Fantastic Friday: There goes the neighborhood

Reading the Fantastic Four comics from the start. Writer Matt Fraction’s multi-part sci-fi epic across the multiverse goes back to Earth in vol. 4 issue #8, but not in a way you’d expect.

The FF are in the midst of a year-long expedition through time and space, as a front for Reed searching for a cure to a molecular illness that’s killing him. Along the way, Ben has been acting more and more irritable and short-tempered. Thanks to a formula created by the genius kids of the Future Foundation, Ben can now turn human for a week once per year. His time to do so is coming up, and he told Reed he wants to go back home.

We’re in old-timey New York, where an Ira Rosenbaum is running a pharmacy on Yancy Street. He’s getting pushed around by a couple of thugs who want him to pay protection money. They bust his nose and smash up the place when he refuses. After they leave, Ira says to himself that he’ll need a miracle to get out of this one.

Then we’re in the FF’s ship flying overhead, where human Ben is dressed in old-timey garb, saying he wants to look his best. It’s his last day of the week, so he’s got only eighteen hours. He goes from the ship down to the city (we don’t see how) as he strolls around the old neighborhood. He spots the gangsters, recognizing them as outsiders because of their nice car and expensive clothes. He follows them into an apartment building. There’s a brief scuffle, and Ben gets the gangsters to leave. They say they’ll remember his face, though. The door opens, and we see Ira is there, with his wife Petunia. This is our clue that this is Ben’s Uncle Ira and his oft-mentioned Aunt Petunia. He promises them they don’t have to be afraid anymore.

Aboard the ship, Franklin tells his family that he’s had a disturbing, possibly prophetic dream, in which his family abandons him and Valeria, and that Ben might have done something secret when he was younger – something that made him very said. Franklin elaborates that he dreamed Ben might have sabotaged Dr. Doom’s famous college experiment that scarred his face, setting Doom and the FF on their paths. (We first learned of this in issue #5.AU.) Valeria admits she had the same dream, but Reed is surprised to hear this.

In NYC, Ben has dinner with Ira and Petunia, saying that there’s a man who lives nearby who hurt a little girl he once cared about it, and now he’s here to do something about it – something violent. Petunia is upset by this, saying he’s no better than the gangsters. Ira keeps Ben around, though, as the two of them fix up the pharmacy later that night. Ira asks how Ben knows this man will hurt the girl, but the gangsters return before Ben can think of an answer. Ben fights the gangsters for real this time, beating them up real good. He tells them to go back to their bosses and tell them to stay off of Yancy Street. Ira says they’ll be back. Ben checks the time, and says, “Help is on the way.”

Later that night, the gangsters return with reinforcements, all armed with tommy guns. Ben, now transformed into the Thing, jumps out at them with a classic “It’s clobberin’ time! Their bullets bounce off him as he adds, “Yancy Steet don’t bend!” He throws them around and smashes their car, but the leader stands up to him, saying “You can’t protect ‘em forever.” But then the residents of Yancy Street all come outside and gather around Ben to show their support, outnumbering the gangsters.

The gangsters leave, and Ira asks Ben if he’s still looking for man who hurt the girl. Ben says he doesn’t know, and that no matter what he does, he always ends up back on Yancy Street. He doesn’t know when he’ll be back, and he asks Ira and the others to take care of Yancy Street until then. Ira says, “We will.” Ben returns to the ship, and there’s a bit of awkwardness where Reed and Sue ask if he anything to tell them. Before Ben can answer, Franklin and Valeria say they have an announcement. The hold up matching T-shirts with the word “college” on them, and Valeria says, “Guess where we’re going?”

To be continued?

Unstable molecule/Fade out: The dialogue has Reed and Sue gently asking Ben about his secret, but the artwork makes them look all ticked off.

Clobberin’ time: During the John Byrne years, we had the surprise twist that Aunt Petunia was actually a beautiful young woman. But since then, she’s only ever been an old lady. The Marvel Wiki suggests that the Petunia in this issue is not Ben’s aunt, but some other woman also named Petunia.

Flame on: Not a lot of action for Johnny in this issue. He’s shown sleeping in a chair when Ben returns to the ship. (There was no other science/time travel thing the FF could do during this time?)

Four and a half/Our gal Val: Remember that the entirety of the Age of Ultron crossover was an alternate timeline, so Franklin has to reveal Ben’s secret via a dream instead of Ben leaving behind a message. What’s curious is that Valeria dreamed of this also.

Trivia time: The violent man Ben is there to stop is most likely the Puppet Master, Alicia’s father. In Marvel Team-Up #6, it was revealed that Alicia was blinded due to Puppet Master’s abuse. (Geez.) However, New Mutants Annual #4 had Puppet Master as a child during this time.

But wait, just when does this story take place? No year is given. Everything is generally old-timey, so it’s vague enough to be anywhere from the ’20 to the ‘50s. I don’t buy the whole “sliding timescale” thing, what with it being ridiculous and all, so we’ll just have to suspend our disbelief here.

Fantastic or frightful? It would have been more meaningful if Ben had been there specifically to help Ira rather than just run into him like that. Also there’s no business about paradoxes and whatnot with Ben using his real name and appearing to his own family as the Thing. Does Ira remember this? But I’m nitpicking. It’s a nice story about Ben’s attachment to the old neighborhood, and a pleasant break from the cosmic craziness of this run.

Next: Pool-ius Caesar.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Forgotten TV shows I still like – Big Wave Dave’s 1993

Forgotten TV shows I still like. Let’s hit the beach and get our surf on with 1993’s Big Wave Dave’s.

