Reading Shakespeare’s The Winter’s Tale – Act 5 Scene 1 (part 1)

Re-reading Shakespeare’s The Winter’s Tale! Time to start wrapping things up in act 5, scene 1, catching up with everyone from the first half of the play.

Remember that sixteen years have passed since the last time we saw Leontes. After the death of his wife Hermoine following her trial, Leontes had a change of heart (or did he?) and swore to spend the rest of his life in mourning. How’s that going? He enters, followed by courtiers Cleomenes and Dion. You’ll remember them as the two messengers who traveled to the Oracle of Delphi and back. I guess they’ve been promoted, because now they’re acting as Leontes’ advisors. Cleomenes says Leontes has had a “saintlike sorrow” over the years, but not it’s time to move on. Leontes says he still regrets his “blemishes” for what he did to Hermoine, and he also bemoans how his kingdom is now heirless.

Still in mourning.

Paulina is back as well, heaping huge praise onto Hermoine’s memory, but also sneaking in word about how Leontes is responsible for her death. Leontes has a short speech where he muses on the phrase “she I killed.” Paulina, Cleomenes, and Dion have a conversation about wanting Leontes to remarry, saying it would be good the kingdom’s future, and it would be good for him personally. What I find odd is that none of this is marked as an aside, so Leontes is sitting right there while they’re saying all this. I assume he’s so lost in mourning that he’s tuning them out. This feels like the trope of a guy praying while all alone in a giant church.

This scene is very different in the ballet version.

Paulina argues against a remarriage, saying that no other woman could compete with the radiant Hermoine. She does a “previously on The Winter’s Tale” speech, reminding us of Antigonus’ death (pursued by a bear!) and the Oracle’s prediction that Leontes will not have an heir until his lost child is found. Leontes speaks up to agree with her, saying “No more such wives.”

Keitaro also probably said, “No more wives.”

Going into poor-me mode, Leontes says a curious sentence, which the Folger edition reads as, “On this stage, where we offenders now appear, soul-vexed, and begin ‘Why to me?’” The footnotes are all about how this line is wildly different among all the various folios and quartos and whatnot. Changes include substituting “were” or “we’re” in place of “where” and “offend her” in place of “offenders,” among others. I don’t have the wherewithal to parse this, but I will point out the similarities between this and the “If we shadows have offended” speech that concludes A Midsummer Night’s Dream. It’s around this point that Paulina refers to “the ghost that walked.” This phrase also shows up in Hamlet, and it’s the inspiration for classic pulp hero the Phantom.

Slam evil!

Paulina asks Leontes to swear that he’ll never marry again without her permission, and he goes one further saying he’ll never marry again, period. Paulina says that if Leontes should remarry, then she should be the one who chooses the new queen, one that could satisfy both him and Hermoine’s ghost. “Ghost” could be literal, or it could just mean honoring her memory. So, what is Paulina up to? Is this Paulina still maintaining her loyalty to Hermoine all these years later? Or, have things changed so that Paulina has developed a thing for Leontes now? That’s probably not the original intent, but I can imagine actors playing it this way.

Whose side is she on?

The scene ends with Leontes agreeing not to marry again without Paulina’s blessing. Either he’s just saying this to placate her, or something she’s said has unlocked the possibility or remarrying in his mind. She has an odd response in that this won’t happen until “your first queen’s again in breath.” All this is setting up the possibility of a new chapter in Leontes’ life, while also stating it’s highly unlikely. More importantly, it establishes Hermoine’s presence still being part of the story, setting up the big ending.

Maybe they should check the attic.

Next: Who’s that knocking at the door?

* * * *

Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Reading Shakespeare’s The Winter’s Tale – Act 4 Scene 4 (part 10)

Re-reading Shakespeare’s The Winter’s Tale! The super-long act 4, scene 4 comes to a close with more comedy antics from our favorite comedy character.

After Perdita and Florizell agree to return to Sicilia with Camillo, they exit. Autolycus (the king of thieves!) takes center stage and reveals he was eavesdropping. He boasts that as a proper thief, he sees and hears everything. He says there could be some “boot” in this conversation, which my books’ footnotes tell me means treasure. He says this is a good time to be unjust, and that he’s not going to tell the king what he’s seen, preferring instead to be a knave. He’s then joined by the shepherd and the shepherd’s son (or “the clown” in some editions). They further discuss what’s happened. It’s interesting that their attitudes toward Perdita have changed. Instead of praising her as the most beautiful girl in the village, they’re calling her a “changeling” and describing her as Florizell’s “clog.”

Once again, let’s not forget these characters are… Bohemian.

The shepherd is concerned about his social standing with Polixenes the king, because his daughter just ran off with the king’s rejected son. The shepherd’s son it’s time to reveal that Perdita is the shepherd’s adopted daughter, and he encourages the shepherd to gather the secret items he found on the day he found Perdita. This is followed by jokes about the shepherd considering himself as the king’s new brother-in-law.

Very Shakespearian.

Autolycus removes his fake beard, revealing himself as the man the shepherd’s son met earlier. Despite an aside about how sometimes even he is honest, he puts on a high-minded way of speaking that is so highbrow it comes off like Dr. Suess-style gibberish. And I mean that in a good way, in how that’s the joke – it’s what Shakespeare intended. The “jokes” are about lying versus truth, and sorting out what it means to be a courtier.  The real humor of the scene is not so much in what Autolycus is saying, but in the other two guys’ befuddled reactions to him.

