Random Warner Bros. – Sherlock Holmes (2009)

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator takes us back to old-timey England (sort of) for 2009’s Sherlock Holmes.

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Here’s what happens: It’s the later days of Holmes’ career as the world’s greatest detective. His friendship with Watson is tested with Watson about to be married. Meanwhile, the sinister Lord Blackwood has seemingly risen from the grave and is killing his politically powerful enemies with supernatural powers (or is he?).

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Why it’s famous: The first Sherlock Holmes movie in theaters after the excellent Without a Clue, 19 years earlier. Its depiction of Watson helped fans worldwide realize the character is not bumbling comic relief, but someone smart, capable, and even tough.

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Get your film degree: To illustrate Holmes’ deductive thought process visually, director Guy Ritchie slows down and speeds up the fight scenes at times, so we are in Holmes’ head during the precise seconds it takes for him to out-think, rather than out-fight, his opponent.

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Movie geekishness: Holmesians have long debated whether their favorite detective should or should not be labeled “action hero.” I fall in the “should” category as the original stories have numerous examples of Holmes’ excellent fighting and marksmanship skills, and him performing almost supernatural feats of strength. This movie, though, goes really far with the action hero stuff, emphasizing fights and chases, and rushing through the mystery-solving parts as quick as it can.

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Thoughts upon this viewing: The movie is a fun romp, but still not my favorite film version of Holmes. (I’m a Jeremy Brett fan.) Its inclusion in the Warner box set is an iffy decision, but there are others that are even more iffy, which we’ll get to.

Next week: Not-so-empty nest.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Mutants on parade

Reading the Fantastic Four comics from the start. In issue #312, the team’s newest member continues to have a tough time with things. This is also part of a crossover that’s not much of crossover that we’re barely crossing over with anyway.

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The Fall of the Mutants was an epic X-Men crossover, in which the X-characters didn’t actually cross over with one another. (If I were more cynical, I might almost think that Marvel slapped a crossover logo on covers of a bunch of otherwise unrelated comics to sell more copies. Marvel wouldn’t do that, would they?) In Uncanny X-Men, the X-Men died fighting demons (there are more demons in X-Men lore than you’d think). Except they didn’t really die, and instead got a top-secret new headquarters in Australia. In New Mutants, there was a lot of sitcom-type humor as the teen heroes helped the alien-like Bird Brain explore life on Earth. The real action took place in X-Factor, where the reunited original five X-Men had their first-ever battle against Apocalypse (his first appearance) and then dropped the they’re-pretending-to-be-evil-mutant-hunters-to-secretly-rescue-mutants storyline. After saving New York from Apocalypse, the city gave X-Factor an old-timey ticker tape parade! Along the way, Incredible Hulk, Power Pack, Captain America, Daredevil, and, yes, Fantastic Four had tangential tie-in issues. All you really need to know for this FF issue is that X-Factor is getting a parade, and you’re good.

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We begin in Wakanda, where Johnny and Crystal are reunited with Ben and Sharon, learning for the first time that Sharon has been transformed into a Thing. Sharon’s still not taking it well, exclaiming that if Reed could never cure Ben, then there’ll never be a cure for her. Our heroes also catch up with Dr. Doom, who is staying in Wakanda in political asylum after he was overthrown as king of Latveria by Kristoff. The FF don’t like Doom hanging around, but Black Panther assures them that while monarchs share a certain bond, the Panther’s bond with the FF and the Avengers is even stronger.

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The Panther and the FF return to New York, and Dr. Doom tags along, claiming to have unrelated business in NYC. Then we check in with Kristoff. Remember that he’s the little kid who’s been brainwashed to think he’s Dr. Doom, and wears an adult-sized suit of armor to fool everyone into thinking he’s Doom. A servant reports that “the imposter” a.k.a. the real Dr. Doom, is on the way to New York.

