Fantastic Friday: Banner man

Fantastic Friday! Issue #535 concludes another Thing versus Hulk fight, ending in properly explosive fashion.

The issue begins with Ben once again trying to appeal to the Hulk’s better nature, reminding him that he’s really Bruce Banner. Hulk has flashbacks of people in his past – including Banner himself – calling him a monster. Hulk punches Ben through the air, and Ben admits to Johnny that Hulk has the “I’m a monster” look in his eyes. He says they must settle this monster-to-monster.

There’s a comedy bit inside a nearby casino as people place bets on the fight. Ben and the Hulk continue to exchange blows while Johnny is distracted by a giant screen showing a news report about the New York Welfare Office taking Franklin and Valeria away from Reed and Sue and putting them into foster care.

Ben tries again to reason with the Hulk, saying Hulk probably thought he would die when the gamma bomb went off. The Hulk then has a vision of the green Hulk asking him what it was all for, and maybe it’s time to go. “Perhaps you are doomed to be this monster for all time,” the green Hulk says. “Doomed to be me.” The Hulk yells “No!” and pummels Ben so hard that Ben fears he’s broken some ribs.

Johnny sees Ben is injured, and he flies down to help. Despite Ben’s protestations, Johnny unleashes his all-powerful nova flame against the Hulk. The Hulk once again flashes back to his origin, and Bruce Banner getting blasted by the original gamma bomb. The Hulk then emerges from the smoke and wreckage, telling Johnny and Ben, “I’m all right now.”

Cut to New York, where Reed and Sue meet with social worker Simone DeBouvier. She assures them that little Franklin and Valeria are safe and that their location is a closely-guarded secret. We see the outside of this safe house then bombed by a blast from above. DeBouvier gets a phone call about this, and tells Reed and Sue, “You made the right decision.” Then we see Franklin and Valeria weren’t at the safe house, but right there at the Baxter Building.

Reed explains to DeBouvier that the entire world is a dangerous place for their children, because of the FF’s celebrity status. Sue further explains that the FF’s enemies might know where the children are, but enemies also know where the FF are as well. DeBouvier leaves, saying she gives Reed and Sue her blessing.

Back in Las Vegas, the Hulk has his intelligence back. Ben’s wounds are bandaged, and they have a heart-to-heart chat on a casino roof. Hulk asks Ben if Ben’s life flashed before his eyes before Johnny came to the rescue. Ben says he doesn’t want to talk about it. A S.H.I.E.L.D. helicopter picks up the Hulk. Ben and Johnny decide to hit the slots for a bit, joking about how nothing can stop the Hulk short of launching him into space.

Unstable molecule: Who, exactly, are these unseen enemies of the Fantastic Four who thought they were bombing Reed and Sue’s kids? Why aren’t the FF rallying to track down these enemies and retaliate? A lot of the fan sites and blogs argue that Reed set up the explosion to fake out DuBouvier and the welfare people, but I don’t see anything in this issue to support that.

Fade out: Reed gets romantic with Sue, telling her that whenever he looks up at the stars, he sees her. She reminds him that he’s a scientist, not a poet.

Clobberin’ time: This issue’s letters page has results of a reader poll asking for favorite FF character, and we’re told Ben won by a huge margin.

Flame on: We learn that Johnny’s nova flame isn’t powerful enough to hurt the Hulk, but it’s powerful enough to knock some sense into a hallucinating Hulk. Our old friend The Official Handbook of the Marvel Universe: Deluxe Edition says the exact heat of the nova flame in unknowable, but the Marvel Wiki disagrees, saying it’s a concentrated burst of 1 million degrees Fahrenheit. Why didn’t the nova flame destroy Vegas like it did Empire University during the Tom Defalco issues? Because Johnny has since developed the ability to do a focused nova flame on smaller area.

Four and a half/Our gal Val: There’s a little trick when the comic makes you think Franklin and Valeria are at the safe house before it explodes. Only after do we see that there were in the Baxter Building the whole time.

SUE-per spy: The 2019 Invisible Woman miniseries revealed that Sue had a double life as a S.H.I.E.L.D. agent all along. If the safe house bombing was fake, then could Sue’s spy contacts have pulled off the hoax? I find this theory unlikely for the same reason as it’s unlikely for Reed.

Commercial break: This issue was sold with a two-sided Neopets: The Darkest Faerie foldout poster stapled inside, to advertise a PS2 game. Marvel showed amazing restraint not promoting this on the cover.

Trivia time: The joke about sending the Hulk to space is no joke, as that’s what was happening at this time in Hulk comics. In the “Peace in Our Time” storyline, also known as the “Prelude to Planet Hulk” storyline, Nick Fury launched the Hulk into space to fight an evil A.I. called the Godseye. After the fight, Fury sent the Hulk farther into space where he’d never harm anyone on Earth again. But that’s only one part of the story, because Illuminati #1 reveals a lot more about secret plans to get rid of the Hulk. Further, the Las Vegas incident in these very Fantastic Four issues are cited by the Illuminati as part of the reason. It must have been tough to be a Hulk fan during this time, with so much of his continuity happening in other comics.

While Marvel characters have visited Las Vegas plenty of times over the years, this issue is the first time the MGM Grand has been drawn into a Marvel comic.

Fantastic or frightful? The main story feels like a Hulk story guest-starring the Fantastic Four, and it ends up foreshadowing the upcoming Planet Hulk epic. The Reed and Sue subplot is a little baffling. But it’s also consistent with J. Michael Straczynski’s writing, as his hero characters often pull off huge stunts to prove their points.

Next: Prelude preys lewd.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Gunslinger Spawn copyedited, part 4

Todd McFarlane is a mega-millionaire with success undreamt of. I’m just some guy. But as I’ve been buying and reading – and enjoying! – Gunslinger Spawn, I’m struck with how the dialogue and captions are something of a mess. Hence, here’s my attempt to copyedit Gunslinger Spawn.

After time-traveling from the Old West to the present, Gunslinger Spawn has befriended teenage Taylor and attacked by enemy angels. Matters are then complicated when Taylor learns his father, Bartlett, is working with the angels. After Taylor’s dad slaps him (!), Taylor joins the fight in this panel:

This is a classic mixed metaphor, the same kind your high school English teacher used to warn you about. How can Taylor be both a banshee and a missile? What’s that image going to evoke in readers’ minds? I’d say this caption is not needed at all. Taylor’s action and the word balloon gets the idea across by themselves.

