Friday the 13th: The Series rewatch – The Poison Pen

It’s the Halloween season, so let’s watch season one of Friday the 13th: The Series.

“Lewis Vendredi made a deal with the devil to sell cursed antiques. But he broke the pact, and it cost him his soul. Now, his niece Micki, and her cousin Ryan have inherited the store… and with it, the curse. Now, they must get everything back, and the real terror begins.”

I saw The Omen too.

In the second episode, “The Poison Pen,” we’re diving deep into “religious horror” territory, I guess to further give this series its own identity outside of its slasher movie namesake. At an all-male religious sect (the script never uses the words “monastery” or “monks”) a man is using a cursed antique pen to predict/cause deaths in the future. To get the pen back, Ryan and Micki go undercover, with Micki unconvincingly disguised as a man.

Believable disguises, like Clark Kent’s glasses.

After a lot of sneaking around at night and a few more murders, it’s revealed that two of the not-monks are secretly escaped convicts, using the pen to kill off the sect’s leaders so they can sell their land to a greedy developer. Micki and Ryan get the pen back after the convicts are taken out by a guillotine (!), which the pen of course predicted.

Conspirator.

When the show is smart: We can laugh all we want about how Ryan and especially Micki fail to pass themselves off as members of the sect, but the show cops to this, with the villains not believing them from the start, suspecting them to be cops or investigative journalists.

When the show is cheesy: Did they explain why this religious sect owns a guillotine and I missed it? Also, a guillotine by itself just isn’t spooky enough, so the blade has to come to life and fly around the room during the finale.

This flying guillotine needs no master.

Devilish dialogue: Jack: “I thought you were meditating.” Villain: “I was pre-meditating.”

Trivia tidbits:

– Micki is played by Louise Robey, credited as just “Robey” in an attempt to create a new Madonna/Cher type. These days she just goes ahead and uses her full name.

– The villain is played by actor Colin Fox, who would later appear in two more episodes, each time as a different villain.

The cursed pen also gives its owner calligraphy powers.

Back in the vault: An odd choice for the second episode. Someone who hadn’t seen the premiere would probably have no idea what this new show is about. There are a few spooky scenes, such as Micki attacked by a huge spider, but that’s about it.

Next: Not-so-okay Cupid.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Friday the 13th: The Series rewatch – The Inheritance.

It’s the Halloween season, so let’s watch season one of Friday the 13th: The Series.

You might recall that the show had nothing to do with Jason Voorhees and everything to do with an evil antique store. The series ran from 1987 to 1990 in syndication, and is perhaps most famous for being at the forefront of the big “too much violence on television” controversy of the late ‘80s. Most important, I love the show dearly, so let’s watch it.

Before going further, I have to give a shout-out to the book Curious Goods: Behind the Scenes of Friday the 13th: The Series by Alyse Wax, which is easily the definitive resource for fans of the show, overflowing with interviews and behind-the-scenes history. If only every making-of book was this exhaustive.

Although the first epiosde, “The Inheritance,” doesn’t include the show’s opening narration, it’s worth repeating as we go into this rewatch: “Lewis Vendredi made a deal with the devil, to sell cursed antiques. But he broke the pact, and it cost him his soul.” The first scene in the first episode is our introduction to Uncle Lewis, the number one villain of the series. A family enters the antique store and wants to buy a doll for their young daughter. Lewis has had enough, and ushers them out of the store, saying the doll isn’t for sale. Lewis is then chased through the store by explosions of fire and ghostly spirits, eventually falling down an elevator pit (This two-story building somehow has a freight elevator) and into a pit leading to (I’m assuming) Hell.

Move over, Jason. Here’s Uncle Lewis.

This is a major point in the show’s mythology, and it happens so fast. Who is Lewis? Why was this incident his breaking point? We don’t know. Perhaps leaving the store to Micki and Ryan was also him leaning toward the good. When Lewis later returns, he’ll be pure evil (or will he?) so this short glimpse of such a major character leaves us with a lot of questions.

Boogens.