Fardel-rama.

The shepherd produces a “fardel,” which is a bundle of rags like a hobo’s bindle, inside of which contains the letter and gold he found the day he found Perdita. Autolycus plays on the Shepherd’s fears, describing all the tortures that the shepherd might endure. He then has a similar list for the shepherd’s son, more or less confirming that the “clown” is indeed the shepherd’s son and not some random villager. Autolycus’ rants during this part are very funny, reminding me of the Brave Sir Robin song from Monty Python and the Holy Grail.

Sir Robin ran away.

We learn that Polixenes has already departed for Sicilia in pursuit of Florizell. The shepherd offers Autolycus half of the gold if Autolycus can get them to Polixenes’ ship. They leave, and Autolycus has an aside where he says he intends to get the two of them before the king, for his own benefit as well as everyone else’s. At least I think that’s what he’s saying. This aside is difficult to parse, as he’s such a trickster. Even when speaking openly direct to the audience, he’s still all about plots and schemes. We’ll see how things play out from his perspective as the play heads towards its climax.

Would you trust this man?

Next: The tide turns.

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Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: Bebe Nu-Earth

Reading the Fantastic Four comics from the start. Issue #586 continues the ongoing storylines from past issues, while I pray that writer Jonathan Hickman will tie all this together somehow.

Gimmie a gimmick: This issue continues the “Three: Countdown to Casualty” cover logo, this time with the number one out of four circled.

We’re off the coast of Thailand, during the negotiations between Atlantis and the recently-discovered Old Atlantis. Except negotiations have failed, because Namor just threw a spear threw the chest of Ul-Uhar, the Old Atlantis king. Sue, acting in her role as ambassador tries to argue for peace, but then realizes that this whole thing was a setup on Namor’s part, and the Atlantean army attacks in full. She puts a force field around the structure where everyone the negotiations are occurring, declaring that no one gets in or out.

In space, Reed is aboard Taa II, the space station home of Galactus, where Galatcus has summoned him to prevent his death in the future. He’s reunited with billionaire Ted Castle, who once built the alternate Earth called Nu-World, and Reed’s old flame Alyssa Moy, who has long since died and been rebuilt as the robotic Moy-2512. Reed explains that Galactus discovered that in the future, the New Defenders will use his corpse to travel to the present. Taa II arrives at Nu-World, and the Silver Surfer (who has gone back to being Galactus’ herald at this point) says the entire planet now consists only of AIs.

In New York, the man known as the Anti-Priest, whom we know is working with Annihilus, tells his followers to “pierce the portal.” Indeed, portals open up inside the new Baxter Building while Ben and Johnny are playing cards. Note that this is still during the one week per year that Ben is able to be human. Portals open all around then, and they’re attacked by the Anti-Priest’s henchmen. The kids from the Future Foundation join the fight. The three Moloid try to reason with the attackers, while Alex Power uses his classic gravity-manipulating powers to reveal the henchmen are giant insects with heavy exoskeletons. The henchmen lay eggs (!) which are about to hatch, with the hatchlings planning to head straight for the Negative Zone portal in Reed’s lab. Franklin tells Ben and Johnny that the Future Foundation kids are also headed for the lab.

In space, Galactus and co. make it to Nu-Earth to find it a wasteland. Galactus says the people of Nu Earth consumed to much energy, leading to their deaths. He asks Reed if this future can be avoided. There’s a brief flashback to two members of the Council of Reeds stating they can feed the people on the planet by stabilizing its star. Reed insists he can “solve everything” and he can save this world. Galactus responds with a classic, “I hunger.” Ted Castle says Nu-Earth has a gateway to Earth that is still functional, and that Nu-Earth’s remaining survivors could make it back to Earth. Galactus says this is a fool’s errand, but Reed says he has to try.

In Thailand, a day has passed and Namor has not budged in his antagonism against New Atlantis. He approaches Sue, who has maintained the force field all this time. Namor says all is not what it appears, and that Old Atlantis is made up of murderers who were intentionally exiled a millennia ago. He says they were planning on killing the Atlanteans, and Sue as well.

At the Baxter Building, Johnny and Dragon Man fight the Anti-Priest’s henchmen while Valeria and Bently-23 quickly invent a high-powered gun for Ben. Valeria says the Negative Zone portal is closed, but she’s not sure about the shielding, which has been tested on the other side, but not on Earth’s side. We see all the insectoid henchmen, who are now fully insects, chewing on the portal door. The door fails, the portal opens, and even more insectoids burst through, with one stating, “Annihilus.”

To be continued!

Unstable molecule: Reed’s promise to “solve everything” recalls his invention of the Bridge, the multiverse-accessing device which has, to date, only caused trouble.

Fade out: Sue maintains a force field around the Thailand Atlantean base for an entire day, apparently not eating or sleeping the whole time.

Clobberin’ time: Why would Ben, with only one week to be human, spend a night at home playing cards with Johnny and watching the kids? Maybe after his wild night out a few issues back, he knows what his priorities are.

Flame on: Johnny takes the lead on fighting the Baxter Building’s invaders, with little foreshadowing of what’s to come.

Four and a half: Franklin is alongside the Future Foundation kids during the fight, even reporting on where they’ve gone. Are we sure he’s not an official Foundation member?

