Fantastic Friday: It had to happen sometime

Reading the Fantastic Four comics from the start. In issue #407, Reed Richards comes back from the dead. It had to happen sometime.

Previously, our heroes encountered the godlike villain Hyperstorm, who has Dr. Doom held captive in his otherworldly tower and seemingly killed the FF in the same way that Reed was killed way back in issue #381. Surprise! The Fantastic Four aren’t dead. When Hyperstorm zapped them, he didn’t kill them, but teleported them somewhere. The FF — in this case Sue, Ben and Kristoff, with guest stars Lyja and Namor the Sub-Mariner — are in a rocky, desert-like landscape, where they are immediately attacked by “hill pirates.” Namor knows these guys from somewhere, apparently. Our heroes easily defeat the pirates, while Sue speculates that Hyperstorm has sent them to a world where Reed is still alive. Namor spots an alien city in the distance, and they head for it.

Back in Hypsertorm’s tower, which is in another universe, Hyperstorm gloats to Nathaniel Richards, whom he’s taken captive. Hyperstorm says his goal is nothing short of the conquest of all time and space. When Hyperstorm leaves the room, Nathaniel asks Zarrko the Tomorrow Man about him. Zarrko says Hyperstorm saved him from being trapped in the timestream. (This happened after his conflict with aliens called Time-Twisters in Thor #245.) Zarrko also believes that he is not Hyperstorm’s sidekick, but his “business partner.”

The FF arrive at the alien city, which is straight out of Conan the Barbarian, with sword-swingin’ savages and scantily-clad dancing girls. Using the treasure Kristoff swiped from the hill pirates, the FF don disguises and question some locals at a tavern about any strangers in town. One guy, Taylos the Trader, says there’s a mad hermit who lives outside the city. The pirates show up again, and pick another fight.

In Hyperstorm’s tower, Zarrko checks in on the prisoner Dr. Doom, not knowing Doom had his intellect restored last issue. Doom does his telepathic mind-switch thing he’s done a few times in the past, and possesses Zarrko’s body, swearing his revenge. In the other world, the city guard show up at the tavern, so the FF make a run for it. They buy a horse-drawn wagon using their stolen pirate gold and out of the city. Then it’s back to New York, where Johnny has decided to pay a visit, taking a break from leading the Fantastic Force spinoff team. Ant-Man fills him in on where the team has gone, and Johnny flies off, hoping to join them.

The FF arrive at the hermit’s cave, only to find a crazy-looking device outside, which Namor identifies as a hydroelectric generator, far beyond the technical level of anyone on this world. Before we all congratulate Namor for being smart, he then steps over a wire, tripping a homemade alarm. Turn the page, and there’s good old Reed, looking all bearded and disheveled.

A fight breaks out, as the FF fears this might not be the real Reed, and Reed doesn’t believe for a second that this is the real FF. Sue approaches Reed, admitting that they’ve both changed since they’ve been apart. They talk for some time, with the reader not privy to the conversation. The finally conclude that it’s really them, and they fall into an embrace.

The next step is to discuss how to get home. Reed says Hyperstorm stranded him in this technologically backwards world because it would years to develop circuitry needed for a time machine/teleporter. Kristoff offers the circuitry inside his armor, which has just the parts Reed needs. Then, in Hyperstorm’s tower, Dr. Doom is still possessing Zarrko, freeing Nathaniel Richards from stasis. Nathaniel wants to get out of there, but Doom says they must work together to defeat Hyperstorm. They say all this with Hyperstorm secretly watching them on a monitor.

Unstable molecule: Reed believes Hyperstorm has created duplicates of the FF to torment him. Could this be foreshadowing to Hyperstorm’s origin?

Fade out: Sue refers to Namor as handsome early on, but then forgets him once Reed is back in the picture. We get one panel of Namor staring coldly at the two of them, which resolves (for now) his pursuit of Sue.

Clobberin’ time: Ben points out that, counting Sue’s force fields, each member of this issue’s team has super-strength. He tells everyone to remember that he’s supposed to be muscle of the group.

Flame on: Johnny cites Vibraxus’ court case and Huntara’s departure as the reasons why he’s taking a break from Fantastic Force. Funny how he doesn’t mention Devlor giving birth to himself.

Fantastic fifth wheel: If Hyperstorm is so all-powerful, why didn’t he know that Kristoff’s armor could get Reed home? Also, we see Kristoff walking around in his Dr. Doom armor but without the helmet, for a little-kid’s-head-on-a-grownup-body look, and it’s just as silly as you’d think.

Ant-Man only appears in one panel, cooking dinner for his daughter Cassie. I can’t tell what video game Cassie is playing, but it looks a lot like the ships from classic Battlestar Galactica.

The Alicia problem: This issue wants to hint at a possible romance between Lyja and Ben, despite all of the previous issues of her saying she still wants to be with Johnny. Ben comments about she and him are both “free agents” and Lyja tells him she knows how she feels after they see Reed and Sue reunited.

Commercial break: This ad really demands a lot from the reader:

Trivia time: This issue crosses over with the sporadically-published Fantastic Four Unlimited miniseries. Issue #12 of that series follows The FF and Reed as the hermit squaring off against a sorcerer named Artabazus who wants to steal Reed’s tech. Artabazus ends being teleported to Salem during the witch trials, and you can guess where it goes from there. Also, I’m not covering Fantastic Four Unlimited on this blog on account of it’s not very good.

Fantastic or frightful? After being absent for almost two years of real-world time, there was probably no way to bring Reed back that wouldn’t be underwhelming, so having him exiled to another dimension seems as good a resurrection as any.

Next: The power of destruction.

****

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Willow (1988) rewatch – Part 44

Watching the 1988 movie Willow scene-by-scene. Why? Because it’s freakin’ Willow! The battle of NockMaar begins, and things get a little Evil Dead-ish, 1:44:20 to 1:47:24 on the Blu-ray.

Madmartigan leads the soldiers into the courtyard through some sort of arched hallway, with gear stacked along one side. This is followed by a shot of the NockMaar inside scrambling and picking up weapons as the Galladoorn enter. A lot of action happens really quick. A NockMaar grabs a Galladoorn soldier and pulls him off his horse, followed by a Galladoorn stabbing a NockMaar right in the chest. Three NockMaar fire arrows, hitting at least one invading Galladoorn. Kael puts his skull-face mask on. Remember than when he’s wearing the mask, Kael believes himself to be an unkillable god. This will come into play before the movie is over.

A couple of interesting points here. For one, this whole battle is staged and shot so there’s never any question as to who’s the good guys and who’s the bad guys. The armor is different, yes, but it’s also a progression of shots and progression of events so that we get a sense of the back-and-forth action. Also, in movie time, we just had a big battle a few minutes ago, so how to make this one different? It’s in cloudy weather, soon to be rain, and it’s set against the all-black castle walls, giving it a different color scheme. This courtyard also appears more confined the courtyard in Tir Asleen, more like a series of long hallways rather than a big open space in the center.

