny offers Ben a gift of a vacation, to get Ben’s mind off his recent breakup with Debbie Green. The vacation is he and Johnny spending three days in Nu World. You’ll remember this an artificial Earth constructed in a parallel reality that is now home to refugees from an alternate dystopian future. (Comics!) Reed and Sue worry about Valeria getting smarter and smarter. Reed flashes back to his conversation with the Wizard, who says he’s made the same calculations Reed has, and he’s seen that a world-ending disaster is imminent. Reed tells Sue there’s some things he needs to deal with.

Reed goes to his private thinking room, the one with the writing all over the walls that we’ve seen off and on since Civil War. Reed reflects on the Bridge, his device that shows how events played out in other universes. And he muses on his 100 ideas for improving the world, with “Solve everything” being idea number 101. He goes into yet another secret room, where the Bridge is once again functioning and operational.

Reed activates the Bridge, which is more like a Stargate-ish portal, and three mysterious figures appear. Reed asks them, “How do I solve everything?” The figures step through the bride, and it’s three alternate versions of Reed. One is wearing some futuristic armor, and the other two have Sue and Johnny’s powers. The armored one tells Reed, “There’s something you need to see.”

The other Reeds take our Reed to a large building floating in space, that they describe as a construct, described as a construct inside a fabricated pocket of reality. They go inside to see the building with all kinds of alternate reality versions of Reed. The Reeds are working on stopping a Galactus attack on another world. Then three more Reeds show up, each one wielding an Infinity Gauntlet with all six Infinity Gems each. They say they’re the ones who built this place, and it’s time for our Reed to reach his full potential.

To be continued!

Unstable molecule: For unknown reasons, artist Dale Eaglesham has drawn Reed incredibly muscular and wide-shouldered. Perhaps this is so we don’t lose sight of him when he’s surrounded by other Reeds.

Fade out: Reed warns Sue that Valeria will someday be even smarter than Reed is, and this is of great concern to Sue.

Clobberin’ time/Flame on: Johnny’s game for Ben is to pick a vacation from one of three sealed envelopes. After he makes his choice, Ben opens to other two envelopes to reveal they’re all the same.

Fantastic fifth wheel: One of the H.E.R.B.I.E. robots can be seen working on the Bridge. Freakin’ H.E.R.B.I.E. the robot.

Four and a half: Franklin and Valeria waited out the robot battle inside an interdimensional panic room in the top floors of the building. (Is everything going to be alternate dimensions/realities/universes in this comic from now on?)

Our gal Val: Valeria gives her age as three years old in this issue, though she’s drawn almost the same height as Franklin.

Trivia time: The Marvel Wiki has the complete list of all the alternate Reeds, if you want to be bothered. Some of them have names like “long-haired Reed” or “cape-wearing Reed” so I don’t think a lot of these new characters will last long.

Fantastic or frightful? Instead of a fresh new start with a new creative team, writer Hickman is picking up where previous writers left off, taking the Bridge concept from Dark Reign and taking it to its next step. I know this business with all the different Reeds is controversial among fans, but as of this issue I’m interested in seeing where it’s going.

Next: Councilmen.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Reading Shakespeare’s The Winter’s Tale – Act 3 Scene 2 (part 1)

Re-reading Shakespeare’s The Winter’s Tale! In Act 3 Scene 2, we head to the courthouse for Law and Order: Shakespeare Unit.

Here’s the first third of another monstrously long scene. It’s Hermoine’s trial. We begin with lots of lawyer show stuff. Leontes gives a speech where he says this will clear him of “being tyrannous.” There’s a bit of interesting wordplay where he says there will be either guilt or “purgation.” My Folger edition states that purgation means acquittal, yet we the audience can’t help but think of it as religious analogy. Leontes thinks there’s only Hell or Purgatory, but Heaven – or, in this case, innocence – is not an option.

Very Shakespearian!

An officer reads the charges against Hermoine. In addition to adultery, she’s now also charged with conspiracy to murder Leontes. Did I miss this detail earlier, or is this Leontes going harder and harder in his attacks on his wife? Another charge is her conspiring to sneak away in the night. I imagine accusations like this one go hand in hand with accusations of adultery. Hermoine gives a lengthy speech, with lots of great stuff for an actress to work with. She pleads not guilty, while also stating that she doesn’t think that would help much. Then she says if “powers divine” were to see this trial, they would blush. Once again, I imagine a far-out epic fantasy version of the play where Leontes and company are hellish demons and the Bohemians as angelic beings. That would certainly add weight to these lines.

Very, VERY Shakespearian!

Hermoine makes the case for her innocence, saying her faithfulness was as great as her misery is now. She describes herself as daughter of a great king. A line later in this scene will state this was the king of Russia. My surface-level googling hasn’t brought up any good info on who her dad was. I’ll just bet that can be found in Asimov’s Guide to Shakespeare, which is all about comparing the plays to the real-life history they’re based on, but an affordable copy of that book has long eluded me.

Someday, I will have my own copy.

