Fantastic Friday: Surf’s up

Reading the Fantastic Four comics from the start. Issue #545 is only the second one with the new team, and they’re already up against Galactus.

Recap: The new Fantastic Four – Ben, Johnny, Black Panther, and Storm – are investigating the disappearance of the body of dead teen hero Gravity. Alongside Michael Collins, formerly the cyborg Deathlok, the team traveled to space to confront cosmic being Epoch. And then the Silver Surfer showed up.

This issue begins in space, but with Reed and Sue, who have traveled to Jupiter’s moon Titan for their second honeymoon and/or marriage reconciliation. An alien named Mentor is letting him use his winter home there. Then, elsewhere in space, we return to the FF. Silver Surfer confronts Epoch, saying his “master” must feed. Ben gets the Surfer’s attention and tells him to back off, but the Surfer says this entire area of space will soon be consumed by cosmic energy. Ben then tries to fight the Surfer, only to be overpowered.

Johnny rescues Ben from Silver Surfer’s blasts, and then Storm confronts him. Even though they’re in space, she’s able to draw stray hydrogen atoms to her, which she then unleashes as a nuclear-like bolt of lightning onto the Surfer. Epoch speaks, with strange dialogue about a chrysalis, a “holding action,” and the flow of time. She then brings Gravity back to life. He has no idea what happened to him, and Epoch tells him he’s been chosen for the greatest honor in the universe.

Epoch explains that when Gravity made his heroic life-ending sacrifice (this happened in the miniseries Beyond), his essence merged with the forces that gave him his gravity-manipulating superpowers. Gravity demands to be returned to Earth, but Epoch refuses. She says that Quasar is no more, so the universe needs a new protector, and Gravity gets the job.

Then, a ticked-off Silver Surfer returns for round two. Johnny manages to knock him off his board. When he calls for it to return to him, we see this amazing image of Black Panther surfing atop it!

Black Panther is so skilled he can get Silver Surfer into a stranglehold, despite the Surfer’s cosmic strength. Panther tries to explain the situation, and that all they want is to bring Gravity back home. Then he’s struck by an energy blast. This one comes from Stardust, the newest herald of Galactus. She threatens to throw Ben into the nearest sun, but Silver Surfer convinces her to listen to what Black Panther has to say.

With the fight over, Silver Surfer says he will allow the FF to complete their mission before Galactus arrives to devour this entire area of space. Ben asks the Surfer what he’s doing working for Galactus again, and the Surfer says his choice was about more than good versus evil. Ben says he won’t stand around and just let Galactus devour anyone Black Panther argues that conflict between Galactus and Epoch is not the FF’s concern. Ben insists that’s not what Reed would do, and Black Panther says Ben doesn’t have much a record when it comes to predicting what Reed would do.

Black Panther talks it over with Storm, and then he tells Silver Surfer that Epoch is under the FF’s protection, and Galactus must feed elsewhere. Galactus’ ship arrives, and Silver Surfer says, “Tell him yourself.” Galactus doesn’t speak, but gets to work constructing his planet-devouring machine. Silver Surfer says they have only thirty-five minutes to complete their mission. Ben remarks that Galactus will certainly kill Epoch, and Black Panther says he has a plan. He has Collins bring the ship around, and then they both leave.

Ben freaks out, thinking Black Panther has betrayed the team. He and Silver Surfer are about to fight again when Gravity reappears. He’s bursting with glowing blue energy now, and he proclaims himself as the new protector of the universe.

To be continued!

Unstable molecule: Who is this Mentor character letting Reed and Sue stay on Titan? Turns out this guy has a long and complex history in the Marvel Universe. He’s part of the Eternals and all their continuity, but he’s also tied into all of Adam Warlock’s adventures. Get this: Mentor is the father of both Starfox and the one and only Thanos!

Fade out: Sue says she’s always wanted to visit Titan. I don’t recall this coming up before, so let’s just take the comic’s word for it.

Clobberin’ time: Ben and Silver Surfer greet each other as friends, but they’re not above fighting each other if they must. This makes sense considering the characters’ shared history.

Flame on: Black Panther supplies the team with high-tech life support devices that allow them to breathe in space. He gives Johnny some extra ones for oxygen to fuel his fire powers.  

Fantastic fifth wheel: This issue shows the differences in leadership between Black Panther and Reed. Both are science geniuses, but Reed is more of an improvisor, while Black Panther is more of a strategist who has planned ahead for any given possibility.

Storm summoning hydrogen atoms to make her own nuke is quite the extrapolation of how her powers work.

Four and a half/Our gal Val: Sue suggests calling the Baxter Building to check on the kids, confirming that Franklin and Valeria are staying with Ben and Johnny during this time.

Trivia time: What the miniseries Beyond about? An assortment of Marvel heroes, including Gravity, were transported to space in what looked like a recreation of the original Secret Wars, with a Beyonder-like figure telling them to battle it out with the winner getting anything they desire. Except this wasn’t the Beyonder, it was the Stranger. He was trying to determine the cause of superhumans, something he said was improbable. After a lot of fighting, death, and resurrections, the heroes defeated the Stranger. Gravity died due to the strain of keeping everyone else alive on the journey back to Earth.

Fantastic or frightful? This issue gives us a better look at the new team’s dynamics, yet it’s very plot-heavy, demanding that readers be already familiar with Beyond and wherever Epoch came from. On the other hand, Black Panther riding the Silver Surfer’s surfboard is awesome. It’s an image could and should become a meme.

Next: Prisoners of Gravity.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Tim Burton rewatch – Aladdin and his Wonderful Lamp (1986)

Tim Burton rewatch! After working with Burton on the short film Frankenweenie, Shelley Duvall enlisted him to direct an episode of her Showtime anthology series Faerie Tale Theater, “Aladdin and his Wonderful Lamp.”

Here’s what happens: Street urchin Aladdin is recruited by an evil wizard to secure a magic lamp. Aladdin rubs the lamp himself, and, yep, out comes a genie. Then we’ve got wishes granted, romance with a princess, a flying carpet, and more.