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Our heroes, with Doom still in tow, arrive in New York and attend the X-Factor parade. They just barely are able to remark how the mutants have been accepted as heroes now, when the parade is attacked by soldiers on flying platforms. These are Latverian Stormtroopers, there to destroy Doom on Kristoff’s orders.

The FF, X-Factor, Black Panther, and Dr. Doom all work together to fight the Stormtroopers. During the battle, Sharon hides off to the side, freaking out about how she’s a monster now. The Beast hides out alongside her. His current subplot in X-Factor is how he loses more and more of his intelligence every time he uses his powers, so he too is afraid to fight.

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The Stormtroopers retreat, and Doom reveals why he came to New York: He wants to recruit X-Factor to help him reclaim the Latverian throne. X-Factor turns him down immediately (what on Earth made Doom think they’d want to join him?), so Doom retaliates by trapping Sharon and  Beast in an energy field shaped like a big fist (comics!). Doom escapes into the sewers, and the heroes pursue him.

Doom makes his way to a hidden elevator deep underground, which takes him straight to Reed’s sealed up laboratory inside the FF’s headquarters. Doom says he knows the way there because he has hidden cameras everywhere in New York. The heroes pursue, with Black Panther tracking Doom’s path through the sewer, and the mutants clearing debris out of his way.

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In Reed’s lab, Doom traps Sharon and Beast inside a “static cage.” Sharon says she doesn’t know how to fight back against Doom. Beast tells her to snap out of it, saying that unlike him, she has both her strength and her mind. Sharon uses her newfound Thing strength to break out of the cage. Doom fights her using a “nega-neutrino displacement diaphragm,” which looks like a big gun. Beast joins the fight, acting animalistic as he uses his powers. The rest of the heroes arrive, and Ben subdues the out-of-control Beast.

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Still in the fight, Doom grabs Crystal by the neck, saying it’s her life in exchange for his freedom. Black Panther says Doom may leave the building under his protection, but after this they’re enemies again. Doom departs, and Ben and Sharon have a heart-to-heart. She says that even though her body is horribly mutated, she still has her mind, and her honor. Sharon promises “No more moaning!” (We’ll see about that.) Then she says it’s time to get on with being the Fantastic Four.

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Clobberin’ time: In his thoughts, Ben admits feeling the same way about himself that Sharon feels about herself, but that he can’t say it out loud because he’s expected to be the team leader now.

Flame on: Although he’s present throughout the issue, Johnny does very little in this one. He admits he’s learned that not all mutants are bad people.

Fantastic fifth wheel: This debuts Sharon’s new FF uniform, the dark-blue-and-white style, featuring both a “4” and an “M” logo.

Crystal says she didn’t join X-Factor in the fight against Apocalypse, because she felt the mutants had it under control. This kind of makes her look like a jerk, but it’s consistent with her family the Inhumans, as their only desire has been to be left alone.

Here we have Dr. Doom fighting alongside the FF, but his status as an alternate member of the team isn’t mentioned, so I don’t think we can count this one.

Commercial break: This is an ad for The Pitt, the first big crossover for Marvel’s New Universe line. It was at this point that the New U stopped attempting highly realistic superhero comics, and instead became a kinda/sorta post-apocalypse-but-with-superheroes thing:

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Trivia time: The Beast started losing his intelligence after a fight with Pestilence, one of Apocalypse’s “four horsemen.” He got smart again much later, after mutating back into his blue-and-furry form.

Fantastic or frightful? What a mess. In the last issue, Sharon cried all issue then said she’s okay. Then in this issue, she cries all issue and says she’s okay at the end. It should be great to have a female superhero with a non-supermodel body type, but Sharon keeps crying about her body, which makes these comics all depressing and uncomfortable. It’s yet another example of “good idea, poor execution” that mars this era of the comic. Also, you’d be right in thinking the X-Factor appearance is little more than an extended cameo. None of this was even mentioned in their own series.

Next week: Way down in the underground.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Random Warner Bros. – Superman: The Movie

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator came down from space and crash-landed in Smallville, just in time for Superman: The Movie.