Leontes dismisses Hermoine’s words, so she continues. She says she loved Polixenes only as her honor or duty required it. If we’re to stage the play as if there really is something between her and Polixenes, these lines could be played with heavy double meaning. If we’re staging it if she’s truly innocent, these lines would be an opportunity for Leontes to get even more unhinged as he misunderstands what she’s saying.

Law and Order never did a Shakespeare-themed episode? This pic was the closest I could find.

Hermoine says a powerful line with “My life stands in the level of your dreams.” The Folger edition states that “level” in this context could mean a firing line. She’s saying that whether she lives or dies depends only on what he’s imagined, rather than what’s real. If there are extras on stage playing guards, perhaps Hermoine could place herself in front of their weapons at this point, to illustrate this visually for the audience.

But maybe not this.

That’s the first third of this scene. The next part will be… next time.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Back in quarantine

Reading the Fantastic Four comics from the start. Between issues #569 and #570, Marvel published this one-shot, the Fantastic Four Cosmic-Size Special. But it might not be as cosmic as you’d think.

We begin with a few pages of action as Reed and Ben are in a pocket universe battling alien carnivorous plants. They escape after Reed collects a sample. Back at the new Baxter Building, Reed and child genius Valeria debate about whether the alien plant can be grown on Earth to supplant the dwindling rainforests. We also learn Valeria’s birthday is coming up. Outside, Ben also has one of the alien plants. He wants to give it to Valeria as her birthday present, under the logic of “girls like flowers.”

Johnny is on his way to a date when a force field stops him. The building’s computer tells him it’s a level 5 lockdown. Turn the page and we see that Reed has put the entire building under a force field quarantine. Although everyone feels fine, Reed says he and Ben brought an airborne virus back with them from the pocket dimension. Reed says the effects should be minimal and run its course over 48 hours.

Everyone jokes about this will be easy, but cut to later and the arguments begin. Reed argues about how he’s come to the rescue more often then Ben, Sue says she’s been kept out of the loop again, Ben says he’s sick of Reed’s know-it-all attitude, and Johnny chides the others for not having a life other than superhero-ing. Things get worse when Reed cuts off communications to make improvements to the building’s IT infrastructure.

Sue uses a sandblaster to give Ben a bath (!), and Johnny loses control of his fire powers while playing a video game with the kids. Then there’s a tense moment where Reed finds the birthday present flower Ben brought back. Reed says the flower is incredibly dangerous and he destroys it, chiding Ben for his foolishness. Ben had been using incense to hide the flower’s smell. This leads to more arguing among the four heroes.

Ben tells Valeria she won’t get a birthday present from him this year, and Johnny covers Ben with flower petals, saying Ben still stinks like the alien plants. Ben chases Johnny throughout the building. Sue practices using her force fields against Reed, only to reveal that it’s not Reed but a life model decoy of him that the FF happen to own. Valeria suspects something is up, so she and Franklin spy on everyone with the building’s security cams. They spot all four of the FF accessing the high-tech weapons stash, unlocking a lock so advanced that Valeria can’t yet crack it. We see more bickering among the FF, with their arguing turning to threats of violence. Valeria and Franklin get a micro-camera inside the weapons room, where they find the alien flower that Reed destroyed earlier, still alive and well. The flower is intelligent, and making the FF see whatever it wants them to see.

Valeria contacts everyone over the building’s PA system and says she’s taking over the FF. She goes into full supervillain mode, tying up Franklin and saying he’s the biggest threat in the family. She acquires a Kree omni-wave cannon from the weapons room and threatens to use it on Franklin. This inspires the FF to attack. Sue destroys the cannon, while Ben and Johnny bust into the weapons room. Johnny blasts the entire room with flame, destroying the flower for real this time.

Everyone gets back to normal, as Valeria and Franklin say it was all an act to get to the FF to attack. She had refitted the cannon with harmless light rays. Reed apologizes to Sue, telling her she’s always been his equal. (We don’t see him apologize to Ben, sadly.) The quarantine is over, and the whole family takes off in the Fantasticar for Valeria’s birthday dinner. Reed says they’re going to yet another mysterious, unexplored dimension… New Jersey.

But wait, there’s more! A big selling point for this special was a newly recolored reprint of issue #237, where writer-artist John Byrne introduced the iconic Marvel villain Spinerette. It’s always a delight to revisit the Byrne years, and the new colors are certainly bright and vibrant. I wonder why this issue with this minor character, though. Was this to test out some new coloring process? Did Marvel need to retain a copyright on Spinerette? Did the comic need to be double-sized for printing and/or post office reasons? We may never know.

What’s all this, then? The cover calls this comic Cosmic-Size Fantastic Four, but the inside front page calls it the Fantastic Four Cosmic-Size Special. The Marvel Wiki prefers the latter.

Unstable molecule: Life model decoys are a big deal in various S.H.I.E.L.D. comics, where you can never be sure who is real and who is an LMD. The Marvel Wiki states that this is the only appearance of Reed’s LMD, with no explanation of how or where he got it.