The battle climaxes with these captions:


My suggestion:

“Throughout time, there are few truths agreed upon by Heaven and Hell. One is that there is no greater disgrace than removing both wings from an angel.”

This could be simplified even more, but I’ll keep some of the heightened speech because this is the fight’s big finish. Then the next caption:

Remove the “disgrace” line, as it is repetitive from the previous sentence:

“It causes insanity, and then it causes certain death.”

Despite causing insanity, Gunslinger tries to interrogate the angel in this panel:

The “takes his last breath” line could be considered a cliché. Also, do these supernatural beings need air to breathe? My suggestion:

“Gunslinger knows he only has a few minutes before this one dies.”

Or, for continuity:

“Gunslinger knows he only has a few minutes before this one loses his mind and dies.”

Next, the comic starts tying up story threads. Gunslinger reveals Bartlett is a descendant of his enemies from the Old West. Taylor picks up a gun and aims it at his dead, confronting him about his dad’s behavior and why his mother left. Bartlett says this:

“I don’t have time for this” is an odd thing to say during an armed standoff with blood and corpses all around. Does he have somewhere else to be? Shorten it to:

“Stop your whining!”

Although Gunslinger is armed as well, he insists Taylor pull the trigger. On the next page: 

“Eternity seems to pass” could be considered another cliché. Shorten this to:

“Taylor stares down his father. And then…”

I added the “And then…” to build tension as the action flows into the second panel.

In the end, Gunslinger kills Bartlett before Bartlett can shoot Taylor. A traumatized Taylor breaks down in tears, saying he hates Gunslinger. Gunslinger says, “It’ll pass.” In the next panel we see it does:

It’s too bad we don’t see any of this “long night of talking.” I’ll accept that in comics, there’s only so many pages and so much space to deal with. But a strength of ongoing comics is that future issues can flash back to Taylor and Gunslinger’s conversation any time, if needed.

Next, there’s a couple of pages of humor as Gunslinger is perplexed by indoor plumbing. I’m not a fan of this crude humor, but I’ll go with it because I know it’s part of the Todd McFarlane vibe. (Remember Boof and the Bruise Crew?)

The comic ends by revealing that Taylor buried Barlett nearby. I like the detail of an angel’s feather atop the grave. Does this suggest that Bartlett might crawl out of that grave someday? Stranger things have happened in Spawn comics.  

This concludes Gunslinger Spawn’s first storyline. Taylor gets the main character arc. He starts out in one place in his life, only to have everything change for him over the course of two issues. He experiences violence and darkness, but he doesn’t give into it. Gunslinger, meanwhile, has a consistent motivation to return to his own time and then seek further revenge on the Bartlett family. We’ll see where his character development goes from here.

Come back next week for issue #3!

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: Slamma gamma

Reading the Fantastic Four comics from the start. It’s another Thing versus Hulk slugfest in issue #534, along with a journey through the Hulk’s past.

Recap: The Hulk, with Bruce Banner’s intelligence, went out to the desert with S.H.I.E.L.D. to diffuse a gamma bomb. Things went south and the bomb exploded, reverting Hulk from a brainy professor type to the classic brutish grey-skinned Hulk. Johnny and Ben flew out to Nevada to investigate, running right into this new/old Hulk.

Ben tries to talk sense into the Hulk, saying he only wants to help get the Hulk’s brain straightened back out. The Hulk only roars at him, and then… fighting! The brawl goes on for several pages, with Johnny joining the action as well. When Ben mentions the gamma bomb, Hulk gets confused. He has a flashback to his origin, when Bruce Banner got exposed to a gamma bomb while saving teenage Rick Jones.

The Hulk gets confused and wanders off in a daze. Johnny contacts their Fantasticar by remote control while Ben prepares a sonic gizmo Reed gave him before they left. Hulk flashes back to the death of his love Jarella. Johnny and Ben reveal that the Fantasticar is armed with a psychic disruptor, designed to attack the Hulk’s inner ear. This just makes the Hulk angrier (because of course it does). Hulk destroys the Fantasticar and jumps off toward Las Vegas.

The Hulk smashes into a hospital. Seeing a patient in bed reminds him of the death of his friend Jim. Johnny and Ben find Hulk and fight him again, with the battle spilling onto the street outside. Ben tells Johnny to let up, saying the Hulk isn’t fighting them, but instead is only fighting the things he’s seeing in his head. He admits he feels the same way. He says whenever the FF go to space, he gets flashbacks to becoming a monster. “Monsters understand monsters, Johnny,” he says.

Ben confronts the Hulk again, saying he knows the Hulk doesn’t really want to hurt anyone. He offers to help Hulk deal with the gamma radiation. Upon hearing that, Hulk has another flashback, this time about Bruce Banner being told his wife Betty has gamma radiation poisoning. In his mind’s eye, Hulk sees Ben as the Abomination and blames him for Betty’s death. Hulk punches Ben through a building and then looms over him, saying “I swear I’ll kill you!”

To be continued!

Clobberin’ time: At the hospital, Ben takes a moment to offer comfort to a blind man. But, upon touching Ben’s hand, the man reacts in fear. This is what prompts Ben to show sympathy toward the Hulk.

Flame on: Johnny questions why Reed would have built an anti-Hulk weapon into the Fantasticar, only for this question to go unanswered.

Four and a half: This issue comes with a six-page preview of Franklin Richards: Son of a Genius by Chris Eliopoulos and Marc Sumerak. It’s a parody of Calvin and Hobbes, with Franklin as Calvin and H.E.R.B.I.E. the robot as Hobbes. (Freakin’ H.E.R.B.I.E. the robot.) Franklin discovers a bunch of Doombots in storage inside Reed’s lab, and he uses a bunch of silly gadgets to dispose of them. I assumed these Franklin Richards comics were non-canonical, but the Marvel Wiki says they are.

Trivia time: About these flashbacks. The Hulk’s wife Betty, who had been his girlfriend since the early days, died of gamma poisoning. While Hulk was initially told that it was due to long-term exposure to him, it was really gamma poisoning caused by the Abomination. She’ll eventually come back to life thanks to cosmic being Nightmare and the machinations of her father, General Ross. She then turned into the Red She-Hulk. (Poor Betty has had to put up with a lot over the years.)