Then it’s back inside, to Bavmorda and her wise men, still preparing for the ritual. Yes, according to the tie-in lore, they really have been up all night just preparing for this, while everything else has been going on for hours. One wise man hits that big gong again, and three more walk around holding candles. Bavmorda stands in the center of the room, with rain starting to pour down from above. She chants some magic words and says, “Exile this child to the thirteenth night.” What does this mean? Not sure, but we know this ritual involves twelve hours, twelve candles that must be lit, and a gong being rung twelve times. Number thirteen, then, is presumably the moment when the baby is banished into oblivion. Then there’s another shot of the baby crying, to tug on the ol’ heartstrings.

Back outside, we catch up with some of our heroes. Inside the castle courtyard, Sorsha hops off her horse. Then a NockMaar (Is it Airk? Hard to tell with his helmet on.) has Willow with him on his horse. He helps Willow off the horse. Then Fin Raziel is there, presumably having also hitched a ride on horseback. Sorsha says, “This way!” and Raziel and Willow follow her. This is some nice internal logic at work, because of course she knows the layout of the castle. Then there’s another shot of the Brownies running across the foreground with fighting in the background. It doesn’t appear that they’re contributing in any meaningful way, just acting all crazy. Also, it’s clearly starting to rain now, for some nice continuity with the rain seen in Bavmorda’s chamber.

Next we’re with Madmartigan, slicing a NockMaar through the gut. This is followed by General Kael, who has a much less flashy fighting style, punching helmeting Galladoorn in the face and even chuckling slightly as he does it. A Galladoorn comes at him with a shield, but Kael is tough he knocks the guy and his shield out of frame with one sword strike. Still not done, Kael walks up to a Galladoorn on horseback and punches the guy in the face, showing off just giant of a man actor Pat Roach was.

Sorsha leads Raziel and Willow up some steps, with her being very careful to keep her back to the wall at all times. Then we see some NockMaar firing arrows from behind shield men, causing a Galladoorn horse and rider to fall into the mud. Airk shows up at this point, atop the castle wall. There’s a big vat of boiling oil or acid being guarded by a NockMaar, only for Airk to sneak up behind him and slash his throat. Airk then sees that same group of shield men. With an action-hero grunt, he pulls a rope, turning over the boiling acid. The steaming blood-red liquid (What is this stuff?) lands perfectly onto the archers protected by the shield men, causing the whole group of enemy soldiers to scatter.

Cut to Sorsha inside the castle, slowly creeping up a spiral staircase with, with Willow and Raziel close behind. Willow has now adopted Sorsha’s style of keeping close to the wall. There’s a really cool shot of Sorsha’s sword silhouetted in front of the opening to Bavmorda’s chamber, with blue light glowing from within. Willow and Raziel round the corner and look on with shock. They’re just looking at the door, however, which is closed. Maybe they’re responding the sound of the baby crying, or the spooky skull on the wall, to one side of the door. Willow and Sorsha both put hands on Willow’s shoulder, and Raziel, “It’s all right, Willow. You don’t have to go.” This bit in the stairs is less than a minute of the movie, but every shot is moody, atmospheric, and just really cool.

From inside, Bavmorda says, “Light the thirteenth candle!” Sorsha sheathes her sword (Why?) and she and Raziel slowly approach the door. Cut to the same door, now seen on the inside of the chamber. Raziel throws both doors open with a dramatic flourish. The chamber fills with wind, and we see the candles blow out. The camera zooms on Bavmorda, who coldly hisses, “Raziel.”

Then it’s Sorsha’s turn to be dramatic, as she steps in front of Raziel and shouts, “Mother!” She then hesitates, steps back, and only says, “I…” Raziel says, “Traitor child, I must despise you now. She motions to two of the wise men, who attack with scimitar-like curved swords. Sorsha’s first move is to knock over one of the containers of blood-red liquid. She slashes at the first wise men with a flurry of sword swipes. It looks like she cuts him on the arm, but this is nonetheless enough for him to hit the floor. Sorsha takes out a second wise man with a high kick (sweet!), and a third wise man attacks. He raises his sword to bring it down on her, only to get it stuck in the wall. Sorsha stabs him and he falls. Then, in a bird’s eye shot taking in the hole chamber, we see Sorsha kick the sword out of his hand and stab him again, making it final.

Sorsha walks into the center of the room. Bavmorda watches with a strange smile on her face. Sorsha steps up to Bavmorda and says, “I won’t let you kill that child.” Bavmorda says, “Away with you!” Sorsha walks up the baby, only for Bavmorda to raise a hand. Sorsha is magically lifted into the air, dropping her sword. It’s an Evil Dead style shot as the camera follows along with Sorsha asshe flies across the room and toward a gated wall covered with spikes. Raziel raises her wand, and Sorsha stops in mid-air, right in front of the spikes. Bavmorda and Raziel eye each other across the room. Bavmorda now has both hands up, and Raziel’s wand now glows blue. Sorsha falls to the floor, apparently out cold. Then another shot of the baby looking sad.

Bavmorda says, “Your powers have gained in strength, Raziel.” Before the audience can wonder how that’s possible, Raziel answers for us, saying “I have Cherlindrea’s wand, Bavmorda. There’s a closeup of Bavmorda, now looking less playful and more grim. Raziel points the wand at her, saying “Alora Danan will be queen.”

Next: Blood n’ guts.

****

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Fantastic Friday: Hyper time

Reading the Fantastic Four comics from the start. We’ve reached issue #406, and I’m afraid we have to talk about Hyperstorm.

We begin in the lab at Four Freedoms Plaza, where Kristoff is experimenting with the tech recovered from Zarrko the Tomorrow Man, which may or may not lead them to Reed and Dr. Doom, who may or may not be still alive. The device explodes, which the team interprets as a “No trespassing” sign to wherever Zarrko’s path might have led. There’s a short debate among the FF, along with guest stars Lyja and Namor, about where to go next. Some want to collect more information, but Sue vetoes them, saying they are following Zarrko’s trail within the hour.

We then catch up with Zarrko, very much alive although he appeared to die in the previous issue. He’s in an otherworldly tower-like building, talking to his mysterious cloaked master. The mystery man checks on a “guest” of his, a prisoner in tattered rags whose face we don’t see. The prisoner is attached to the strangers “brain disarrator” which the stranger says removes all coherent thoughts. The stranger then gets word that rebels have overrun the capital city on planet Alterra-4, so the stranger orders an army of robot Destructoids to kill the rebels. Zarrko contemplates how his master has done this to many other worlds and civilizations.

