Random Warner Bros.: Full Metal Jacket

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator takes us back to the weird wild word of Stanley Kubrick in Full Metal Jacket.

Here’s what happens: During the Vietnam War, we follow a U.S. Marine, nicknamed “Joker” through two stories. First, during basic training, a troubled young cadet clashes with a demanding drill sergeant. Second, once in the ‘Nam, Joker and his fellow Marines are caught under fire from a deadly sniper.

Why it’s famous: Mostly for R. Lee Ermey’s role as the drill sergeant, which has become the definitive drill sergeant performance that all other actors look to. Turns out Ermey was a real drill sergeant before becoming an actor.

Get your film degree: As with every Kubrick movie, everyone on the internet is falling over themselves to ask “But what does it MEAN?” Most folks seem to come to a conclusion about the movie being about the dehumanizing effect of war. The final shot is Joker and the others marching over rubble, mindlessly singing the Mickey Mouse theme song after all the carnage and horror they’ve seen. So, yeah, I can see the “dehumanizing” thing.

Movie geekishness: Everybody says the first half of the movie is the good stuff, and it runs out of steam in the second. I disagree, because upon this rewatch I really got caught up in the fight against the sniper. I especially liked how the characters are filmed to look small and helpless, surrounded by monstrous-looking crumbling, burning buildings.

 

Thoughts upon this viewing: This movie really plays. If you don’t care about metaphor and just want to see an intense war movie, this is the one.

Next week: Julius Caesar slept here.

****

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Fantastic Friday: Dick Tracy destroys the universe

Reading the Fantastic Four comics from the start. Issue #341 continues and almost concludes the FF’s latest journey through time and space with the fate of all existence on the line.

The FF, Thor, and Iron Man have traveled into the distant future, where Galactus is using an astronomically huge device to devour not just planets but the entire universe. Also, Reed believes Sue and Johnny are dead, when Johnny has secretly become possessed by mysterious blue-skinned woman and has abducted Sue. As this issue starts, Reed says the heroes must find the Ultimate Nullifier, the weapon that stopped Galactus way back in issues #49-51. Then Reed gets a message from Sue, still alive, pleading for him to return to Earth. Thor uses his newfound teleportation ability to go back to Earth, where Sue has fought Johnny, knocked him out, and has him trapped in a force field.

The heroes secure Johnny to the time sled, and head back into space. Thor teleports everyone to Galactus’ ship. (This is a new ship because one, his original ship was destroyed in the first Secret War and two, we’re still in the distant future, remember.) Inside, the heroes fight their way through what appears to be security weapons, but is actually just the ship’s housecleaning machines.

The heroes find Galactus’ weapons vault, another mind-bogglingly huge space containing weapons from all over the universe. (Why does the godlike Galactus even need a weapons vault? We’ve never seen him take trophies from planets he’s destroyed.) Ben tries a light switch, only to find it broken. From this, Reed deduces that the Ultimate Nullifier would be hidden in plain sight, and it is behind the broken light switch. (Why is there a human-sized light switch in an alien space fortress? Why does a room bigger than a planet operate its lighting on a single switch? I’m really over-thinking all this, aren’t I?)

Sue snatches the Nullifier out of Reed’s hands, revealing that she is now the one possessed by the blue-skinned woman, having switched places with Johnny. Finally we get the reveal that this is space criminal Nebula, who, along with fellow villain Dr. Druid, concocted this plan to follow the FF into the future and secure the power of the Ultimate Nullifier for themselves. Nebula tries to nullify the heroes. Reed, however, saw this coming, and he and Iron Man rigged the Nullifier to backfire. Backfire it does, separating the disembodied Nebula from Sue.

The team travels back to Galactus, where they get his attention by attacking his mouth (!) with the combined power of Thor’s hammer, Johnny’s nova flame, and Iron Man’s repulsors set to max. Galactus reaches to grab the heroes, only for Reed to throw the Nullifier into Galactus’ hand. Then the Nullifier does what it was designed to do, and nullifies Galactus. This is depicted by a plain white space representing pure nothingness, spreading outward from Galactus. Just as it, too, threatens to devour the universe, Reed says that if the heroes exit the time bubble at the exact point where they entered it, the bubble will seal behind them, isolating the nullification from the rest of the time stream.