Then there’s Jarella. She’s a green-skinned warrior woman from the Microverse world of K’ai, who was able to love both Hulk and Bruce Banner. She died while saving a child from a collapsing building, only to come back to life much later during the Chaos War crossover.

I’m pretty sure everyone knows the Hulk’s origin by now, but just in case: Bruce Banner was exposed to the gamma bomb while saving teenage Rick Jones. Banner became the Hulk, and Jones improbably became one of Marvel’s most influential characters for a while. He was sidekick to the Hulk, Captain America, and all the Avengers. He later went full-on cosmic by being Captain Marvel for a while.

Speaking of sidekicks, this issue’s other flashback is about Hulk’s friend Jim Wilson. He helped the Hulk once and thus became one of Banner’s closest pals. He died of AIDS in the groundbreaking Incredible Hulk #420.

Fantastic or frightful? We all love a Hulk/Thing fight, but this one’s different in that the Thing isn’t so much fighting but trying to show compassion for the Hulk. Not a lot happens in this issue, but the action and the little character moments make up for it.

Next: Banner man.

* * * *

Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Gunslinger Spawn copyedited, part 3

Todd McFarlane is a mega-millionaire with success undreamt of. I’m just some guy. But as I’ve been buying and reading – and enjoying! – Gunslinger Spawn, I’m struck with how the dialogue and captions are something of a mess. Hence, here’s my attempt to copyedit Gunslinger Spawn.

Previously, Gunslinger Spawn traveled from the Old West to the present, where he befriended teenage Taylor and battled enemy angels. Then he learned Taylor’s father is working with the angels. Issue #2 begins with another fight, and another awkward sentence:

There are several ways to tighten this, but how about this:

“Gunslinger has the element of surprise, but he knows that’ll only allow him to ambush the first one.”

The second caption might not be needed, as Brett Booth’s art conveys the idea of the angels taking advantage of their opening.

The fight continues, and we get this caption:

Remove the first “Unfortunately.” Also, we see the captions going from present tense to past tense and back again. Streamline the sentence like this:

“Heaven’s warriors react a second too slow.”

This isn’t a big change, but shorter captions can keep the action moving.

Gunslinger threatens to tear an angel’s wings off, and we see he’s not just a stoic Clint Eastwood type of cowboy. He’s got an animalistic rage to his fighting style, making him feel dangerous and unpredictable. Good stuff.  

The angels flee, except for the wounded one. Gunslinger questions him, and we get exposition about how this story ties into the main Spawn series.

This dialogue can be cut into two sentences, for easier readability:

“Hey, s*** for brains, we both know you’re dying. Things get a whole lot worse for you if you don’t tell me what I need.”

The interrogation continues:

The phrase “come in contact with” is a little too wordy. And it doesn’t strike me as very cowboy-like. My suggestion:

“Why is every faction I run into acting like they’re on fire? Something big is going on!”

Taylor’s dad interrupts their talk by shooting Gunslinger in the chest. Taylor and his dad have this dialogue:

Rearrange Taylor’s line for simplicity, then break up the dad’s line into two sentences:

“Didn’t you see he was helping me?”

“Outta my way, boy. This is all your fault!”

What to make of words being bolded at random, such as Taylor’s dad’s “ALL” above? I’d say it’s unnecessary, yet comics writers and letterers have done this for decades. I’m willing to accept it as a stylistic exercise, more in line with the art than the writing.

It’s been pointed out to me that someone could through my own blog posts or even my novels and do the same thing I’m doing to Gunslinger Spawn. I never said I was perfect. Remember that I’m doing this because I like Gunslinger Spawn and I want to see it succeed.

Come back next week for the second half of issue #2!

* * * *

Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a sprawling city full of far-out tech and secret magic. It’s a sci-fi/fantasy hybrid full of action, romance, mystery, and laughs. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: The green and the grey

Reading the Fantastic Four comics from the start. Issue #533 offers some Hulk action on one end, and legal action on the other.

We begin outside of Las Vegas, where the Hulk is working alongside some S.H.I.E.L.D. agents, searching for a Hydra weapon of mass destruction. This is a “Professor Hulk” situation, where he has Bruce Banner’s intelligence. The weapon is in some caves out in the desert. The Hulk investigates while the agents hang back. He fights through some automated defenses and then discovers the weapon is a gamma bomb, the same type that originally gave him his powers. Further, the defenses set off a countdown. He tries to shut it down, but he’s not fast enough. A massive green mushroom cloud explodes over the desert.

At the new Baxter Building, there’s some business with the now-wealthy Ben playing the stock market. He loses $2 million, but then he says he can write it off on his taxes. He catches up with Reed, Sue, and Johnny, who have bad news. Simone DeBouvier of the NYC child welfare department is threatening to separate Franklin and Valeria from Reed and Sue until a formal hearing can take place. This goes back to the previous story arc of DeBouvier investigating the Richards family, arguing that FF HQ is not a safe place for the kids. (Our heroes did thwart an alien invasion during that arc, but I guess DeBouvier wasn’t swayed.)

Ben wants to help, but Reed instead assigns Ben to investigate the gamma explosion outside Las Vegas. Johnny is going with him, so his famous hotheadedness doesn’t interfere with Reed and Sue’s efforts to plead on behalf of the kids. Ben and Johnny leave in a Fantasticar, while Sue ponders how her situation isn’t something that can be solved with an old-fashioned superhero brawl.

At the blast site in the desert, a S.H.I.E.L.D. agent says Ben and Johnny aren’t there to investigate the bomb, but the actions of the Hulk, who ran off to an abandoned airfield and then destroyed the place. The agent fears Banner may have regressed from Professor Hulk to a more primitive “Hulk smash” type of Hulk. He says Ben and Johnny are there to neutralize the Hulk. This is followed by some debate between Ben and Johnny as to whether Ben can defeat the Hulk in a fair fight. They fly off into the desert in search of the Hulk.

Back at HQ, Reed and Sue meet with DeBouvier. She says the decision is out her hands, and that it’s the courts who have decided to take the children. Reed finally agrees that the Baxter Building can be dangerous, so he agrees to her demands. But then he adds, “With just… one small request.”