Fade out: We get a long-winded explanation of how Sue’s force fields work. They are psionic in nature, manipulating ambient energy and light waves into fields of various sizes and strengths. I’m assuming the “ambient energy” is the energy Sue got from the cosmic rays.

Clobberin’ time: There’s also a bunch of sci-fi speak about Ben’s rocky skin. He has a “calcified dermis” lined with tiny flaws. The initial virus came through inside a “micro-fissure” on Ben, which allowed the virus to penetrate his bloodstream.

Flame on: We don’t know who Johnny’s date was with. I’ll assume this romance didn’t last.

Four and a half: Franklin helped save the day by writing all of Valeria’s supervillain dialogue for her.

Our gal Val: Valeria states that Franklin still has his reality-bending mutant powers, just that they’re dormant. Or maybe she just said that to mess with the FF.

Trivia time: This special had a very small footprint on Marvel continuity. The alien flower, the Kree weapon, and the LMD were never seen before or after this.

Fantastic or frightful? It’s a pretty funny joke that this is a “Cosmic-Size Special” and yet the characters don’t leave their house the whole time. Beyond that, it’s a fun throwback to the old days of the FF’s funny bickering, but there’s not much more here.

Next: Hicksville.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Now there’s a Wynch

Reading the Fantastic Four comics from the start. Writer Mark Millar’s dark and violent Marquis of Death storyline comes to a dark and violent ending in issue #569.

Gimmie a gimmick: This issue has a wraparound cover, a single image with Johnny and Ben on the front half, and Sue and Reed on the back.

Dr. Doom’s long-lost mentor the Marquis of Death has arrived after wreaking havoc across the multiverse. He dispatched with Doom by taking him back in time and feeding him to a dinosaur. Then he decided to meddle with the FF in various ways, ultimately summoning a bunch of other Fantastic Fours from other realities to attack the new Baxter Building.

This issue starts with some business where the rest of the FF think Reed is one of the alternates, as he’s just been teleported in from his experience with the Marquis. After the team sorts out that it’s the real him, the Marquis reappears. He explains that he gave the other FFs a choice, to destroy this FF or see their own worlds destroyed. Ben and Reed compare notes, that the Marquis is actually Clyde Wyncham, a man from yet another alternate universe with reality-bending powers. Reed says he could have killed Wyncham in the past, but refused to do so. Ben questions his own personal code, saying he can take the FF’s pogo plane to area 87, where this timeline’s Wyncham is being kept. Reed lets Ben go, while Sue, Johnny, and child genius Valeria shore up the building’s defenses. Valeria suggests using an energy-draining device, and old invention of Reed’s, and he tells her she’s not thinking big enough.

Ben arrives in the desert outside area 87. He says this will be more like euthanasia than homicide. The Marquis’ unnamed apprentice appears and attacks Ben. Ben punches him out with a classic “It’s clobberin’ time!” Ben enters area 87 and finds present-day Wyncham, still attached to the device mind/energy draining device where he ended up after the Marvel 1985 miniseries. Ben muses that it’s not very heroic to kill the bad guy before he becomes the bad guy, and then says, “I never been the hero type.” Back at the Baxter Building, Reed is overwhelmed by the alternate universe Reeds, only for them to get knocked out by a series of explosions. Ben and a revived Wyncham teleport into the building. He says there’s been a chance of plans, and that the comic-reading Wyncham is a big FF fan. The Marquis reappears again, saying that Wyncham now is nothing compared to what the Marquis will become in the future.

Time for everything to get all cosmic and psychedelic as Wyncham and the Marquis facing off. First they summon a bunch of Marvel heroes and villains, and then they summon some of Marvel’s godlike beings. Then they all fight. Whether this is actually happening, or if it’s all in their heads, or if it’s on some otherworldly plane of existence. The Marquis wins the fight, even though it drains him of some of his power. He boasts that he still has enough to defeat the FF, but then Reed says he uses his power-draining device to gain the powers of all the alt-universe FFs. He and his teammates now have the power of thousands of FFs, but their bodies can’t handle it. Reed says they only have twenty-three seconds before their hearts explode.

The clock ticks down as the FF use their new powers to pummel the Marquis. At fourteen seconds, Reed tells Johnny to burn at a temperature of ten to the thirty-second power, which he says is the temperature where time and space break down. The Marquis says this will rupture the entire multiverse, and Reed says, “You picked the wrong Fantastic Four this time.” Johnny unleashes the blast right at twenty-three seconds. The FF survive, and the Marquis is reduced to a weakened, skeleton form.

Then the Marquis’ apprentice appears (everybody’s just teleporting all over the place in this issue). He takes Dr. Doom’s mask back from the Marquis, and says he let Ben defeat him back in Area 87 to avoid suspicion. The apprentice punches out the Marquis, puts on the mask, removes his hood, and reveals he’s been the original Dr. Doom all along! He explains that he survived being in prehistoric times and lived throughout the centuries by mastering heretofore unknown mystical powers. He transformed every molecule in his body (!) so that his old teacher would not recognize him. He became the Marquis’ new apprentice, and bided his time until this moment, when he could take revenge and return to power.