Our gal Val: Valeria is in the middle of the action when she’s attacked by one of the insectoids up close. Johnny and Bently-23 are there to rescue her.

Fantastic fifth wheel: Once again, the building’s security alarm has the face of H.E.R.B.I.E. the robot on its screen. Freakin’ H.E.R.B.I.E. the robot.

Foundational: Korr of the Moloids tries to be friendly with the insectoids, saying he enjoys romantic comedies and games of chance. Bently-23’s gun includes “variable particle injectors, infrared tracking, and rotating power cores.” Bently also quick-invents a bomb which saves Valeria’s life during the fight.

Yes, Alex Power still has his gravity powers, despite all the times he switched powers with his siblings in Power Pack. For a while, he had all their combined powers in New Warriors, but then he returned his siblings’ power to them just before joining the Future Foundation. Further, the Marvel Wiki states that Alex was pro-reg during Civil War and is technically a member of the Initiative. Could he secretly be reporting to S.H.I.E.L.D. about the FF’s activities during this time?

Even more further, the Marvel Wiki states that it’s around this time that Alex changed his codename from the dorky Gee to the more cool-sounding Zero-G. I don’t know when that was made official, though.

Trivia time: The two members of the Council of Reeds seen in the flashback are two of its three founders, whom we met back in issues #571-572. You can tell by the suit on one and the chest insignia on the other.

Fantastic or frightful? Everything regarding Nu-Earth has reached “Donna Troy’s origin” levels of confusion. Originally, the emotional story of Nu-Earth was not the planet itself, but in Reed reuniting with his old flame and her new hubby, wondering about how his life might have been gone differently. Without that, the idea of Nu-Earth is just random sci-fi wonkery. The same goes for Old Atlantis and the Anti-Priest – just ideas without character. Next issue is the big one, though, so let’s see if writer Jonathan Hickman can stick the cosmic landing.

Next: Burnout.

* * * *

Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Reading Shakespeare’s The Winter’s Tale – Act 4 Scene 4 (part 9)

Re-reading Shakespeare’s The Winter’s Tale! The super-long act 4 scene 4 is nearing its conclusion, as characters prepare for a long journey by exchanging hats.

Where were we? After deciding to flee from Bohemia back to Sicilia, Camillo, Florizell, and Perdita step aside and in walks Autolycus (the king of thieves!) to lighten things up again. He says what might be the most Shakespeare-y line that Shakespeare ever wrote, “What a fool honesty is.” He’s still in disguise as a peddler, and he describes how a large group gathered to buy all his trinkets, which were not really valuables but ordinary junk like ribbons and shoelaces. While all the drama happened between Polixenes and Florizell, Autolycus says he went about pickpocketing all the onlookers.

Would you trust this man?

Autolycus also says the Shepherd’s son was enamored by the women’s singing and would not “stir his pettitoes” until he learned their songs and dances. My books’ footnotes insist that “pettitoes” means pig’s feet, usually for eating. Also, it’s at this point that the Folger edition’s footnotes finally acknowledge the other editions naming the shepherd’s son as “the clown.” Folger says it’s likely the character was played by a comedian who was a regular in Shakespeare’s company at the time.

“No more piddies.”

Camillo and the others return, with some business about him writing ahead to Leontes in preparation for their visit. There’s a comedic beat where Autolycus wonders if they heard him bragging about his pickpocketing. Instead, Camillo assumes Autolycus is poor, so much that he gives Autolycus money.  But this is no charity. Camillo asks Autolycus to strip, which is odd at first, but then we see Camillo wants them to exchange outfits so Camillo can disguise himself for the journey to Sicilia. (Unless you’re watching a really out-there production of the play, the actors aren’t stripping all the way down, but merely exchanging overcoats and such.)

“The clothes make the man.”

Camillo suggests that Perdita and Florizell similarly disguise themselves. There are some fun bits here where they don disguises, making a point of stating that Perdita is now wearing Florizell’s hat. Florizell says his own father wouldn’t recognize him now. I can see an actor emphasizing this line in how it’s not about his new look, but also in how the division between him and his father is now permanent.

Girl with a hat.

Camillo gets a short aside, where he tells the audience his intentions. He says he hopes Leontes will be so moved by the story of the young lovers’ escape that he will welcome Camillo back to Sicilia. Camillo says he has a “woman’s longing” to see Sicilia again. The Pelican edition claims that this refers to the cravings for food a pregnant woman gets, but I wonder if it could also refer to a different type of woman’s longing, if you know what I mean (wink-wink, nudge-nudge). Then he, Perdita, and Florizell leave, saying they are headed for the seaside.

By the sea.

Next: The final four, four.

* * * *

Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Fantastic Friday: We got no troubles, life is the bubbles

Reading the Fantastic Four comics from the start. We’ve got both Galactus and Atlantis in issue #585. All these storylines must be building to something, but what?

Gimmie a gimmick: The cover continues this series of issues with a “Three” Countdown to Casualty logo, this time with a circled number 2.