We finally meet cousins Micki (Robey, a.k.a. Louise Robey) and Ryan (John D. LeMay)  as they meet at the antique store. They’ve never met (Ryan thought his long-lost cousin was a guy named Michael). After discovering more antiques in an underground vault, the cousins temporarily reopen the store to sell the last of the antiques. The family from the opening scene comes back, and buys the creepy doll for the little girl.

The antiques business is hard work.

That night, Jack Marshak shows up, saying he supplies Lewis with some of the rarer antiques an that Lewis often forgets to pay him. Upon learning Lewis is dead and Micki and Ryan are his family, Jack offers more backstory, saying he and Lewis were childhood friends, and Jack was the one who first taught Lewis the ways of magic and the dark arts. When Lewis started getting deeper into stuff like devil worship, their friendship became strained. The cousins find Lewis’ manifest — a huge book containing records of everything he sold — and Jack deduces that Lewis sold his soul to the devil, receiving wealth and immortality in exchange for selling the antiques, which are infused the devil’s evil doings.

Meeting of the minds.

Feeling remorse over having sold off the evil doll, Micki and Ryan go looking for it. The doll has been busy, being a loyal (and talking!) plaything for the little girl, and using telekinesis powers to kill anyone who tries to separate them, including the girl’s nanny and stepmother. Micki and Ryan show up, and there’s a spooky battle in a backyard playground, with the doll darkening the sun and summoning a storm to fight back. Micki wrests the doll away from the girl, and it’s over.

No one ever suspects the doll.

Back at the store, Jack explains that the cursed antiques cannot be destroyed, but they can be kept safe by locking them in the hidden vault under the store. Micki calls her fiancé to tell him the wedding is postponed until she gets things sorted out at the store. We get the show’s mission statement when it’s said that the three of them must get back all the antiques. Running the store and selling regular, non-evil antiques will be their cover. (I guess calling the cops is not an option?) It’s also during this scene that Jack gives the store its new name: Curious Goods.

Peek.

When the show is smart: A line of dialogue states that the little girl has “lost two moms now” revealing that this domineering woman the “evil stepmother” trope. This means the spooky doll isn’t just a spooky doll, but representative of the girl’s biological mother. Best of all, the writers let this psychological stuff simmer in the background rather than hit us over the head with it.

When the show is cheesy: This first batch of episodes had a running gag with Ryan saying flirtatious pickup lines towards Micki. I’d like to give the show the benefit of the doubt and say Ryan is just joking, but it’s still weird. There remains, however, a lot of Ryan/Micki “shippers” among the show’s fandom. The person who edited the show’s Wikipedia entry appears to be one, insisting multiple times that the two are “cousins through marriage.”

Devilish dialogue: Micki: “What’s going to happen to Mary?” Ryan: “Oh, a good shrink ought to be able to fix her up in about 20 years.”

Trivia tidbits:

– The little girl is played by Sarah Polley, who went on to have a successful Hollywood career.

– Although written to be the first episode, this was filmed after several others, to give the cast and crew time to gel.

– This episode received the first of the show’s two Emmy nominations, for Outstanding Achievement in Graphic Design and Title Sequence. It lost to the PBS series Mystery.

– Why’s it called Friday the 13th? Paramount had a hit going with Star Trek: The Next Generation, which succeeded with the Star Trek name, but all-new characters in place of Shatner and co. So Paramount gave producer Frank Mancuso Jr. freedom to do whatever he wanted, as long as it was called Friday the 13. The antique store setup was an attempt to give the show a Twilight Zone anthology feel.

Back in the vault: The episode packs a ton of information in its one hour, both introducing us to all the characters and the haunted store, while also doing a full-on killer doll movie alongside it. I enjoy the episode, but there’s so much cheesiness in it that I don’t know if this one alone can justify my love of the show. Things will get more interesting — and a lot crazier — as the show progresses. (I promise the rest of these blog entries won’t be as long as this first one.)

Next: This is the worst crazy sect I’ve ever been in.

****

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Fantastic Friday: Welcome to the gun show

Reading the Fantastic Four comics from the start. This week it’s issue #342, which is forgettable, and #343, which has a notorious reputation.