The Marquis revives, and he finally says he’s proud of Doom. Responds by saying “Silence.” He then burns up the Marquis’ body. Ben and Johnny are ready for a fight, but Doom says his rivalry with the FF is over, and they are no longer of consequence to him. But then he says they will die if they cross him again.

But there’s more drama to deal with. It’s wedding day for Ben and Debbie Green. Except Ben is running late. No one can find him, and Reed is concerned. The FF wonder if supervillains are to blame, but Debbie sneaks away and finds Ben drinking at a nearby pub. She tells him that she knows the FF live dangerous lives, and she’s okay with that. He says, “I can’t do it to ya, Debs.” He reminisces about all the other superheroes who have lost their loved ones. The wedding party finds them at the pub, only for Ben to tell them all that he and Debbie are splitting. Everyone commiserates for a bit, and Sue and Debbie part with a hug. Reed and Johnny join Ben inside for another drink, with Reed saying, “I’m buying.”

Unstable molecule: All the Reeds from other universes monologue while attacking our Reed, who wonders if he sounds like that when he fights.

Fade out: Sue turns Debbie invisible to sneak her past the paparazzi at the wedding. She promises Debbie that they’ll always be friends.

Clobberin’ time: Despite threatening messages on the FF’s answering machine, Reed says all the superheroes have Ben’s back. We’re not told what villains are leaving messages, but one of them mentions owning a python.

Flame on: Johnny’s ‘roided up supernova flame is described as “planck temperature,” which is the opposite of absolute zero. I’ll take their word for it.

Fantastic fifth wheel: She-Hulk and Storm are seen in the Wyncham/Marquis cosmic battle. She-Hulk and Luke Cage are both guests at the wedding.

Our gal Val: We’re not told what the energy-draining device is that Valeria and Reed come up with, except that it has a history. My guess is that it’s from Fantastic Four #57-60. The power-stealing device from that story was never named. The Marvel Wiki has designated it “the power cosmic infusing machine.”

Trivia time: Does this issue mean that from now on, Dr. Doom is an immortal who’s been around since dinosaur times, and who has godlike arcane powers? Not so much. An Avengers story shortly after this would do a retcon, establishing that Dr. Doom actually time traveled to the future just after surviving the dinosaur, and then become the apprentice.

The comic doesn’t say if Wyncham is dead or merely knocked out. This is the final appearance of Wyncham and/or the Marquis of Death, so Wyncham’s fate remains unknown. This is also the final appearance of Debbie Green.

The FF’s old mailman Willie Lumpkin is at the wedding, with a pretty brunette girl sitting next to him. Could this be his niece Billie? She was the mail carrier during the team’s Pier 4 era (era), and there were unresolved hints that something sci-fi was going on with her. If that is her, it’s nice to know Marvel hasn’t forgotten her.

Fantastic or frightful? The idea of superheroes who’ve sworn never to kill has led to lots of great drama over the years, mostly with Batman, but also with goody-goodies like Superman and Spider-Man, when the go into a dark place and are pushed to the edge. I don’t know if this trope can be applied to Fantastic Four, however. Only a few panels are given to Reed and Ben wrestling with the morality of this, and it’s not really resolved. The better version of this would have Ben driven to the edge of killing Wyncham, and that being the catalyst for him calling off the wedding. That, plus the team being powered up for only a few seconds at risk of their own lives has little consequence. It just works, and that’s it? The story is more interested in the reveal of Dr. Doom as the apprentice, and it seems like everything else is hurried to get to that point and then wrap things up. In the end, the whole Marquis of Death story might be ambitious and provocative, but it just doesn’t work.

Next: Back under quarantine.

* * * *

Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Reading Shakespeare’s The Winter’s Tale – Act 3 Scene 1

Re-reading Shakespeare’s The Winter’s Tale! In Act 3 Scene 1, and we’re all about the Oracle of Delphi. Who was that, again?

Delphi today. What really happened here?

In previous scenes, King Leontes sent two men, Cleomenes and Dion, to visit the Oracle of Delphi and ask about Queen Hermoine’s true intentions. In this scene, the two guys get their moment. They reminisce about their experience of visiting Delphi and seeing the oracle in person. They describe the idyllic island, and the fine dress of the oracle’s attendants, called “grave wearers.” They describe the oracle as having an “ear-deafening” voice, comparing it to the thunder of the gods. Then they say how hopeful they are that this information can help the queen, and they go on their way. Short scene.

Would you trust this oracle?

Why are we only hearing about meeting the oracle after the fact and not seeing it played out on stage? This could have been a big, show-offy scene like the “boil and trouble” scene with the witches from the Scottish Play, or the scene with Margery Jourdain and the spirit from Henry VI Part II. Perhaps there was a desire to keep the story moving, as the dramatics between Leontes and Hermoine are more important. Or it could be a question of resources, with space concerns or a limited number of actors. We can only speculate.

On the high seat.