We begin with the same scene as the last issue, but from Ben and Johnny’s POV this time. They drive up in Johnny’s car to see Galactus hovering over the new Baxter Building. Galactus says “Explain” to Reed. Reed tells him how the New Defenders needed their people to escape from an apocalyptic future, so they used future Galactus as a power source, killing him. Reed says he gave the body a proper burial because it seemed like the right thing to do. Reed then reveals that the New Defenders now live on an artificial Earth, which he says is on the other side of the galaxy. Galactus says, “Locate it.” The Silver Surfer can find it just by looking at the stars, and then Galactus departs for Nu Earth. What’s more, Reed accompanies him, instructing Ben and Johnny to watch the kids while he’s gone.

Cut to under the sea, where Sue is setting up the first negotiation between Atlantis and the recently discovered lost city of Old Atlantis. Andromeda of Atlantis does not like the terms Sue has set up, but Namor overrules her. Andromeda leaves, and Namor says she believes Sue doesn’t have Atlantis’ best interests at heart. Sue says she wants what’s best for everyone, and Namor says, “If only things were so simple.”

Reed and Galactus arrive at Galactus space station home, Taa II. They’re going to wait while the Silver Surfer searched Earth for a select group of others who also had exposure to the future Galactus’ remains. Galactus gets a lot more dialogue than usual, where he says he intends to prevent his future death. Then he says to Reed, “We have to talk about your son.”

At the Baxter Building, Ben is telling the kids of the Future Foundation about the time he defeated the Mad Thinker’s Awesome Android, and the kids are more interested in how the android worked than in Ben’s heroism. After the kids go to bed, Ben and Johnny discuss having children. Johnny says he definitely wants to be a father someday, while Ben assumed he never would. Now that he has the ability to be human one week per year, he muses on the possibility.

Elsewhere, a sinister figure called the Anti-Priest speaks to a large gathering. He says people’s dread comes from a fear of dying, but he has come up with an offer for everyone to live forever. Backstage, the Anti-Priest is revealed as an insectoid alien who contacts Annihilus. He and a bunch of the insectoids are planning to seize the Baxter Building and use the Negative Zone portal to unleash another Annihilation Wave.

In Thailand, the Atlantean negotiations begin. Old Atlantis wants access to certain parts of the ocean, but Andromeda will not budge. Namor tells the Old King that the world has changed while Old Atlantis was sealed up for hundreds of years. Namor says he agreed to this meeting to see what awakened from a long time ago. He says, “My course has been set,” and he attacks the Old King. He’s too fast for Sue to stop him, and he stabs the Old King in the chest. He declares, “There is but one king under the sea!”

Unstable molecule: Once again, Galactus considers Reed the only human worth conversing with. But, to be fair, Galactus does not when Johnny joins the conversation. I guess he’s just being polite.

Fade out: The particulars of this treaty is that Atlantis and Old Atlantis are to be treated as equals and have the same number of guards, but Andromeda wants Atlantis to outnumber Old Atlantis three to one. None of this ends up mattering during Namor’s confrontation at the end.

Clobberin’ time: The story Ben tells the kids is his version of the FF’s original encounter with the Mad Thinker way back in issue #15.

Flame on: Johnny’s admission of wanting to be a father someday is interesting. I think the intent is to show he’s a good person, but unintentionally it shows his character growth, and where he may or may not go in the future.

Four and a half: Franklin is shown alongside the Future Foundation kids, listening to Ben’s story. He is the first thing you see when you turn the page after Galactus says, “We have to talk about your son.”

Our gal Val: Valeria is quick to remind the other Future Foundation kids that the Mad Thinker’s creation was an android, not a robot.

Foundational: In their discussion of the Mad Thinker’s awesome android, Alex Power questions the android’s base DNA, Dragon Man questions the android’s power source, while the Atlantean Vil praises the Mad Thinker’s use of unstable molecules. Bently-23, however, points out that he’s met the Mad Thinker and dismisses his “limited facilities.”

Trivia time: Taa II is not the second of Galactus’ homes. It’s the same one he’s had all along. The “II” is because it’s named after his long-lost homeworld of Taa.

Like a lot of Marvel characters who’ve only had supporting roles, Andromeda’s continuity is difficult to follow. She’s spent a lot of time with Dr. Strange and the Defenders, and she was a major character in the Atlantis Attacks events.  A Marvel Handbook-style Defenders: Strange Heroes comic established her as returning to Atlantis leadership during this time.

Fantastic or frightful? Hickman continues these varying storylines he’s set up, with me wondering the whole time when or if they will build to something. If this were something from the Mark Waid era (era) then I’d know where going somewhere with this. If this is from the directionless ‘70s Fantastic Four comics, or the all-over-the-place nature of the Tom DeFalco years, then I’m nervous. EDIT: I did some reading ahead, and I see now that we are indeed heading toward a major event in FF history. Not sure how I feel about what’s to come, but we’ll see.  

Next: Black Hole High.

* * * *

Want more? Check out my novel MOM, I’M BULLETPROOF. It’s a comedic/romantic/dramatic superhero epic! https://www.amazon.com/dp/B08XPXBK14.

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Kindle Vella R.I.P.

Is this… the end?

Amazon announced this week that it’s pulling the plug on Kindle Vella, effectively killing my ongoing series THE SUBTERKNIGHTS. The entire Vella community is in disarray, as thousands of writers are now in panic as to what to do with their work. I also have no idea what to do next.

Sure, there are a bunch of other serialized fiction sites like Wattpad, Ream, Inkitt, and the rest, but they are just too insular. (When was the last time you overhead someone at the grocery store saying, “Have you read the new Inkitt?”) And I don’t have the numbers to support a Patreon, a Kickstarter, or even a newsletter. The hard truth is, if you want to sell a book, Amazon is still the only game in town.