It’s winter in New York City. Lawyer Marshall (Adam Arkin) has just been laid off from his firm. His childhood friends, stockbroker Dave (David Morse) and middle school typing teacher Richie (Patrick Breen) decide now is the time to live out their livelong dream of moving to Hawaii and starting their own surf shop. They think Marshall’s wife Karen (Jane Kaczmarek) will be against it, but she agrees. She sees the change in locale as just what Marshall needs, and she eventually takes charge running the shop. A Hawaiian local, improbably named Jack Lord (Kurtwood Smith) is on hand to mock the New Yorkers for thinking they can survive the surfing lifestyle. Can these hapless buddies hang ten, or will they wipeout?

The show is light and breezy, with the three guys’ big-city neuroses and/or midlife crises butting up against the laid-back Hawaii vibes. Will the buttoned-up Marshall give in and wear a flowery shirt? Will Dave become the surf god he’d always dreamed of? Will Richie break through his nerdiness and find romance with a local girl? These are the situations we find ourselves in. Big Wave Dave’s doesn’t have the deeper character development we saw in The Marshall Chronicles and Double Rush, but the sense of ‘90s sitcom familiarity wins you over.

Big Wave Dave’s had the easy-to-sell premise – Chicagoans are fish out of water in Hawaii – and tons of talent. In addition to the big-name cast listed above, the show was co-produced by Ken Levine, who worked on M.A.S.H., The Simpsons, Frasier, and many others. (Also The Marshall Chronicles, which I covered previously on this blog series.) With all this talent involved, I have no idea why the show lasted only six episodes. Low ratings would seem to be the cause, but I wonder if costs might have something to do with it. The running joke throughout these six episodes is how Marshall and wife keep moving into a new house/apartment, only for some disaster to befall it. This meant a new bedroom set in almost every episode.

Other observations:

  • In addition to everything else, Marshall and Karen learn they’re going to have a baby. The pregnancy is barely dealt with in these six episodes. I assume the season one finale would have been the birth, but we’ll never know.
  • The show feels a little claustrophobic at times, mostly stuck inside the surf shop. In episodes five and six, things open up some more with visits to a Hawaiian restaurant and then a fishing trip out on the ocean.
  • Is it politically incorrect to have three white guys trying and failing to fit in with another culture? I feel Marshall and co. are good people at heart, and their buffoonish is their own undoing. I’m not an expert on these things.

There we have it. Big Wave Dave’s is very much a ‘90s sitcom 101. It’s basic and by the numbers, but still enjoyable for what it is. I don’t know if it would do well on Paramount Plus, except for fans of these actors wanting to see them in more stuff. But sitcom aficionados could do worse.

As of this writing, all six episodes of Big Wave Dave’s are on YouTube.

Next: Ignition!

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: Hair smash

Reading the Fantastic Four comics from the start. Matt Fraction’s dual-series epic continues on, with a brawl between two heroes that you could’ve sworn were friends.

Recap: When the Fantastic Four seemingly vanished during their expedition through space and time, a replacement Fantastic Four – Ant-Man, Medusa, She-Hulk, and newcomer Darla Deering – are taking care of the Future Foundation and barely keeping things together. When a future version of the Human Torch known as John Storm appeared through a portal with a warning of Dr. Doom gaining power in the future, Ant-Man decided it was time for this new team to deal with Doom. After hearing this, Alex Power of the Future Foundation ran off for a secret meeting with Doom.

 We begin with the new Baxter Building returning to New York from the Negative Zone after last issue’s adventure. Annihilus is on the roof, saying “Finally.” Cut to Latveria, where Alex sees this in the newspaper (The Daily Bugle delivers to Latveria?) and he considers going back home, now that he’s told Doom everything. Doom loses it, throwing a metal goblet at Alex, and telling him that he has no agency of his own now. Doom takes Alex down to caverns beneath Castle Doom where Doom has Alex’s parents held captive. Doom insists that Alex call him “Master” from now on.

Then there’s something for the true old-school fans. At the Baxter Building Ant-Man and Dragon Man give Darla a pair of rings that we recognize as the ones from the old Thing cartoon. They explain that these can summon her Thing costume to her in an instant, so it’s not so cumbersome. She quotes the classic “Thing Ring, do your Thing,” and it works.

In the Himalayas, the team meets with the Inhumans for a trial of sorts, where they chide Medusa for letting the Wizard exploit a weakness within her (seen the previous few issues). Medusa enacts a ritual where she drops a sword, symbolically dropping the veil of nobility and allowing anyone to speak against her. Gorgon (who, let’s not forget, once singlehandedly defeated the entire Fantastic Four) says all is forgiven, but She-Hulk steps up and says Medusa shouldn’t be around the children anymore after what happened.

At the Baxter Building, Bentley-23 and Ahura teleport into the place to find it empty. Then soon realize the other Future Foundation kids have set up Home Alone-style traps for them, thinking they are villains. A big slapstick fight breaks out, with the kids asking whether Bentley and Ahura are bad guys now.

In the Inhumans’ floating city of Attilan, just above the Himalayas, Medusa confronts She-Hulk in She-Hulks bedroom, having been offended by She-Hulk’s words earlier. She-Hulk again says Medusa shouldn’t be trusted and shouldn’t be near the kids. When she points a finger at Medusa, Medusa swats it away with her hair, and then the fight is on. The battle cuts back and forth between this and the one in the Baxter Building. Ant-Man breaks up his two teammates, and Dragon Man breaks up the kids.