Origin story: Faerie Tale Theatre was a passion project for actress Shelley Duvall, who wanted children’s programming made by top-notch talent. As such, any given episode features some of Hollywood’s biggest names. This one has James Earl Jones, Leonard Nimoy, and Valerie Bertinelli.  

Outsider theory: The opening narration tells us that the whole city has dismissed Aladdin as nothing but a troublemaking ne’er-do-well, but that he actually has a good heart.

Reality breaks through: One scene has the Sultan asking Aladdin to bring him an invention. Aladdin has the genie create a “box with a window,” which is basically television. The Sultan delights in watching it.

Best bits: Genie: “What’s wrong with this house? It’s a palace compared to a lamp.”

Someone was watching: The similarities between this and Disney’s 1993 Aladdin are striking, especially the wizard coercing Aladdin to enter the cave and fetch the lamp for him. To be fair, it has also has a couple shout-outs to the story as it appears in the Book of 1,001 Nights, a.k.a. The Arabian Nights, translated by Richard Burton (no relation?).  

Thoughts upon this viewing: We get occasional flashes of Burton’s visual style in this, although not much as fans would want. It’s fun to see Leonard Nimoy and James Earl Jones totally hamming it up, but an hour is too long for this much childish whimsey.

Next: Daylight come and I wanna go home.

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Want more? Check out my ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Stormy weather

Reading the Fantastic Four comics from the start. It’s a whole new FF in issue #544 as Black Panther and Storm join the team, and superstar writer Dwayne McDuffie takes over the writing. Also, Deathlok is here! (Sort of.)

Following the ever-tumultuous events of Civil War, Reed and Sue have left the Fantastic Four for some private time to work out issues in their marriage. But there must always be a Fantastic Four (although I don’t know that’s an official rule), so two new members will fill in for them – Black Panther and Storm!

This issue does not start with the new team, but out in space. A mysterious voice says, “I have obtained the Chrysalis,” and, “I must hide for now.” Then a six-eyed alien flies through space, seeking the source of that voice. This being is Stardust, the newest herald of Galactus, who was introduced in Beta Ray Bill’s Stormbreaker miniseries. Stardust’s AI states that his quarry has cloaked its location.

Then we’re back in the new Baxter Building, picking up where the last issue left off. Reed and Sue tell Ben and Johnny that they’re taking some time off, and T’Challa the Black Panther and his new wife Storm show up to take their place. There’s still some tension between Storm and Reed about his actions during the Civil War.

Then there’s a flashback to the cleanup that followed the Civil War’s final battle, where Reed finds some undetonated bombs among the wreckage of the Wakandan Embassy. Tony Stark, now wearing a S.H.I.E.L.D. uniform as he’s S.H.I.E.L.D.’s new director, swears he will find the culprit. Black Panther says that if the US government put the bombs there, then the consequences will be dire. Tony takes Reed aside and tells Reed to convince Black Panther to go back to Wakanda and stop meddling in global politics. Reed says he won’t do that because he agrees with T’Challa, and also he knows T’Challa snuck a listening device on Tony.

The heroes agree it’s unlikely that Tony Stark planted the bombs, but that someone is out to get T’Challa. They need a safe place to stay. Cut to a press conference, where T’Challa announces that the Baxter Building will serve as a temporary Wakandan Embassy until a new one can be constructed. Further, Black Panther says the US government’s actions during the Civil War have destabilized power across the entire globe, and he plans to work with the United Nations until a solution can be found. Reed and Sue assure the reporters that their leave of absence is only temporary, while Storm says that she and T’Challa will fill in for Reed and Sue if circumstances require it.

Later, Johnny jokes with Storm about how she is royalty now. We see the entire embassy staff is also moving into the building, a couple dozen Wakandans with a bunch of Wakandan artifacts and decorations as well. T’Challa’s aide W’Kabi interrupts, saying a fellow hero has arrived and needs help. It’s Michael Collins, formerly known as the cyborg Dethlok. He’s now fully human, with no more machine parts, but he says that’s not the issue that brought him there.

Collins takes the new FF to the gravesite of former teen hero Gravity, who died saving him and several others during a cosmic battle. (This happened in the Beyond miniseries.) The gravesite is empty, and it has folded in on itself, which Black Panther says is the result of a black whole with an electric charge. (He’s now the science guy with Reed not around.) Collins says that the cosmic battle got so intense that the Watcher got involved. Ben jokes about going into space to ask the Watcher about this, and Black Panther decides to do just that.

Turn the page, and the new FF are blasting into space aboard Reed’s newest spacecraft, called the Fold Ship. Ben says the ship can reach the moon in under four minutes. Along the way, the four heroes and Collins all reveal that they’ve met the Watcher previously. Upon arriving at the Watcher’s home, the Watcher appears immediately. Ben jokes around with him for a bit while Storm flies through the home and swipes the Ultimate Nullifier. Black Panther threatens to use the Nullifier and erase the Watcher from existence. The Watcher says the Nullifier also destroys the user, but T’Challa won’t back down.

The Watcher bends his vow not to interfere by granting the heroes access to the Cyclopedia Universum, which is where all the Watcher’s people’s knowledge is accumulated. This happens in a flash of light, and Ben says he now knows who took Gravity’s body from the grave. The Fold Ship takes off to new coordinates.

The trail leads to Epoch, a godlike cosmic being. She says that what she’s done is beyond human comprehension, and that she must remain hidden. Epoch attacks, while warning that this attack could lead to her detection by “the herald.” Then the Silver Surfer shows up, saying that he’s the one she’s afraid of.

To be continued!

Unstable molecule: The Fold Ship is based on Reed’s new research into space-folding, we’re told. T’Challa says he’d recently read an article written by Reed about it.

Fade out: At the press conference, Sue calls the leave of absence a second honeymoon, joking that the first honeymoon didn’t count since it was interrupted by supervillains and aliens. She doesn’t tell the reporters that she and Reed later had a proper honeymoon to make up for this, in the Fantastic Four: The Wedding Special one-shot.

Clobberin’ time: Ben and Johnny return to the dark-blue-with-white-trim uniforms of the John Byrne years. Ben explains that they’re color coordinating with their new teammates.