Then we cut back to the desert, where someone throws a giant boulder at Ben and Johnny. They assume it’s from the Hulk, but they don’t see anyone around. They attacked again, with a blow so hard it shakes the ground. Then the Hulk appears, but it’s the grey Hulk, growling at Ben like a monster. Ben asks, “So, Doc… come here often?”

To be continued!

Unstable molecule: During Acts of Vengeance, Reed was opposed to superhero registration, but in the upcoming Civil War, he’ll be in favor of it? What changed? In this issue we see that going up against the government is not something he can use his powers to fight so easily. Also remember that he once told She-Hulk that, despite his great genius, the vagaries of the legal system were something he could never quite master.

Fade out: Sue is strangely silent during the discussion of the children’s future, except to go along with whatever plan Reed has cooking. She says to Johnny, “If we could save them from Doom, and rescue them from the gates of Hell itself… we can do this.”

Clobberin’ time: Ben’s stock market phone conversation is with someone named Stan. Could this be a reference to the time Stan Lee rang the bell at the New York Stock Exchange the day that Marvel went public? That was about ten years before this, but it’s not like Marvel to name a character Stan at random.

Flame on: With special asbestos gloves, Johnny is able to lift up Ben and carry him as they fly across the desert. Remember that The Official Handbook of the Marvel Universe: Deluxe Edition states that Ben weighs 500 pounds. Let’s just assume Johnny created a cushion of hot air around Ben to lift him into the air.

SUE-per spy: The 2019 Invisible Woman miniseries revealed that Sue had a double life as a S.H.I.E.L.D. agent all along. Does Sue know anything about S.H.I.E.L.D.’s dealings with the Hulk at this time? It doesn’t appear so, yet S.H.I.E.L.D. are the ones who contacted the FF once the Hulk ran off.

Trivia time: Tracking the Hulk’s continuity (Hulk-inuity?) is tough during this time. The Marvel Wiki insists that this story takes place during the “Cure” storyline, in which Bruce somehow negotiated with various aspects of the Hulk, so he could transform at any time between the classic dumb Hulk, the grey Mr. Fixit Hulk, and his own mind as Professor Hulk. However, this issue was on stands the same time as the “Peace in Our Time” storyline, also known as “Prelude to Planet Hulk,” in which Bruce was a fugitive with an animalistic Hulk persona. (Could this FF story arc be part of the change in Hulk’s status quo?)

Fantastic or frightful? Another issue that’s all set-up, with the main storyline happening in the next few issues. The Ben/Johnny banter is maybe a little too jokey, but I do like when we get a superhero story that’s “just another day in the office” for the characters. Mike McKone’s artwork really shines, as he’s mastered how to do great facial expressions for Ben.

Next: Hulks of Future Past.


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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a city full of far-out technology and hidden dark magic. The first three chapters are FREE, so give it a shot! Click here for a list of all my books and serials.

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Gunslinger Spawn copyedited, part 2

Todd McFarlane is a mega-millionaire with success undreamt of. I’m just some guy. But as I’ve been buying, reading, and enjoying Gunslinger Spawn, I’m struck with the desire to pull out the old editing red pen. Here’s my attempt to copyedit Gunslinger Spawn.

After time-traveling from the Old West to the present, Gunslinger Spawn befriends a kid named Taylor. They are then attacked by sinister angels. We pick up on page 14 of issue #1, when Gunslinger attacks, except the enemy blocks Gunslinger’s shot with his wings. The caption provides some additional info:

There’s a lot of unnecessary wordiness again, and I fail to see why quotation marks are needed for “kill shot.” Also it’s redundant to tell us that bloodlust is also enraged. My suggestion:

“The angel is too quick for Gunslinger to get the kill shot.”

“Instead, bullets hit the wings, enraging the angel.”

Next panel:

Most of the captions in this comic are in present tense, but they switch to past tense here. Let’s fix that for the sake of consistency. The last sentence is also too wordy, as there are more efficient ways to get the point across. The next two captions could be:

“To defile an angel’s wings is blasphemy.”

“Gunslinger knows that. He also knows it’s his only chance…”

I cut off the end of the last sentence, so it can lead into the next caption, which is:

Then we get more banter between Gunslinger and his young friend Taylor. These scenes continue to be the best written part of the comic. We learn Gunslinger is armed with knives as well as guns, and we learn more about the enemy angels. Gunslinger says:

Definitely tighten this up, and rearrange the last sentence for clarity:

“Suit yourself. Their bodies dissolve minutes after you kill them, so you don’t have to clean up. God doesn’t want humans to know all the crap he’s up to.”

Gunslinger and Taylor get moving in this panel, with something of a run on sentence:

My edit:

“After a full tank of gas, which Taylor pays for, the Hellspawn pulls up outside his passenger’s home.”

Taylor discovers his father meeting with the evil angels. They drag Taylor outside, and we get this final narration:

Again, I suggest shortening and rearranging for clarity:

“As the heavenly warriors drag the screaming teenager from his house, they hear footsteps atop the wooden roof. The creator of that sound then descends upon them!”

This is still awkward, but we can allow a big dramatic flourish for the big cliffhanger at the end of the issue.

This raises a question. By shortening and simplifying McFarlane’s writing, am I taking something away from the drama and excitement of the story? I don’t believe so. Overly long and awkwardly worded sentences distract from the story, and flowery purple prose is no longer in fashion.

Come back next week to copyedit issue #2!

* * * *

Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a city full of far-out technology and hidden dark magic. The first three chapters are FREE! Click here for a list of all my books and serials.

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Fantastic Friday: The old Parker luck

Reading the Fantastic Four comics from the start. Now that writer Dan Slott has made his presence known in FF lore, not to mention the Marvel Universe as a whole, let’s take a look at what many consider to be his signature work, the Spider-Man Human Torch miniseries.

This series explores Johnny and Spider-Man’s friendship (frenemy-ship?) over the years. Issue #1 takes place in the early days. Johnny is instrumental in a fight against the Mole Man, only to see the Daily Bugle publishing photos of Spider-Man instead of him. Peter Parker returns home to his aunt’s house to find Johnny waiting for him. Johnny wants to hire Peter as his personal photographer, making him as famous as Spidey. Peter initially doesn’t want to, but when he discovers Aunt May is hurting financially, he agrees to the job.