After a one-page intro, issue #342 is a flashback story, taking place a short while ago, when the team was Ben, Johnny, Sharon, and Crystal. Johnny befriends Rusty Collins of X-Factor, who has similar fire powers. They reach out to a group of troubled teens and some guys in high-tech battle armor. Spider-Man has a funny cameo where, between paychecks, he shows up raid the fridge at FF headquarters, promising to pay them back later. I guess it’s not a bad comic, but it’s obviously a deadline-mandated fill-in issue, and nothing more.

Then we get to issue #343, and take a look at this cover:

It’s the Fantastic Four with guns! Huge, gigantic guns! These were the days of Jim Lee on X-Men, Todd McFarlane on Spider-Man, and internet punching bag Rob Liefeld on X-Factor, and so on. Comics had this reputation of being super-EXTREME, and many have accused this and subsequent issues of Fantastic Four as being an attempt to similarly be super-EXTREME. But is that what’s really going on in these issues? Let’s find out.

At the end of the previous story arc, the FF returned home from time traveling thinking all was well, not knowing they are in an alternate timeline where U.S. President Dan Quayle and Soviet Premiere Josef Stalin are on the brink of nuclear war. This issue begins with them still not knowing, making jokes about doing the laundry after a trip away, while Reed puts Johnny through some tests to make sure he’s okay after having his mind taken over by Nebula. Sharon is the only one who suspects something is up, thinking that her memory is playing tricks on her.

Sue calls the Power family (of Power Pack fame), who were babysitting Franklin, only to learn the Powers do not live or work in New York. Ben picks up a newspaper to check the sports scores only to learn about Quayle and Stalin. Our heroes compare notes and finally realize they’re in an alternate timeline. To further illustrate that point, Alicia shows up, revealing that she and Ben are married in this timeline. Alicia freaks out upon learning that this isn’t her FF, and she wonders where hers are.

While all this has been going on, we’re following Moscow and the White House at odds, each one gathering troops and wondering which will (or should) strike first. Air raid sirens go off in New York, announcing that a nuclear strike is inevitable. Alicia says her timeline’s Reed was at work on a plan to stop the war, so “our” Reed gets to work on the same plan. The team then boards the FF’s pogo plane and flies off toward the German border, where the Russian troops have gathered.

The next four pages of the comic become a mini Tom Clancy novel, with the U.S. Armed Forces doing cool U.S. Armed Forces stuff as they prepare for battle. Still in the plane, the FF pulls out those huge guns from the cover, as Reed says they’ll stop World War III… or die trying.

To be continued!

Unstable molecule: The alt-timeline’s pogo plan has stealth capability and more powerful rockets, which Reed says he’d like to add to his own plane once the team gets back home.

Fade out: Is it sexist to have Sue complaining about doing the team’s laundry? Yeah, it is. We all enjoy when our heroes do “ordinary family” stuff to balance the “cosmic adventure” stuff, but this is a bit much.

Clobberin’ time: Ben is on a first-name basis with a news vendor named Pops. The Marvel Wiki has multiple entries for guys named Pops. This one is most likely Pops Jenkins, the former reporter who was friends with Patsy Walker from her romance comic days in Patsy and Hedy #96. Alternatively, maybe he’s Pops Arkham, Karen Page’s childhood friend from Daredevil #56. (Both look just the same.)

Flame on: Johnny wants Reed to hurry up with the tests, so he can watch Twin Peaks. I wonder if 2017 Johnny is pro-Dougie or anti-Dougie.

Fantastic fifth wheel: Alt-timeline Alicia initially mistakes Sharon for Ben, which is either a wacky joke or some impressive forward-thinking gender fluidity.

The Alicia problem: Is Alicia secretly Lyja the Srkull in this timeline? There’s no way to know, but she’s certainly quick to assume that the FF are imposters when she discovers Ben is human.

Commercial break: This issue features a two-page comic-within-the-comic to promote the Turbo GrafX video game Bonk’s Adventure, a wacky cartoon with no actual images from the game itself:

Trivia time: The Official Handbook of the Marvel Universe designates this alternate timeline as Earth-9061, for those who care about such things.