The FF barely escape the nullification, depicted as a blank white space growing around them, culminating in an all-white page of the comic. When this comic was originally published, however, there was an ad for the 1990 Dick Tracy movie on the opposite page. The ink bled through, showing the ad on the all-white page. In his Modern Masters vol. 8 interview, artist Walt Simonson describes this as, “Hi, we’re racing away from a giant picture of Dick Tracy.”

The heroes exit the time bubble and reenter the time stream. They reencounter Nebula, who is floating around in the time stream, and try to save her. They’re too late, and she vanishes. The FF successfully arrive back in the present, in Four Freedoms Plaza. Thor and Iron Man don’t make it back, but Reed says because it’s time travel, they can go back for them later. (!) All seems well, but in the other room, a TV news report states that U.S. President Dan Quayle and Soviet Premiere Josef Stalin are at odds, and the world is on the verge of nuclear war.

To be continued!

Unstable molecule: Is it too much of a stretch for Reed to figure out as much as he does? Probably it feels this way because he reveals how much he knows only after the fact.

Fade out: Nebula said it gave her “inexpressible pleasure” to kiss Reed while she possessed Sue. Is that creepy? I’m thinking that’s creepy.

Clobberin’ time: When Reed and Sue are reunited, Ben makes some sarcastic quips, but Sharon is there to point out that he’s just as glad Sue is still alive as anyone.

Flame on: Johnny spends most of the comic unconscious, but manages to summon his all-powerful nova flame to attach Galactus.

Fantastic fifth wheel: On Galactus’ ship, Sharon stays behind to watch Johnny, saying she can defeat Johnny in a fight if she really has to. (We don’t get to see if she can back up that statement.)

Commercial break: Do you have the stomach for this ad?

Trivia time: It’ll later be revealed that Nebula in this story is not Nebula, but Ravonna, the love interest of Dr. Druid, merely disguised as Nebula. (I’m not entirely clear on why she does this. When this is revealed in Avengers Spotlight, Ravonna merely says that “Nebula” is but one of many names she goes by.)

Thor at one point exclaims, “By the Gjallerhorn!” In Norse mythology this was a powerful horn blown by the god Heimdall. You can be sure Marvel’s Heimdall also his own version. These days, however, most folks know the name Gjallerhorn as one of the weapons in the Destiny games.

Fantastic or frightful? Some have criticized this story for being all plot and no character, but I say it once again has the human Reed standing tall in the face of cosmic space gods and coming off as their equal. That’s serious character strength right there. The kind missing from the Fantastic Four movies, I might add. Walt Simonson’s sci-fi artwork continues to impress as well.

Next week: Welcome to the gun show

****

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Random Warner Bros. – The Departed

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator has some chowdah and slams back a pint o’Guinness as it selects The Departed.

Here’s what happens: The Boston police are waging war against crime boss Frank Costello. Colin Sullivan is a corrupt cop secretly loyal to Costello. Billy Costigan is an undercover cop deep within Costello’s organization. Let the double crosses begin!

Why it’s famous: After several years of directing artsy stuff like Kundun and Bringing Out the Dead alongside ambitious oddities like Gangs of New York and The Aviator, Martin Scorcese returns to the “epic crime” genre that made him famous, this time with some Boston flavor.

Get your film degree: This movie has a ton of characters and a surprise plot twist every ten minutes or so. Normally that would all be too much, but Scorcese makes it all work through clean, confident direction. He makes sure the audience has all the information needed to follow this plot, but in an overly show-offy way.

Movie geekishness: Are some of the Boston accents in this movie a bit much? Leo DiCaprio and Matt Damon do okay, but Alec Baldwin, Martin Sheen, and Mark Wahlberg (a Mass. Native, no less) lay it on really thick. There are times when the cast come off as doing the “look at how hard I’m acting” thing.

Thoughts upon this viewing: Despite my complaints, I like the movie a lot, especially how it tightens the noose around the characters in its second half, as everyone gets more and more paranoid about getting caught in their schemes. Great stuff.

 Next week: Sniper! Get your head down!

****

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Fantastic Friday: Celestial navigation

Reading the Fantastic Four comics from the start. Walt Simonson’s cosmic time travel tale continues in issue #340, in which the FF confronts a godlike Celestial.