Flame on: Storm says she found the Ultimate Nullifier inside the Watcher’s house by following Johnny’s directions. Except Johnny originally located the Nullifier inside Galactus’ ship back in the day. My guess is Johnny has some residual cosmic knowledge from that time he was a Galactus herald.

Fantastic fifth wheel: Welcome to the team, Black Panther! Because he was introduced in a classic Lee/Kirby issue, he’s often considered a FF supporting character. Yet he’s appeared more often in Avengers and Iron Man. Nonetheless, the point has been made many times over the years that he and the FF have a great friendship.

Welcome to the team, Storm! She has quite the history. Although a descendant of ancient African princesses, she grew up as a lowly pickpocket in Cairo. When she developed her weather-controlling mutant powers, she was worshipped as a goddess by some superstitious tribe folk before being recruited to join the X-Men. (She retained the title “goddess” for years afterward, weirdly.) Her X-Men adventures are too many to list here, but she was the heart of the team for many years, serving as team leader for a time. Storm and Black Panther married in Black Panther #18, which led straight into Civil War, which led them here.  

Medusa is mentioned as one of the superheroes saved by Gravity’s sacrifice at the end of Beyond.

Four and a half/Our gal Val: There is zero mention of Franklin and Valeria in this issue. We don’t know if they left with Reed and Sue or if they’re living in the Baxter Building along with all the Wakandans. Maybe they’re on the moon with Crystal?

Trivia time: Who is Epoch? After the godlike being Eon died during Infinity Crusade, his daughter Epoch was born. She soon took over Eon’s duties leader of the Protectors of the Universe, made up of similar godlike beings.

Ben mentions himself and Deathlock having met before, when they encountered a bunch of Doombots. This happened in Deathlok #3-5.

While the X-Men have been present at all sorts of space/cosmic storylines, I’m having trouble of finding a time when Storm specifically interacted with the Watcher. Unless, of course, she’s referring to the Watcher appearing at her and T’Challa’s wedding.

This issue a “The Initiative” logo on the cover. I don’t know that the FF were made official members of the Fifty States Initiative (now known as just the Initiative), but the Marvel Wiki does list them as part of it. All the characters seem pretty anti-reg and anti-Tony Stark in this issue.

Fantastic or frightful? It’s the start of a brand-new era (era) for the series, and yet it’s also a direct sequel to Beyond? It’s a lot of Marvel continuity to keep track of in one issue, making it alienating for new readers. But it’s fun to see how the two new teammates bring something new to the table while it still feeling like a Fantastic Four adventure.

Next: Stranger days.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Tim Burton rewatch – Alfred Hitchcock Presents: The Jar (1985)

Tim Burton rewatch! After his success with Pee-Wee, Burton went back to television for a while for one of the most Burton-y things you’ll ever see, Alfred Hitchcock Presents: The Jar.

Here’s what happens: A struggling artist is in poor financial shape, in danger of his friend losing her hole-in-the-wall gallery. Then he purchases a jar with a… thing inside of it. People are inexplicably mesmerized by the jar, and the gallery becomes an overnight success as folks line up to see it. But the question remains, what’s inside the jar?

Origin story: Ray Bradbury was allegedly inspired to write his short story The Jar after recalling a childhood memory of seeing a medical display featuring organs preserved in formaldehyde jars. The story has been adapted several times over the years, on various anthology TV series.

Speaking of which, the original Alfred Hitchcock Presents ran from 1955 to 1962, followed by The Alfred Hitchcock Hour from 1962 to 1965. It popularized Hitch’s “Good evening” and gave him his iconic theme music. Anthology TV had a big comeback in the 1980s, with Steven Spielberg’s Amazing Stories and the much-hyped Twilight Zone revival. NBC brought back Alfred Hitchcock Presents in 1985 with colorized Hitch intros and new stories. These were mostly crime vignettes with twist endings rather than anything supernatural, at least not until Bradbury and Burton showed up with The Jar.   

Outsider theory: Our artist Noel is definitely the outsider, as the gallery is struggling and no one understands his art before the jar comes along. When someone asks him about what his art symbolizes, he responds, “It’s not supposed to be anything.”

Reality breaks through: What are we to make of the episode’s WWII-set prologue, where a woman uses the jar to distract a Nazi soldier pursuing her? Is it important for us to know that the jar is somehow immortal, or that it has a long history of violence and terror? I don’t get it.

Best bits: “Special? It looks like something you picked up in Tijuana! It looks like a lump of clay with a fight wig on it!”

Thoughts on this viewing: This is a terrific episode of television. Setting it in the art world allows Burton to run wild with funky lighting and set design. A bunch of cult actors, including Paul Bartel, Lorraine Newman, and Griffin Dunne, give big, broad performances, matching the visuals. Some fans say they’d like to see a feature-length version of this, but I’ll argue this has everything you want from a Burton movie in just 30 minutes.

Next: Tell me a story.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Fresh faces

Reading the Fantastic Four comics from the start. Issue #543 is the FF’s 45th anniversary, so Marvel wanted to do a special issue. But it’s also a Civil War tie-in, so we have to deal with that as well. The solution? Announce another big change.

One night at the new Baxter Building, Johnny and Ben are sitting down to watch an episode of news show Lateline and its report about the Fantastic Four. Well, they’re watching it while also getting Franklin and Valeria ready for bed.

The show starts, and we get the first of several interview segments. We meet James Kreig, a security guard at the launch pad the night Reed and the gang stole their own rocket for their famous spaceflight. Then we see he’s currently working as a greeter at a Walmart-type store. Some random science professor talks about how no one understands what went wrong with Reed’s spaceflight, while Hank Pym (secretly a Skrull in disguise) says it was a freak accident that transformed the FF, and nothing more. A videographer talks about the early days of the FF feeling like the start of a new age.

Johnny asks Ben where Reed and Sue are, and what time they’re coming back. Ben says the real question is, are they going to stay? Cut to Reed and Sue, sitting high above the city in a hovering Fantasticar. Reed is trying to be romantic, but they can’t help talk about everything that went down during the Civil War. Reed insists all his actions were to help Sue and their family. She’s upset that he explained this to the Mad Thinker before he explained it to her. But then she talks about him taking a hit for her during the final battle, and all she could think about was losing him.