Of course I had a plan for an ebook version of THE SUBTERKNIGHTS, but mine was different. My plan was to publish it all as a series of novellas, so they could be read like episodes of a weekly TV show or issues of a monthly comic book. A true “ongoing,” as they say in the comic book biz.

But I can’t do it alone. I’ll need an artist as collaborator, not just for the ebook covers, but also for a consistent logo, and for additional artwork for promos and a SUBTERKNIGHTS website. And because I’m not Mr. Computer Whiz, I’ll likely also need a webmaster for this hypothetical website. As I see it, this site could include character profiles, world-building background, and “previously on” notes for readers so they can stay caught up between novellas. Check out author M.D. Cooper’s “Aeon 14” website for the type of thing I’m thinking of.

Therefore, future production of THE SUBTERKNIGHTS will have to become a team effort, rather than me doing everything myself. But… BUT… Amazon has bloodily beheaded the infant Vella in its crib before it could grow an audience. That means I’ve lost all momentum in this project and I’ve fallen all the way back down to zero – zero sales, zero readers, zero everything. What artist and what tech guy would ever want to collaborate with an author in this state?

This circles right back around to having no idea what to do next.

The only silver lining to any of this is the old “art imitates life” thing. In the fictional world of THE SUBTERKNIGHTS, our hero Simon must stand strong against the hopelessness of living under the thumb of an oppressive mega-corporation. Also, one of my goals for THE SUBTERKNIGHTS is to evoke a ‘90s Friday night sci-fi TV show. I suppose getting abruptly cancelled by an uncaring studio is authentic to that experience.

Look at me rambling. If anyone out there is interested in being a cover artist, character designer, and/or webmaster for THE SUBTERKNIGHTS, contact me and we can have a conversation. The money will be crap, but you can live out your sci-fi/fantasy/pulp novel/B-movie/’90s TV/Image Comics dreams.

Finally, here’s the link to THE SUBTERKNIGHTS. You have until February to buy and use tokens to read the story so far. You also have until then to check out all the other Vella authors and discover a whole world of indie authors, before it’s all gone forever:

http://www.amazon.com/kindle-vella/story/B09TRYXTLF

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Fantastic Friday: Human again, and mutant again

Reading the Fantastic Four comics from the start. Everybody loves Jonathan Hickman’s run on the series, but I must admit I’m struggling my way through it. Will issue #584 be the one that turns it around for me?

Gimmie a gimmick: Again, this issue comes with a cover logo exclaiming “Countdown to Casualty” with a countdown from four to one. This time the number three is highlighted.

Picking up from last issue, Ben was exposed to radiation during an adventure in the High Evolutionary’s old city, causing top of his head to grow to unusual size. That city, by the way, is one of four ancient civilizations the FF recently unearthed and have taken a continued interest in. This issue begins with the effect seemingly wearing off, but still leaving Ben as a rock monster. He checks in with Johnny and the Future Foundation kids, who tell him that Sue is leaving for a few days to continue her ambassador work with Old Atlantis, an offshoot of regular Atlantis and another ancient civilization recently discovered.  

Cut to later, where Ben is considering the potion the Foundation kids made for him, which they say can turn in back into a human for one week per year. With Johnny keeping watch, Ben drinks the formula. It works, and Ben is once again human. Johnny encourages Ben to take advantage of this, and make up for years’ worth of missed opportunities. He promises, “The best day you’ve had in a very long time.”

Johnny and Ben spend a day hanging out, going to a ball game, and even enjoying a poker game with other superheroes. On their way back to the car, Johnny and Ben are confronted by the Yancy Street Gang, who are no longer street kids, but full-grown adults in business suits. Ben says they’re all recession-era (era) failed Wall Street guys now. Even in human form, Ben is able to punch them out.

Sue arrives not in Old Atlantis, but Utopia Island, home for half of the X-Men. Cyclops’ team live in Utopia, doing the superhero thing, while Wolverine’s team is back at their old school doing the New Mutants thing. She’s greeted by Cyclops and Emma Frost, and then by Namor for the first official negotiation between Old Atlantis and New Atlantis.

Back in NYC, Johnny says he has one last surprise in store for Ben. He takes her to Alicia’s apartment. It takes her a sec to realize what’s happened, and then they kiss. Waiting outside by the car, Johnny remarks, “Good for you, Ben.”

Later that night at the new Baxter Building, Reed is studying a special anomaly far out in space which he nicknames “the Fault.” Then the Silver Surfer flies up and says Reed has more pressing matters, ones involving Galactus. The Surfer says he is angry, and that he found the Galactus corpse hidden deep beneath the Earth. (Remember that the New Defenders used the future Galactus’ body as a power source during their story arc several issues back.) Silver Surfer can tell that the FF had been there, and that the dead Galactus is from the future. Reed promises to explain, but the Surfer says his master is the one who wants explanations. Turn the page, and there’s Galactus himself, looming over the building. “And he would have them now,” the Surfer says.

To be continued!

Unstable molecule: Reed offers to be Sue’s backup on her ambassadorial mission, but she says she can handle it. He agrees to mind the kids while she’s away.