At HQ, the FF prepares for a journey, as we catch up on everyone’s subplots. Namor tries to convince Sue that Reed is dead and she must move on. She reminds him that he searched for Atlantis for years back when everyone else believed it was gone forever. Ant-Man tries to befriend Kristoff a little more, but Kristoff brushes him off. Ant-Man and Namor both wonder if Kristoff can be trusted. Lyja tries to contact Johnny, who is away with the Fantastic Force spinoff team, and Sue tells Lyja she has an idea. Ben is using another alien device from the previous issue to transform himself from human to a Thing whenever he chooses, although the device still can’t heal the scars on his face he got from Wolverine a while back.

Sue, Ben, Ant-Man, Kristoff, and Namor prepare for the journey. Sue dons one of the FF’s cool brown adventurer vests, saying she sent Lyja away on another mission. They’re about to leave, using the lab’s recreation of Dr. Doom’s time machine, when Nathaniel Richards conveniently teleports into the lab with a dire warning. He says he knows what menace the FF are rushing off to face. Nathan says the stranger is the man who originally forced him to become a wanderer throughout time and space. (“I know him intimately!” Nathan says, which raises a lot of questions.) Sue demands more answers but Nathan falls back on the classic “You’re not ready,” so the FF leave without him.

Nathaniel attempts to teleport back to back to Latveria (remember that he’s currently fooled the world into thinking he’s really Dr. Doom) only he gets teleported to the stranger’s tower instead. The stranger says he is seeking absolute power, blind obedience, and total domination.

The FF arrive not in an alien landscape, but in what appears to be a small European village, where the locals welcome them as illustrious guests. Kristoff’s sensors reveal the villagers are all robots. They want to escort the FF to the “master” and when the FF refuse, a fight breaks out. They fight for a few pages until the FF are knocked unconscious by a classic Marvel bolt-from-the-blue.

Later, the FF awake in the stranger’s lab, frozen in stasis fields. Sue’s vest she was wearing? That was the shape-changing Lyja all along, who frees the team. They find their way to the prisoner from before, revealing it to be the long-thought-dead Dr. Doom. Kristoff recognizes Doom immediately and tries to use his high-tech armor to communicate with Doom.

Then the mysterious stranger reveals his identity. Yes, this is the one and only Hyperstorm. We’ll get to his origin later, but the concept is that he’s the master manipulator, the one who’s been pulling the strings for dozens (hundreds?) of issues by now. Truly, the most villainous of all villains. Then we get to the actual comic, and just look at this guy:

Yeah.

Hyperstorm says where he comes from, stories of the FF are the stuff of legend. He says the FF will be his honored guests, except that they cannot leave his tower for the rest of their lives. Our heroes won’t have that, so they attack. They’re no match for Hyperstorm, who fights back with his “hyper-power” which he says is greater than the power cosmic (this means he’s more powerful than the Silver Surfer, I guess).

It’s a short fight, as Hyperstorm wipes the floor with the FF. He then threatens to reveal to them the final fate of Reed Richards, by having the heroes “join him!” There’s a huge blast of hyper-power, and the FF appear to be reduced to nothing but dust. If this wasn’t enough of a cliffhanger, turn the page and we learn that Kristoff’s signal reached Dr. Doom, who has regained his intellect, and is already plotting his revenge.

Fade out: Hyperstorm is able to shatter (!) Sue’s force fields, and he appears to have invisible force fields of his own in one panel, somewhat foreshadowingly.

Clobberin’ time: Ben is drawn without the scars on his face in a few panels. The Marvel Wiki gives up and just plain admits this was an error.

Fantastic fifth wheel: Ant-Man stays behind to operate the teleporter so the FF can return, but that option appears off the table once Hyperstorm abducts everyone.

Kristoff confirms that this is the real Dr. Doom, saying he’d know his former master anywhere.

The Alicia problem: Lyja wants to call Johnny. She says it’s to invite him along on the mission, but I think it’s unspoken that she still wants to get back with him. Hyperstorm would seem to agree, as he addresses Lyja as “Mrs. Storm.”

Commercial break: Somebody at Marvel thought Lunatik would be the next big thing.

Trivia time: Seeing that this issue’s editor is “Nel Yomtov,” I assumed that was another sneaky Marvel editorial pseudonym, but no, that’s a real person. Yomtov was a big player in Marvel’s Transformers and G.I. Joe comics, and he went on to write a series of children’s books about real-life historic events.

This is the first of several issues with a “Strange Days” logo on the cover, which was the intended title for this story arc. It’s not a reference to Dr. Strange, even though it kind of looks like his logo, and it’s not a reference to the 1995 movie Strange Days, even though Marvel published a comic adaptation of that movie around this time.

Fantastic or frightful? This Hyperstorm guy is supposed to be one of the most important characters in Fantastic Four mythology, and yet he’s so incredibly goofy. If this truly was writer Tom DeFalco’s end game all along, then its sadly underwhelming.

Next: It had to happen sometime.

****

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Fantastic Friday: By Crom

Reading the Fantastic Four comics from the start. In issue #405, we learn tha–OMG it’s Conan the Barbarian!

While on an adventure in Brazil, our heroes have uncovered an alien device that might be able to save Ben’s life after he took a beating, while also turning him back into a human as well. Kristoff and archeologist Robeson man the machine’s controls, while Sue, Lyja, and Namor the Sub-Mariner look on. It works, and Ben returns to his human form.

Ben assures everyone that he feels fine, and he’s overjoyed to be human again. Robeson says the machine’s purpose was to create an army unstoppable warriors, and therefore included an “automatic healing factor.” It’s not all good news, however. Ben sees himself in a conveniently-placed mirror. He sees the scars on his face, given to him by Wolverine in issue #374, are still there. Robeson says the machine only heals recent injuries, so the scars stay. Sue promises to get Ben to the world’s best plastic surgeon, but Robeson is on hand to offer even more bad news. The healing effect might only be temporary.

Kristoff suggests teleporting the machine aboard the FF’s ship the Stealth Hawk, so Ben and benefit from it whenever he wants. Robeson argues that it might stay where it is because it is a major archeological find. Ben says a machine that turns people into monsters shouldn’t be left behind.

Back in FF headquarters, we pick up the previous issue’s other cliffhanger, where Kristoff’s aid Boris was reporting to a mysterious figure. Ant-Man and his daughter Cassie caught Boris in the act, and Boris is now attacking Ant-Man with a laser gun. Ant-Man makes it to the science lab, where Kristoff had prepared his new Ant-Man armor. He dons the armor, hoping that Kristoff and/or Boris hadn’t tampered with it.

The Stealth Hawk flies back to HQ, with everyone wondering why Ant-Man isn’t responding. For some reason, Namor chooses this exact moment to make a move, saying he and Sue should finally be a couple now that Reed is dead. She says she’s accepted Reed’s death, but isn’t ready for a new relationship. Namor says he’ll respect her wishes… for now.

At HQ, Boris seals the door to the lab, thinking that will stop Ant-Man of all people. He contacts the mysterious figure, saying the building is secured and he’s preparing for the rest of the team’s arrival. The mystery man, whom we the readers know is the mega-powerful Hyperstorm, tells Boris to proceed at his own discretion. Ant-Man predictably shrinks to teeny-tiny size and jumps out at Boris from an air vent.