Peter follows Johnny around for a day. Johnny’s girlfriend Dorrie Evans gets all flirty with Johnny, much to the chagrin of both Johnny and Peter’s love interest Betty Brant. Johnny and Peter continue to bicker, so Peter comes up with a plan. He attaches a fireproof spider-tracer to Johnny and photographs him in secret as Spider-Man. Wanting some real superhero action, Johnny flies to the Latverian embassy to pick a fight with Dr. Doom. Doom captures Johnny in “subthermic particles,” so Spider-Man sneaks into the embassy. He puts on an act of swearing loyalty to Doom, so Doom allows him to “dispatch” Johnny. Spider-Man then escapes with Johnny and thaws him out. In the final scene, we see Johnny’s beloved blonde hair fell out due to the freezing, and Peter Parker finally gets the perfect pic of him.

Issue #2 is sometime later, when Johnny was dating Crystal. They visit the Coffee Bean, a regular hangout spot for Peter, Gwen Stacy, Mary Jane Watson, and the rest. Flash Thompson flirts with Crystal, while Johnny can’t believe that both Gwen and MJ are smitten with Peter. Gwen’s dad, Captain Stacy, gives Peter a tip about super-villain activity nearby. Johnny and Spider-Man meet up outside, bickering about how the other one has it good. They decide to switch places for a day, with Johnny investigating Stacy’s villain, and Spider-Man joining the FF on one of Reed’s expeditions.

Johnny tries to investigate the crooks’ warehouse incognito, but some goons recognize him and knock him out. In the other dimension, Spider-Man uses his webs to seal cracks in the ship, but he fouls up Reed’s sensors in the process. Johnny wakes up and fights the goons, learning that Kraven the Hunter is their boss. Kraven’s hiding out at the zoo (of course) and he lures Johnny into a snake pit. But Johnny gets the upper hand when he fakes being poisoned. He gets a confession out of Kraven for Captain Stacy, who is listening in secret. The FF show Spider-Man the door when they get back to Earth, while Johnny is given the key to the city (!) for dealing with Kraven.

As issue #3 begins, we see a lot has changed. Gwen Stacy has died, Crystal has left, and Johnny is wearing his red and yellow “Toro” uniform. Also, Peter’s in college now, starting an internship at the Baxter Building alongside a Russian student, Nina Pushnikov. After some fun science shenanigans, we learn that Nina is secretly working for the Red Ghost. They’re plotting to steal an anti-gravity device from Reed’s lab.

At the Daily Bugle, Robbie Robertson tells Peter that the paper doesn’t need photos of the FF, and he asks for new Spider-Man pics. Spider-Man goes to the Baxter Building where Johnny is working on… the Spider-Mobile! They go for a drive around NYC, remarking that no superhero would be able to get around Manhattan traffic. Then Spidey gets the idea of using Reed’s anti-grav device on the car, while having a heart-to-heart talk about Gwen’s death.

The Red Ghost and his Super-Apes break into Reed’s lab, but Johnny and Spider-Man have already taken the anti-grav device, driving the Spider-Mobile up and down skyscraper walls. The Red Ghost ambushes them and the apes drive off with the car. Then, get this: Johnny and Spidey stop the Super-Apes by distracting them with Hostess Fruit Pies (!!!). They then use the gravity machine to trap the Red Ghost. Reed lets Spidery use the machine one last time, allowing him to drive in circles on the wall outside J. Jonah Jameson’s office.

Issue #4 skips even farther ahead, during the short time in which Spider-Man wore the powerful alien costume, not yet knowing the costume was a living symbiote. Spider-Man’s new girlfriend Felicia Hardy, a.k.a. the Black Cat, wants to go to a party, so she can steal a Wakandan tribal mask her father once tried to steal. Peter doesn’t want to do it. They argue on a rooftop while Johnny eavesdrops, wondering how Parker knows Black Cat. When Black Cat walks away from Peter after being upset with him, Johnny confronts her.

Cut to later, where Peter is taking photos at the embassy party. Johnny shows up with Black Cat as his date. Johnny, Peter, and Felicia bicker some more. Johnny and Felicia are given a private viewing of the mask. Peter follows them, using the alien costume’s shape-changing powers to make himself look like a security guard. Peter is found out and guards chase him through the embassy, with him turning back to Spider-Man. Black Panther is there in person, and he too pursues Peter.

Felicia recruits Johnny into her heist, using his powers to shut down heat-seeking alarms. Alarms go off, and the guards find that the mask hasn’t been stolen. Black Panther fights Spider-Man, but Spidey uses the alien costume’s powers to make himself invisible so he can escape. He, Johnny, and Felicia reunite on another rooftop, where Felicia reveals she wasn’t after the mask, but her father’s lockpick, left inside the mask years earlier. Johnny is shocked to learn Spider-Man and Black Cat are a couple, when he thought she was dating Peter Parker.

Issue #5 has our two heroes meeting at their usual spot atop the Statue of Liberty, reminiscing about all their adventures over the year. Spidey admits which of their team-ups weren’t him but his clone. Then Johnny asks about what happened earlier that day. We flash back to Peter Parker’s current job, as a science teacher at New York’s P.S. 108. Johnny is at the school to do the same motivational speech he gave way back in Amazing Spider-Man #3, but the students are more excited to meet Peter’s wife, famous supermodel Mary Jane Watson. Then, gunmen rush the school auditorium and take everyone hostage. Johnny can’t fight back with the guns trained on the students and staff, while one gunman reveals he’s with the Maggia crime family. He’s there to kill the son of the district attorney that put his own son in jail.

The situation looks dire, until Johnny sees Peter Parker in the crowd doing the “itsy bitsy spider” motions with his hands. Johnny figures it out, while Peter smiles and points at himself. Johnny flames on as a distraction, allowing Peter to web up the gunmen on high up balconies. They then work together to defeat the Maggia goons, and Johnny sky-writes a message for Peter, stating, “the usual place.”

Cut back to the Statue of Liberty. Peter unmasks and tells Johnny everything. Johnny admits that he believes Peter has it all, a loving aunt, a genius brain, and a series of incredibly hot girlfriends. “God, how I envied you,” he says. Peter says he envies Johnny, with his wealth, fame, and adventures on the frontiers of science. They shake hands, with Peter webbing Johnny for a joke. Then Johnny asks, “I was kinda wonderin’ if you were doing anything tonight?”