Fantastic or frightful? So far, this story is your basic alternate universe sci-fi action, and not really the ‘90s Image Comics-style extremism as is its reputation. It’s mostly set-up for things to come, though, so we’ll see.

Next week: Super-Stalin!

****

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Random Warner Bros.: Full Metal Jacket

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator takes us back to the weird wild word of Stanley Kubrick in Full Metal Jacket.

Here’s what happens: During the Vietnam War, we follow a U.S. Marine, nicknamed “Joker” through two stories. First, during basic training, a troubled young cadet clashes with a demanding drill sergeant. Second, once in the ‘Nam, Joker and his fellow Marines are caught under fire from a deadly sniper.

Why it’s famous: Mostly for R. Lee Ermey’s role as the drill sergeant, which has become the definitive drill sergeant performance that all other actors look to. Turns out Ermey was a real drill sergeant before becoming an actor.

Get your film degree: As with every Kubrick movie, everyone on the internet is falling over themselves to ask “But what does it MEAN?” Most folks seem to come to a conclusion about the movie being about the dehumanizing effect of war. The final shot is Joker and the others marching over rubble, mindlessly singing the Mickey Mouse theme song after all the carnage and horror they’ve seen. So, yeah, I can see the “dehumanizing” thing.

Movie geekishness: Everybody says the first half of the movie is the good stuff, and it runs out of steam in the second. I disagree, because upon this rewatch I really got caught up in the fight against the sniper. I especially liked how the characters are filmed to look small and helpless, surrounded by monstrous-looking crumbling, burning buildings.

 

Thoughts upon this viewing: This movie really plays. If you don’t care about metaphor and just want to see an intense war movie, this is the one.

Next week: Julius Caesar slept here.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Dick Tracy destroys the universe

Reading the Fantastic Four comics from the start. Issue #341 continues and almost concludes the FF’s latest journey through time and space with the fate of all existence on the line.

The FF, Thor, and Iron Man have traveled into the distant future, where Galactus is using an astronomically huge device to devour not just planets but the entire universe. Also, Reed believes Sue and Johnny are dead, when Johnny has secretly become possessed by mysterious blue-skinned woman and has abducted Sue. As this issue starts, Reed says the heroes must find the Ultimate Nullifier, the weapon that stopped Galactus way back in issues #49-51. Then Reed gets a message from Sue, still alive, pleading for him to return to Earth. Thor uses his newfound teleportation ability to go back to Earth, where Sue has fought Johnny, knocked him out, and has him trapped in a force field.

The heroes secure Johnny to the time sled, and head back into space. Thor teleports everyone to Galactus’ ship. (This is a new ship because one, his original ship was destroyed in the first Secret War and two, we’re still in the distant future, remember.) Inside, the heroes fight their way through what appears to be security weapons, but is actually just the ship’s housecleaning machines.

The heroes find Galactus’ weapons vault, another mind-bogglingly huge space containing weapons from all over the universe. (Why does the godlike Galactus even need a weapons vault? We’ve never seen him take trophies from planets he’s destroyed.) Ben tries a light switch, only to find it broken. From this, Reed deduces that the Ultimate Nullifier would be hidden in plain sight, and it is behind the broken light switch. (Why is there a human-sized light switch in an alien space fortress? Why does a room bigger than a planet operate its lighting on a single switch? I’m really over-thinking all this, aren’t I?)

Sue snatches the Nullifier out of Reed’s hands, revealing that she is now the one possessed by the blue-skinned woman, having switched places with Johnny. Finally we get the reveal that this is space criminal Nebula, who, along with fellow villain Dr. Druid, concocted this plan to follow the FF into the future and secure the power of the Ultimate Nullifier for themselves. Nebula tries to nullify the heroes. Reed, however, saw this coming, and he and Iron Man rigged the Nullifier to backfire. Backfire it does, separating the disembodied Nebula from Sue.