Fade out: Sue and Emma Frost act awfully cold to one another, despite having formed a friendship of sorts after the FF/X-Men miniseries a while back. The mutant extremism of the Utopia X-Men have no doubt made things tense between them.

Clobberin’ time: Ben’s mutation ends up not mattering, except to remind him that he’s still a monster.

Flame on: At one point, Johnny asks Ben if the one-week-per-year thing is good, or if it’ll make things worse in the long run. Ben says he won’t take it for granted.

Fantastic fifth wheel: Reed speaks to H.E.R.B.I.E. the robot while investigating the Fault, but we don’t see H.E.R.B.I.E. on the page. Instead, he only responds via voice, as if he’s the Enterprise computer from Star Trek. Freakin’ H.E.R.B.I.E. the robot.

Luke Cage is one of the heroes at Ben and Johnny’s poker game.

Foundational: During breakfast, the Moloid kids do the sci-fi alien thing where they describe breakfast cereal in overly wordy and scientific terms. Leech and Artie can be seen playing an Iron Man video game that looks a lot like the 2008 Iron Man movie.

SUE-per spy: The 2019 Invisible Woman miniseries revealed that Sue had a double life as a S.H.I.E.L.D. agent all along. Here we see her flying off to go on a solo mission. How many other times has she done that over the years?

Trivia time: Remember that Ben and Alicia haven’t been a couple for a long time, despite occasional hints that there’s still some romance there. The Marvel Wiki states they don’t officially reunite until much later, but it looks to me like they’re reuniting now.

All the characters at the poker game are members of the New Avengers, making for some easy-to-follow continuity. And yes, that’s Stan Lee and Jack Kirby as the two old friends that Ben and Johnny catch up with during dinner.

Fantastic or frightful? It’s nice to have more of a character-based story, rather than rushing through the story to cover tons of plot points at once. There are still hints that big cosmic events are coming, but this “FF as a family” stuff is part of the characters’ appeal, and it works well in this issue.

Next: Andromeda-o-rama.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Say uncle

Reading the Fantastic Four comics from the start. Writer Jonathan Hickman starts tying story threads together (or does he?) in issue #583.

Gimmie a gimmick: This issue’s cover has a big “Three” logo at the top with a “Countdown to casualty” counting down from four to one. This issue gets the four.

We begin in “the neutral zone,” where the High Evolutionary’s lost city had risen from underground to the surface, and the FF are in battle against its primitive inhabitants. This only lasts for one page, though, as we cut to the new Baxter Building, where young Valeria is sneaking into her father’s lab. She finds the Bridge, Reed’s doorway into the multiverse he created in hopes of solving every problem in the world that needed to be solved. She watches a holographic recording of Reed telling her (and us) all about the Bridge. This includes the Council or Reeds, made up of Reeds from other universes, who wanted him to join them at the cost of his own family. He says he promised Sue he would not rebuild the Bridge, but now Valeria sees he has.

Cut to Latveria, where Dr. Doom is in bad shape. He’s recently lost part of his genius after an encounter with Intelligencia in a recent Incredible Hulk issue, but he’s not done yet. He announces to his servant Boris that he will temporarily abdicate his throne until he can reclaim what he lost. And he wants to abdicate to Kristoff, the child genius who believed he was Dr. Doom for many years. At that moment, Valeria teleports into Doom’s throne room and says, “What’s up?” Doom surmises that Valeria’s parents don’t know she’s there. She tells him that her father built a “very bad machine” and that she found it. Then she says, “What would Uncle Doom do?”

Then, in an entirely wordless sequence, we get a flashback to Valeria entering the Bridge and catching up to the Council or Reeds. Just like we saw them last time, they’re in battle against the Mad Celestials. Four of the Reeds rescued Valeria and brought her back to Earth, checking out a map of the planet while they were there.

Valeria tells Dr. Doom that her father made the wrong choice, choosing his “personal happiness” over the good of the world. Doom asks why she’s telling him this, and she says, “All hope lies in Doom.” (Remember that this was the message the adult Franklin from the future gave Valeria back in issue #574.)

At the High Evolutionary’s city, the fight continues. Ben is exposed to radiation which causes him to evolve, growing a huge cranium (!). The evolutionary engine at the center of the city is about to reach critical mass. Sue traps it inside a force field and has Johnny unleash his all-powerful nova flame inside the field to destroy the engine. With the fight over, Reed says he will have a talk with the city’s ruling council on how to be better neighbors with the surface world.

The FF return home and are greeted by their kids, and a few of the kids from the newly formed Future Foundation. Reed asks Valeria if anything interesting happened while they were gone. Then we flashback to the rest of the meeting between Doom and Valeria. She says she can tell he’s recently suffered some sort of brain damage, and he admits he has. She offers to turn him back to normal if he helps Reed. He agrees to the deal. Back in the present, Valeria answers Reed’s question with, “Nothing I couldn’t handle.”

The issue ends in deep space, where the Silver Surfer has been drawn by instinct to a distant world. He finds the corpse of Galactus from the future, and he says “Unacceptable.” (Recall that this Galactus corpse was used by the New Defenders when they came to the present, starting in issue #559.)

To be continued!

Unstable molecule: This issue states that Reed rejected the Council of Reeds for his “personal happiness,” but I read it at the time more that he left them out of love for his family. Can they be considered the same thing, or is this something that will be explored more in the future?