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Here’s what happens: Clark Kent is Superman, last survivor of an alien world with powers and abilities far greater than human. He fights crime, romances Lois Lane, and confronts the evil-yet-comedic Lex Luthor.

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Why it’s famous: Christopher Reeve’s heartfelt performance as ol’ red boots, and the effects backing him up, bringing the classic character to life in a bigger way than ever before. You will believe a man can fly!

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Get your film degree: According to legend, director Richard Donner wanted the film to be a big action/sci-fi blockbuster, while producers the Salkinds wanted the movie to be whimsical comedy for children. The result is a movie at odds with itself, a sprawling epic one minute, and goofy slapstick the next.

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Movie geekishness: People talk about superhero movies as if they’re a relatively new phenomenon, but there’s been at least one theatrically-released movie based on a comic book superhero each year since 1978. Superman: The Movie is the one that really kicked it off.

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Thoughts upon this viewing: This one is a childhood favorite, so I can’t not enjoy it. Still, I’d argue that the big hero moments are so good that they outweigh the groan-worthy hacky jokes.

Next week: There’s no place like Holmes.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Random Warner Bros. – Inception

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator selected the most recently-made move on the set, Christopher Nolan’s Inception.

Here’s what happens: Cobb and his team are thieves, of a sort. Using a not-fully-defined technology, they are able to enter another person’s dreams and steal info straight from the subconscious. After getting into trouble with a rich businessman, Cobb’s crew is forced into one last job, to plant — or incept — an idea into someone else’s mind. This involves invading multiple dream levels, each one a different environment. Also, Cobb’s ex-wife Mal is lurking around in the dreams, and she’s not happy with Cobb.

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Why it’s famous: Eye-popping visual effects, and a twisty-turny plot that many found confusing. So much so, in fact, that the word “Inception” is often used on social media to describe anything weird or mind-bending.

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Get your film degree: If anything is possible in dreams (the movie says as much) then why does every dream environment look like a Christopher Nolan movie, either all golden-brown or bluish-grey? Part of that is just Nolan’s style, but I think part of it that Nolan wants everything fairly grounded so that the audience is never 100 percent certain just what is real and what is a dream. The movie’s final shot seems to agree with me.

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Movie geekishness: Inception famously ignores questions of how any of this dream-invading technology works, knowing that the audience doesn’t want to be bored with technobabble in an movie already overstuffed with exposition. What I want to know is, how widespread is this tech? Everyone acts like this dream-sharing stuff is relatively common in this world, but apparently only criminals use it?

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Thoughts upon this viewing: There’s no denying that Inception is a technical marvel, but something about it leaves me cold. I’m not sure it holds up to repeat viewings, as this time I felt impatient waiting for the next big set piece to begin.

Next week: Super duper!

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: It’s not easy being orange

Reading the Fantastic Four comics from the start. In issue #311, two of our heroes have just gone through a shocking transformation and, if you’ll pardon the expression, it won’t be pretty.

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To recap: Ben and Sharon Ventura (the second Ms. Marvel) were exposed to cosmic rays during a space battle. He got transformed from a rocky form into a stronger spikey form, and she got transformed into a female Thing. At this point, the reader is thinking “How are they going to play this?” Then the first page is Sharon yelling “I want to die!” as she jumps off a cliff, and the reader thinks, “Ohh, that’s how they’re going to play this.” After crash-landing their spaceship in a jungle, Sharon spends the first few pages of this issue attempting suicide, only for it not to work because of her new super-strong form. It’s really, really disturbing. Ben tries to console her, saying he’s been through what she’s going through, but she says it’s different because he’s a man and she’s a woman. Along the way, Ben also comments on how much stronger he’s become, and there’s a short flashback retelling of the Fantastic Four’s origin story from Ben’s point of view.