The FF, Thor and Iron Man have traveled to the future, where Galactus has built a giant device to let him devour the entire universe. Our heroes have convinced the Shi’ar Empire to send its entire fleet to attack Galactus. On Earth (future Earth, even though the previous issue made it sound like present-day Earth) the Dreaming Celestial has awakened from under his mountain and walks the Earth. Except he doesn’t hang out on Earth for long, because he immediately teleports onto the surface of Galactus’ device. Why is a Celestial a big deal? This one waves his hand through the air and doing so destroys the entire Shi’ar fleet.

Our heroes regroup aboard the Shi’ar weapon platform, the only ship to survive, and compare notes. Iron Man gives a short history of the Dreaming Celestial, saying it was meant to sleep forever under its mountain. Our heroes plot a course back to Earth to investigate this mountain. (The script conveniently forgets that the FF visited this mountain not long ago, in issue #323.)

Thor stays behind while the rest of the heroes break into the mountain and explore the high-tech complex inside it. There’s a few pages of fighting where the heroes are attacked by alien deviants who live there, to protect the Celestial. When them gone, Reed and Sue access the mountain’s computer, and get an even longer history of the Dreaming Celestial. He was once the greatest of all Celestials, but he broke their laws and was sealed inside the mountain to sleep forever, dreaming of revenge. While sleeping, the Dreaming Celestial somehow engineered this whole Galactus-devours-the-universe plot, just so the Dreaming Celestial can rule the new universe that will rise in our universe’s place.

While all this has been going on, remember that Johnny has become possessed by the mysterious blue-skinned woman who’s been following the team around. He/she finally makes a move by knocking Sue unconscious and running off with her. At this point, more Deviants attack. We’re told that there are millions of them this time, far too many to fight, forcing everyone to go back to the Shi’ar ship. Reed refuses to leave without Sue, but Ben knocks him out so that everyone can escape.

The FF and Iron Man escape aboard Reed’s time sled. Thor and Gladiator, who is running the Shi’ar Empire in the future, launch the weapon platform at Earth and destroy the Celestial’s mountain, cutting off the Celestial’s power supply. Reed, now awake again, believes Sue is dead. Reed doesn’t blame Ben, but instead puts all the blame on the Dreaming Celestial.

Reed confronts the Celestial, threatening to go back in time and tell the other Celestials of his plan while the Celestial sleeps. The Dreaming Celestial won’t have this, and chases our heroes through time. Reed outsmarts the Celestial by bringing him straight back to Galactus’ device, where Galactus devours the celestial. With his hunger temporarily sated, Galactus looks at Reed for a second with a sense of sorrow in his eyes. Then he goes back to devouring the universe. Reed says he has an idea on how to stop Galactus, adding that it is, “nothing short of insane!”

To be continued!

Unstable molecule: After he believes Sue is dead, Reed lashes out at Thor, calling Thor “windbag” several times. He later says that this was an act, acting angry so the Celestial would not see his true intentions.

Fade out: Sue uses her force fields to interact with the mountain’s computer, using them in precise, tiny ways to readjust the alien circuitry. I wonder what else she can do with itty-bitty force fields.

Clobberin’ time: Now that he’s human again, what can Ben do in a fight against the Deviants? Only pull out a freakin’ GUN and start shooting away. What, is he the Punisher now?

Flame on: While masquerading as Johnny, the mystery woman fights the Deviants as well, just to avoid suspicion.

Fantastic fifth wheel: Once again, they’ve given Sharon a lot of technobabble dialogue, hoping to portray her as a science genius as well as the team’s muscle.

Commercial break: Master the power!

Trivia time: This issue’s cover calls the Dreaming Celestial “the Black Celestial.” This is one of many names he has gone by, including “Tiamut the Communicator” and “the Renegade Celestial.” He first appeared in Jack Kirby Eternals miniseries back in 1977, and he often pops up whenever the Eternals’ enemies the Deviants are up to no good. The Marvel wiki insists that he doesn’t die in this issue, because this is merely an alternate future.

Fantastic or frightful? This issue feels like filler. Our heroes fight the Dreaming Celestial, only to start back where they began. Also, most panels only have a plain white or pale blue background, making it hard to follow who is where at any given time. On the plus side, the action and fighting are fun, and there’s the overall sense of operatic “cosmic Marvel” that we all love.