Now things get really weird. Ant-Man is struck by a broadsword. Turns out it’s Conan the Barbarian, who has randomly appeared in the room. Although he’s not named, the Marvel Wiki insists this is the one and only Conan the Barbarian. He’s joined by a futuristic Iron Man, revealed to be the Iron Man of the distant future of 2020. Boris says he’s pulling enemies from other timelines to fight Ant-Man, because all this time Boris has secretly been… Zarrko the Tomorrow-Man.

Who is this? Zarrko first appeared as a Thor villain way, way back in 1962’s Journey Into Mystery #86. He would occasionally pop in Thor comics over the years for various time-travel antics. The Marvel Wiki insists that Zarrko has been impersonating Boris since Boris appeared way back in issue #258, also the first appearance of Kristoff.

Back to the action, Zarrko says he was never loyal to Doom or Kristoff, but is instead working for someone the FF hasn’t even met yet. He summons more Marvel characters, the gimmick being they are either dead or from an alternate timeline. So, in the next few pages, Ant-Man is under fire from the original Green Goblin, the original Bucky, the android Human Torch (a.k.a. Toro), the Red Raven, the original Thor (who had died and been replaced with Thunderstrike during this time), Snowbird from Alpha Flight, the Melter, Union Jack, Omega the Unknown, the Rawhide Kid, the original Black Knight, Blizzard, Blackout, Skurge the Executioner and the unfortunately-named Whizzer. The rest of the team arrives and joins the fight against all the alt-timeline cameos. Zarrko is apparently mind-controlling all these guys, because all they want to do is fight the FF.

During the fight, Ben’s healing effect wears off, and turns back into the Thing, still with his facial scars. Ant-Man uses his new armor’s grappling hook to detach Zarrko’s time displacement device from his belt. This causes all the alt-timeline folks to disappear. Ben grabs hold of Zarrko. Zarrko offers Ant-Man’s daughter Cassie in exchange for the device, but Sue says Lyja already got Cassie to safety during the fight.

With the danger over, Cassie runs into the room and into Ant-Man’s arms before he can change out of his armor. He doesn’t know how to tell her he’s really Ant-Mat. She says it’s okay, because she’s always known. Zarrko tries to negotiate for his freedom, saying he knows what really happened to Reed. Before he can anything more, though, he is killed by an energy blast from an outside source. Kristoff says his sensors locked onto the beam’s source of origin and they can track it to its source — and, hopefully, to some real answers.

Fade out: We all know Namor is a jerk, but his pursuit of Sue takes “jerk” to a whole new level. Even as Sue considers making a new life for herself, I was glad to see her shoot him down like she does.

Clobberin’ time: Ben refers to Zarrko as “my old sparring partner,” but I can’t figure out where they might have met before. The closest I can come up with is when Johnny and Spider-Man used some of the FF’s tech to help the Avengers fight Kang in multi-issue Marvel Team-Up arc, which also featured Zarrko.

Fantastic fifth wheel: This issue ends the running gag of Ant-Man always trying to keep his daughter from learning his secret identity. We haven’t seen much of this in FF, but it happened a lot during Ant-Man’s many Iron Man appearances.

Kristoff shows little surprise or anger that his loyal servant Boris turned out to be a time-traveling supervillain. I guess his Dr. Doom-programmed brain means he can take these sorts of betrayals in stride.

Commercial break: This comic has not one, not two, but FIVE pages of ads for Spider-Man Fruit Roll-Ups!

Trivia time: It’s Conan the Barbarian! In 1995, Marvel not only still held the license to the character, but it was still publishing Conan comics on a regular basis. It wouldn’t be until a year later that the license changed hands.

As for whether the Conan character is canon to the Marvel Universe, that’s where it gets confusing. Conan only interacted with Marvel heroes in What If?, except for popping up in a few big group shots of heroes during big crossovers. The Marvel Wiki states that these cameos are the alternate-timeline Conan from What If? and not his regular comic. On the other hand, Conan’s barbarian kingdom of the Hyborian Age is established in his comic as being Earth before the Ice Age, peopled by descendants of ancient Atlantis. Marvel still owns a lot of characters created for Marvel Conan comics that show up from time to time, such as the wizard Kulan Gath. The X-Men villain Selene was born during Conan’s time, and the Terrigen mists that created the Inhumans also existed in the Hyborian Age.

And no, Zarrko isn’t really dead. He’ll later return during the Age of Ultron crossover where he’s enlisted to join S.H.I.E.L.D.’s time travel branch, simply called T.I.M.E.

Fantastic or frightful? Kind of a missed opportunity. If you’re going to re-introduce all these obscure characters, why not actually do something with them, rather than reduce so many of them to one-panel cameos? And after foreshadowing the Boris/Zarrko reveal for so long, Zarrko ends up being an underwhelming villain.

Next: It’s Hyper time.

****

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Willow (1988) rewatch – Part 43

Watching the 1988 movie Willow scene-by-scene. Why? Because it’s freakin’ Willow! This scene has four words that sum up the whole movie, 1:43:58 to 1:44:19 on the Blu-ray.

From the previous scene, we fade to an establishing shot of Castle NockMaar. There’s one guy on the wall, and two walking down an exterior staircase somewhere in the castle’s inner courtyard. The effect is that the place looks empty, as all the soldiers, thinking they are victorious after the “you’re all pigs” incident, have cone inside, possibly to get some sleep. Then we cut to the castle exterior where we see some decorative piles of skulls right outside, no doubt meant to frighten away any would-be attackers. It’s a long, slow pan of almost 20 seconds across the empty-looking field facing the castle, until Willow and Fin Raziel come into frame. Are the filmmakers pulling a little trick on us, and are all the stuntmen actually under the ground during this shot?

Then another shot of the top of the castle walls, and now a few more NockMaar are gathered, looking down at the pair. Willow turns to Fin Raziel and merely says, “Raziel.” She responds, “Willow, all these years I have waited to face Bavmorda. It is you who has made this possible. Whatever happens, I shall always admire you.” Willow looks pensive, and then considers Kaiya’s braid, given to him earlier in the movie at the start of his journey. The music swells, as he (and the audience) reflect on how far he has come. Raziel puts a hand on his shoulder and says, “Your children will come to remember this day.”

Atop the castle wall, General Kael shows up, looking down at the two, followed by another wide shot of the castle, again emphasizing how empty the field in front of the castle appears. A couple of birds fly overhead in that odd silhouette animation they used on the trolls earlier. Willow and Raziel take a few steps forward. Raziel says, “We call upon you to surrender.” Are they projecting their voices magically, Gandalf-style, or should we just suspend our disbelief that the characters can hear each other over what’s obviously a long distance? Willow adds, “We are all powerful sorcerers. Give us the baby, or we will destroy you.”