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In New York, Crystal is visited by Norman, the man she slept with in the Vision and Scarlet Witch miniseries. She tells him that she and Quicksilver are no longer married, so she and Norman can be a couple now. He rejects her, fearing that she’s back in a relationship with Johnny now. (He drove all the way from Jersey to tell her that?) In the Middle Eastern nation of Aqiria, Johnny investigates Ben and Sharon’s disappearance. The king and the U.S. ambassador, who were secretly working alongside the villain Fasaud, tell Johnny they have no idea where Ben and Sharon are.

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Back in the jungle, Sharon has retreated into silence, while Ben tries to cheer her up. They’re abruptly attacked by a big red robot. The robot gets stronger the harder Ben hits it, and Sharon sees this as way to end her life, as the robot could get strong enough to kill her. Ben won’t have that, and gets between her and the robot. He hits it harder and harder, until it starts to leak energy.

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The Black Panther leaps out of the jungle, revealing that this is Wakanda. He helps dissipate the robot’s energy. He explains that the robot is a Throb, which stands for “Trans-Human Robot.” With the Panther’s help, Ben contacts Crystal and catches her up to speed. Then, the Panther reveals that Wakanda has another high-profile visitor… Dr. Doom! Doom, who is coincidentally just standing there in the jungle, explains that he built the Throb in exchange for Black Panther’s help, so Doom can eventually take the Latverian throne back from Kristoff. Ben asks why the Black Panther would go along with this, and the Panther says, “Monarchs do share a special bond.”

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Doom approaches Sharon, offering to cure her in exchange for her leaving the FF and joining him. She refuses, taking a swing at Doom. She says she made a promise to earn the honor of being a member of the FF, and despite what’s happened, she means to keep that promise. Ben thinks that maybe this means Sharon will be okay after all.

Clobberin’ time: Ben remarks that he’s as strong as the Hulk now, which I guess we’re to take as being official, even though this was not tested in the lab or anything.

Flame on: We’re told that Johnny made a “transatlantic flight” from New York to Aqiria, but we’re not told if it was using his powers or a Fantasticar or what.

Fantastic fifth wheel: Although fans often refer to this version of Sharon as “She-Thing,” this issue makes it a point to say her codename will still be Ms. Marvel. We’ll see whether that changes. This is the final appearance of Crystal’s fling Norman.

Commercial break: Captain Power! I never got a chance to see the TV/toys combo in action, but I’m guessing they didn’t work as well as did in the ads.

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Trivia time: Roberta, the FF’s robot receptionist, makes a return in this issue, during the scene between Crystal and Norman. Roberta mentions that Reed rebuilt her after the original Baxter Building blew up. This kind of makes it seem like she remembers getting blown up, which is strange.

The Throb never appeared again, probably because the “leaking deadly energy” thing was a serious design flaw. Also probably because its name is “the Throb.”

Fantastic or frightful? This is some dreary, dismal reading. I get that the creators are trying real hard to be shocking and extreme, but it’s not there on the page. I fear that “interesting idea, poor execution” is going to be the ongoing theme for the rest of this run.

Next week: When mutants fall.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Random Warner Bros. – Natural Born Killers

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator selected Oliver Stone’s Natural Born Killers. The random number generator then got shot in the face.

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Here’s what happens: Mickey and Mallory are young and in love. They’re also psycho killers. Their murder spree throughout the Southwest made them celebrities, and they’re not the only ones. They’re caught by a cop with a best-selling memoir, and Mickey is interviewed in jail by a sleazy TV journalist. Then, whatever part of Hell that hasn’t already broken loose breaks loose.

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Why it’s famous: The movie kicked off a media frenzy about the sensationalism of violence, even though the whole point of the movie is that it’s a satire about media frenzies kicked off by the sensationalism of violence.

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Get your film degree: Almost every scene in the movie is cut together with different film types and styles, mixing them up at once. Why do this? It’s open to interpretation, but I believe we’re dealing with the “unreliable narrator” phenomenon. All the violent acts of horror we’re seeing are being shown to us through various types of media, leading us to question just what is and isn’t “real.”