Ant-Man tells She-Hulk and Medusa that Alex Power just returned home. We see him looking beaten and bruised, but welcomed by the Foundation kids. Medusa and She-Hulk agree to go back and check on him. At the Baxter Building, John Storm wakes from unconsciousness, crying “Doom!” In Latveria, Dr. Doom meets with Kid Immortus, a version of Kang from three hundred centuries in the future, and a woman named Ravonna. Kid Immortus says everything is going according to plan. As such, Annihilus appears, revealing that the Negative Zone plot of the last few issues was all part of Doom’s plan to get Annihilus to Earth. (Remember John Storm’s warning from the future, that Doom will eventually gain the powers of both Kang and Annihilus.) Kid Immortus says this is “the beginning of the end.”

To be continued!

Fantastic fifth wheel: She-Hulk’s dislike of Medusa seems to come out of nowhere. She does accuse the Inhumans of hiding away from the world instead of being a part of it. This seems to call back She-Hulk’s huge self-confidence, always proudly strutting around NYC in full Hulk mode.

Crystal is once again seen standing alongside the Inhuman Royal Family during the trial, with no dialogue.

Two H.E.R.B.I.E. robots are arguing whether Daft Punk are actual robots before getting burned up as John Storm wakes. Freakin’ H.E.R.B.I.E. the robot.

Foundational: While Bentley insists that he’s a bad guy, he refers to his Foundation classmates as “sweet kids” and tells Kong she looks great when he sees her.

There’s a reference to Medusa’s daughter Luna returning to New York with her, and the Marvel Wiki confirms that Luna is considered a member of the Future Foundation from this point forward.

Trivia time: What was that Thing cartoon about? It was a wimpy teenager named Benjy Grimm who could turn into the Thing thanks to two magic rings and the catch phrase noted above. While he did fight villains, the series was mostly a comedy having to do with Benjy and his schoolmates. No other Marvel characters appeared on the show. The cartoon was actually called Fred and Barney Meet the Thing, as each half hour would be one short Thing cartoon, and one Flintstones short. The show ran for 26 episodes in 1979.

The servant girl who gets scared off during the She-Hulk/Medusa fight is Minxi, who has a surprisingly long history. An Inhuman pickpocket with shape-changing powers, she was originally a spy posing a Medusa’s maid, only get into a love triangle of sorts with Gorgon and Kanrak. She eventually became one of the good guys (or did she?). This is her second-to-last appearance.

Fantastic or frightful? Again, I’m impressed with patience that writer Matt Fraction has with this storyline. The Dr. Doom plot is moving forward slowly, with just enough info to keep us involved, with a lot of character work along the way. This is just about the halfway point in the overall story, so we’ll see how (or if) he pulls it all together.

Next: The good ol’ days.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Forgotten TV shows I still like – Pandamonium 1982

Forgotten TV shows I still like. Except sometimes shows are forgotten for a reason, and they do not live up to your memories. And by “sometimes” I mean 1982’s Pandamonium.

Discussion of the show has to begin with the opening credits sequence. It makes a big deal of introducing our villain, Mondraggor. We learn all about how Mondraggor is a spirit who cannot touch things physically, but he can mind-control humans and affect the weather. Also, Mondraggor is after an object called the Pyramid of Power, which has been shattered and its pieces are all over the world. And then, thrown in like an afterthought, we’re introduced to our heroes, three talking pandas and two human siblings.

Despite the talking panda of it all, this opening promises epic fantasy, with plucky heroes on a scavenger hunt-like quest against an oppressive, Sauron-like villain. The most well-known thing about the show is how it had continuity from episode to episode, a rarity in ‘80s cartoons. As the characters gather more pieces of the pyramid, they gain more magic powers. Then season one ended on a cliffhanger, never to be resolved. It has the air of one of those ‘toons that was smarter than it had any right to be, like the ‘80s Dungeons and Dragons, or Batman: The Animated Series, or Reboot. But then you rewatch it today, and yikes.

The actual show does not live up to the epic fantasy promised in the intro.  This was the first non-Tom and Jerry animation ever produced by MGM Television, and they’re still into the joke-a-minute slapstick style. Chesty is the lead panda, a self-centered blowhard. Timothy is the cowardly one, and Algernon is the dumb one. Any given episode throws these three into a situation and lets them go off. The humans, Peter and Peggy, are dual straight men, always here to remind us about the search for the pyramid and whatever thin plot each episode has.

I’m reminded of the later seasons of Teenage Mutant Ninja Turtles, when viewers tuned in expecting awesome sci-fi martial arts action and instead got goofball slapstick and fourth-wall breaking gags. Case in point is the laugh track, which is constant throughout any given episode. I get it, you want kids to think the show is “legitimate” like a prime time sitcom, but I doubt anyone bought it.  

Other observations:

  • Famous radio personality Rick Dees is listed among the voice cast, but his name is small and near the bottom, and he’s not on the show’s IMDb page, so I have no idea what character or characters he played.
  • Marvel Production has its logo in the end credits, but, again, I can’t sort out how big their involvement was. The Marvel Wiki has no entry for Pandamonium, just the weird villain Master Pandemonium.
  • Oh yeah, the pandas have the ability to combine into a single giant panda called Poppapanda, like they’re Voltron or the Megazord or something. But this is done by two of them standing on the shoulders of the third, and then smooshing their faces together to form a new face from their two halves. It’s… odd.

I do not recommend Pandamonium. This is a show that has no idea what it wants to be. Its fandom must be a small one, because I could only find three episodes on YouTube, one of which has vloggers cracking wise over it. This is a real nothing of a show.

Next: Hawaiian time.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: Crunch time

Reading the Fantastic Four comics from the start. The previous issue took us back to the big bang. This issue, vol. 4 #7, takes us all the way in the other direction, to the end of time. That’s quite the jaunt.