Reed says that despite all his scientific accomplishments, he never felt like a whole person until Sue came into his life. Sue says she knew she was in love with him from the moment they met. And then this happens:

NOW WAIT JUST A MINUTE! Back in vol. 4 issue 4, not only did Marvel retcon Reed and Sue’s age difference to make them the same age, but Marvel editorial released a statement explaining why. (The short answer: So it wouldn’t be creepy.) But now we’re back to the way it was? I suppose that with a bunch of movies in development, and with the Civil War hype possibly attracting new readers, there’s some attempt made to reestablish classic Marvel. Maybe?

Anyway, aboard the Fantasticar, Sue talks about Reed is not just smart, but genuinely good, and that he seeks to help anyone who needs it. She says she still loves him, “But it won’t ever be the same.”

Then more Lateline interview segments. T’Challa the Black Panther talks about how the FF aren’t just a team, but a family. Namor the Submariner says that even when he and Reed have been in conflict, he knew Reed to be a man of honor. They even interview Dr. Doom, who says he believes Reed is evil, and the day will come when the entire world will ask him to stop Reed. Ben throws his popcorn at the screen upon hearing this.

This leads to some comedy banter between Ben and Johnny as Johnny heats up some more popcorn. The banter becomes a fight, just like they used to do in the old days, and Franklin and Valeria place bets on who will win.

Back to more Lateline interviews. Mailman Willie Lumpkin says  that despite all their cosmic adventures, the FF never railed to say good morning to him. Wyatt Wingfoot says the FF always treated him like extended family. Spider-Man, whose secret identity is still public, talks about trying to join the FF in his early days. Luke Cage talks about his time as a member of the team, saying that he’ll be there again if they ever need him – as long as he gets paid.

Even Sharon Ventura is interviewed, saying that she and Ben had quite a romance going, and that no one ever treated her like a monster during her time on the team. She-Hulk is next, saying that she’d never seen so much of the universe, not even during her time with the Avengers.

There’s a clip of Ben being interviewed by what looks like Conan O’Brien, saying that FF go on expeditions all the time, and help people they meet along the way. Johnny is interviewed on some MTV-like show, saying he loves the adrenaline rush along with helping people. He says he’d be willing to do anything for his teammates. Sue is interviewed by an Oprah Winfrey-type, who asks her about whether she’s the key to the FF’s success. Sue only responds, “Some people are too kind.”

Then the whole Civil War thing rears its ugly head again. Wolverine is interviewed, saying Reed is a good man, who just screwed up big-time. Tony Stark argues that Reed’s actions during the Civil War were he’s always done, looking to the future and finding a solution. Ben puts the kids to bed for this part, and then he and Johnny debate whether Captain America’s surrender is genuine. Ben says he will still follow Reed into battle, but only if he believes Reed is right. Johnny says he will, if he has the chance.

The Lateline show concludes with the host saying that the FF’s legend is secure, but their future is uncertain. Then Reed and Sue return, saying they’ve talked things out and made a good start. Johnny and Ben extend their hands to them to do their classic four-hands-at-once move, but Sue and Reed don’t join them. She says they’re not leaving the team, but taking a break to work on their marriage. Reed says they have two friends currently looking for a new home, and will fill in for them while they’re away.

Turn the page, and we meet the two newest members of the Fantastic Four, Black Panther and Storm!

This being an anniversary issue, we also have two backup stories. Stan Lee himself writes the first one, with art by Nick Dragotta and Michael Allred. The Mole Man is attacking New York, while Stan visits the FF at their headquarters for some comedy. Stan eventually saves the day by convincing the Mole Man to call off his attack in exchange for a cameo in an upcoming Marvel movie.

The second backup story, written and drawn by Paul Pope, has Johnny, Ben, Spider-Man and Crystal pulling pranks on each other at a car show, only for it to get out of hand. A car explodes, and Spidey and Johnny put out the fire while bickering the whole time.

Unstable molecule: The Lateline footage shows Reed hosting the first-ever Fantastic Four press conference, announcing the team’s existence to the world. We never saw this back in the old days, but it does explain how they lived in secret in issues #1-2 and then were celebrities in issue #3.

Fade out: The woman in Sue’s flashback is not her rarely seen mother, but her Aunt Jewel, a.k.a. Marygay Dinkins, whom we met in the Before the Fantastic Four: The Storms miniseries.

Clobberin’ time: Franklin started a swear jar for Ben, which is full of cash after his recent poker loss.

Flame on: Johnny uses his fire to set off a nearby fire extinguisher so it can spurt on Ben’s face. Does that work?

Fantastic fifth wheel: Welcome to the team, Black Panther and Storm! I’ll get more into their backgrounds in next week’s blog.

Crystal, as a master of the elements, uses her power to control flame in the backup story, acting like a second Human Torch. You have to wonder why we never saw Crystal and Johnny interact like that before.

Luke Cage is shown holding a baby. That’s Danielle “Dani” Cage, daughter of Luke and Jessica Jones. She’s still a little kid in current continuity. I’m sure Marvel will age her up to be a teen superhero one of these days. Dani was named after Danny Rand, a.k.a. Iron Fist.

She-Hulk was still in space at this time in her own series, for a wild Man-Wolf/Starfox/Thanos story. I suppose Lateline could have recorded that interview at any time.

Surprise! That’s not really Sharon Ventura in this issue, but another Skrull in disguise, just in time for the Secret Invasion crossover. Just prior to her being abducted and replaced by the Skrulls, Sharon had joined the Initiative as a member of the Mavericks, who were New Mexico’s superhero team. This also makes Sharon pro-registration, it seems.

Four and a half: Franklin said he learned to gamble after watching Ben and Johnny do it. They try to talk Franklin out of it, but he places bets with Valeria when they start fighting.

Our gal Val: We’re informed that Valeria successfully completed potty training recently. Where’s that Civil War tie-in issue?