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Movie geekishness: A whole lot of really good actors chew the scenery something fierce in this one. My favorite is Tommy Lee Jones, who is so completely off the rails that his character from Under Siege seems quiet and stately by comparison.

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Thoughts upon this viewing: Knowing ahead of time how hyper and short-attention-span the movie is, this time I was able to see through the over-stylization and better follow the story and the characters. Yes, the satiric elements are really on-the-nose, but you can say that about a lot of satire.

Next week: A dweam within a dweam.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: When Things change

Reading the Fantastic Four comics from the start. We’ve only just established a new FF team for a few issues, and the creators are already shaking things up again in issue #310, with more big changes for our heroes.

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We begin in the middle of the action where Ben and Sharon (Ms. Marvel) have been taken captive via electrified chains by Fasaud, an evil Arab sheik with television-based superpowers (sigh…) in the country of Aqiria. Aqiria’s king and the US ambassador are also in on Fasaud’s plot, which involves a spaceship. The ambassador monologues the evil plan, which has to do with using the spaceship to secretly deliver military payloads into space (or something). Further, they have Ben and Sharon chained to platform directly beneath the rocket, where they will burn up upon launch. The bad guys then do the Bond villain thing, leaving Ben and Sharon alone in their death trap. Ben struggles against the chains, breaking them with a declaration of “I’m the Thing!” Sharon tries the same, but she’s not as strong as Ben. “There’s only one o’ me,” Ben says, foreshadowingly.

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Ben frees Sharon and the two of them fight their way through Aqiria’s defenses, including a guy in a huge mech suit. While fighting, Sharon goes on about how much she hates men (she was once sexually abused by men and now has serious PTSD) and how she doesn’t even want Ben touching her.

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Sharon deduces that in order for Fasaud to teleport to New York and back via television signals, he must be using satellites. This leads them back to the Aqirian spaceship. They fight their way on board the ship, where Ben hot-wires it (!) and they take off.

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In orbit, Fasaud takes over the satellite, which of course is armed, and there’s a space battle between the ship and the satellite. Fasaud teleports to inside the ship, where he grabs Sharon, electrocuting her. Ben destroys the satellite, which weakens Fasaud long enough for Sharon to punch him out. Fasaud reverts to insubstantiality (which is death, apparently). Ben and Sharon celebrate… with a kiss! “She ain’t pullin’ away,” Ben thinks.

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The romance is short-lived, as the ship flies out of control, crashing down toward Earth. Ben attempts to steer the ship to safety, it passes through the cosmic ray belt — the same one that originally gave the FF their powers. The ship crash-lands in a jungle, and Ben emerges from the wreckage. He discovers the cosmic rays have transformed him again. His rocky skin is now spikey skin!

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He searches for Sharon, noting that his strength has greatly increased. Ben finds Sharon to see that she has become… another Thing!

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To be continued!

Clobberin’ time: How, exactly, is Ben able to “hot-wire” a spaceship? He explains that most spaceships on Earth use tech invented by Reed Richards. As Reed’s number one test pilot, Ben knows his way around the ship.

Flame on: Johnny, Crystal, and Alicia (who is really Lyja the Skrull in disguise) are only in one short scene, in which Johnny once again assures Alicia/Lyja that he and Crystal are just friends now.

Fantastic fifth wheel: You might be thinking that Sharon will revert back to normal once this story arc is over. Oohh, no. Settle in for long, long haul with her as the so-called “She-Thing.”

Commercial break: It’s The Marvel Try-out Book! The book was part of a contest, and the winner was Mark Bagley, who later became a super-popular artist on Ultimate Spider-Man.

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Trivia time: Not only did Fasaud never return, but Marvel later published a public apology for its stereotyping of Middle Easterners during this story. So, there’s that.

(Edit: The Marvel Wiki informs me that Fasaud reappeared in Union Jack #2, to which I respond, “Since when did Union Jack have his own series?”)