The Fantastic Four are on a yearlong expedition of time and space that’s really a front for Reed to find the cure for a molecular disease that’s slowly killing him. At the beginning of time, the team inadvertently rescued Blastaar the Living Bomb-burst, who had been sent to the big bang as a death sentence from creatures at the end of time. To escape the big bang, Franklin used his reality-bending mutant powers to teleport the FF’s damaged ship to, according to the text, “the end of all things.”

The heroes wake up in a black void, finding Franklin unconscious with a nosebleed. Reed deduces that they’ve arrived at the “big crunch” at the end of time. What’s more, they’re not alone. A huge space station is nearby. (This is the same space station seen in the recent issue of FF also involving Blastaar, so the storylines in the two series are starting to come together.)

The FF are contacted by a peaceful alien named Yth, who says he’s met Franklin as an adult, but not as a child. He can also tell Reed is sick, and then he reveals that the same sickness has afflicted Ben’s mind. This explains Ben’s erratic behavior in recent issues. Reed admits to Ben that he knew about his own affliction, but not Ben’s. He apologizes. Ben reminds them all that they have a more immediate concern, so Yth takes them to see Blastaar, being held in custody. This time, his death sentence is to witness the end of time. Reed asks Yth for custody of Blastaar (Why?) but Yth says his punishment is decided.

Reed then asks Yth to give Valeria a workshop, and Yth says he knows of Valeria as well. While the aliens work on repairing the FF’s ship, Ben tells Sue that although it’s hard to know what day it is when time traveling, he knows what the next day is, and he wants to get back home. Yth tells Reed that he and the other aliens have prepared for the eventuality of witnessing the big crunch, and they’ve chosen to stay.

Valeria then addresses all the aliens, saying that because Blastaar is a living bomb with a potential of infinite growth, he might survive beyond the big crunch. Instead, she has developed a new form of the harness Reed invented to sap Blastaar of his power, only this one is far more augmented. Reed tells Ben he knows what tomorrow is, and that he’s working on getting everyone back to the ship.

The aliens again refuse to remand Blastaar to Reed’s custody, saying the new harness will be an appropriate countermeasure. Franklin thanks Yth and the other aliens, and we see energy floating around him to suggest he’s using his powers again. Then we see the same scene from last issue, where the aliens sentence Blastaar to die by going back to the big bang. Except this time, it’s not Blastaar inside the containment suit, but a human Ben. This is the next day, and it’s his one day a year he gets to be human again.

The aliens rush to the FF’s ship, where Reed explains that Sue used her invisibility to make the switch while Franklin “befuddled” the aliens with his powers. Reed further explains that Valeria built everything he needed in the aliens’ lab, and “To save our lives, we have to save Blastaar.” The ship takes off, leaving the aliens behind to face their fate at the big crunch.

It looks like they’ve gotten away, but Ben starts getting sick, and then a very angry Blastaar bursts from his containment. Reed asks Valeria to show Blastaar to his quarters. She points a device at him that teleports him to… the Negative Zone! Reed tells Ben he’s got another twenty-three hours left to be human, with all of time and space to do whatever he wants. Ben just says, “I wanna go home.”

Unstable molecule: The aliens are long-lived, with millions of years of wisdom among them. But Reed insists he’s smarter than them simply because, “I’m Reed Richards.”  

Fade out: Sue uses her force fields to cut off the sound between the kids and everyone else, so the kids don’t hear about Reed being sick. I believe this is the first time the force fields have been used to affect sound.

Clobberin’ time: This is the official explanation about Ben’s headaches and his erratic behavior over the past few issues. Blastaar’s power-draining harness seems to affect him, but we’ll have to see if anything comes of that.

Flame on: Johnny can’t figure out the time travel of it all, asking if Blastaar doesn’t get sent back to the big bang, how could they have fought him there. Sue just responds with “Johnny, don’t.”

Four and a half: Franklin’s powers can “befuddle” the aliens as a distraction. Perhaps this is an aspect to his psychic abilities the alternate “Psi-Lord” Franklin had during Fantastic Force. This gives him a nosebleed in the same way that teleporting the ship from the beginning of time to the end of time does.

Our gal Val: Valeria really comes into her own as a supergenius in this issue, chiding the aliens on their advanced tech not being good enough, and lecturing them like she’s a college professor.

Trivia time: Yth and the other aliens have no entries in the Marvel Wiki, so it’s likely they never appeared in comics again. But, we don’t actually see them die in the big crunch, leaving their fates unknown. Further, the Wiki insists that this issue is an alternate universe, and not the MU proper.

Fantastic or frightful? Yes, time travel is confusing, as is tracking Blastaar’s back and forth movements around time and to the Negative Zone and back. Beyond that, though, this is a fun Star Trek-like romp. It also moves the overall plot of Reed’s illness forward a little.

Next: Red vs. Green.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: Get Bentley

Reading the Fantastic Four comics from the start. We’ve spent a lot of time with the genius kids from the Future Foundation, but now it’s time for their first big superhero slugfest in FF vol. 2 #7.

While the Fantastic Four are away on their year-long expedition of time and space, a temporary replacement four – Ant-Man, Medusa, She-Hulk, and newcomer Darla Deering – runs the Future Foundation in their place, except the original Four didn’t return when expected, leaving this ragtag bunch on their own. Further complicating matters, Medusa has been acting erratically. She ran off with Bentley-23 and joined up with the Wizard and Blastaar the Living Bomb-burst, all of whom then transported the new Baxter Building into the Negative Zone.