Just who is this oracle, anyway? There is so much online about the Oracle of Delphi, also known as Pythia, that it’s overwhelming. I could spend year or more reading all this stuff. Also, the overlap of myth, classic literature, and actual history has a huge overlap, so I’m finding it difficult to sort out what’s real and what isn’t. The gist of it is that visitors, many of whom were powerful and important, traveled to the temple of Apollo in Delphi to ask advice from Pythia, who answered in future-telling prophecy.

There’s also a lot written about Pythia being associated with snakes.

By most accounts, there was more than one oracle over the years, each one taking the name Pythia upon getting the job. Apparently, there are some early stories where Pythia is a male goat-herder (!) wandering about the fields. But for the most part, Pythia is described as a virginal young woman. This version of Pythia is described as sitting on a high chair, sometimes strapped or even chained to the chair, as magical mists or clouds surround them, giving her the gift of prophecy.

There was even a Pythian Games, similar to the Olympic Games. I’m sure they looked just like this.

If the trope of the ambiguous prophecy did not originate with Pythia, she certainly helped popularize it. One story I’ve seen repeated many times is the Emperor Croesus asking Pythia for guidance. She told him if he marched his armies into Persia, it would be the downfall of a great nation. Croesus attacked Persia, believing victory was his, only for the great nation to be his own.

That’s our Babs.

These are cool stories, but how much of this is real? A common explanation is that these girls were exposed to natural gases on the island of Delphi, such as methane or ethylene, which put them into a hallucinogenic state, after which their visions would be interpreted as prophecy. Others speculate that the girls were given hallucinogenic plants that grow on the island, for similar effect. These stories, however, have been disputed by a huge number of historians and archeologists. The debates are endless.

And I’ve been listening to this band all week. They ROCK!

Who were these girls who served as Pythia? One article I read suggests they were daughters of nearby villagers given to the temple as tribute. But who were her handlers, the ones responsible for interpreting her prophecies? This would seem to be something of an unknown, at least based on my reading over the past week. It just goes to show that the study of history is not complete, and there’s still a lot of unknowns out there just waiting to be discovered. 

Next: Trial and error.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Marquis and Peele

Reading the Fantastic Four comics from the start. Writer Mark Millar continues to put his mark on the series in #568, as one mean villain keeps getting meaner.

Dr. Doom’s long-lost mentor the Marquis of Droom arrived on Earth after causing death and destruction throughout the multiverse. After expressing his disappointment with Dr. Doom, the Marquis sent Doom into the distant past. He then adorned himself with Doom’s metal mask and decided to take on the Earth, beginning with the Fantastic Four.

This issue begins with another subplot, though, where Ben shows up at the apartment of his girlfriend Debbie Green, who recently dumped him after he lost his temper on live TV. She tells him that she still loves him, but she doesn’t want to be afraid of him. But, she has a change of heart. She tells Ben to leave the “big stuff” for supervillains and keep things normal for her. He asks her if the wedding is off, and she says, “Never.”

Except then Ben and Debbie are attacked. People outside are throwing Molotov cocktails at the apartment, blaming Ben and the FF for the weird weather happening all over the globe. (The weather is actually because of the Marquis arriving on Earth, but Ben doesn’t know that yet.) Ben jumps outside and chases off the attackers while smashing up the sidewalk, while Debbie tells him that the TV news states that the weird weather is originating from the Baxter Building. Ben walks off, and we see the Marquis and his unnamed apprentice are watching him in secret.

There’s a bunch of quick hits showing the weather freaking out all over the planet. But it’s not just the weather – also volcanos and Biblical plagues of locusts. Ben shows up at the new Baxter Building to meet with Reed, Sue, and Johnny, and that’s when the Marquis and the apprentice attack. The apprentice fights with invisible force fields, and he wields a glowing green sword. The FF mistake the Marquis for Dr. Doom, but the apprentice says, “That name is dead for all time!”

The Marquis introduces himself, and he seems to use some sort of telekinesis and/or mind control to make the FF kneel in front of him. He shows them a vision of Dr. Doom in the distant past being fed to a Megalodon. Ben makes the usual wisecrack about his Aunt Petunia, so the Marquis teleports everyone to the home of the actual Aunt Petunia. He kills Petunia right in front of everyone, reducing her to a skeleton.

Then it gets even nastier when the apprentice wants to murder Sue, but the Marquis says instead she will have to decide which of her children will live or die. Reed offers to take Sue’s place, saying he’s the one who has out-strategized Doom over the years. The Marquis tells the heroes not to have hope, because hope is what he’s already destroyed in countless other universes, and this one is no different.

The Marquis shows the FF a flashback to annual #6, where the FF confronted Annihilus in the Negative Zone. He says if Reed failed to defeat Annihilus, then his son Franklin would never have been born. The Marquis says, “I will spare you and your planet if you agree to let Franklin die.” He says there are millions of alternate timelines where this happens, and that Reed will have no memory of any other possibility happening. Reed refuses to deal with the Marquis, saying, “You’re wasting your time.” The Marquis instead shows Reed a parallel universe where Ben died during the FF’s origin spaceflight, rather than becoming the Thing. Reed says, “You want my life, Marquis, it’s yours. Anyone else, it’s their choice.”