Kael actually cracks a smile upon seeing this. His skull-face mask isn’t on during at this moment, so we’re getting human Kael as opposed to he-thinks-he’s-a-god Kael. He and the others then break out into a huge laugh. Willow looks at Raziel again, now with a more determined look in his face. He’s turned a corner from being hesitant to prepared for what’s about to happen.

Kael points and says “Kill them.” The point seems unnecessary, because who else would be talking about? There’s yet another wide shot of the seemingly-empty field. In the reverse shot, we see the drawbridge slowly lowering. (They built a working drawbridge for this movie!) Willow and Raziel exchange glances, and then five NockMaar on horseback come riding out of the castle.

Willow raises his staff in an action pose. Raziel says, “Patience, Willow.” The camera zooms on Willow as he says to himself, “Courage, Willow.” What else can I possibly say about this four-word exchange? This is the movie’s mission statement, and it’s just pure movie magic.

The five soldiers ride closer. Then, with a “Hee-yaw!” Willow raises his staff and bangs on a drum conveniently placed next to him. With a second “Yaw!” he bangs it again, and then the Galladoorn troops  emerge from underground, having been hidden in huge holes in the earth covered with tarps. A couple of the horses with riders are simply lying under the tarps, with the horses springing up immediately and taking the rider with them. (Stuntmen love stuff like this.) The previous scene established that Willow got the idea for this by watching gophers in his village. I assume this means gophers burrowing and residing just under soil, because I’ve never heard of a gopher springing up from underground to attack. The Willow fan wiki, sadly, has no entry on gophers, so we don’t know how they differ on Willow’s world compared to ours.

Madmartigan gets a closeup, raising his sword and doing his own “Yaw!” battle cry. The five NockMaar stop, clearly outnumbered, and one matter-of-factly states, “Back to the castle.” There’s yet another shot of the Galladoorn troops riding forward, suggesting that there’s a whole lot of them. This whole strategy raises a number of questions. Were these holes preexisting, or did the Galladoorn stay up all night digging them? If they did, how are they in any shape to ride into battle first thing in the morning? Even though this scene opens establishing very few NockMaar atop the castle walls, did the NockMaar really have no lookouts during the night who could have seen all this? Anyway, the two Brownies pop up from their hiding place under a soldier’s helmet. They raise their spears and run forward. I guess they are also going to fight.

There’s a very quick shot of the Galladoorn overtaking the five soldiers, with one of them falling off his horse while making the classic Wilhelm scream (you know the one I mean). Then the movie’s main theme music kicks in as Madmartigan leads the troops over the drawbridge and into the castle’s main entrance in an awesome hero moment.

Next: To battle!

****

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Fantastic Friday: Rumble in the jungle

Reading the Fantastic Four comics from the start. Issue #404 has the Thing fighting a bunch of other Things, and… that’s it, really.

We open with Namor the Sub-Mariner, seeking revenge for losing control of Atlantis to the Inhumans during the Atlantis Rising crossover. He’s arrived at FF headquarters in search of Sue, demanding an audience with her. The only team member there is Ant-Man, who tells Namor that the rest of the FF are in Brazil. We then go there, where Ben is fighting Sue, Kristoff, and Lyja, all of whom have been transformed into Things like himself. (Short recap: an archeologist named Robeson found ancient ruins that resemble Ben, only for criminal jungle guide Mico to take over and use an alien device in the ruins to Thing-ize our heroes.)

While Ben tries to go easy on his teammates, Mico stands to the side with the other members of the expedition, who have also become Things, and are under Mico’s command. Robeson escapes, running into the jungle. He fears the damage Mico can do if he ends up with a whole army of Things serving him. Ben manages to escape his teammates and also escapes into the jungle, in pursuit of Robeson.

At HQ, Ant-Man shows Namor that he’s been tinkering with Dr. Doom’s space-time platform, turning into the FF’s personal transporter. He offers to teleport Namor right to Sue’s location. Namor makes a big declaration, saying it is time for him and Sue to finally be together, seeing as how she’s lost Reed and he’s lost all of Atlantis. Kristoff’s aid Boris watches mysteriously from a distance.

Ben re-encounters Sue, Lyja and Kristoff in the jungle, where they reveal they still have their powers in addition to their new Thing strength. Namor teleports into the middle of the fight, and Sue immediately attacks him. Ben catches up Robeson, who theorizes that the effects of the alien device might fade over time, but he doesn’t know for sure.

At HQ, Boris ducks around the corner for some privacy, thinking about how much he dislikes this “time era” and that he’d rather be dealing with Thor instead of the FF. He contacts a mysterious figure hidden in shadow. The man in shadow says that if history is to believed, the Fantastic Four are about to reach a critical juncture with huge consequences. Because this is a re-read and not a first-time read, I’m going to spoil it. This is the first ever appearance of Hyperstorm, who, although short-lived, is about to become one of the most influential baddies in FF history. Anyway, Ant-Man’s daughter Cassie eavesdrops on the conversation, and Boris catches her.

There’s a few pages of Sue fighting Namor, followed by Ben and Robeson returning to the ruins. There, Ben finds hieroglyphics showing men being transformed into Things and back again. Ben wonders if this could be his chance to become human again. Mico shows up with other Things, saying he’s going to turn them into his own personal mercenary squad and become with world’s most successful mercenary. This doesn’t seem like all that evil of a plan, but Ben won’t have it. He fights the other Things.

At HQ, Boris is in search of Cassie, who ran off. He runs into Ant-Man and immediately pulls out a laser gun and fires. Ant-Man dodges the blast. He wonders where Cassie is, and fears that if Boris is a traitor to the FF, then Kristoff might also be. Meanwhile, Ben fights the other Things inside the ruins, while Sue fights Namor in the jungle. The other Things finally get the upper hand on Ben, and beat him senseless. The effects of the alien device then wear off, and all the Things become human again.

Sue and Namor hurry to the ruins. Mico pulls a gun on them, but he doesn’t stand a chance against Sue’s force fields and Namor’s strength. Ben is unconscious, and Robeson fears that he may be suffering from internal injuries. He suggests using the alien device to turn Ben back into a human to save him, as long as Ben’s body can survive the shock of transformation. Sue agrees to try it. With Kristoff using his genius to man the device’s controls. The machine fires up, and we’re left to wonder the final fate of the Thing.

To be continued!

Fade out: The fight between Sue and Namor is an excuse for a rage-filled Sue to call out Namor on his years of creepy behavior, including his trying to take advantage of her as she mourned for her dead husband.

Clobberin’ time: This issue remembers that the scars on Ben’s face are highly sensitive, and really does look painful in panels when he gets punched right in the scars.

Fantastic fifth wheel: Ant-Man says he bought advanced tickets to take his daughter to see the Disney movie Pocahontas. It’s Disney/Marvel foreshadowing!

Kristoff’s Doom armor appears to change size with him, first growing to Thing-size, and then, more interestingly, shrinking down to little kid-sized when little Kristoff becomes human again.