Trivia time: One of the videographer’s “photographs” on her wall is really a reproduction of Alex Ross’s painting of the cover of Fantastic Four #1. But is that canon? In the first issue, the giant monster action took place on the Mole Man’s island.

Fantastic or frightful? It’s pretty slim for an anniversary issue, but that’s because it has to introduce a new version of the team as well as still deal with dark cloud of Civil War overhead. Still, some fun nostalgia for long-time fans, so that’s good.

Next: Stormy weather.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Tim Burton rewatch – Pee-Wee’s Big Adventure (1985)

Tim Burton rewatch! After making a name for himself with his short films, Burton got his shot at a feature as comedian Pee-Wee Herman was also making a name for himself and ready for a feature as well. And yes, RIP to the great and talented Paul Reubens.

Here’s what happens: After Pee-Wee Herman’s super-cool bicycle is stolen, he goes on a cross-country trek to get it back from the Alamo to Hollywood and back. Who knows who he’ll meet along the way.

Origin story: Paul Reubens created the Pee-Wee Herman character when he was the Groundlings comedy troupe. The character took off, making appearances all over TV. My memory is first seeing him doing random MTV promos. Hollywood has a long history of niche comedians getting a feature film, so here’s another.

Outsider theory: Is Pee-Wee an outsider in this world? It doesn’t seem so. The movie’s smartest move to come up with all sorts of kooky characters for him to interact with, often with him being the straight man. If anything, Pee-Wee’s friend and/or possible romantic interest Dottie. Nothing says “outsider theory” like the whole unrequited love thing.

Reality breaks through: Most of the movie is outrageous, but things get emotional when Pee-Wee befriends Simone, who dreams of leaving behind an abusive relationship and starting a new life in France. It’s a real heartfelt moment during all the wackiness.

Best bits: Pee-Wee: “Is there something you’d like to share with the rest of us, Amazing Larry?”

Thoughts on this viewing: Fans always point to the dream sequences and the infamous Large Marge scene as being the most Burton-ish, but the whole thing, really. In interviews, Burton always emphasizes fondness for characters in his movies, and how each movie is a chance to explore new characters. This is almost a perfect comedy. Yes, it’s a weird and oddball comedy, but Pee-Wee represents the oddball in all of us.

Next: I think it looked at me.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Surrender, Dorothy

Reading the Fantastic Four comics from the start. Marvel’s epic Civil War crossover comes to an end… except that it doesn’t.

The issue of superhero registration has divided the entire Marvel Universe. After a lot of fighting and casualties, Captain America’s anti-reg side and Iron Man’s pro-reg side confront each other at Ryker’s Island. Let’s do this!

There’s several pages of everybody fighting everybody, while S.H.I.E.L.D. agents attempt to shut down the Negative Zone portal at Ryker’s. They’re stopped by Black Panther and Dagger. When S.H.I.E.L.D. threatens to shut down the portal inside the new Baxter Building, it could trap everyone inside the Negative Zone permanently. (They’re not fighting on Ryker’s Island, but inside the Negative Zone? I don’t think the comics make this clear.)

Dagger contacts Cloak and tells him he must pull off the biggest teleport he’s ever done. Cloak absorbs everyone into his cloak and teleports them all to the sky over Manhattan. Those who can fly save some of their teammates, but others are shown crashing to the ground in a huge explosion (let’s assume these are the super strong and/or invulnerable characters). There’s a quick glimpse of Iron Man ordering the NYPD to evacuate civilians from the area.

The Fantastic Four get some moments during the fight. Johnny flies straight toward Iron Man, only for Iron Man to punch him in the face. Reed watches Spider-Man fight his way past the new Thunderbolts to comment, “Amazing.” Spidey then kicks Reed in the neck (!) and responds, “Spectacular.” Spidey can also be seen punching Reed during the Cloak teleport.

The villainous Thunderbolts gang up on Captain America, almost defeating him. But then Namor flies down from the sky with a bunch of Atlantean warriors to save Cap. With Namor on the anti-reg side, it appears that Cap now has the advantage. But then Iron Man calls in the Thor clone, the newly alive Kree Captain Marvel, and those new heroes seen in Arizona last issue. So now the sides are even again.

At this point, put a bookmark in Civil War #7 and switch over to the middle of Black Panther #25, where a lot of the fighting occurs on the roof of the Wakandan embassy as it’s being evacuated. The Thor clone attacks, in hopes of stopping a plane from leaving the embassy. Storm stands in his way, and there’s several pages of them duking it out. Our own Sue Richards of the FF helps Storm with some force fields at one point. Storm, figuring that the clone is more a machine than a thunder god, uses her lightning to set off an electromagnetic pulse inside the clone’s brain (!). This stops him, but only for a moment, after which Hercules walks up and says, “Allow me to cut in.”

Now go back to Civil War #7. Cap and Iron Man go face-to-face once again. The Vision weakens Iron Man’s armor, allowing Cap to pummel him. The Thor clone tries to help Iron Man, but Hercules holds him back. Nearby, a city bus gets thrown into the fight, making a wall of sorts between the combatants and the civilians. It’s the FF’s own Ben Grimm, having just returned from France. He says he’s there to make sure someone’s watching out for the people.

Then Taskmaster, who’s with the new Thunderbolts, aims a gun at Sue. Reed jumps in at the last second and takes the shot, saving Sue’s life. Sue exclaims, “What have you done to my husband?” and she crushes Taskmaster under a force field.

Nearby, Hercules lifts Thor’s hammer. (He can do that? Wait, is this the actual hammer or isn’t it?). Herc says, “Thor was a friend of mine,” followed by “Thou art no Thor!” Then he uses the hammer to smash in the clone’s head in a moment of truly eye-popping violence.

Time to wrap it all up. Captain America beats the crap out of Iron Man, smashing open his iron face plate. Just before Cap goes for the killing blow, a bunch of NYC firefighters and EMTs surround Cap and stop him. All the other superheroes stop fighting to watch this happen. Teary-eyed, Cap seems to have an epiphany. He says, “We’re not fighting for the people anymore,” followed by, “We’re just fighting.” Cap surrenders to the NYPD, unmasking in front of them and revealing his secret identity to them. He orders all his troops to stand down, adding “That’s an order,” as the cops haul him away.