Cut to later, when a Fantasticar lands at the Baxter Building, containing Peter, Mary Jane, and Aunt May. These three are currently living at Stark Tower, but Peter says the Avengers are work while the FF are friends. Sue makes introductions, saying, “It’s past time your family met our family.” Cue several pages of the Parkers and the Richards hanging out for the evening, with lots of fun references to all their past encounters. Reed takes a group photo, saying he’ll file it under “friends and family.”

Unstable molecule: Reed’s expedition is into a dimension whose portal is only open once every thousand years. Thanks to Spidey’s meddling, Reed only gets two minutes’ worth of data, but he later says those two minutes are invaluable.

Fade out: Sue points out that while Spider-Man has visited the Baxter Building(s) on several occasions, he’d only been in the upper floors and never the main residence before.

Clobberin’ time: Ben pilots the ship during the interdimensional expedition, reminding us of his history as a pilot (been a while since we had one of those).

Flame on: Yes, this is the first time Johnny and his team learn (confirm?) Spider-Man’s secret identity. It’s rare for a big change in comic characters’ lives to be permanent, but Marvel (mostly) stuck to the FF knowing Peter’s identity from here out.

Four and a half: Franklin and Peter Parker bond over the fact that they both have a beloved Uncle Ben.

Our gal Val: Baby Valeria is at the FF/Parker dinner, with Aunt May calling her “a sweet child.”

Fantastic fifth wheel: She-Hulk shows up at Johnny’s place to be his date at the Wakandan embassy, but he accidentally ruins her outfit, so she doesn’t go. This suggests a possible romance between Johnny and She-Hulk, something never hinted at before.

Crystal had left Johnny by issue #3 due to pollution on Earth affecting her. Spider-Man asks why Johnny didn’t leave with her, and Johnny has no answer. In issue #2, there’s a lot of comedy with Flash Thompson hitting on Crystal, and her summoning a rain cloud to drench him.

Reed introduces a new H.E.R.B.I.E. model that’s tiny, and is apparently used only for taking photos. He calls it a “cambot.” Freakin’ H.E.R.B.I.E. the robot.

Luke Cage and Frankie Raye also get name-dropped as alternate members of the FF.

Sue-per Spy: The 2019 Invisible Woman miniseries revealed that Sue had a double life as a S.H.I.E.L.D. agent all along. We don’t see her reaction to learning Spidey’s secret identity. Could she already know it, thanks to her spy craft?

Trivia time: What’s the deal with the Spider-Mobile? Although he doesn’t need a car, Spider-Man made a deal with two advertising execs for a Spider-Mobile for some extra cash. (Behind the scenes, this was also Stan Lee’s deal for a Spider-Mobile toy.) He used the car to fight Hammerhead, Mysterio, and the Tinkerer. It later showed up at the Smithsonian, and Deadpool once stole it and renamed it the Dead Buggy.

Why is Captain Stacy giving tips to Peter about supervillains? Remember that just before Stacy died, he confessed to Peter that he knew Peter was Spider-Man all along.

A little kid seen briefly in issue #3 is Danny Ketch, who would grow up to be the second Ghost Rider.

Fantastic or frightful? Many fans consider this to be Dan Slott’s best work, and I’m inclined to agree. It has Slott’s winking humor and love of deep continuity, but it also has a lot of heart. The big reveal at the end was a long time coming, and it’s handled about as perfect as can be. But on the negative side, the Hostess Fruit Pies gag is Slott at his most self-indulgent, sacrificing plot and character for the sake of a hacky joke. I guess that’s the trick to reading Slott’s work – put up with the clunky bits to enjoy the good bits.

Next: The green and the grey.


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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a city full of far-out technology and hidden dark magic. The first three chapters are FREE, so give it a shot! Click here for a list of all my books and serials.

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Fantastic Friday: What time is it?

Reading the Fantastic Four comics from the start. Except I’ve been having internet issues all week, so here’s this instead:


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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a city full of far-out technology and hidden dark magic. The first three chapters are FREE, so give it a shot! Click here for a list of all my books and serials.

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Fantastic Friday: The original poker face

Reading the Fantastic Four comics from the start. The 2006 Thing solo series was all about Ben exploring his new life as a millionaire while still getting into superhero adventures.

Issue #5 begins with a flashback to the recent past, with Ben attending a fancy movie premiere. He’s confronted by Shecky, a.k.a. Old Man Sheckerberg, from Yancy Street. Shecky says Ben promised to help out at his store, but Ben is too busy being rich now. Ben offers to write Shecky a check, but Shecky refuses. Cut to the present, and Ben has had a change of heart, showing up at the store. He sees folks in the old neighborhood helping each other through hard times, reminding him of his own tough childhood.

The Yancy Street Gang makes their presence known by vandalizing Ben’s car, and then splashing him with water as he waits for the bus. Ben calls architect Arlo North, and Alicia answers the phone. He thinks he’s called the wrong number, not knowing Alicia and North are dating. He calls again and talks to North, asking for help. Ben later announces to reporters that he’s going to build a Grimm Youth Center on Yancy Street. Shecky is unimpressed, thinking Ben’s just doing this for his ego. Goons from the Maggia crime family try and fail to stop Ben, so they contact Paste-Pot Pete, um, I mean the Trapster for help. Ben and North work on the new building when they’re attacked by both the Trapster and the Sandman.

Issue #6 begins with Ben fighting Sandman for a bit before firing the “4” signal flare. The rest of the FF are busy elsewhere, so instead Spider-Man shows up to help. He’s wearing is new red and gold “Iron Spider” armor. He and Ben defeat Sandman by mixing his sand with Trapster’s glue. Ben then prevents Trapster from setting off a bomb.

Spidey and Ben chat for a bit, and then Damage Control arrives to clean up after the battle. Hercules is now with Damage Control, helping out as well. Arlo North then comes clean, telling Ben about him and Alicia. Later, at the youth center’s grand opening, Ben is remorse after losing his shot to get back with her. He dedicates the center to his brother Daniel, which convinces some street kids not to throw a brick through a window. Shecky remains unimpressed, telling Ben he still has to come help at the pawn shop. Later that night, an exhausted Ben falls asleep on a sidewalk bench, and the Yancy Street gang take the opportunity to paint graffiti all over him.