This issue begins with the Wizard stressing the importance of family to Bentley, who responds, “I’m not your son.” (Remember that in their last encounter, wannabe supervillain Bentley actually rejected the Wizard and chose to stay with the Future Foundation.) Bentley deduces that the Wizard is using mind control on Medusa, making her act like she’s Bentley’s mother. She snaps out of it for a moment, only for him to blast her with it again. Medusa tells Bentley that the Wizard has brought the Future Foundation to the Negative Zone, where he plans to kill them all.

Inside the new Baxter Building, Ant-Man comes to a similar conclusion, telling the Foundation kids to prepare for battle. Ant-Man keeps flashing back to his dead daughter Cassie (don’t worry, she eventually comes back), and he admits how frightened he is for the kids. This moment is interrupted by the Wizard’s group attacking. Everyone fights, and this time it’s Dragon Man who deduces that Medusa is being mind-controlled.

There’s a curious bit where the Wizard says his image of family being “heteronormative cisgendered classification” is superior to the Foundation’s found family. Ant-Man punches him in the face, saying “Your image is boring, creep.” Medusa, meanwhile, gets all tangled up with a bunch of the kids. She gets her own mind back for a sec, pleading with Ant-Man to help her. Darla punches Blastaar with a classic “It’s clobberin’ time,” but he responds by hitting her so hard that her Thing suit breaks apart.

Before Blastaar can smash the now-helpless Darla, she gives him a big speech about her success as a pop star, concluding with how she considers Bentley to be her friend. Then Bentley arrives in the building, having constructed some sort of high-tech vest that he puts on Blastaar. The vest teleports Blastaar into space, where he materializes next to a huge space station. (Reminder that in the Fantastic Four storyline running parallel to FF, we just saw Blastaar travel from the end of time back to the Big Bang, so pieces are starting to come together and connect the two series.)

With the villains defeated, the team brings the Wizard to Attilan to face judgment from the Inhuman royal family. Medusa admits the Wizard got into her head by exploiting a “psychic weakness,” that made her act motherly. Black Bolt renders his judgment, which Medusa interprets as “Black Bolt would have words with you.” The Baxter Building returns to New York via unseen Inhuman technology. (Although Lockjaw the teleporting dog cab be seen in the background, so maybe he teleported the entire building across dimensions?) Everyone survived, and Darla asks if that means it’s a happy ending. Ant-Man says, “That’ll do.”

Then we pick up on the storyline started a few issues back where Ant-Man wanted this new team to take out Dr. Doom once and for all, only for Alex Power to leave the Foundation and travel to Latveria, where he requested an audience with Doom. All we see in this ending follow up is that Doom does indeed meet with Alex inside Castle Doom, where he asks Alex to tell him everything about Ant-Man and the foundation’s plan to end him.

To be continued!

Fantastic fifth wheel: Where is She-Hulk during the fight? When we last saw her in the previous issue, she and Ahura were in Attilan. Look in the background and you see she arrives at the same time Lockjaw does. Further, she’s the one who damages the Wizard’s helmet to free Medusa, not Ant-Man punches.

We get more backstory about Darla Deering. She says she had her first hit single at age 14 (!) and has been winning Grammys and MTV Music Video Awards every year since then. She also has thousands of followers on the Marvel Universe’s social media, Yamblr, Facespace, and NewToob.

Foundational: Wakandan kid genius Onome asks why the kids are fighting and not hiding. This is what prompts Ant-Man to reveal he’s frightened for them, but he tells them they can’t save the world by living safer.

I had thought that Leech’s powers only worked on mutants, yet in this issue a lot is made of him grabbling Medusa and refusing to let go. The Marvel Wiki states his powers affect anything considered supernatural, and not just mutants.

Trivia time: At first, Medusa easily overpowers the Foundation kids, but then they overwhelm her (perhaps with Leech’s help, noted above). Just how strong is Medusa? This time I turned to our old friend The Official Handbook of the Marvel Universe: Deluxe Edition, which says that a fist-sized lock of her hair can lift or press 750 pounds, while her entire head of hair can lift or press 1.6 tons when used all at once. The Handbook also suggests the possibility that Medusa can control other hair and hair-like textiles that are not her own, but this has never been proven.

The Marvel Wiki counts this as an official appearance of the Frightful Four, with Medusa being an “enslaved” member, and Bentley-23 being a “forced” member. Depite the Wizard’s assertation of “Long live the Frightful Four,” I don’t know if I buy that.

The wiki has no entry on the teleporting vest that Bentley invents on the spot, only calling it “a harness.” I wonder if it’s a reference to the M-Vest from DC Comics’ Shade the Changing Man.

Fantastic or frightful? Writer Matt Fraction seems to want this run of issues to be action-heavy, because these are a lot of big superhero battles. This one is fun because we get to see the entire Future Foundation ensemble acting as a team during the brawl.

Next: Crunch time.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Forgotten TV shows I still like – Covington Cross 1992

Forgotten TV shows I still like. In 1991, Robin Hood: Prince of Thieves was a mega-blockbuster, and the entertainment world went a little Robin Hood crazy for a bit. There was the grim and serious Robin Hood TV series starring Richard Masur, the Young Robin Hood cartoon series, a Mel Brooks spoof, and even a Robin Hood-themed episode of Star Trek: The Next Generation. And in 1992, ABC aired a medieval adventure in the Kevin Costner style, Covington Cross.

Sometime in 14th Century England, Sir Thomas Grey is a knight in service to the king, overseeing the castle of Covington Cross and its surrounding land. Joining him are his two rambunctious sons, Richard, Cedric, and Armus, and his feisty daughter Eleanor. Various outside forces threaten the peaceful castle, chief among them being Baron Mullens, who’s always scheming to claim Sir Grey’s land for his own.