Fade out: Sue struggles to maintain her force field against the evolutionary engine, even though we’ve seen her create city-sized force fields before. I guess this is because of all the radiation the engine gives off.

Clobberin’ time: Ben’s evolution will be a thing (heh) in upcoming issues.

Flame on: Johnny shows off his brains as he gets in on the science-talk by deducing that the evolutionary engine is about to blow.

Fantastic fifth wheel: We get a partial answer as where Kristoff has been since last seen at the end of the Onslaught crossover. We can surmise Dr. Doom found the kid after he returned from the Heroes Reborn universe, and sent him into exile until such time that he could be useful.

Our gal Val: For many Marvel readers, Valeria’s weird “relationship” with Dr. Doom is what defines her character. It really began when Doom helped Valeria be born, but their first real meaningful interaction is here.  

Trivia time: What happened in Incredible Hulk #606? Doom was attacked by the Cosmic Hulk, which is yet another Hulk robot lookalike. He tried to siphon the robot’s cosmic power, except that the Leader snuck a “poison pill” into the robot, dropping Doom’s intelligence from super-genius down to ordinary.  

Fantastic or frightful? The Dr. Doom/Valeria scenes are well written, and the High Evolutionary stuff continues the ongoing storyline about the four hidden cities the FF recently discovered, so that’s all good. I struggled my way through the last few Jonathan Hickman issues, so hopefully this is a turn back in the right direction.

Next: Human again, and mutant again.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Time to talk about time

Reading the Fantastic Four comics from the start. The time-traveling and dimension-hopping fun continues in issue #581, along with dire warnings about the future.

Recap: We’ve learned more about Reed’s time-traveling father Nathaniel Richards, who had been forced into a Hunger Games-style life-or-death competition against all his other selves from other timelines. With only him and one other combatant left, Nathaniel traveled back to Reed’s college years to recruit him, Ben, and young Victor Von Doom to join him in the fight. We’ve also been getting glimpses of Franklin and Valeria in the future, also working with Nathaniel.

As this issue begins, the time-traveling foursome (heh) explore the ruined city of Chronopolis, where they’re confronted by the enemy Nathaniel, known only as “the Beast.” After a brief fight, the Beast summons his backup team of warriors, the Anachronauts. There’s more fighting, and Nathaniel thinks they should retreat. Reed and Ben fight on, though, turning the tide. Doom finally manages to overpower the beast. Doom tells Nathaniel to deal the killing blow, but Nathaniel refuses. Doom then kills the beast himself. He tells Reed to always remember this day.

Back in Reed’s dorm room, Nathaniel says his goodbye. Reed says that now his father is back, they’ll see each other more often, right? Nathaniel says, “I hope so, Reed. There is always hope.” Then he disappears through a time portal, leaving Reed alone, again.

In the present, future Valeria speaks with Sue. She says that Franklin doesn’t like how things turned out, so he’s time-traveling to prepare his younger self for what’s to come. Sue asks Valeria what she wants, and we don’t see the answer. Cut to “Collapsing Space-time,” where Nathaniel reunites with future Franklin. He announces that the mission was a success, and that he’s the only Nathaniel Richards left. Franklin says, “Good,” and threatens to drop Nathaniel into a void. He says, “Something significant was gained today,” and he won’t waste it.

In the present, Valeria says that after the Last War (!) all timelines collapsed into a single one where the death of everything was imminent. But, post-collapse, Franklin is working on a new future. Back in Space-time, Franklin says Nathaniel will be able to save himself if he jumps into the void and promises never to return. Nathaniel says if he does that, then he’ll have no control and will become lost in time. Nathaniel says he’s now the only Nathaniel Richards in the multiverse, and that means he might survive the upcoming “revision wave.” Franklin says there’s of guarantee of that.

In the present, Valeria warns Sue of dark times ahead. Sue says Valeria is just like her father, trying to fix everything. Valeria says this was all Franklin’s plan. In Space-time, Franklin says that the killing of all other versions of Nathaniel Richards. He says, “Every boy deserves a father,” and he kicks Nathaniel into the void. In the present, Valeria leaves Sue with one final warning, that only Sue can hold things together in the dark times to come. She asks, “Can you be strong, mother?”

Then things fade away in a two-page spread that’s almost entirely white with only faded imagery in two corners. Turn the page and Valeria returns to Space-time. Franklin’s pocket universe is falling apart, and he says their new future is still 250 yards away. (We’re measuring time travel stuff in yards?) Valeria believes he can create a tunnel for them to go through, but he doesn’t believe they’ll make it. They both agree that they have to try. The last page is the two of them leaping forward, into the unknown.

Unstable molecule: The forlorn look on Reed’s face after Nathaniel disappears suggests that Reed somehow knows he won’t see his dad against for a very long time.

Fade out: Valeria’s final warning to Sue is that there will be a point when Sue will feel like giving up. At that moment, Valeria says, all Sue must do is look to the sky. Let’s see how this foreshadowing will play out.

Clobberin’ time: The Beast defeats Ben with a powerful blow to the chest, making it look like Ben dies. Reed later states that Ben only had a couple of cracked ribs, and that he’ll be fine.

Four and a half/Our gal Val: Rather than have a letters page with actual letters, the one in this issue is a Q&A between writer Jonathan Hickman and our own Franklin Richards. This includes a drawing Franklin made of his sister:  

Fantastic fifth wheel: In the opening flashbacks of all the different Nathaniels all killing each other, one of them is dressed just like Nathaniel during the time he lived with the FF and was an alternate member of the team, during the Tom DeFalco years. Do we dare toy with the idea of that version of Nathaniel not being the original?