The team travels back to Galactus, where they get his attention by attacking his mouth (!) with the combined power of Thor’s hammer, Johnny’s nova flame, and Iron Man’s repulsors set to max. Galactus reaches to grab the heroes, only for Reed to throw the Nullifier into Galactus’ hand. Then the Nullifier does what it was designed to do, and nullifies Galactus. This is depicted by a plain white space representing pure nothingness, spreading outward from Galactus. Just as it, too, threatens to devour the universe, Reed says that if the heroes exit the time bubble at the exact point where they entered it, the bubble will seal behind them, isolating the nullification from the rest of the time stream.

The FF barely escape the nullification, depicted as a blank white space growing around them, culminating in an all-white page of the comic. When this comic was originally published, however, there was an ad for the 1990 Dick Tracy movie on the opposite page. The ink bled through, showing the ad on the all-white page. In his Modern Masters vol. 8 interview, artist Walt Simonson describes this as, “Hi, we’re racing away from a giant picture of Dick Tracy.”

The heroes exit the time bubble and reenter the time stream. They reencounter Nebula, who is floating around in the time stream, and try to save her. They’re too late, and she vanishes. The FF successfully arrive back in the present, in Four Freedoms Plaza. Thor and Iron Man don’t make it back, but Reed says because it’s time travel, they can go back for them later. (!) All seems well, but in the other room, a TV news report states that U.S. President Dan Quayle and Soviet Premiere Josef Stalin are at odds, and the world is on the verge of nuclear war.

To be continued!

Unstable molecule: Is it too much of a stretch for Reed to figure out as much as he does? Probably it feels this way because he reveals how much he knows only after the fact.

Fade out: Nebula said it gave her “inexpressible pleasure” to kiss Reed while she possessed Sue. Is that creepy? I’m thinking that’s creepy.

Clobberin’ time: When Reed and Sue are reunited, Ben makes some sarcastic quips, but Sharon is there to point out that he’s just as glad Sue is still alive as anyone.

Flame on: Johnny spends most of the comic unconscious, but manages to summon his all-powerful nova flame to attach Galactus.

Fantastic fifth wheel: On Galactus’ ship, Sharon stays behind to watch Johnny, saying she can defeat Johnny in a fight if she really has to. (We don’t get to see if she can back up that statement.)

Commercial break: Do you have the stomach for this ad?

Trivia time: It’ll later be revealed that Nebula in this story is not Nebula, but Ravonna, the love interest of Dr. Druid, merely disguised as Nebula. (I’m not entirely clear on why she does this. When this is revealed in Avengers Spotlight, Ravonna merely says that “Nebula” is but one of many names she goes by.)

Thor at one point exclaims, “By the Gjallerhorn!” In Norse mythology this was a powerful horn blown by the god Heimdall. You can be sure Marvel’s Heimdall also his own version. These days, however, most folks know the name Gjallerhorn as one of the weapons in the Destiny games.

Fantastic or frightful? Some have criticized this story for being all plot and no character, but I say it once again has the human Reed standing tall in the face of cosmic space gods and coming off as their equal. That’s serious character strength right there. The kind missing from the Fantastic Four movies, I might add. Walt Simonson’s sci-fi artwork continues to impress as well.

Next week: Welcome to the gun show

****

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Random Warner Bros. – The Departed

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator has some chowdah and slams back a pint o’Guinness as it selects The Departed.

Here’s what happens: The Boston police are waging war against crime boss Frank Costello. Colin Sullivan is a corrupt cop secretly loyal to Costello. Billy Costigan is an undercover cop deep within Costello’s organization. Let the double crosses begin!

Why it’s famous: After several years of directing artsy stuff like Kundun and Bringing Out the Dead alongside ambitious oddities like Gangs of New York and The Aviator, Martin Scorcese returns to the “epic crime” genre that made him famous, this time with some Boston flavor.

Get your film degree: This movie has a ton of characters and a surprise plot twist every ten minutes or so. Normally that would all be too much, but Scorcese makes it all work through clean, confident direction. He makes sure the audience has all the information needed to follow this plot, but in an overly show-offy way.

Movie geekishness: Are some of the Boston accents in this movie a bit much? Leo DiCaprio and Matt Damon do okay, but Alec Baldwin, Martin Sheen, and Mark Wahlberg (a Mass. Native, no less) lay it on really thick. There are times when the cast come off as doing the “look at how hard I’m acting” thing.