With the battle over, the Punisher emerges from the shadows, and swipes Captain America’s mask to keep for himself. Flip back over to Black Panther #25, and we see that the Wakandan embassy did indeed get destroyed, but only after everyone got out safely. This was Panther and Storm’s home, and she says they can rebuild. The Panther says it’s worse than that, and he informs her that Cap surrendered. “We’re on our own,” he says.

Now back to Civil War #7. It’s two weeks later, and Reed is writing a letter to Sue, mirroring the one she wrote to him in issue #4. Through this letter, we see that Cap’s anti-reg team helped the clean-up of Manhattan. We also see the official formation of the Fifty States Initiative, which is apparently now just called the Initiative. A small group of heroes loyal to Cap are still operating as the Secret Avengers, including Spider-Man, who’s gone back to his black costume, originally from Secret Wars. The Negative Zone prison is still operational, and with overwhelming positive public response.

Reed concludes the letter saying that the utopian ideals he fought for during the Civil War don’t mean anything without Sue by his side. He promises no more clones and no more traps until she returns. He writes, “None of those painful things we had to do on that path to respectability.” As the letter concludes, we see Sue standing in Reed’s doorway with all her suitcases.

Aboard a S.H.I.E.L.D. helicarrier, Tony Stark has taken over as the new director of S.H.I.E.L.D., with Maria Hill stepping down to the role of deputy director. He once again meets with Miriam Sharp, whose son died in the explosion in issue #1. She says that thanks to his efforts, people can believe in heroes again. He responds, “The best is yet to come, sweetheart.”

And that’s the final word on Civil War. Except it isn’t. This is because the real ending is in Civil War: Front Line #11. Although not in the main series, several Civil War tie-ins hinted that there’s some secret conspiracy behind it all. Front Line is where we follow up on that… sort of.

Reporters Ben Urich and Sally Floyd manage to get interviews with Cap and Iron Man. Cap acts apologetic about his actions, while Sally rips on him for his ideals being outdated. Then they get an audience with Tony Stark. They question him about an incident earlier in Front Line, when the Green Goblin attacked some Atlanteans. They say that Tony controlled nanites in Norman Osbourne’s body to make him attack, in hopes that a war against Atlantis could unite the heroes, rather than drive then apart in the Civil War. Sally says that the registration act, the Initiative, and the Negative Zone prison were all engineered by Stark against the inevitability of a war with Atlantis. Tony throws them out of his office and then chucks his Iron Man helmet across the room in remorse over his actions.

Does this make ANY sense? I’ve read and reread this Front Line scene over and over, and I still don’t get it. Tony Stark saw a war with Atlantis was coming, so he secretly engineered the Civil War as the lesser of two evils? But then he got Norman Osbourne into the new Thunderbolts and gave him the nanites just to program Norman to attack the Atlanteans, just to get the public on his side during the Civil War? And why isn’t any of this playing out in the main Civil War series instead of Front Line?

Here’s the thing: If there’s meant to be an Atlantis vs. the surface world plot brewing under the surface in Civil War, then the crossover should have been more about that. Like, what if Namorita was the only one who survived the explosion in issue #1, instead of Speedball? Turning her into Penance would have kept Atlantis front and center. Then the finale of Civil War could have occurred with Atlantis on the verge of attack. They could either have turned back upon Cap’s surrender, or they could have been the first big challenge for the Initiative. Instead, Namor gets his justice for Namorita in the pages of Wolverine, and then he shows up during the final fight with little consequence.

Instead, we must circle back to the ending of the Civil War miniseries, and this assertation that registration, the Negative Zone prison, and the Initiative all work perfectly, and the US (the world?) is better than ever. It sure doesn’t feel that way after all these months and hundreds of pages of division and violence. I fear this is some of writer Mark Millar’s notorious cynicism at work. The heroes have won, good has defeated evil, but it could only happen if everyone is awful to each other.

Basically, I’m saying the same thing fans have been saying for years. Marvel’s Civil War is a mess.

Unstable molecule: Oh, I never followed up on the cliffhanger at the end of Black Panther #24, where Storm showed up on Reed’s doorstep to talk about registration. As issue #25 begins, Storm doesn’t register, but instead tries to understand where Reed is coming from. It’s more of the same debate about registration all the Marvel characters keep having during Civil War. Storm ends the conversation by rejecting Reed’s rationale.

Fade out: Sue is featured prominently in the Black Panther issue, establishing a friendship between her and Storm. This and Storm’s talk with Reed help set up things to come.

Clobberin’ time: We saw earlier that Johnny left a Fantasticar with Ben, so that’s how he came back from France, but how did he know when the big battle was going to happen? Somebody, likely either Johnny or Reed, must have told him about the plan.

Flame on: I don’t know what Johnny was thinking by flying straight at Iron Man instead of attacking from a distance. But at least he got to have a scene during the finale, rather than be drawn fighting someone in the background like most of the heroes.

Four and a half/Our gal Val: There’s a panel showing Reed tucking the kids into bed after the battle is over, showing his rethinking his priorities after the Civil War.

Fantastic fifth wheel: She-Hulk and Luke Cage are seen in the background of the fight, exchanging blow with various other heroes. Luke Cage is a member of the Secret Avengers at the end.

Vibraxis, former member of the Fantastic Force spinoff, gets mentioned during Reed and Storm’s debate, when Reed lists him among known Wakandan superhumans.

Trivia time: We’re told the battle takes place just outside the new Baxter Building, yet a lot of the action happens around the Wakandan embassy. The Marvel Wiki states that the Baxter Building is on 42nd Street and Madison Avenue, while the embassy is located in Turtle Bay, adjacent to the United Nations complex. Are these close enough to be neighbors? (Here in the real world, 42nd and Madison is a high-end Sephora store.)

Fantastic or frightful? See my “Civil War is a mess” comment above.

Next: Fresh faces.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Tim Burton rewatch – Frankenweenie 1983

Tim Burton rewatch! The short film Frankenweenie (1983) was a big calling card for Burton, an overnight cult fave that opened a lot of doors for him in Hollywood. But how is it, exactly?  