Issue #7 has Ben still jealous about Alicia dating Arlo North. Sue helps by inviting Alicia and Ben over to babysit the kids. Ben wants to use his new pet, the Inhumans’ teleporting dog Lockjaw, to teleport Alicia to France for a visit to the Louvre. When Alicia says she’s been there before, Ben comes up with another plan – the FF’s time machine. He takes her back to ancient Greece, to be present when all the classic sculptures were made. They run into Hercules, posing for a sculpture. Hercules mistakes Ben for a troll and they fight, accidentally breaking the arms off the Venus de Milo.

Alicia and Ben have a heart-to-heart talk, where she insists can only be just friends because there’s too much history between them for it to be otherwise. Later that night, Reed finds that New York has been transformed into a gigantic Italian villa, and he deduces Ben has been messing with the time machine again. “We’ll fix it in the morning,” he says.

Issue #8 begins with Ben in better spirits, hosting not just poker night but an entire poker tournament in his new apartment. Tons of superheroes and even a few villains show up. Even joke heroes the Great Lakes Avengers are there, and Squirrel Girl tells everyone about how she and Ben first met while fighting the Bi-Beast.

Impossible Man is also there, and he tells the story of how he got a rare Popuppian disease which caused his powers to haywire. He came to Earth hoping for Reed to cure him, and ended up fighting Ben in the Himalayas. Ben cures Impossible Man by scaring him, like you’d do with the hiccups. The fight destroyed a village’s immersive art habitat, so Ben hires Arlo North to rebuild it. This frees Alicia to attend the poker tournament.

Cut to one month earlier, when Shecky tells Ben that his debt is paid, and Ben doesn’t have to help at the shop anymore. Shecky takes Ben to the neighborhood temple, where a rabbi reminds Ben that Ben never had his Bar Mitzvah. Ben agrees to go through with it, practicing and studying. The FF, Alicia, Ben’s Uncle Jacob, and a bunch of superheroes attend the big day. Ben gives a speech about the story of Job from the Torah. He says he’s realized that, despite being a monster, he’s got it pretty good.

Then we cut back to the poker tournament, where Flatman of the Great Lakes Avengers outplays Ben in the final game. Ben is angry, but then Alicia whispers something in his ear that convinces him to kick everyone out except the two of them. The miniseries ends when Spider-Man asks, “Is that it?” and the caption says, “Yeah, that’s it.”

Unstable molecule: When Ben calls for help from his teammates, Reed cannot respond because he’s in the Negative Zone fighting Blastaar the Living Bomb-Burst. I’d really like Marvel to tell this full story someday.

Fade out: Sue doesn’t answer Ben because she’s in the ocean with Namor, using her force fields to stop an oil spill from spreading.  

Clobberin’ time: This series would seem to set wheels in motion for Alicia and Ben becoming a couple again, but it won’t actually happen officially until after the 2015 Secret Wars.

Flame on: Johnny doesn’t respond to Ben’s call because he’s rescuing Beyonce (!) from Dragon Man.

Fantastic fifth wheel: She-Hulk cameos at the opening to the youth center, remarking that she’s been away from the FF for so long that she’s surprised at how much taller the kids are. She’s also at the poker tournament.

Other alternate members of the team at the poker game are Luke Cage, Namor, Impossible Man, and Tigra. Remember that those last two were part of the so-called “Fantastic Seven” for a short time in the ‘70s. Also, She-Hulk, Luke Cage, and Medusa are all at Ben’s Bar Mitzvah.

Spider-Man mentions what he thinks is his membership in the FF by recalling when he, Wolverine, Hulk, and Ghost Rider were the so-called “New Fantastic Four.” In response, Ben famously quips, “You think that counts?”

Four and a half/Our gal Val: Franklin and Valeria appear only briefly, at the youth center opening and when being babysat.

SUE-per spy: The 2019 Invisible Woman miniseries revealed that Sue had a double life as a S.H.I.E.L.D. agent all along. In this series, Ben asks Sue to dig up into on Arlo North, which she does easily. Could this be her spy training at work?  

Trivia time: Who are the Great Lakes Avengers? Most Marvel fans know Squirrel Girl by now, and the others are Mr. Immortal, Flatman, Big Bertha, and Doorman. This one also starts the running gag of them wanting a new team name. They call themselves the Great Lakes X-Men, the Great Lakes Defenders, and the Great Lakes Champions in this one.

What’s this “Iron Spider” business about? Spider-Man was living at Stark Tower at this time, as a member of the New Avengers. Tony Stark built the Iron Spider armor after Spidey died and came back in a battle against Morlun. The armor’s attributes included three (not four) mechanical spider arms, a glider, and chameleonic shape-changing powers.

It’s not stated in this issue, but Ben is working at the pawn shop to pay off the Star of David he took in vol. 3 issue #56. Shecky refuses a check from Ben, insisting that Ben work off the debt.

Why is Sandman a villain again, after all that time spent on his redemption? He even spent some time alongside the Avengers. Turns out the Wizard tinkered with his brain in Peter Parker: Spider-Man #12, making him evil again.

Spider-Woman and Yellowjacket are also at the poker game, but it’ll later be revealed that these are Skrulls in disguise.

Fantastic or frightful? These issues are more typical of writer Dan Slott’s style, with all the eye-winking humor based on Marvel continuity. The gags feel overdone after a little while, and all the drama between Alicia and Ben goes nowhere at the end. The Bar Mitzvah scenes are nicely done, however, as is Ben’s big speech at the end of it.

Next: The old Parker luck.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a city full of far-out technology and hidden dark magic. The first three chapters are FREE, so give it a shot! Click here for a list of all my books and serials.

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Gunslinger Spawn copyedited, part 1

Todd McFarlane is a mega-millionaire with success undreamt of. I’m just some guy. But as I’ve been buying, reading, and enjoying Gunslinger Spawn, I’m struck with the desire to pull out the old editing red pen. Here’s my attempt to copyedit Gunslinger Spawn.

Issue #1 begins as Spawn from the main Spawn series leaves Gunslinger Spawn alone in the woods. This first page doesn’t spend any time on Gunslinger’s origin or history, instead giving readers just enough detail to jump right into the story. Gunslinger says, “Like I said, I had my own reasons.” Then Spawn’s response is so long-winded and janky, it inspired me make this blog post. He says:

That second sentence is a lot of thoughts at once. For clarity, it can be made clearer by breaking it up. My suggestion:

“I’m sure you did. I need to know why. What drew you to that island? As far as I know, you’re new this entire planet. So, why that place?”