Next week: Nebulous.

****

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Random Warner Bros. – The Color Purple

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator gets serious with The Color Purple.

Here’s what happens: Celie is a young woman growing up in rural Georgia in the early 20th Century. She experiences a lifetime of sexism and racism, but never loses her strength of character.

Why it’s famous: Director Steven Spielberg stepped away from his successful fantasy blockbusters (and from Universal) to instead helm this drama, resulting in star-making turns for Whoopi Goldberg and Oprah Winfrey.

Get your film degree: Was Spielberg the right person to direct this? This story is about inhumanity and injustices, yet it’s depicted through Spielberg’s “soft nostalgia” lens. The end result, then, is a world that is beautiful on the outside, but ugly and horrific on the inside.

Movie geekishness: Danny Glover’s character in this movie is pretty much pure evil, and he’s really scary. Then I remembered when he played the villain in Witness, and he was intense and scary in that, too. He’s so good at playing bad guys! I wonder why he didn’t do it more often.

Thoughts upon this viewing: The Color Purple can be a tough watch, but when the moments of triumph or joy do come around, they truly feel earned.

Next week: I smell a rat.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Are you not entertained?

Reading the Fantastic Four comics from the start. Issue #339 continues Walt Simonson’s time travel/space epic, with some classic Simonson Thor action as well.

The FF, Iron Man, and Thor have journeyed into the distant future, where Galactus is using an astronomically huge device with a black hole at its center, for the purpose of devouring not just planets, but the entire universe. The villain Kang keeps showing up, and Johnny is being mentally manipulated by a mysterious blue-skinned woman. As the heroes’ time sled is sucked into the black hole’s orbit, there are two pages of all black panels with only word balloons. Reed concocts a way to combine the power of the sled, Iron Man’s armor, and Thor’s hammer to escape the black hole’s pull.

Once outside the black hole, Johnny continues to act out of character. Here it’s finally revealed that Johnny is not Johnny. The blue-skinned woman has taken over his brain, and is choosing her words carefully so others don’t get suspicious. The discuss how they can possibly destroy Galactus’ device, and Sharon somewhat randomly suggests contacting the Shi’ar Empire, saying that the Shi’ar might have the firepower they need. Everyone’s okay with this, and Thor uses his teleporting power (which he has now) to take them to the Shi’ar.

The heroes find themselves surrounded by battleships in orbit around the Shi’ar planet. Because of the time dilation (or something) it appears that the whole planet is frozen in time. The FF and co. visit a weapons manufacturing plant and just help themselves to what they need.

On the planet, we see Gladiator, the Superman-like head of the Shi’ar’s Imperial Guard, taking notice of the disappearing equipment, he breaks through to the heroes’ time dilation and immediately picks a fight with Thor. (There’s no mention of time travel in this part, so I guess Gladiator doesn’t age, and this is him in the distant future.) Thor and Gladiator are evenly matched, with Thor getting knocked around by Gladiator, and Gladiator being one of the few characters able to survive getting smacked in the face by Thor’s hammer. Sharon breaks up the fight, reminding the two that they’re fighting around dangerous weaponry.

Thanks to Reed’s universal translator, Gladiator remembers that these are the good guys. He reveals that he is currently acting as regent of the Shi’ar, in place of the empire’s child emperor, Charles I. Gladiator orders the entire Shi’ar fleet to attack the Galactus device, even at the risk of leaving the Shi’ar homeworld defenseless. The fleet attacks Galactus, and Reed is in awe of the spectacle. The battle is felt all the way back in the present, where we revisit the mountain of the Dreaming Celestial (from back in issue #323) where the Dreaming Celestial, a robot who is so big he makes the mountains look all tiny, finally awakes and now walks the Earth.

To be continued!

Unstable molecule: Sue at one point asks Reed if he regrets saving Galactus’ life back in issue #244. Reed says saving a life, any life, will be his first priority. He is, however, not ruling out killing Galactus this time, if that’s what it takes to save the entire universe.

Fade out: Sue once again contributes almost nothing to this storyline. Reed asks her to keep an eye on Johnny, what with Johnny acting suspicious.

Clobberin’ time: Reed is about to give up when the team is drawn toward the black hole, but Ben is the one who talks him out of it. He calls Reed a disappointment, doing the ol’ reverse psychology bit. This is a small but interesting character turn for Ben, feeling like the result of all the times people told him, “but you’re not a monster.”