Here’s what happens: In the suburbs, young Victor is heartbroken when his beloved dog Sparky dies. A science class on electricity inspires Victor to bring his dog back to life, with unexpected results.

Origin story: When young Mary Shelley was on vacation with her husband and their (cough!) friend, Mary was inspired by various sources to write a tale of the macabre, about a doctor playing God with science by attempting to revive the dead. That tale became a novel, Frankenstein, or the Modern Prometheus, become one of the most adapted and parodied stories of all time. Frankenweenie was Burton’s turn at Shelley’s tale, another of his short films produced by Disney, who at the time was funding shorts to cultivate up-and-coming talent.

Outsider theory: Victor is not an outsider, what with his family and large group of friends. No, it’s the dog Sparky who’s the outsider this time. A classic “misunderstood monster” straight out of Shelley (or James Whale, really). Sparky just wants to be a good boy, but everyone reacts in terror upon seeing him.

Reality breaks through: While the movie mostly evokes the late ‘50s/early ‘60s, the scene where Sparky frightens a neighbor girl doing aerobics is absolutely 1980s.

Best bits: Victor’s dad: “Don’t you understand the implications of this thing? I just don’t know what this means.” Victor: “It means you don’t have to go through housebreaking another dog.”

What’s all this, then? Frankenweenie can be found on both the Nightmare Before Christmas DVD and Blu-ray in an “uncut edition.” I assume this is because, at 35 minutes, the short had to cut down to squeeze into a 30-minute runtime to air on TV.

Thoughts on this viewing: We’re definitely in Tim Burton land now, where classic goth visuals butt up against pop culture kitsch. While Burton would later remake this, it’s really a template for Edward Scissorhands, with a misunderstood monster in the suburbs. Overall, it’s cute and inoffensive, with occasional visual flourishes that make it worth seeing.

Next: I know what you are, but…

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Funeral for a stilt

Reading the Fantastic Four comics from the start. Reminder that events during Civil War are happening not chronologically, but simultaneously across issues. So, while Civil War #6 builds up to the big finale, there’s still a lot happening across the Marvel Universe.

First, let’s go back to Amazing Spider-Man, where a lot happens. Starting in the middle of issue #536, after Spidey’s fight with Iron Man and his subsequent joining Captain America’s side. Now recovered from the fighting, Peter returns to the high school where he’s been teaching, and we learn this is where Mary Jane and Aunt May are hiding out from Iron Man and S.H.I.E.L.D.’s cape-killers. Mary Jane figures out that Peter intends to fight alongside Cap rather than lay low. Aunt May had also already figured this out, as she has saved one of Peter’s original Spidey suits to replace the high-tech Iron Spider armor. Peter then checks the three of them into a cheap motel.

Spider-Man’s next stop is the nightly news, where he interrupts a live broadcast and gives a big speech. He informs the public that anti-reg heroes are being locked up in a Negative Zone prison without evidence or trial. He then announces that he intends to oppose anyone in favor of the registration act. Cut to Iron Man watching this on TV, who says, “Bring him in.”

In issue #537, a woman at the motel recognizes Peter and makes a phone call. At Captain America’s secret HQ, he asks our own Johnny Storm of the FF to send Peter a message. Peter is at a diner with Mary Jane when they see a giant flaming spider in the sky and the words “Call me.”

In jail (regular jail, not the Negative Zone one) the Kingpin meets with an associate. The man hands him a drawing of a spider and says the “individual” has been located. The Kingpin says he wants to give this person a surprise, to be delivered to anyone at home who can receive it.

Captain America leaves for the meeting with Spider-Man, despite Falcon warning him it could be one of Iron Man’s traps. Cap and Spidey meet on a rooftop, and Cap gives a big speech, spending an entire page quoting a Mark Twain essay. He concludes that it’s not about governments or laws, but about the freedom to stand up for what you believe in. Spidey concludes, “It feels good to be on the right side again.” But the issue ends with a sniper across from the motel, with Mary Jane and Aunt May in his sights.

While that’s happening, Punisher War Journal #3 has an extended version of the Punisher/Captain America fight from Civil War #6. It’s intercut with flashbacks to young Private Frank Castle back when he was in basic training, meeting Captain America when Cap visited his base.

Then the comic returns to the new Microchip, who is under attack by a rogue S.H.I.E.L.D. agent named Bridge. Microchip escapes and reunites with Punisher in Punisher’s hideout. Bridge has the Rhino in his employ, and sends Rhino after Punisher. Punisher uses a gigantic gun named the “Satan Claw” to defeat Rhino. Punisher tells Rhino to send a message to the rest of New York: “I’m back!”

But Punisher’s not quite done with Civil War yet. Remember when Punisher killed Stilt-Man back in Punisher War Journal #1? Issue #4 revisits that with Stilt-Man’s funeral. It’s not held at a funeral home or a church, but at NYC’s secretive and often silly Bar With No Name. A whole bunch of costumed villains show up, drinking and reminiscing about Stilt-Man, and about each other. The night takes a turn when a drunken Armadillo threatens to start a fight, and the whole place is about to become a brawl. Everyone stops, though, when Spider-Man walks through the door.

This is especially awkward because the villains all know he’s really Peter Parker now. He insists that he’s only there to pay his respects. After a tense standoff with the villains, he leaves. The villains talk about working together, but they’re too drunk to get organized. One of them turns over a napkin to reveal a Punisher skull symbol drawn on the other side. Turns out that bartender was the Punisher in disguise all along. He ignites the kerosene hidden all around the bar and walks away as the whole place explodes. He wryly jokes, “Some days I get to celebrate with fireworks.”

Some of Marvel’s horror-ish comics got special Civil War: Casualties of War branding during the crossover. In Ghost Rider, the devil revives and possesses Jack O’ Lantern, who was killed by the Punisher in Civil War #5. He and Ghost Rider battled each other in Illinois.

This fight was part of a much bigger ongoing plot about the Rider tracking down all the devil’s avatars on Earth, which I guess also explains why Ghost Rider was too busy to get involved in the Civil War beyond this.