Each sentence is now its own separate thought, with easy-to-read flow from one to the next. The phrase “this entire planet” is curious, as it suggests Gunslinger is not merely from the past but an alternate universe. Either that, or it’s some comic book-y exaggeration. You almost never need to start a sentence with “So,” but I kept it to show that Spawn’s train of thought has led him to this conclusion.

The narration captions for the rest of page 1 are nicely written, establishing that Gunslinger has traveled from 1864, he has a motorcycle hidden nearby, and he’s got a lot of rage under the surface. On page 2, we meet Taylor. He’s a young guy working at a gas station, getting chewed out by his boss, Mr. Santo. The comma use in his dialogue could use some tweaking.

Break up that first sentence so it reads:

“I’m heading home now. Make sure you lock everything up when you close.”

The first sentence in Santo’s second word balloon can also be broken up and shortened:

“And put that phone down. Customers like it when they seem important to us.”

A more direct order on the boss’s part has him be more domineering, making Taylor’s plight more sympathetic to the reader. Starting a sentence with “and” is controversial among grammar nerds, but I kept it in this case to emphasize that this one of a long list of orders Santo has been barking at Taylor all day. Taylor’s friends show up, asking him to blow off work. A caption says:

The comma in this sentence is wholly unnecessary. It should read:

“Taylor decides now is the perfect time.”

Why do I keep going on about commas? I suspect the comic is “writing for the actor.” This is when a writer will add a comma in hopes that’s where an actor will add a dramatic pause. It’s unneeded. The writer can trust the reader to fill in these dramatics on their own.

The next page starts with a very unwieldy sentence:

This is a lot. Four clauses only barely connected with a lot of needless words. My suggestion: 

“Gunslinger pushes his bike to the edge of town. He never had to do this with any horse.”

This is the same idea and information, but more succinct and to the point.

Taylor returns to the gas station after hanging out with friends. He’s enamored with Gunslinger’s bike, and then he’s confronted by Gunslinger himself. The comic’s writing is at its best in Gunslinger’s interactions with Taylor. Todd and his team have done a great job giving the character a distinctive voice. Gunslinger says:

Definitely lose the “first” at the start of the sentence. Get straight to the point. The “that contraption that” is odd sentence structure. I suspect they’re trying to make Gunslinger sound cowboy-ish, but his use of “contraption” gets that across. My suggestion is to simplify:

“You know why that contraption won’t work?”

Then there’s a two-page spread with our villains meeting inside a museum full of dinosaurs. The caption states:

Remove needless words and rearrange sentences so they don’t have as many clauses:

“On the border of Mexico and Arizona sits a private museum dedicated to those that ruled the Earth millions of years ago. For those that have been there since the beginning, it serves as a reminder of how long their struggles have gone on.”

We see a lot of overwriting in the second caption. The wording “are sensing” is passive voice, which should be avoided. The comma after “that” is erroneous. There are a bunch of ways this sentence can get simplified. My suggestion:

“Today, a few of them sense a new opportunity.”

The there’s the villains’ dialogue:

Here’s a case where “So” is unnecessary. Beyond that, we can tighten this dialogue to read:

“We’re all in agreement. Cogliostro’s misguided attempts to recruit a new Spawn backfired. Question is, what’re you planning to do about it? More importantly, is it going to conflict with our side’s plans?”

A second villain responds:

A writer can go crazy searching a manuscript for clichés, but here a few big ones. The “Thank you for coming here on such short notice” phrase is cliché. The “as we’ve talked about” phrase is a variation of the classic “As you already know” dialogue that should always be avoided. My suggestion:

“Gentlemen, I’m hopeful that, because of Cogliostro’s actions, we’ll find a common purpose for both our cartels. I believe that purpose begins with the hellspawn called Gunslinger.”

On the next page, the villain speech continues:

Again, this is a lot of separate thoughts crammed into one, making it hard to decipher just what our villain is talking about. Breaking these long sentences into shorter, choppier ones can better get these thoughts across. The phrase “in no position to resist joining” is also awkward and could be replaced with “will,” but that might too simple. As written, it suggests the villains have big plans for manipulating the Gunslinger. My suggestion:

“Are you willing to call a truce between our factions, Cyrus? After my boss gets what he wants, he will ensure Gunslinger is in no position to resist joining your side. A gift like that could improve the frayed relationship with your leaders.”

The next panel has Cyrus answer, “I can handle them. What about your boss, when do we meet him?” The comma after “boss” needs to be a question mark. The next line is:

I have no idea what “fairly significant” means. Change this line to:

“He’s planning to go public in a big way.”

Or even simpler:

“He’s planning to go public.”

Next, we get more dialogue between Gunslinger and Taylor. There’s some humor with Gunslinger not knowing about the present, and we learn Gunslinger is searching for something he buried long ago. Gunslinger and Taylor’s interactions continue to be the best-written parts of the comic. After Gunslinger and Taylor get to know each other, they are attacked by an enemy:

Just a few tweaks can make these thoughts clearer. I’m not sure why there’s a need to name-drop Al Simmons, except perhaps to establish that Gunslinger isn’t as powerful as Simmons. My suggestion:

“I told them you’re too stupid to hide. You’re going to find out God’s warriors have evolved in two hundred years. And you’re half the man Al Simmons is.”

We get two narrative captions describing the fight:

Is the line about two trains colliding a cliche? You could argue that. The second panel reminds us that Gunslinger is displaced in time. Except we already know that. Dropping it in the middle of the sentence is awkward. I suggest keeping it short to keep the action moving.

“The battle is a complete mess for both opponents.”

“In the midst of the barrage, the new hellspawn sees an opening.”

Again, these are just suggestions. Let me reiterate that I wouldn’t be doing this if I didn’t enjoy Gunslinger Spawn. Yet this is what runs through my head as I read the comic. Come back next week when I’ll go over the rest of issue #1.

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Want more? Check out my new ongoing serial, THE SUBTERKNIGHTS, on Kindle Vella. A man searches for his missing sister in a city full of far-out technology and hidden dark magic. The first three chapters are FREE, so give it a shot! Click here for a list of all my books and serials.

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