Then the Marquis teleports Reed to place called Area 87, which is a high-tech holding cell containing a man named Clyde Wyncham. The Marquis explains that Clyde is the world’s most powerful supervillain, who came to Earth from yet another parallel universe where he was the only mutant. Clyde has reality-altering powers, kept in check by a cybernetic helmet of Reed’s design. While wearing the helmet, Clyde is lost in his own pleasant dreams. The Marquis says that the day will come when many of Reed’s adversaries will join forces and attack Area 87, and Clyde will wake up with his full power.

We then see Clyde destroying all the villains and escaping to become master of all space and time, exploring the multiverse for a billion years and eventually becoming… the Marquis of Death! He says he is on his final voyage, to give one Reed Richards a chance to save all the rest. The Marquis says all Reed has to do is pull the plug on Clyde, which will kill him. Reed refuses to take a life saying there’s always another way.

The Marquis teleports Reed back to the Baxter Building, where Sue, Ben, and Johnny attack him. Johnny says, “Plug the breach!” Then turn the page and we see the outside of the building attacked by an army of Fantastic Fours from other dimensions.

To be continued!

Unstable molecule: Reed sticking to his principles in the face of the Marquis’ threats has no effect on the Marquis. The Marquis gets enjoyment at seeing past versions of Reed break down all across the multiverse.

Fade out/Flame on: At one point, Johnny accuses the Marquis of being just like every other easily-beaten supervillain. The Marquis shows Johnny a vision of all the ways Sue can be killed throughout the multiverse.

Clobberin’ time: Is Ben’s Aunt Petunia really dead? She’ll appear again in a few years, still alive and with no reference to this issue. It’s a safe bet that her death in this issue is either an illusion or yet another alternate timeline.

Fantastic fifth wheel: With the weather being out of control all over the world, Ben tells the people on the street “You want that X-Man weather chick.” That your former teammate Storm you’re talking about, Ben! To be fair, on the next page, he says he’ll give her number to the Molotov cocktail guys.

Trivia time: If you’ve never read Mark Millar’s miniseries Marvel 1985, oops I spoiled the whole thing for you. That story was about Clyde Wyncham, a young man in the “real world” who developed the ability to bring characters from the comics into his universe. When a bunch of comic villains ran amok, he then traveled to the Marvel Universe to recruit heroes to save the day. The series ended with Captain America taking Wyncham back to the Marvel Universe to get him some help.

Fantastic or frightful? While I found a lot to like in writer Mark Millar’s early issues of Fantastic Four, it’s here where the so-called “edgelord” Millar is in full force. This issue is a variation of Millar’s miniseries Nemesis, about an all-powerful supervillain tearing apart an ordinary man’s life, just for his own sick amusement. There’s a similar tone here – mean-spirited only for the sake of being mean-spirited.

Next: Cold feet.

* * * *

Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Reading Shakespeare’s The Winter’s Tale – Act 2 Scene 3

Re-reading Shakespeare’s The Winter’s Tale! Things get intense in act 2 scene 3, where the king’s madness becomes murderousness.

We begin with Leontes alone on stage, for a short speech that shows where his head space is at. He hasn’t slept or rested because of everything that’s happened. He says that Polixenes might be out of reach, but his wife Hermoine can still receive his judgment, and then he might rest again. A servant reports that young Mamillus has become sick, and Leontes goes on another rant, blaming Hermoine and Leontes for this. Leontes further swears revenge.

Baby in one hand, sword in the other.

This opening, and this entire scene, really, is all about Leontes getting more and more unhinged. It has me thinking back to his first scene in the play, and if there’s a way to hint at him being on the edge even when he was being all cordial to Polixenes. Something like having him being two-faced, where he might drop the friendly smile and replace it with a furious glare whenever Polixenes turns his back.

He seems nice.

Then Paulina and Antigonus enter, with Hermoine’s baby. This is the first time they are depicted on stage as husband and wife, and let’s not forget that Antigonus is the one who will… exit, pursued by a bear!!! There’s a lot of business where Leontes’ servants won’t let Paulina have an audience with the king while she makes her case. This doesn’t get resolved, except for Leontes noticing them and asking, “What noise there?”

Whatever happened to Nicollette Sheridan?

Then there’s more business as Leontes is offended that Paulina dares to ask for a moment of his attention. This is a sharp contrast to the previous scene, where Hermoine praised Paulina for being so good and honorable. Then Paulina says she’s come from the queen, and she shows Leontes the baby. Here’s where Leontes really loses. He accuses Paulina of being a witch and/or a spy. He also calls her “Dame Partlet.” This is a reference to the constantly annoying hen from Chauntecleer’s The Nun’s Priest’s Tale. Because of course it is.

Henpecked.

Paulina gives a great speech to let Leontes have it, blaming him for everything that’s gone wrong, and saying his opinions are like rotten roots under the ground. But this only infuriates Leontes even more. He insists Polixenes is the baby’s father, and he demands that the baby be put to death with fire. (!) Paulina has yet another great speech describing the baby’s innocent face. All the drama gets broken up with a joke when Leontes says Antigonus should be hanged for being able to keep his wife quiet, and Antigonus says that if that were a crime, every husband would have to be hanged.