Wait a sec…  a father and his sons protecting their huge homestead from criminals and rival landowners? This show isn’t Robin Hood, it’s Bonanza! Covington Cross is the Ponderosa, Sir Grey is Lorne Green, and the three sons are, um, the three sons. Just exchange the swords for six-shooters and the English accents for a little cowboy twang, and you’re pretty much there.

What’s to like about Covington Cross? While Bonanza often used its Western setting to explore important social issues and whatnot, the producers of Covington Cross were more interested in the adventure of it all. Expect plenty of swordfights, chases on horseback, and dudes getting shot with arrows. All this action isn’t as flashy or explosive as the Costner movie, but it’s pretty impressive for weekly TV.

Actor Nigel Terry had already played King Arthur in the 1981 Excalibur movie, so he’s able to bring kingly authority to the role of Sir Grey. Youngest brother Cedric is played by Glenn Quinn of Angel, and he’s often put in the romantic role, wooing the young ladies and idealizing chivalry and knighthood. Ione Skye of Say Anything plays daughter Eleanor, and she too is more interested in swordfights than in sewing lace doilies.

Thirteen episodes of Covington Cross were produced, but only seven aired before ABC pulled the plug. Why? The show was incredibly expensive. An American TV show filmed entirely on location in England with all English cast made this a lot more costly than usual. It’s one of those cases where it had to debut as the number one show in the ratings to justify the cost. When that didn’t happen, it had to go. A year after Prince of Thieves, I wonder if audiences were already all Robin Hooded out.

Other observations:

  • The pilot had another brother, William, who was written out between episodes one and two. He was replaced by Armus, who gets all of episode two devoted to his intro.
  • Is it just me, or does the theme song sound way too much like John Williams’ Superman theme?
  • The real-life Covington Cross was Arlington Castle in Kent, England. It’s been a filming location for a number of English TV shows and movies.

There we have it. Covington Cross might Robin Hood lite (or Bonanza lite, even), but it’s enjoyable – a fun, zippy series of adventure tales. If ABC/Disney were to get this out of the vault and put it on Disney Plus, I bet viewers would get a kick out of it.

All thirteen episodes of Covington Cross are currently on YouTube.

Next: Not all black and white.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: Big bang weary

Reading the Fantastic Four comics from the start. Our heroes continue to time travel in vol. 4 issue #6 legacy #617, so why not go all the way back in time?

The Fantastic Four, along with Franklin and Valeria, are off on a year-long expedition through time and space. This is secretly Reed’s way of looking for a cure for the life-threatening affliction he’s come down with. Also, all this time, Ben had been acting more and more irritable.

We begin at “the end of all things” where an alien jury is sentencing a prisoner back in time to the big bang. His sentence is that he will witness the creation of the universe, and then be the first living thing to die. On board the FF’s ship, the two kids are giving a presentation about the big bang and the constantly expanding nature of the universe. Reed approves of their homework and adds, “We’ll be there by lunchtime to see it happen.”

In his room, Ben is swallowing aspirin by the bottleful. He joins his teammates on the bridge, admitting that he has a huge headache. The ship arrives just in time for the big bang, only to find the prisoner there, strapped to a floating chunk of rock. Valeria deduces the creature came from another time as well, and Reed wants to investigate, despite the potential danger. So Ben dons a high-tech spacesuit and heads out to the rock. He frees the creature and brings it back to the rock.

Aboard the ship, the creature’s metal suit bursts open, and we see the prisoner is the FF’s old foe, Blastaar the Living Bomb-burst! (Who is Blastaar again? Originally from the Negative Zone, he was a power mad dictator. After being separated from his people, he continued to be power-hungry and enraged. Also readers of the FF series running parallel to this one just saw Blastaar in the present, so something’s up.) Ben and Blastaar fight, and starts glowing with orange energy. Blastaar punches Ben out of the ship, causing a hull breach.

Next Reed and Sue fight Blastaar, trying to keep him from destroying the ship as they battle. Reed is injured during the fight. Johnny joins in, only for Blastaar to overpower him. Reed notices that cooling rods were part of Blastaar’s prison garb, and he fears that Blastaar was sentenced to die in the past because he’s overpowered and is about to blow up anyway.

The family huddles in the cockpit while Blastaar goes nuts throughout the rest of the ship. Franklin suggests traveling to the end of time from the beginning of this issue (confused yet?). Reed says the ship is too damaged, but Franklin wonders if he can do it with his reality-bending powers. Franklin concentrates, and the ship disappears, leaving Blastaar behind. He sees the beginning of the universe, and his own end.

Unstable molecule: Getting burned by Blastaar would seem to exacerbate Reed’s sickness.

Fade out: With Ben out with his headache, Sue is the one piloting the ship. She makes a big deal of how complicated it is to hit just the right coordinates for the beginning of time.

Clobberin’ time: Not only does Ben glow orange during the fight, but his eyes are shows glowing when he’s alone in his room.


Flame on: Johnny and Blastaar fight while surrounded by one of Sue’s force fields, where  they can both go nuts with fire and not burn the whole ship down.

Fantastic fifth wheel: Two H.E.R.B.I.E. robots join the fight, only for Blastaar to make short work of them. Sue doesn’t like that they are weapons, but Reed insists they were built only for construction and demolition. Freakin’ H.E.R.B.I.E. the robot.

Four and a half: I guess now we’re adding time travel to the increasingly lengthy list of Franklin’s mutant powers. What I find more interesting is his growing more and more in control of his powers.