The Alicia problem: When Mico pulls an ordinary pistol on our heroes, Lyja doesn’t make a move to stop him, for fear that Mico might shoot Kristoff. Sue and Namor, however, don’t think twice about using their powers to disarm Mico.

Commercial break: Together at last!

Trivia time: I’ve given up trying to track the confusing history of Dr. Doom’s time machine, and all the places it’s shown up. Fortunately, the Marvel Wiki has done it all for me. The wiki insists that the original time machine is back in Latveria inside Castle Doom, and that the one seen in this issue is a replica created by Reed. Ant-Man’s tinkering means it’s now a plain ol’ teleporter as well as a time machine.

Fantastic or frightful? I don’t know. Kind of a placeholder of an issue, waiting to make the big reveals and the big drama for the next one. Some of the fights and action is interesting, but that’s about it.

Next: Moose and squirrel.

****

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Willow (1988) rewatch – Part 42

Watching the 1988 movie Willow scene-by-scene. Why? Because it’s freakin’ Willow! It’s finally time to settle the debate between war and agriculture, 1:41:56 to 1:43:57 on the Blu-ray.

We begin with Bavmorda and her wide men continuing the all-night preparations for the ritual, starting with a creepy shot of Bavmorda holding a knife right over the baby. She very carefully cuts off a slice of the baby’s hair, and then holds for a few seconds, contemplating both it and the knife. Bavmorda says, “Black fires kindled within, let the second rite begin.” The fan wiki doesn’t specify how many rites this ritual has or which rite is which, so I guess we’ll just have to accept that this twelve-hour-long ritual comes with several steps. One of the wise men puts the hair in a bowl and then slowly pours blood-like liquid from that bowl into a larger bowl. Bright red fumes come from the larger bowl. These fumes will show up again in the movie’s climax.

 We then cut to the Galladoorn soldiers’ camp, where two of soldiers are sneaking from tent to tent, as to not be spotted. They duck inside one of the tents to join a makeshift war council, with Madmartigan, Sorsha, Fin Raziel, Willow, and Airk, with a few more unnamed Galladoorn. The fact that they’re being so sneaky suggests the Raziel has successfully transformed all (or most? or some?) of the Galladoorn from pigs back to human without the NockMaar soldiers on the castle walls seeing them. Also, this further establishes that this society has really excelled in tent technology, because, like Sorsha’s tent earlier, this one is huge.

 Airk’s first line of dialogue is hard to understand. According to the Blu-ray’s subtitles, he’s saying, “We can’t breach the wall. We can’t get inside.” Raziel says, “Elora will die unless we save her.” Interesting that they’ve all accepted her as one of her own. Is this just because she saved them, or has her fame as a great sorceress reached Galladoorn from Tir Asleen? There’s a quick shot of the Brownies, standing on the table, establishing that they’re no longer pigs, and that they’re somehow included in the war council. Perhaps they’ve been included to speak on behalf of Cherlindrea.

 Another unnamed Galladoorn, who looks a little bit like Eric Idle, says “Bavmorda’s too powerful.” Raziel says, “No. She cannot transform you again. My spell is protecting this camp.” Madmartigan asks Raziel if her magic can get them inside the fortress. She merely shakes her head. I’m sure a lot of viewers would prefer a real answer, but given that this world’s magic system is only given partial (at most) explanations, we have no choice but take Raziel at her word.

 Airk stands and says, “We can’t do it.” And what on Earth is that thing he is holding. It appears to be a ceremonial staff of some kind, made from a knotty tree root. He’s quick to set it aside. Willow pushes forward through a couple of soldiers and says, “Back home at my village, we have a lot of gophers.” Madmartigan then says one of my favorite lines, “Willow, this is war, not agriculture.” Willow keeps his cool and says, “I know. But I have an idea that can get us inside the castle. Without saying a word, Airk sits at the table, and listens to Willow. The other Galladoorn do as well. This is a total turnaround from Airk’s dismissive attitude toward Willow back in the snowy village.

 We then cut back to the ritual where Elora Danan is still crapped up on that altar thing, and she is still crying. Are they feeding her or changing her during these twelve hours? Bavmorda chants some more magic words, with some liquid cupped in her hands. It looks like water to me, but who knows? She seems happy almost to the point of delirium as she does this. Then another reaction shot of the baby, this time just watching instead of crying, suggesting that she is aware of what’s going on.

 Back to the tent, and Airk has done another 180 turn. “Come on, Madmartigan,” he says. “You and I are soldiers. You know the peck’s plan will never work. There’s a second of silence as Madmartigan contemplates this. Raziel says, “If the baby dies, all hope for the future is lost.” She and Willow exchange a nod, and she says, “I’m going to fight.” Willow stands and says, “Me too.” Madmartigan and Sorsha both stand. Madmartigan takes charge, starting with, “All right, we’ve got to decide who’s going to go and who’s going to stay.” This is followed by a series of shots as all the characters exchange glances. I suspect this is to generate suspense as to whether Airk and the other Galladoorn will stay and fight, or if they will bail. Notice Airk is holding that weird staff again. What is that thing?

 Next: Go go gophers.

****

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Fantastic Friday: Thing ring do your thing

Reading the Fantastic Four comics from the start. In issue #403, we’re getting back to basics with some old-fashioned jungle adventure.

We begin in the lab inside Four Freedoms Plaza, where Kristoff has designed a new Ant-Man suit for Scott Lang, one that will enhance his “physical abilities.” Scott is grateful, but Kristoff remains a jerk, even though they are teammates now. Kristoff boasts that his intellect is superior to Scott’s. Scott reminds Kristoff that he’s a 12-year-old who “models himself” after Dr. Doom.

Scott is then called to the lobby, where he receives a surprise visitor — his daughter Cassie. There’s a lot of fun shtick as he gives her a tour of FF headquarters, and Kristoff even shows up not wearing the Dr. Doom armor to flirt with the pre-teen Cassie. Kristoff’s aide Boris is also still hanging around, still harboring a dark secret unknown to our heroes. This is followed by two pages of follow-up to the Atlantis Rising crossover, establishing that the Inhumans now rule Atlantis, protected from the outside world by a Negative Zone barrier. Namor the Sub-Mariner, all alone at the bottom of the ocean, swears revenge.

Cut to Brazil, where we are reunited with Professor Kenneth Robeson, the archeologist we met briefly in issue #389. He’s investigating the ruins of an ancient civilization that left behind sculptures with an eerie resemblance to the Thing. He chides his jungle guide Mico for illegally shooting animals for sport, and then Nico leads him and his team to more ruins, the Temple of the Ancient Sun Demons. These sculptures also resemble the Thing. Robeson and team find alien-looking machinery inside the temple. When one goon messes with the machine, it zaps him with a blast of energy.