Leontes threatens to burn Paulina to death alongside the baby. She insults him again, calling him weak and a traitor. He has her sent away, and she gives one last plea on behalf of saving the baby. It’s also around here that we learn the baby is a daughter. Paulina calls the baby a princess, but Leontes only ever calls her “bastard.” Leontes accuses Anitgonus of setting his wife up to say these things. He says she acted on her own, and a bunch of the servants bear witness to this.

Then, a nameless lord gets on his knees and asks Leontes not to throw the baby in the fire. Somehow, it’s this character and not Paulina or Antigonus who convinces him. Antigonus says he’s willing to do anything it takes to save the baby’s life. Leontes pulls out his sword and makes Antigonus swear on it to take the baby into the wilderness and leave her there, which he describes as if that’s leaving her fate up to chance.

Just imagine if the lord was Lord Bowler.

Flipping back through previous scenes, we can see this lord character has been around for a lot of the action, only contributing one small line here and there. There’s a lot of wiggle room here for an actor and/or director to make this a more well-rounded character, the only person who Leontes truly trusts. Also, swearing on the sword evokes Hamlet, where Hamlet has his buddies swear loyalty on his sword while the ghost of Hamlet’s father cries “Swear!” That was one of the most dynamic and exciting scenes in the Kenneth Branagh 1996 Hamlet movie, and I wonder if a director can make this moment just as big.

“Swear!”

The scene ends with a short bit where Leontes learns that the men he sent to consult the Oracle of Delphi have returned. He says he hopes this will reveal the truth of Hermoine’s accusations, and that the burden he feels will finally be lifted. Of course, we don’t actually see these men return, but they can appear on stage at this moment. Or, in a filmed version, we can get a wordless scene showing them arrive at the city gates or whatever.

Is it worth it to ask how much time has passed in the story so far? It seems that Leontes was unaware that Hermoine was pregnant, so you’d think it’s been nine months. But this scene tells us that the journey to Delphi and back was twenty-three days. A lot of productions depict Hermoine being full-on pregnant during the opening scenes, but if that’s the case, surely he must know the baby’s his, right? Or is he just that far gone? The real answer is that Shakespeare didn’t care about continuity in the same way we do these days. The emotion of the story was more important than some timeline being assembled on a fan wiki somewhere.

The passage of time.

Next: Oracle bros.

* * * *

Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Class is in session

Reading the Fantastic Four comics from the start. Now that we’ve met Dr. Doom’s teacher, it’s time for Doom to get some schooling in issue #567.

After wreaking murderous havoc throughout the multiverse, Dr. Doom’s long-lost master, the all-powerful Marquis of Death, has arrived on Earth with his apprentice. The Marquis expressed disappointment in how Doom has not yet conquered the Earth, so he engulfed Doom in a burst of flame. This issue begins by showing us that Doom is not fazed by this. He says through the fire, “Is that the best you can do?”

Doom fights back, with fire swirling around him and the Marquis. Doom brags about all the amazing things he’s done, such as exploring all of time and space, and escaping the fires of Hell itself. The caption tells us that this battle goes on for six weeks (!), and that Doom eventually defeated the Marquis by inventing something called the Omega Box. We’re told that other superheroes join the fight, and Reed Richards died (!!) in the battle, which Doom mourned. Then it’s five years later (!!!) in New York, where Dr. Doom’s technological advances have benefitted all humanity.

It’s a new world, with futuristic flying cars. The new Baxter Building is now the Reed Richards Memorial Building. Doom is inside, with an older, eyepatch-wearing Ben, who inspect a sculpture of the FF in the lobby. Ben says Reed would have liked the statue, and Doom says it’s too bad Reed never saw Doom save the world. Then a pregnant Sue approaches and tells Doom the Fantasti-car is fueled up and ready to take him back to Latveria. She calls him, “Darling.”

Yes, Sue and Doom are now a couple. They discuss how Johnny does not approve, and he refuses to speak to Sue. They arrive in Latveria to a cheering crowd. Sue says to Doom, “It makes me happy to see a country that adores you like I do.” Next, we see Doom inside what looks like a gigantic library. The caption tells us that this is the Omega Box. Sue joins him, and Doom says he’s dwelling on how close the Marquis came to destroying the Earth if Doom hadn’t thought up with Omega Box. “So much hinging on a single idea,” he says. “It chills the blood.”

Sue asks Doom if he’s happy, and if this life he’s built for himself makes him feel content. He says, “For the first time in my life.” Sue answers “Good. Then we’re ready.” She peels off her face to reveal she’s the Marquis in disguise. Doom says the Marquis died five years ago, but the Marquis says not even five seconds have passed. And just like that, we’re back at the start of the issue, with Doom on his hands and knees burning up in the fire.

The Marquis says he showed Doom his dream life, just to take it away. Doom’s mask has fallen off, and it is on the dirt in front of him. (We of course don’t see Doom’s face, as it’s covered with shadow.) The Marquis opens his cape to reveal his skeletal, corpse-like body. He tells Doom not to mourn for a fairy tale, but to mourn for the people of Latveria. Then we see a nuclear blast wipe out Latveria, with the Marquis saying, “This is real.”