Our gal Val: Valeria is basically the ship’s science officer in this issue, running scans on Blastaar before he wakes. Maybe Reed is having her do this as more of her homework.

Trivia time: The big bang was a busier time than this issue suggests. This was where Galactus, the Phoenix Force, and Knull (a.k.a. god of the symbiotes) all came from. And just this year in Marvel Comics, Dr. Doom, Rocket Racoon, and the FF’s own H.E.R.B.I.E. all visited the big bang. (Freakin’ H.E.R.B.I.E. again!) I can think of no explanation as to why everybody’s not running into each at this moment, except that empty space is big, so maybe they’re all spaced out around the explosion.

Fantastic or frightful? It’s another “all they do is fight” issue in the classic Marvel style. It sets up a fun cliffhanger. But more importantly, it hints as to how the two Fantastic Four and FF series are going to tie together. I guess that’s all it has to be.

Next: Crunch time.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Forgotten TV shows I still like – Double Rush 1995

Forgotten TV shows I still like. Have you ever watched Cheers and thought, “What if they all had bicycles?” The creators of Double Rush must’ve had the same thought.

Double Rush ran for 12 episodes with a 13th unaired one in early 1995. It takes place inside a New York City bicycle messenger service named, of course, Double Rush. Robert Pastorelli of Murphy Brown and Dances With Wolves (“There ain’t nobody here, lieutenant!”) stars as Johnny Verona, a former ‘60s rock guitarist and idealist, who now runs the bike service in place of realizing his rockstar dreams. Corinne Bohrer of E/R and Veronica Mars plays Zoe, a would-be businesswoman who reluctantly takes a messenger job with Johnny after failing to land the career of her dreams.

A bunch of well-known actors and a few familiar faces round out the rest of the ensemble. Adam Goldberg plays Leo, a burned-out and world-weary Gen X-er whose cynicism butts up against the idealism Johnny had in his youth. DL Hughley plays Marlon, who has a wife and kids at home he’s trying to support. David Arquette is Hunter, an adrenaline junkie who always takes wild, dangerous risks while biking around the city streets. Character actor Sam Lloyd plays Barkley, the spaced-out dispatcher, who always has some oddball bit of philosophy to spout. Finally, there’s the character known only as the Kid, played by Phil Leeds, who is an old man hip to modern culture.

There’s a long list of failed sitcoms out there, but Double Rush did the sitcom right. A lot of the jokes are good ones, and the fast paced, rat-a-tat dialogue means that if one gag didn’t work for you, another one is only seconds away. A typical trick is to introduce an element into the bike shop, such as a woman crying over a breakup or a bunch of mobsters, and then the writers go down list to come up with jokes for each character to make. These scenes keep the whole ensemble involved, and gives each actor a moment to shine.

But it’s the character work that makes Double Rush shine. We’ll never know if Johnny and Zoe would have developed a Sam-and-Diane thing, but that’s the most likely scenario. The show does get to follow up on Johnny and Leo, though. Several episodes establish a strained relationship between Leo and his unseen dad, putting Johnny in the reluctant role of father figure to Leo. If there’s any sort of main character arc in this first season of Double Rush, it’d be this.

But the show has other stuff on its mind as well. Everyone is broke, and a lot of time is spent on all the characters’ financial woes. We learn that Johnny could have signed a recording contract back to make it big back in the day, but he refused because he couldn’t leave behind his bandmates. Similarly, Johnny is often faced with selling out to a rival, more successful messenger service, but won’t do so because that would compromise his integrity. So Johnny feels a need to take care of his people, even when they drive him up the wall. Pretty heady stuff for a comedy, but Double Rush keeps these themes front and center while remaining light and fun.

Why didn’t Double Rush take off? It faced the bane of many a failed TV show – scheduling. It first aired on Friday nights, when its Gen X audience was mostly out and about. Part of the way through its run, it was moved to Tuesday against ratings juggernaut Roseanne, and that was all she wrote. Double Rush was co-created by Diane English, creator of the mega-successful Murphy Brown. It had the goods to be a hit, but… alas.

Other observations:

  • Part of the Double Rush set included a ramp where extras and even the main cast would ride bikes onto and off of the stage. Cyclists often skidded to a halt mere inches away from their fellow actors. I hope they got some stunt training before filming.
  • The show’s flashy opening credits sequence was directed by music video director turned feature filmmaker Spike Jonze (who took his name from the great old-time radio comedian Spike Jones, but that’s a blog post for another time).
  • Several times throughout the series, we go outside for some location shooting. We get to see the cyclists zipping through the streets of New York (or whatever New York-like streets they had wherever this was filmed). This must have been expensive, but it was worth it. The location shoots gave the show a bigger size and scope than other sitcoms.

I could only find four episodes of Double Rush online. Who knows, if the folks at Paramount Plus click the button to put this on streaming, they might have a surprise hit on their hands.

Next: “Why a spoon, cousin?”

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: Party down at the internet café

Reading the Fantastic Four comics from the start. Let’s catch up with the replacement team and the Future Foundation in FF #6. And let’s do it at the local internet café!

The Fantastic Four’s year-long expedition through time and space was supposed to be only four minutes back on Earth in the present, but they never returned. A replacement Fantastic Four – Ant-Man, Medusa, She-Hulk, and newcomer Darla Deering – have taken over teaching the genius kids of the Future Foundation as well as protecting the Earth. The previous issue had Medusa sneaking would-be supervillain Bentley-23 away with villains the Wizard and Blastaar the Living Bomb-burst.