Flame on: With his mind possessed by the mystery woman, “Johnny” has several thoughts about Gladiator being handsome, and even a possible future consort. Have a lot of people taken these panels out of context for humorous purposes over the years? Yes, they have.

Fantastic fifth wheel: Sharon’s suggestion to go to the Shi’ar for help comes out of nowhere. You could argue that she’s researched them since she’s been with the FF, but the Shi’ar have always been antagonistic toward the FF, and they’ve been mostly antagonistic toward the X-Men, so I don’t know why Sharon thinks this is a good idea.

Commercial break: It’s Batman: Digital Justice, the all-CGI comic book. I’ve read it. It’s a fascinating novelty item, but it’s not “good,” exactly.

Trivia time: According to the Marvel wiki, the Shi’ar homeworld is a planet named Chandilar. However, the wiki insists that Chandilar’s one and only appearance was in Uncanny X-Men #275, which was published a year after this issue. Either the Shi’ar get a new homeworld in the future, or the wiki need updating.

Fantastic or frightful? The massive scale and outpouring of sci-fi creativity from Walt Simonson make this issue a lot of fun. Some have criticized this arc for being all spectacle with little character development. That might be true, but spectacle is what Simonson does best, so I say go big.

Next week: Celestial navigation.

****

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Random Warner Bros.: Driving Miss Daisy

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator just wants to go to Piggly Wiggly as it selects Driving Miss Daisy.

Here’s what happens: It’s 1948. Miss Daisy is getting too old to drive, so her son hires her a chauffeur, Hoke. It doesn’t go well at first, but this mismatched pair becomes unlikely friends as the years go by.

Why it’s famous: All the banter between Morgan Freeman as Hoke, in the driver’s seat, and Jessica Tandy as Miss Daisy, seated behind him as the ultimate backseat driver.

Get your film degree: Can we talk about the score? Just when the movie starts to get too dramatic or tearjerky, along comes Hans Zimmer’s upbeat and peppy music, helping the movie maintain a lighter, breezier tone.

Movie geekishness: While Driving Miss Daisy got tons of Oscar nominations, director Bruce Beresford wasn’t nominated. So just who is this Beresford guy? A native of Australia, most of his career has been in Australian film and TV. After he caught Hollywood’s attention with his big Aussie hit Breaker Morant, he became something of a journeyman director, helming Tender Mercies, Crimes of the Heart, Her Alibi, and Double Jeopardy. In 2007, he published his memoir, hilariously titled Josh Hartnett Definitely Wants To Do This. These days, Beresford mostly directs live opera (!) but IMDb says he has a new movie currently in pre-production.

Thoughts upon this viewing: I looked it up, and a lot of people hate Driving Miss Daisy. Some think it’s old folks’ movie, while others feel its “message” is too heavy-handed. Not me, though. The movie is so gentle, well-meaning, and just so gosh-darned nice that it wins me over.

Next week: Spielberg is the word.

****

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Fantastic Friday: That’s no moon

Reading the Fantastic Four comics from the start. Writer-artist Walt Simonson hits the ground running with a time-travel epic continuing in issue #338.

The FF have teamed up with Thor and Iron Man to travel into the future, where some sort of unknown catastrophe is endangering the present. At the end of the last issue, it appears they crashed aboard their time sled, but instead they penetrated inside the time bubble surrounding this unknown future event. What the heroes don’t know is that they are being followed by two mysterious figures, one of whom is the sexy blue-skinned lady who has been appearing in Reed and Johnny’s dreams.

The heroes arrive in future New York, where massive skyscrapers make the Empire State Building look all tiny. All the people and their flying cars appear frozen in place, due to “time dilation.” Reed’s scanner thingy picks up two anomalies. The first is a big one way out in space, and the other smaller one is heading straight for them. This turns out to be Death’s Head, a robotic “freelance peacekeeper,” also known for time traveling. (Death’s Head is a Marvel UK character, making this his first official appearance in the regular Marvel Universe. More on his history below.)