You might have noticed that Wolverine was absent from the big confrontation at the end of Civil War #6. After he escaped from S.H.I.E.L.D. custody in Wolverine #47, he ends up in Blade #5, another Casualties of War issue. S.H.I.E.L.D. hires Blade to track down and apprehend Wolverine.

They’re evenly matched when they fight, but then Blade remembers meeting Wolverine years earlier, when Wolverine helped him. He lets Wolverine go, and he tells S.H.I.E.L.D. that Wolvie is not their problem, as long as he doesn’t kill someone he’s not supposed to.

In Moon Knight’s Casualties of War issues, Marc Spector is fighting crime while putting together the pieces of his broken memory. He a brief run-in with Spider-Man, who’s now a fugitive after joining Captain America’s side, followed by clandestine meeting with Cap himself. Spector tells Cap he would rather fight crime, and track down a serial murderer called the Clock Killer, a.k.a. the Midnight Man. Cap says he’s not there to recruit, but that he wants Spector to stay out of trouble, and that “maniacs” like him are why everyone’s fighting over superhero registration. He warns Spector to stay on the sidelines.

Spector dons the Moon Knight cowl anyway, and continues his hunt for the Midnight Man, roughing up more criminals along the way. The trail leads to the Punisher. The series leaves Civil War behind at this point, as the confrontation is more about Moon Knight and Punisher’s shared history rather than anything related to the crossover.

In New Avengers, which did a bunch of solo stories during Civil War, Iron Man got his turn in issue #25. A disgruntled former Stark employee known only as Kenny uses his knowledge of Stark tech to break into Avengers Tower. He knocks out Jarvis (who is secretly a Skrull in disguise, note his bright green eyes) and he speaks a codeword that makes Tony’s iron armor freeze, trapping him motionless inside it. He gives a big speech about how Tony never considered his employees in all this Civil War stuff, and how none of them wanted to betray Captain America.

Kenny plants an anti-matter bomb in the building, saying that by getting rid of Iron Man, he’ll end the Civil War. While this is going on, Maria Hill of S.H.I.E.L.D. fights her way past all the building’s security with some advanced tech of her own. She manages to contain the blast from the bomb, but not enough to stop it from killing Kenny. Later, Maria and Tony have a heart-to-heart talk. She admits she’s been out of her depth since taking over leadership of S.H.I.E.L.D. She suggests someone more qualified take the job. Someone like… Iron Man.

Fade out: In the extended version of the Captain America/Punisher fight, Sue suggests the anti-reg heroes lock up the Punisher rather than just let him wander off.

Captain America exits Moon Knight’s mansion by flying away in what looks like a blue sphere. Is this supposed to be one of Sue’s force fields?

Flame on:  Johnny says he knows of several ways to contact Peter Parker, but he opts for a variation on the classic “4” flare in the sky.

Fantastic fifth wheel: Luke Cage is the one who talks Sue and the others out of locking up the Punisher. He argues that a beatdown from Captain America is all it takes for Punisher to get the message.

Trivia time: Okay, here’s the list of the bad guys attending Stilt-Man’s funeral: Armadillo, Masked Marauder, the Prowler, Princess Python, Absorbing Man, Dragon Man, the Eel, the Gibbon, Chameleon, the Answer, Will O’ Wisp, Shocker, Puma, Grizzly, Armada, Cat Burgler, and a Doombot. I didn’t have time this week to look up each one of these guys, so let’s just assume most if not all didn’t stay dead. (Fine, I looked up Stilt-Man. The Jackal later brought him back to life in a Spider-Man story.)

The Blade issue also has a guest appearance by Morbius, who reveals he is registered, like a good little living vampire.

Fantastic or frightful? A lot of Spider-Man’s story feels pivotal to the overall plot of Civil War, so it feels odd to have it in a tie-in rather than the main series. Iron Man’s “Bring him in” cliffhanger goes unresolved, however, because Civil War ends and the Spidey books immediately start their Back in Black event after this. The others do their job and fill in smaller gaps to Civil War, while also progressing Iron Man and Punisher’s stories.

Next: Surrender, Dorothy.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Tim Burton rewatch – Hansel and Gretel (1982)

Tim Burton rewatch! Most Burton biographies have one sentence saying, “He also directed a Hansel and Gretel short in his early days.” But what is this short film, exactly? It’s… certainly something.

Here’s what happens: Hansel and Gretel’s wicked stepmother separates them from their toymaker father and abandons them in the woods. There, they encounter the witch with a house made of candy, and so on. Also, a robot and a kung fu battle. There are several scenes of just shots of bizarre sculptures and mechanized toys wandering about. This thing defies description, really.

Origin story: Stories of Burton’s early days are often about him wanting to direct an TV holiday special. These were something of their own industry in the late ‘70s/early ‘80s. He finally got his shot with Hansel and Gretel, only for Disney to find it too weird. The Disney Channel aired it only once, late at night on Halloween. (Other sources argue the special aired twice that week.) VHS tapes circulated, as they so often did, so today we all can see it on YouTube.

Outsider theory: We don’t know enough about this world to determine whether the kids and their dad are the normal ones or the ones who are different. (This “world” is mostly rooms with plain white walls.) But the themes of childhood innocence venturing into the dark, unknown forest remains timeless.

Reality breaks through: A gingerbread man who wants to be eaten for some reason, sings a spoof of the song “Do Ya Think I’m Sexy” by Rod Stewart, changing the lyrics to “If you think I’m tasty.”

Best bits: Wicked stepmother: “Do you see a father around here? Did I say your father would be tagging along? No, you stupid little slug! Listen, I’ll tell you what I meant. I meant me, your dippy little brother, your pea-brained self, and the duck. But if you don’t want to take it, we’ll just leave the duck at home. It doesn’t matter to me if you insult your father!”

Thoughts upon this viewing: This has a lot of signature Burton visuals, but it lacks the polish and charm of Vincent. If you want something just plain weird, however, it’ll scratch that itch. There’s a real “found object” feel to this, in that you can’t fathom something like this was made, let alone shown on television.

Next: Dog days of summer.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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