This issue begins with Dragon Man asking around the new Baxter Building where Bentley has gone. This includes a fun full-page cross-section of the HQ in the old Jack Kirby style. Scott Lang, the current Ant-Man, wakes from a dream of his dead daughter Cassie (don’t worry, she eventually comes back), and then obsesses over photos of her on his phone. During breakfast, the whole FF sees pics of Darla in the newspaper, of her trying on various looks for her Thing suit from the previous issue. Turns out someone hacked her phone and stole her pics. Cut to an internet café (!) where a daily bugle reporter is buying the photos from the Yancy Street Gang, who want to make Darla’s life awful for her taking the place of the Thing.

And then this happens. There’s no other way to say it, so here goes: the Moloid Tong, wearing a pink dress, comes out as a trans female. But the comic doesn’t use those words. The actual text is, “I have a girl inside of me. I tried to be a boy like you, but there is no boy here. And I do not with to be what I am not any longer.” The other Moloids are happy to accept Tong as their sister.

What to make of this? On one hand, representation is good. On the other hand, having a trans character also be an alien creature is perhaps a mixed message. The real message, I suppose, is how everyone else loves and accepts Tong for who she authentically is. As I recall, a criticism many had at the time was that this had no relevance to the ongoing plot. But isn’t that the way life works? A person’s coming out should be an ordinary thing, and not a shocking plot twist, right? Was anyone buying this comic thinking, “I wonder what Tong is up to this month?” I’m not an expert on these things in the least, but it seems to be that this was tastefully done.

Moving on, the replacement four have a meeting. She-Hulk will take Medusa’s son Ahura back to the Inhuman city of Attilan to search for Medusa and Bentley, while Ant-Man and Darla will work on securing Darla from other cyberattacks. Except that popstar Darla has an engagement at Carnegie Hall that day. (If you’re playing Carnegie Hall, wouldn’t the people you live with know that already?) Darla sees Tong in a dress and says, “Good for her.”

At Carnegie, Darla is doing an acoustic show, without any of the backup dancers or outrageous costumes. But then we see that a bunch of the Yancy Street Gang are in the audience wearing Thing masks. They throw food at her and drive her off the stage. Darla runs to Scott for help, but he’s disappeared.

In Attilan, which is floating over in the sky over NYC, She-Hulk asks the Inhuman royal family where Medusa has gone, only to get the silent treatment. Ahura uses his psychic powers to communicate with Black Bolt. “He said a lot,” Ahura says, adding that Black Bolt gave giant teleporting dog Lockjaw permission to join them in the search for Medusa.

Darla and Scott reunite at the internet café from earlier, where they are confronted by the Yancy Street Gang. Scott knows each of their names, saying he beat them at their own game. During the Carnegie show, he shrunk down to ant size and followed the gang home, learning all their secrets. What’s more he sent out all their personal info onto the internet, including passwords and phone numbers, but also embarrassing photos and posts. The gang again insists that Darla is not the Thing. She agrees with them, saying she isn’t there to replace anyone. Scott tells the gang to go ahead with their pranks because Darla needs to toughen up, but also warns them that Darla will shock the world once she’s in fighting shape.

Back at HQ, Dragon Man discovers that the H.E.R.B.I.E. bots tasked with security had been dismantled, with traces of Medusa’s hair left behind. Scott starts to give everyone a pep talk about finding Medusa and Ahura when there’s a big pop, and the entire building is transported to another world. Where are they? The caption reads, “To be continued… in the Negative Zone!”

Fantastic fifth wheel: Remember that in addition to his shrinking tech, Scott Lang is an electronics whiz, so it’s a natural that he hacked the Yancy Streeters. He reminds them (and us) that just like Darla’s not the Thing, he’s not Reed Richards.

I googled it, and the song She-Hulk is listening to while Dragon Man searches the building is “Lose Yourself” by Eminem.

The strands of Medusa’s hair left behind still move by themselves. No word on whether she can control them once separated.

Darla is again shown leading the Foundation kids in some yoga. I guess that her official “teacher” role.

There’s several references to the H.E.R.B.I.E. bots being built from the remains of old Doombots. Some of them even wear replicas of Dr. Doom’s cape and hood, strangely. This issue also introduces Dr. H.E.R.B.I.E.s inside the Baxter Building’s medical bay. Freakin’ H.E.R.B.I.E. the robot.

Crystal is seen standing alongside the Inhuman royal family, but remains as silent as the rest of them.

Foundational: Because Ahura appears so rarely in Marvel Comics, his powers tend to get tweaked for each appearance. In this issue we see his telepathy, but his other powers have included creating clones of himself that he controls psychically, his father’s own sonic scream, optic blasts, flight, mind control, and even matter manipulation.

Trivia time: Googling “New York City internet café” takes you to all kinds of weird places. These places exist, but they’re really more coffee shops that have wi-fi, rather than “come here and surf the web in public” that we imagine. First there was the IDT Megabyte Café in New York, which got a lot of hype but only ran from 1996 to 1998. Then there was Easyinternetcafé (one word) a chain of cafés from England that opened a huge one in Times Square in 2000, with 800 PCs for customers to play with, not to mention sushi on the menu. I can’t find out when it closed, but a 2009 article in Newsweek is all about how it is failing. Considering that the characters in this 2013 issue of FF use smartphones to do their hacking, I’m guessing the café seen here is wholly fictional.  

This was in Times Square.

Fantastic or frightful? The Scott/Darla story seemed a rehash of their concert adventure a few issues earlier. The search for Medusa should have been the push for this issue, but I guess it didn’t have the opportunity for as many hijinks. Each issue of this run of FF is one part of a bigger whole, though, so I accept it in that context.

Next: Go into the light.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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