Fantastic or frightful? I’ll go ahead and table discussion of Ben and Sharon’s transformations until next week. (It’s my blog, my rules.) This is issue is mostly all action, with Ben and Sharon beating up bad guys, and then some space battle stuff straight out of a Star Wars comic. Ben and Sharon’s kiss is a great character moment for them both, except we can’t have a status quo for a single issue before the next big shake-up, it seems.

Next week: It’s not easy being orange.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Random Warner Bros. – Gone With the Wind

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. The random generator this week picked a biggie: Gone With the Wind. What can I possibly say? The movie’s impact on film history cannot be denied, yet it is also troublesome in many ways.

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Here’s what happens: It’s the life and times of Scarlett O’Hara in the Old South before, during, and after the Civil War. She loses everything during the war and rebuilds her life back up again, all while pining for the handsome and traditional Ashley Wilkes, with dashing troublemaker Rhett Butler always be hanging around.

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Why it’s famous: Four hours of sweeping grandeur and weepy melodrama.

Get your film degree: Everything in this movie is BIG. Big vistas, big sets, big costumes, big sunsets. The giant fire that burned down Atlanta? That wasn’t a special effect, the filmmakers went and started a giant fire! (Allegedly, the destroyed part of the original set from King Kong as they did so. This movie is bigger than the almighty Kong!) Yes, the acting is big and broad, but it has to be to fill the bigness of the movie.

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Movie geekishness: How does one approach this movie, with romanticism of the Old South being so very, very problematic? The opening text crawl helped me put it all in context. It talks about “knights” and “fair ladies” and “gallantry.” This tells the audience not to think of the movie as historical fiction, but as myth. This is not the real Civil War, this is the South’s equivalent of the gods and goddesses of Mount Olympus.

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Thoughts upon this viewing: I enjoyed the movie but, honestly, it loses steam after its first half. The first two hours see Scarlett on a journey, where she loses it all and is a changed woman by the end. After we come back from intermission, the movie has a different energy. It starts to feel like an endurance test getting to the famous line at the end. So, it’s good, but really long.

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Next week: Scagnetti on Scagnetti.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Dinner, interrupted

Reading the Fantastic Four comics from the start. In issue #309, the new FF team — Ben, Johnny, Crystal, and the Sharon Ventura Ms. Marvel — continue their struggle against a wacky and rather offensive villain.

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To recap: The new FF are pursuing Fasaud, a murderous Arab sheik with television-based superpowers (you read that right) who’s out to kill a TV journalist. Ben and Sharon have left for Fasaud’s home country of Aqiria to investigate, while Johnny and Crystal have stayed behind as bodyguards for the reporter. Ben and Sharon arrive in Aqiria where they are greeted by King Khafir and US Ambassador Windsor Raynes. The king says Fasaud’s actions are an embarrassment to his country and he promises to work with the FF in stopping him. The king then adds that Sharon will have to cover up her legs and face in this Middle Eastern country. Sharon, who still has serious problems with men due to her PTSD, isn’t happy about this, but Ben convinces her to do it.

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In New York, Alicia (who is secretly Lyja the Skrull in disguise) prepares a small, intimate dinner for her and Johnny. Then he calls and says he invited Crystal to dinner as well, in the hopes of Crystal and Alicia getting to know each other better. Alicia reluctantly agrees. In Aqiria, there is one fenced-off portion of oil fields where foreigners aren’t allowed to go, and Ben spots trucks of liquid oxygen going in and out of there. As a former pilot, Ben knows liquid oxygen is used for rocket. Ben and Sharon agree something fishy is going on. They investigate, and the comic spends a luxurious page and a half showing us how Ben and Sharon combine his strength and her agility to hop a fence. (I wish today’s comics did here’s-the-characters-using-their-powers-in-cool-ways stuff like this more often):

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In New York, Johnny, Alicia, and Crystal sit down for dinner and toast “to friendship.” As they reminisce about old times, when Fasaud shows appears and challenges them to a fight. Outside, so as not to endanger Alicia, Crystal and Johnny try to fight Fasaud, knowing that his touch could electrocute either of them.