Thoughts upon this viewing: Despite my complaints, I like the movie a lot, especially how it tightens the noose around the characters in its second half, as everyone gets more and more paranoid about getting caught in their schemes. Great stuff.

 Next week: Sniper! Get your head down!

****

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Fantastic Friday: Celestial navigation

Reading the Fantastic Four comics from the start. Walt Simonson’s cosmic time travel tale continues in issue #340, in which the FF confronts a godlike Celestial.

The FF, Thor and Iron Man have traveled to the future, where Galactus has built a giant device to let him devour the entire universe. Our heroes have convinced the Shi’ar Empire to send its entire fleet to attack Galactus. On Earth (future Earth, even though the previous issue made it sound like present-day Earth) the Dreaming Celestial has awakened from under his mountain and walks the Earth. Except he doesn’t hang out on Earth for long, because he immediately teleports onto the surface of Galactus’ device. Why is a Celestial a big deal? This one waves his hand through the air and doing so destroys the entire Shi’ar fleet.

Our heroes regroup aboard the Shi’ar weapon platform, the only ship to survive, and compare notes. Iron Man gives a short history of the Dreaming Celestial, saying it was meant to sleep forever under its mountain. Our heroes plot a course back to Earth to investigate this mountain. (The script conveniently forgets that the FF visited this mountain not long ago, in issue #323.)

Thor stays behind while the rest of the heroes break into the mountain and explore the high-tech complex inside it. There’s a few pages of fighting where the heroes are attacked by alien deviants who live there, to protect the Celestial. When them gone, Reed and Sue access the mountain’s computer, and get an even longer history of the Dreaming Celestial. He was once the greatest of all Celestials, but he broke their laws and was sealed inside the mountain to sleep forever, dreaming of revenge. While sleeping, the Dreaming Celestial somehow engineered this whole Galactus-devours-the-universe plot, just so the Dreaming Celestial can rule the new universe that will rise in our universe’s place.

While all this has been going on, remember that Johnny has become possessed by the mysterious blue-skinned woman who’s been following the team around. He/she finally makes a move by knocking Sue unconscious and running off with her. At this point, more Deviants attack. We’re told that there are millions of them this time, far too many to fight, forcing everyone to go back to the Shi’ar ship. Reed refuses to leave without Sue, but Ben knocks him out so that everyone can escape.

The FF and Iron Man escape aboard Reed’s time sled. Thor and Gladiator, who is running the Shi’ar Empire in the future, launch the weapon platform at Earth and destroy the Celestial’s mountain, cutting off the Celestial’s power supply. Reed, now awake again, believes Sue is dead. Reed doesn’t blame Ben, but instead puts all the blame on the Dreaming Celestial.

Reed confronts the Celestial, threatening to go back in time and tell the other Celestials of his plan while the Celestial sleeps. The Dreaming Celestial won’t have this, and chases our heroes through time. Reed outsmarts the Celestial by bringing him straight back to Galactus’ device, where Galactus devours the celestial. With his hunger temporarily sated, Galactus looks at Reed for a second with a sense of sorrow in his eyes. Then he goes back to devouring the universe. Reed says he has an idea on how to stop Galactus, adding that it is, “nothing short of insane!”

To be continued!

Unstable molecule: After he believes Sue is dead, Reed lashes out at Thor, calling Thor “windbag” several times. He later says that this was an act, acting angry so the Celestial would not see his true intentions.

Fade out: Sue uses her force fields to interact with the mountain’s computer, using them in precise, tiny ways to readjust the alien circuitry. I wonder what else she can do with itty-bitty force fields.

Clobberin’ time: Now that he’s human again, what can Ben do in a fight against the Deviants? Only pull out a freakin’ GUN and start shooting away. What, is he the Punisher now?

Flame on: While masquerading as Johnny, the mystery woman fights the Deviants as well, just to avoid suspicion.

Fantastic fifth wheel: Once again, they’ve given Sharon a lot of technobabble dialogue, hoping to portray her as a science genius as well as the team’s muscle.