Then there’s some business with Johnny, officially announcing he’s leaving to the team for work the Fantastic Force spinoff team, who could use his help with all the drama going on in that comic. He then goes on a date with love interest du jour Laura Green, still not knowing that Laura Green is Lyja the Skrull in disguise. After Johnny takes off, Lyja goes to HQ, where Sue has invited her for a meeting. Sue says that with Johnny leaving and Kristoff still not entirely trustworthy, the FF could use a hand. Lyja says she’s happy to help.

The FF then receive a distress call from Robeson, who tells them Mico’s “things” are attacking the archeological site. Although the FF don’t know what this means, but they are ready to help. Kristoff uses his genius to track Robeson’s signal. Ant-Man stays behind to be with Cassie, so Lyja volunteers to take his place.

The FF arrive in the jungles of Brazil, and must march through the brush to reach Robeson’s camp. Ben scouts ahead, where he is attacked by a bunch of other Things. They introduce themselves as the “Dark-Spawn of Mico” and they fight Ben calling him a “has-been.” The rest of the team, meanwhile, make it to Robeson’s camp and find it deserted. Sue and Lyja are knocked out with poison darts from an unseen attacker. The same attacker takes out Kristoff’s Doom armor with a futuristic adhesive liquid.

Been defeats all the other Things, and then makes his way to the ancient temple, where Mico is waiting for him. Ben demands an explanation, but Mico says he has other ideas. Ben turns around to find that Sue, Lyja, and Kristoff have been transformed into… Things!

To be continued!

Fade out: Sue speaks on behalf of the FF when communicating with NATO on the Inhumans/Atlantis situation. The NATO officials promise to keep Sue informed of future developments.

Clobberin’ time: Referring the enemies as “Spawn” feels like a cheap shot fired at Image comics, with a lot of talk during the fight about other Things are nothing but cheap imitations of the original. During the fight, Ben even says, “Image ain’t everything!”

Flame on: The last time we saw Johnny in this comic, he was being mind-controlled by Maximus the Mad. What this issue doesn’t tell you is that Franklin freed Johnny from Maximus’ thrall in Fantastic Force #9, which was part 9 of Atlantis Rising.

Fantastic fifth wheel: Kristoff continues the unlikable thing by always telling his new teammates they have inferior intellects. His flirtation with Cassie, though, gives him a little more personality than just kid-who-thinks-he’s-Dr.-Doom.

After referencing Ant-Man’s daughter Cassie several times, she finally shows up in Fantastic Four. She’s also been aged-up from kid to pre-teen so she can get flirty with Kristoff. Cassie being a superhero fan has been well-established in her many Iron Man and Marvel Presents cameos, even wearing a Spider-Man T-shirt in her first appearance.

The Alicia problem: Ben is the only one who has a problem with Sue asking Lyja to join the expedition, remembering that Johnny still feels betrayed by everything that went down between them. Lyja tells herself that her Laura Green persona was only meant to keep an eye on Johnny, and that she never intended to attract Johnny.

Commercial break: It’s the Citizen Kane of parachuting elephant movies:

Trivia time: The country of Brazil hasn’t been visited too many times in Marvel history. There was some World War II action with Captain America and Bucky. Other than that, it’s mostly been Avengers visiting there for various world-saving missions, as well as an amusing story about Jarvis the butler teleporting to Brazil to gather gourmet coffee beans. Brazil got the most play in New Mutants, thanks to the mutant hero Sunspot being Brazillian. Most interestingly, though, is that Brazil is the home of Nova Roma, the secret society where people live as if it is still ancient Rome. Magma from New Mutants was originally from Nova Roma.

Fantastic or frightful? After all those long-winded and baffling subplots, not to mention a bunch of crossovers, it’s refreshing to have an issue that’s back to the Fantastic Four going on a Fantastic Four adventure. It’s a simplistic issue, but there’s plenty of fun to be had.

Next: Rumble in the jungle.

 

****

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Fantastic Friday: Still more Atlantis

Reading the Fantastic Four comics from the start. Issue #402 is part ten of the eleven-part Atlantis Rising crossover. I don’t know about you but I’m getting Atlantis’d out.

Sexy sorceress Morgan Le Fay has taken over Atlantis and raised it to the surface. The Inhumans, under the leadership of the Inhuman Genetic Council, believe that Atlantis belongs to the Inhumans, and everyone’s getting caught up in the conflict. While flying Atlantis aboard their Stealth Hawk spaceship, the FF are attacked by Thor, who is under Morgan’s thrall. We begin with a pretty cool Top Gun-style aerial battle between Thor and ship, with them outmaneuvering and battling each other. Kristoff fires a “graviton torpedo” at Thor, knocking him unconscious. The FF flies off, not to Atlantis but to Heathrow Airport where NATO is holding an emergency session to discuss the Atlantis situation. (How do our heroes know this?)

In Atlantis, it’s revealed that the battle severed Morgan’s psychic link with Thor. She still has her energy field intact around Atlantis, though, and she reveals she has aquatic Ihuman Triton trapped in a “geneti-globe” and she hopes to use him as her pawn. She also has the Inhuman city of Attilan, shrunk down to tiny size and trapped in a bottle. Nathaniel Richards is also there, having been taken prisoner by Atlanteans. He tells Morgan that he has the means to restore Attilan to its proper size.

We then catch up with the Inhuman Royal Family, still living in exile in a New Jersey circus. They are contacted by their enemy Arcadius, head of the Genetic Council. They agree to set aside their differences, only for Arcadius to saw that if the Inhumans are to survive this conflict, they must destroy Namor the Sub-Mariner. We then appropriately cut to Namor, who has been rescued after a defeat earlier in the crossover. He’s been nursed to health in an undersea cave by Atlantean sorcerer Vashti. Namor says he wants vengeance against those who displaced Atlantis, but Vashti argues that Namor’s people need a leader and a healer instead.

The FF arrive in London, and the Inhuman Royal Family see a news report about them. The FF meet with NATO officials in a conference room inside an unidentified mansion (could this be Downing Street?!?) where they debate about what to do about Atlantis. The Royal Family teleports right onto the conference table. The NATO guys think this is an attack, but Sue vouches for the Inhumans. Then there really is an attack, when Namor bursts through a window, hoping to get his revenge, rather than the “leader and healer” stuff. Vashti apparently never filled him in about the whole Royal-Family-living-in-exile-at-the-circus thing.

Black Bolt fights Namor, and the two are pretty evenly matched. The exchange blows, and Black Bolt actually uses his energy antenna as a proper weapon, something we don’t see him to that often. Meanwhile, Ant-Man fights Lockjaw, Karnak fights Ben, and Gorgon (who, let’s not forget, once single-handedly defeated the FF) fights the NATO security guards. Sue breaks up the fight by putting a force field between Black Bolt and Namor.