There’s a brief superhero misunderstanding fight (you know the kind) before Death’s Head and the heroes decide to work together. D.H. says he’s been hired by the Time Variance Authority to investigate the time bubble, and Reed says he’s never heard of the T.V.A. Next, our heroes run into Kang the Conqueror, who says he’s there in search of a weapon. Iron Man defeats Kang, who is then unmasked and revealed to be an alien Kang from another timeline.

With the smaller time anomaly solved (sort of) it’s time to investigate the big one. Thor uses his hammer to summon a vortex that teleports everyone into deep space. (I would ask since when Thor is able to do this, but few people know Thor better than Walt Simonson, so I’ll give him the benefit of the doubt.) In space, the FF’s time sled approaches a huge Death Star-like construct, but much, much bigger. Reed says it’s the size of a galaxy (!) and its gravity is drawing the entire universe into it (!!).

The FF pilot the time sled into the construct where they fight more Kangs, each one from different parts of Kang’s personal time stream. There’s a big fight. Johnny is uncharistically violent during the battle, trying to murder a Kang. Death’s Head is able to blast through Kang’s force field where Thor’s hammer could not (what?) only for the last remaining Kang to get sucked into a black hole at the center of the construct. Johnny, continuing to act crazy, flies after him. The FF then spot Galactus, also grown to astronomical size, controlling the construct. He’s using the black hole not just to devour planets this time, but to devour the entire universe! What’s worse, the superheroes are caught in the black hole’s gravity, and it’s pulling them in.

To be continued!

Unstable molecule: Reed said the time sled is able to withstand the gravity of the construct thanks to its “Heisenberg neutralizers.” There you go.

Fade out: Sue does almost nothing in this issue, pointing out when Iron Man shoulder gets hurt in the fight, and watching Johnny through binoculars.

Clobberin’ time: The creators are doing a pretty good job of keeping Ben a part of the action even though he’s human again. What no one can decide is what he should wear. After several attempts at a “civilian” FF uniform, Ben is wearing in this story a trenchcoat and fedora, like an old-timey P.I.

Flame on: It’s not stated that Johnny’s newfound murderous impulses are a result of the blue-skinned woman manipulating him, though I’m pretty sure that’s where this is going.

Fantastic fifth wheel: Like Sue, Sharon says and does almost nothing in this issue. I guess that’s the result of this being a rewrite of an unused Avengers script.

Commercial break: Will you two just kiss already?

Trivia time: Yes, Death’s Head was a creation of Marvel UK, which had a habit of repackaging Marvel comics for European readers, often in odd ways. This included creating a bunch of original characters, most of whom were later added to the Marvel Universe proper. This gets further confusing in regards to Death’s Head, who was created for Marvel UK’s re-write of Transformers. To ensure that Marvel and not Hasbro had ownership of the character, Marvel UK quickly published a one-page strip titled High Noon Tex to introduce the character prior to his Transformers appearance. The character was later re-introduced as Death’s Head II in his own series in the mid-1990s, which was a big (if short-lived) success for Marvel.

Fantastic or frightful? Not a lot happens in this one, as it’s mostly here just to set up bigger things in issues to come. Still, Simonson’s artwork is great, and the ambition of the story makes it exciting.

Next week: Are you not entertained?

****

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Random Warner Bros.: An American in Paris

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator can’t stop dancing as it lands on An American in Paris.

Here’s what happens: After his time in the service is over, an American GI relocates to Paris to become a painter. (Finally, a character we can all relate to.) He hangs out with his friends and pursues a romance with a lovely young lady.

Why it’s famous: There’s not a lot of plot here, but it’s Gene Kelly singing and dancing up a storm.

Get your film degree: The movie ends in a 17-minute wordless dance sequence, with Kelly and others kicking and flipping their way through the movie’s sets. It’s a literal show-stopping number, and a showcase in storytelling via movement and imagery, without dialogue.

 

Movie geekishness: Gene Kelly is an interesting figure. He’s well aware of his status as the movie’s star and, as such, makes himself the center of attention. Rather than coast on his image, however, he works damn hard to make sure the audience is having a good time.

 Thoughts upon this viewing: The big finale is certainly impressive, but the rest of movie is pretty forgettable. How do you say “a mixed bag” in French?

 Next week: I’m trying to drive you to the store.

****

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Fantastic Friday: TV time

Reading the Fantastic Four comics from the start. I’m out of town this week, so here are some more FF videos:

****

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