Doom wants to continue the fight, but the Marquis says this is not a battle but a punishment. He uses his power to torture Doom by turning his blood to acid. The Marquis’ apprentice suggests sending Doom to the past, so the Marquis sends Doom into the Pliocene Age, dumping him into an ocean filled with megalodons. There’s an entire page devoted to Doom about to be swallowed by one of the megs.

Back in the present, the Marquis says he’s disappointed, and that he hoped for better from Doom. The apprentice says it’s time to initiate the slaughter, and destroy the Earth like all the worlds they’ve destroyed. Instead, the Marquis says his honor must be restored by rectifying his failure with Doom. He says this begins with the Fantastic Four. The Marquis picks up Doom’s mask and puts it on his own face, saying “Let us see how they fare against the new Doctor Doom.”

To be continued!

Unstable molecule/flame on: Reed and Johnny appear only on the cover, where they appear to be dead. I assume this is aftermath of the battle in Doom’s alternate reality.

Fade out: This is the third time there’s been a suggestion of a Sue and Doom romance. The most well-known is when Reed was trapped in Doom’s armor and had to pretend to be Doom, going so far as to stage a fake wedding with Sue. Just prior to that, we saw an alternate universe where Sue and Doom were a couple, and parents to the first Valeria Richards, who later joined the team as Marvel Girl. The comics hinted at maybe Reed was Valeria’s real father, but this was never followed up on.

Clobberin’ time: Look closely, and you can see that future Ben has not just an eyepatch, but a missing arm. We’ll likely never get the story of how, specifically, he got these injuries.

Trivia time: Nobody doesn’t love megalodons! The giant prehistoric fish has appeared on occasion throughout Marvel history, most notably in Where Monsters Dwell, but also in Uncanny X-Men, A-Force, and a little-known Lockjaw miniseries.

Fantastic or frightful? You’d think this issue would be the perfect time to get into who the Marquis is, his history with Dr. Doom, and why no one’s heard of him before this. Instead, it’s yet another multiverse romp, and more multiverse versions of classic characters. People are clearly into multiverse stuff these days, but does this issue really need it? Feels like a roadblock to the main plot, rather than continuing the narrative.

Next: Stormy weather.

* * * *

Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Reading Shakespeare’s The Winter’s Tale – Act 2 Scene 2

Re-reading Shakespeare’s The Winter’s Tale! Act 2 Scene 2 introduces more new characters and keeps the plot moving.

The caged bird soliloquies.

The scene brings in a character we haven’t met before, Paulina. This is the wife of Antigonus, the trusted Sicilian courtier who will… exit, pursued by a bear!!! The “characters of the play” bit at the start of the script tells us she’s his wife, but there’s nothing signifying that in the dialogue of her intro. Perhaps, when Antigonus mentions his family in the previous scene, that a production can show her with him at that point. Or perhaps productions can wait until the following scene at treat this a big reveal.

Paulina knows how to make an entrance.

The opening set up is that the queen, Hermoine, is in jail and Paulina wants an audience with her. This is against the jailer’s orders. After some back-and-forth, the jailer instead agrees to let Paulina speak with Emilia, one of Hermoine’s ladies. Emilia says the queen is “before her time delivered.” Before the audience can dwell on this, Emilia almost immediately confirms that this means the queen has given birth to a baby girl. Paulina initially assumes it’s a boy before Emilia corrects her.

Sweeter than honey.

Paulina says that the king, Leontes, must be informed about the baby. She volunteers, arguing that she’s “honey-mouthed” enough to get Leontes to listen to reason. Emilia praises Paulina for being good, honorable, and noble, and only she can be trusted with this task. (This throws a wrench in my idea of an interpretation of the play where the Sicilians are devil/demon types and the Bohemians are all angelic types.)

The jailer.

The scene ends with Paulina convincing the jailer to let her take the baby with her. The jailer says he doesn’t have “warrant” to do so. Paulina gives a speech about the baby being free from the womb being like freedom from a cell, and the jailer goes along with this. It’s nice to see the jailer have a little bit of personality at the end of the scene, rather than be just a stock “guard” character.

Behind bars.

The big problem with this scene is that Hermoine and the baby are talked about, but not seen. A film adaptation could easily cut away to the sad image of Hermoine holding the baby while in her prison cell. A staged version could do something similar, by having Hermoine’s actress in a spotlight upstage or on a balcony. (It’s Shakespeare – there’s always a balcony.) Also, time has passed, but this can be portrayed in an edit for a movie, or perhaps with a short music interlude on stage. My Folger edition has a hilarious illustration from 1580 by Jakob Ruff of a woman giving birth. It’s a giant woman surrounded by tiny midwives, while two men in the background are more interested in looking at some star chart. It says a lot about the weird world of The Winter’s Tale.

Looks like something out of Alice of Wonderland.

Next: The conscience (or not?) of the king.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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