I suppose we can count this issue as another instance of Dr. Doom acting as an alternate member of the FF, fighting alongside of them as one of the team.

Trivia time: And then there’s the Anachronauts. Originally henchmen of time-travelling villain Kang, the Anachronauts later struck out on their own. The gimmick is that different members of the team are from different time periods. They eventually get tied in with the Black Knight’s complicated continuity and were recurring characters in Force Works, but none of that matters. The Anachronauts seen in this issue are a whole other group of characters from a whole other timeline. This is their only appearance, and their names have never been revealed.

Despite young Dr. Doom’s admonition about remembering what happened, the Marvel Wiki states that he, Reed, and Ben don’t remember this happening at all, and that their memories of this event were erased through unknown means.

Fantastic or frightful? The fun of this issue is supposed to be the young versions of Reed, Ben, and Doom teaming up with Nathaniel as a sort of proto-FF. But that’s over as soon as it starts, so most of this issue can be characters standing around talking about alternate timelines and futures. It’s meant to be all dramatic and foreboding, but it’s just more multiverse mumbo-jumbo.

Next: Who are you, again?

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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Reading Shakespeare’s The Winter’s Tale – Act 4 Scene 4 (part 8)

Re-reading Shakespeare’s The Winter’s Tale! Why is act 4 scene 4 so long, like its own play with its own beginning, middle, or end? I dare not describe the great William Shakespeare of being overly wordy, but here we have the characters belaboring a point.

After being rejected by his father, Florizell has decided that he and Perdita will run away, with neither of them knowing that Perdita is the Sicilian king’s long-lost daughter. Camillo sees this as his chance to return home to Sicilia as well. All this has been set up in the dialogue, but Camillo and Florizell keep conversing for a few more pages. I imagine this bit gets cut from a lot of live performances, but let’s see if there’s anything noteworthy.

Lurve.

Camillo asks Florizell what Polixenes the king thinks of him. Florizell says the king’s praise of Camillo is like music. Camillo swears similar loyalty to Florizell, saying he knows a place where he and Perdita could be happy. Florizell says he will go wherever the wind takes him. Googling the origins of that idiom has been inconclusive, so it’s likely Shakespeare didn’t invent it. I’m more interested in the question of where Florizell wants to run to. I’d thought it was a given at this point that they’re fleeing to Sicilia, but it looks like Shakespeare wants to take some time to emphasize that choice.

It’s now that Camillo suggests the young lovers flee to Sicilia. He describes Perdita as a princess and he says that Leontes the king will welcome them with great generosity. So, has Camillo figured out who Perdita really is? It seems that way, but later in the play there’s a whole scene where Autolycus (the king of thieves!) is the one who puts the pieces together. I suppose this is one of those things where directors and actors can play it multiple ways.

Showing your colors.

Florizell asks what color he should show Leontes upon meeting him. I assumed this meant a flag or banner of some kind, but my books’ footnotes state that “color” in this context means how he should behave upon meeting Leontes. Camillo promises to tell him all the rights things to say. I question why a pair of young lovers on the run would even have an audience with the king. Maybe the division between the two countries is so great that anyone entering Sicilia from Bohemia is noteworthy to the Bohemian king, no matter who they are.

Some sap.

Florizell says, “There’s some sap in this,” with “sap” meaning vitality and exuberance, not something sticky. Camillo again promises that this will be better than following an unknown path to unfamiliar lands, which he says will end only in miseries. Perdita speaks up, so I guess she’s been present and listening to all this. Camillo says Camillo says the abundance available in Sicilia will be good for the complexion. Perdita says affliction in foreign lands might enhance one’s complexion, but not their mind. It’s unclear, but I think the idea is that Perdita is saying she’ll remain strong, and even youthful and beautiful, if she must endure hardships in the wilderness.

Wilderness survival.

Camillo praises Perdita, saying her father will never have a daughter like her again. In context, this means her adopted father the shepherd, in that this princess-like girl grew up in a humble farming community, but we the audience know this is double-speak regarding Leontes, and all the drama at the start of the play that led Perdita to this point. Florizell says he’s standing on thorns, meaning that he’s feeling anxious and wants to move quickly. Camillo again promises them everything will be all right once they get to Bohemia, because he has “some fortunes” still there. This could mean either physical money, or his own political standing with Leontes.

“Political power!”

What to make of this section of the play? It’s a lot of dialogue just to say, “Let’s go to Sicilia.” It all depends on how you’re going to play Camillo as a character. He is defined by his loyalty to Leontes, but that loyalty only goes so far when it buts up against his own personal morality. Remember that he’s the one who refused to kill in the name of the king. Now we see him acting somewhat duplicitous in convincing the lovers to go to Sicilia because that will help him in the long run. However, you could argue that he sees this will help not just him but everyone in the bigger picture — including the troubled Leontes. To make this part of the scene work, the director and actors must dig deep into Camillo’s motivations.

Decisions, decisions.

The three characters step to one side of the stage to talk some more, and it’s time to have some fun again.

Next: The clothes make the man.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech, strange creatures, and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first ten episodes are FREE! Click here for a list of all my books and serials.

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