Commercial break: Master the power!

Trivia time: This issue’s cover calls the Dreaming Celestial “the Black Celestial.” This is one of many names he has gone by, including “Tiamut the Communicator” and “the Renegade Celestial.” He first appeared in Jack Kirby Eternals miniseries back in 1977, and he often pops up whenever the Eternals’ enemies the Deviants are up to no good. The Marvel wiki insists that he doesn’t die in this issue, because this is merely an alternate future.

Fantastic or frightful? This issue feels like filler. Our heroes fight the Dreaming Celestial, only to start back where they began. Also, most panels only have a plain white or pale blue background, making it hard to follow who is where at any given time. On the plus side, the action and fighting are fun, and there’s the overall sense of operatic “cosmic Marvel” that we all love.

Next week: Nebulous.

****

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Random Warner Bros. – The Color Purple

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator gets serious with The Color Purple.

Here’s what happens: Celie is a young woman growing up in rural Georgia in the early 20th Century. She experiences a lifetime of sexism and racism, but never loses her strength of character.

Why it’s famous: Director Steven Spielberg stepped away from his successful fantasy blockbusters (and from Universal) to instead helm this drama, resulting in star-making turns for Whoopi Goldberg and Oprah Winfrey.

Get your film degree: Was Spielberg the right person to direct this? This story is about inhumanity and injustices, yet it’s depicted through Spielberg’s “soft nostalgia” lens. The end result, then, is a world that is beautiful on the outside, but ugly and horrific on the inside.

Movie geekishness: Danny Glover’s character in this movie is pretty much pure evil, and he’s really scary. Then I remembered when he played the villain in Witness, and he was intense and scary in that, too. He’s so good at playing bad guys! I wonder why he didn’t do it more often.

Thoughts upon this viewing: The Color Purple can be a tough watch, but when the moments of triumph or joy do come around, they truly feel earned.

Next week: I smell a rat.

****

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Fantastic Friday: Are you not entertained?

Reading the Fantastic Four comics from the start. Issue #339 continues Walt Simonson’s time travel/space epic, with some classic Simonson Thor action as well.

The FF, Iron Man, and Thor have journeyed into the distant future, where Galactus is using an astronomically huge device with a black hole at its center, for the purpose of devouring not just planets, but the entire universe. The villain Kang keeps showing up, and Johnny is being mentally manipulated by a mysterious blue-skinned woman. As the heroes’ time sled is sucked into the black hole’s orbit, there are two pages of all black panels with only word balloons. Reed concocts a way to combine the power of the sled, Iron Man’s armor, and Thor’s hammer to escape the black hole’s pull.

Once outside the black hole, Johnny continues to act out of character. Here it’s finally revealed that Johnny is not Johnny. The blue-skinned woman has taken over his brain, and is choosing her words carefully so others don’t get suspicious. The discuss how they can possibly destroy Galactus’ device, and Sharon somewhat randomly suggests contacting the Shi’ar Empire, saying that the Shi’ar might have the firepower they need. Everyone’s okay with this, and Thor uses his teleporting power (which he has now) to take them to the Shi’ar.

The heroes find themselves surrounded by battleships in orbit around the Shi’ar planet. Because of the time dilation (or something) it appears that the whole planet is frozen in time. The FF and co. visit a weapons manufacturing plant and just help themselves to what they need.

On the planet, we see Gladiator, the Superman-like head of the Shi’ar’s Imperial Guard, taking notice of the disappearing equipment, he breaks through to the heroes’ time dilation and immediately picks a fight with Thor. (There’s no mention of time travel in this part, so I guess Gladiator doesn’t age, and this is him in the distant future.) Thor and Gladiator are evenly matched, with Thor getting knocked around by Gladiator, and Gladiator being one of the few characters able to survive getting smacked in the face by Thor’s hammer. Sharon breaks up the fight, reminding the two that they’re fighting around dangerous weaponry.