In Atlantis, Morgan reveals to Arcadius that she has procured the city in the bottle and the means to restore it. Arcadius then contacts the Royal Family and says they must teleport to Atlantis at once. They do, leaving the FF behind in England. Sue says they must pursue, except that they have no way of breaking through the energy barrier around Atlantis. Then Thor shows up again, saying that he’s free of Morgan’s spell. He says he can get them to Atlantis, where he will have his revenge.

Fade out: Sue spends the whole issue trying to act as negotiator, hoping to stop the fighting and get everyone to listen to reason.

Clobberin’ time: This issue’s letters page announces a new Thing solo series coming later that year. It never happened, though. Ben wouldn’t get another solo series until Thing: Freakshow, seven years later.

Flame on: Starting this month, Johnny took over as the new leader of the spinoff team Fantastic Force, which is why he won’t appear in this or the next few issues.

Fantastic fifth wheel: Lockjaw defeats Ant-Man by pinning him to a wall, so that Ant-Man can’t get to his shrinking gas.

Kristoff continues to question the FF’s no-killing rule, suggesting that they might have to kill Thor, even if he ultimately chooses against it. Later, none of the officials in London question why someone who looks and acts just like Dr. Doom is with the FF. Maybe Sue phoned ahead and informed them that Kristoff is on the team now.

Medusa’s only role in this issue is to act an interpreter for Black Bolt. Her and Black Bolt’s son Ahura appears in one panel while at the circus, in case anyone’s wondering whatever happened to that character.

Commercial break: Whatever happened to Combo Man?

Trivia time: How did Atlantis Rising end? Morgan Le Fay was defeated, and Attilan was restored to its original size, trashing Atlantis in the process. The Atlantean people were displaced and the Inhumans took over ownership of the now-combined Attilan/Atlantis.

One of the guards in London asks, “Where is Captain Britain when we need him?” The answer is that month in Excalibur #87, where Captain Britain and the Excalibur team were in Genosha, searching for the mythical “mutant-killing bullet.”

Fantastic or frightful? There’s a lot of fun action in this one, with the spaceship vs. Thor fight and the Black Bolt vs. Namor fight. Unfortunately, I have a hard time caring about all this Atlantis vs. Inhumans conflict as it gets more and more dense. Yet another mixed bag.

Next: Thing ring, do your thing.

****

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Willow (1988) rewatch – Part 41

Watching the 1988 movie Willow scene-by-scene. Why? Because it’s freakin’ Willow! It’s morphin’ time! Alpha, bring my Zune.

We begin with Bavmorda and her wide men setting up for the ritual, so I guess now is as good a time as any to get into what this ritual is, exactly. This is the Ritual of Oblivion, also known as the Rite of Oblivion. It takes twelve hours to prepare (this is important for later) a purified copper altar (the “purified” part will also be important later, a thunderstorm, several rare ingredients, and a “large quantity” of human blood. (!) The idea is that over this twelve hours, vast magical entities are built up, enough to not just kill a living being, but kill that living being by banishing his or her soul to the netherworld. Just killing Elora Danan wouldn’t have been enough, Bavmorda needs this ritual to destroy both the baby’s body and soul. Also, the caster, Bavmorda, cannot leave the ritual chamber once the ritual begins, or else the magic fails.

 We see the wise men preparing the baby in a red blanket with what appear to be black straps around her (to keep her from crawling away?), while one of the wise men strikes a gong that has an almost-but-not-quite ying/yang symbol on it.

 Back outside, Willow steps outside his tent to see what the audience already knows, that the whole Galladoorn army has been turned into pigs. This is demonstrated by a wide shot of the whole area covered with actual pigs (no CGI here). A couple of horses run by in the background, no doubt wanting to get out of there. Willow sees two piglets underfoot, meant to represent the two Brownies. Many viewers over the years have pointed out that the two piglets are actually much larger than the Brownies, but it’s still a good gag. 

 Willow runs back into the tent, throws himself onto all fours, and punches the ground in frustration. We’ve seen him angry and frustrated at other times during the movie, but never pushed to the edge like this. He says, “We’ve come all this way and Elora Danan is going to die.” I’m not sure this exposition is needed this late in the film, but it’s not so bad. Fin Raziel, still in her goat form, says there is still a way to defeat Bavmorda. Willow says Bavmorda is too powerful. Then there the camera does the heroic push-in on the goat as she says “Transform me, and I will destroy her.”

 Willow immediately snaps out of his funk, and he gives a Raziel a serious nod. Instead of the usual magic words he’s been saying throughout the movie, this time he chants in English. “Elements of eternity, above and below, balance of essence, fire begets snow.” Then he begins with the fantasy magic words. The tie-in material has less to say about this spell than it does the Ritual of Oblivion. This is simply called a transformation spell, and it’s defined as using magic to transform one thing into another thing. Yeah, thanks for that. The tie-in fiction says most magic-users in this world consider transformation unethical, but we’ve seen it a lot in the movie. In addition to Fin Raziel and all those pigs, this is the same spell that turned the troll into the Eborsisk, and it’s even how the High Aldwin turned a rock into a bird.

 Now the camera pushed in on Willow as he chants, and we hear Raziel say, “Willow, believe in the words. Concentrate.” Then we get crazy special effects as the goat transforms, its neck stretching upward in a grotesque way, until Raziel turns into an ostrich. She says, “Oh, no,” and Willow opens his eyes for a second, sees this, and then goes back to chanting. Note that this time it actually is CGI, one of the first and biggest uses of “morphing” in a movie. This scene’s transformation effects were a huge leap forward in VFX tech.  

 Then the ostrich feathers are drawn into Raziel’s body, and she shrinks down to small size, becoming a turtle. She says, “Stop, Willow,” but he keeps going. The turtle’s front legs grow into big fuzzy paws, and Raziel quickly transforms into a tiger. You’d think this would come in handy during the upcoming battle, but the tie-in books state that Raziel can’t perform magic unless human, and her magic is what’s needed now.

 The tiger form doesn’t last long, turning into a naked lady. (Wa-hey!) Notice that she keeps some tiger stripes on her legs. Let’s assume they’re permanent. Exhausted, Willow collapses from exhaustion. Raziel sits up, and we see she is back to human form. The score gets all heavenly-sounding as Willow sees Raziel. She looks at her hands and smiles. He covers her with a convenient blanket and hands the wand to her. She looks down at herself again and says, “Has it been so long?” Raziel then takes the wand, stands, and gets all determined. She says, “We have work to do. Give me the wand.” He hands her the wand and says, “We must undo Bavmorda’s sorcery.” He too stands and nods. (Lots of nodding in this scene.) She points to the side and says, “Let them in, now.”

 This next shot is hilarious. Willow opens the tent door, and a single pig walks in and stands in place. Does this mean all the pigs have retained their human intelligence? Further, if this pig knows what’s going on, were all the pigs just outside the tent eavesdropping. Anyway, Raziel starts to chant and the wand glows blue. This is all visual cue we need to know that she’s going to turn them all back to human.

 Next: Agriculture, or not?

****

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