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Crystal draws moisture from the air around her to temporarily short out Fasaud with water. She then has Johnny fire his explosive nova flame into the air over New York, which she turns into a gigantic summer storm, so powerful is disrupts transmissions all over the city, causing Fasaud’s electric image to dissipate.

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In Aqiria, Ben and Sharon discover a space shuttle has been built in secret, and looks ready to launch. Just then, Fasaud reappears behind them and electrocutes them both. The king and Raynes appear alongside Fasaud, with the king saying, “You’ve saved the kingdom once again, my trusted friend.”

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To be continued!

Clobberin’ time: Ben states that he’s no scientist and doesn’t know how Fasaud’s powers work, but then his knowledge gained from years as a pilot comes in handy.

Flame on: When Johnny tells Alicia he invited Crystal over for dinner, he adds “We’ll make it a threesome!” We readers aren’t supposed to interpret any double meaning in that, right?

Fantastic fifth wheel: It looks like they’re trying to set up Crystal as the new team’s most powerful member, with her creating a city-wide cataclysm just to defeat Fasaud.

The Alicia problem: Alicia/Lyja says she has been sculpting animals with help from the Bronx Zoo, who sedates the animals so she can study them by touch. (Not cool, Bronx Zoo!) Again, I think we can assume that Lyja’s experience as a shape-shifter can be applied to her recreating Alicia’s sculpting prowess.

Commercial break: Is this how Avengers spend their day off?

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Trivia time: After all this time, I’m still perplexed as to what Crystal’s powers are, so I looked her up in the Official Handbook of the Marvel Universe: Deluxe Edition. It states her powers are based on the elements of fire, water, earth, and air. She manipulates the environment around her on a molecular level, creating any fire/water/earth/air-based construct or effect she can imagine. Why isn’t she a god, then? Because her constructs aren’t permanent, and she suffers mental and physical fatigue after using her powers nonstop for about an hour. (This makes her seem like a Green Lantern, actually.) Crystal’s portrait in the Handbook was drawn by John Byrne.

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Fantastic or frightful? If Fasaud is after that journalist, why does he attack Johnny and Crystal? Was it too predictable that the king and the ambassador are up to no good? Sure, it’s fun to see Ben playing the part of the team’s leader and doing so in his own style, but beyond that, this issue has problems. And it’s not over yet.

Next week: The things, they are a changin’.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Random Warner Bros. – Lethal Weapon

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator landed on 1987’s Lethal Weapon. Cue the saxophone and twangy guitar soundtrack!

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Here’s what happens: Two cops. Murtaugh is a family man who prefers staying out of trouble. Riggs is unhinged and suicidal following the death of his wife, throwing himself into danger whenever he can. These two are now mismatched partners! Upon investigating what appears to be a routine drug overdose, our heroes end up uncovering a city-wide conspiracy of former military men turned drug-runners.

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Why it’s famous: Teaming up Mel Gibson and Danny Glover for awesome action, and a sharp-witted screenplay that helped put writer Shane Black on the map.

Get your film degree: Lethal Weapon didn’t invent the “buddy cop” action formula, but it certainly popularized it. The movie’s influences are all over the place, such as classic film noir, post-Vietnam angst, and, of course, ‘80s action cinema.

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Movie geekishness: We all know how the movie features the tropes of writer Shane Black — wisecracking tough guys, gritty Los Angeles, ironic use of Christmas — but it also has a lot of what we’ve come to expect from Mel Gibson — weird fascination with torture, overall bug-eyed craziness.

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Thoughts upon this viewing: Lethal Weapon is dated in a lot of ways, and the serious scenes are too serious for their own good, but the fights and chases still hold up in that good ol’ 1980s style.

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Next week: I saw it in the window, and I just had to have it.

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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