Thanks to Reed’s universal translator, Gladiator remembers that these are the good guys. He reveals that he is currently acting as regent of the Shi’ar, in place of the empire’s child emperor, Charles I. Gladiator orders the entire Shi’ar fleet to attack the Galactus device, even at the risk of leaving the Shi’ar homeworld defenseless. The fleet attacks Galactus, and Reed is in awe of the spectacle. The battle is felt all the way back in the present, where we revisit the mountain of the Dreaming Celestial (from back in issue #323) where the Dreaming Celestial, a robot who is so big he makes the mountains look all tiny, finally awakes and now walks the Earth.

To be continued!

Unstable molecule: Sue at one point asks Reed if he regrets saving Galactus’ life back in issue #244. Reed says saving a life, any life, will be his first priority. He is, however, not ruling out killing Galactus this time, if that’s what it takes to save the entire universe.

Fade out: Sue once again contributes almost nothing to this storyline. Reed asks her to keep an eye on Johnny, what with Johnny acting suspicious.

Clobberin’ time: Reed is about to give up when the team is drawn toward the black hole, but Ben is the one who talks him out of it. He calls Reed a disappointment, doing the ol’ reverse psychology bit. This is a small but interesting character turn for Ben, feeling like the result of all the times people told him, “but you’re not a monster.”

Flame on: With his mind possessed by the mystery woman, “Johnny” has several thoughts about Gladiator being handsome, and even a possible future consort. Have a lot of people taken these panels out of context for humorous purposes over the years? Yes, they have.

Fantastic fifth wheel: Sharon’s suggestion to go to the Shi’ar for help comes out of nowhere. You could argue that she’s researched them since she’s been with the FF, but the Shi’ar have always been antagonistic toward the FF, and they’ve been mostly antagonistic toward the X-Men, so I don’t know why Sharon thinks this is a good idea.

Commercial break: It’s Batman: Digital Justice, the all-CGI comic book. I’ve read it. It’s a fascinating novelty item, but it’s not “good,” exactly.

Trivia time: According to the Marvel wiki, the Shi’ar homeworld is a planet named Chandilar. However, the wiki insists that Chandilar’s one and only appearance was in Uncanny X-Men #275, which was published a year after this issue. Either the Shi’ar get a new homeworld in the future, or the wiki need updating.

Fantastic or frightful? The massive scale and outpouring of sci-fi creativity from Walt Simonson make this issue a lot of fun. Some have criticized this arc for being all spectacle with little character development. That might be true, but spectacle is what Simonson does best, so I say go big.

Next week: Celestial navigation.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Random Warner Bros.: Driving Miss Daisy

Watching all the movies on the Warner Bros. 50-movie box set that I bought for cheap. This week the random number generator just wants to go to Piggly Wiggly as it selects Driving Miss Daisy.

Here’s what happens: It’s 1948. Miss Daisy is getting too old to drive, so her son hires her a chauffeur, Hoke. It doesn’t go well at first, but this mismatched pair becomes unlikely friends as the years go by.

Why it’s famous: All the banter between Morgan Freeman as Hoke, in the driver’s seat, and Jessica Tandy as Miss Daisy, seated behind him as the ultimate backseat driver.

Get your film degree: Can we talk about the score? Just when the movie starts to get too dramatic or tearjerky, along comes Hans Zimmer’s upbeat and peppy music, helping the movie maintain a lighter, breezier tone.

Movie geekishness: While Driving Miss Daisy got tons of Oscar nominations, director Bruce Beresford wasn’t nominated. So just who is this Beresford guy? A native of Australia, most of his career has been in Australian film and TV. After he caught Hollywood’s attention with his big Aussie hit Breaker Morant, he became something of a journeyman director, helming Tender Mercies, Crimes of the Heart, Her Alibi, and Double Jeopardy. In 2007, he published his memoir, hilariously titled Josh Hartnett Definitely Wants To Do This. These days, Beresford mostly directs live opera (!) but IMDb says he has a new movie currently in pre-production.

Thoughts upon this viewing: I looked it up, and a lot of people hate Driving Miss Daisy. Some think it’s old folks’ movie, while others feel its “message” is too heavy-handed. Not me, though. The movie is so gentle, well-meaning, and just so gosh-darned nice that it wins me over.

Next week: Spielberg is the word.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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