21 Jump Street rewatch: “Stand By Your Man”

Rewatching 21 Jump Street! Here’s season four, episode eight, “Stand By Your Man.” I was tempted to skip this one, because there’s really nothing fun about it. I might as well go ahead and say it — this is the date rape episode, and Hoffs is the victim.

jump1 What’s goin’ down: Hoffs is undercover at med school, investigating an illegal pharmaceutical ring. She starts up a romance of sorts with fellow student (and suspect) Kevin, which takes an unfortunate turn.

Here’s Hanson: Hanson is undercover as an orderly, with dialogue about him having to change people’s bedpans. Not a surprise that Depp wanted out of the show by this point.

"I can't wait to bring back this look when I star in SECRET WINDOW."

“I can’t wait to bring back this look when I star in SECRET WINDOW.”

Penhall’s prerogatives: Penhall is able to bring in Hoffs’ attacker on charges of multiple parking tickets, to get him to talk.

Undercover blues: The drug plot is wrapped up pretty quickly (they were using the morgue to sneak drugs in and out of the school), so we can get to the real drama — Hoffs having to open up about what happened, and then confronting her attacker.

This scene, where Hoffs cries in the shower, is one of the show's most iconic moments.

Tearjerker.

Goin’ to the chapel: Hoffs is promoted to detective at the start of the episode, but then gets temporarily bounced back to a desk job after what happened.

Torn from today’s headlines: The phrase “date rape” had entered the public consciousness around this time — the horrible reality that a rapist might not just be some skeezy guy in a back alley, but might be someone you know and even trust.

Friendship.

Friendship.

Jumpin’ or not? This episode is hugely uncomfortable to watch, but that’s probably by design. A lot of it is overwrought, but there are some genuinely sweet moments as Jump Street cops rally around Hoffs, showing how firmly they are established as a family. It’s jumpin’, I guess.

Next week: Point of who?  

****

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James Bond rewatch: The wrap-up

I went and did it. I watched all 23 James Bond films in order, taking detours into the 1967 Casino Royale, Never Say Never Again, and the ‘90s cartoon James Bond Jr.

Here’s a few observations I made:

Bond the cop: Bond is famously a spy, but a lot of these movies are closer, plot-wise, to the detective genre. Bond is often an “agent,” not working undercover at all, investigating crimes, digging up clues, and so on.

hatgag

The hat gag: In Dr. No, Bond throws his hat across the room, to have land perfectly on a hat rack. The producers must have loved this, because the movies have variations of the hat gag on and off, all the way up to A View to a Kill.

There’s no Blofeld: Blofeld is Bond’s supposed to Bond’s numero uno nemesis, but there’s not a lot of consistency to his character. His only motivation is really greed, as his plots are not political, but just big crimes. What’s more, each actor who’s played Blofeld has done it so differently, that each one is like a different person. The only consistency is the damn cat.

Favorite Bond baddies: Largo from Thunderball is very much the atypical Bond villain, with his eyepatch and swimming pool full of sharks. Auric Goldfinger is another favorite, in that every time he appears on screen, the stakes get raised and another layer of cruelty is revealed.

Least favorite Bond baddie: Dominic from Quantum of Solace is utterly forgettable, his only character trait being a short temper. Graves from Die Another Day makes a fool of himself by wearing a computer suit instead of just using a computer.

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Favorite Bond babe: Volpe from Thunderball is simply the coolest. She’s the Boba Fett of the Bond franchise.

Least favorite Bond babe: The World is Not Enough is actually a great movie… when Denise Richards isn’t in it. Is there a “phantom edit” of this one without her in it?

Favorite Bond best brains: I always enjoy the trips through Q’s wacky workshops, and the humorous “things-that-look-like-other-things” gadgets. They’ll never top the car that turns into a submarine from The Spy Who Loved Me.

SpyWho2Favorite Bond bash-up: The assault on the villain’s volcano lair in You Only Live Twice is one of all the-time great set pieces, still exhilarating today as it was in the late ‘60s.

Least favorite Bond bash-up: The totally awesome boat chase in Live and Let Die is upstaged by the horrifyingly unfunny comedy antics of Sheriff Pepper.

Least favorite Bond movie: At least Die Another Day has the swordfight. At least Live and Let Die has Jane Seymour’s hotness. But Octopussy? I can’t think of an “at least” for that one. It’s just dreadfully bad.

Octo3Favorite Bond movie: I gotta go with the popular opinion and pick Goldfinger. Here’s a movie that hits all the right notes, from beginning to end.

gold3 Well, that’s over. What should I do next with this blog? Anybody have any suggestions?

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: The middle years, part 1

Re-reading the Fantastic Four comics from the start. We had the classic Stan Lee/Jack Kirby years, and we had the exciting new directions John Byrne took the characters years later. In between those two eras, though, we had the “middle years.”

Middle1

Many fans dismiss the middle years as the time in Fantastic Four history in which nothing happened, but is that true? On one hand, we get Franklin’s emerging powers, new romances for Johnny, a truly epic confrontation with Dr. Doom in issue #200, and more. On the other hand, there are foolish new villains like Air-Walker, Ternak, and Mahkizmo. Even worse, there’s a lot of merely repeating the same stories Stan and Jack did, without trying anything new. So, I’m mixing up the format for the time being, as we’ll burn through the middle years on our road to Byrne.

Issue #103 picks up where the last one left off, with Namor and Atlantis declaring war on the surface world, but Namor is secretly being manipulated by Magneto, who wants to humans and Atlanteans to wipe each other out so mutants can take over the Earth. Reed contacts President Nixon (!) who gives Reed one chance to confront Namor before the U.S. military retaliates.

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Magneto uses his powers to further convince Namor that the FF are attacking him instead of trying to reason with him, and then he (of course) takes Sue hostage. After several pages of fighting, Namor and the FF finally compare notes and realize that Magneto is playing them against each other. Then they learn he’s taken both Sue and Namor’s girlfriend Dorma hostage. Shouldn’t Magneto be smart enough to know that this won’t end well for him?

Middle4

Issue #104 begins with a full-blown battle over the skies of New York, with Magneto using his powers to control all the missiles and ships from a distance. Fearing for Dorma’s safety, Namor switches sides again, helping Magneto conquer New York. Reed continues to argue with Nixon, who wants to launch the military. Reed promises to come up with a strategy to take out Magneto, and Johnny makes a similar promise to Namor.

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Magneto, meanwhile, is mad with power, sitting on a big throne outside in New York, surrounded by Atlantean soldiers. Then there’s more fighting as Atlantis soldiers attack the Baxter Building. Reed finishes building a new device while the others fight off the soldiers. Reed’s device is an electric converter, which reflects Magneto’s powers back at him, trapping him in his own magnetic energy cage. (Science!) Magneto’s handed over to the military, the Atlanteans return to the sea, and Reed makes a big speech about peach and brotherhood.

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Issue #105 begins with Crystal having a fainting spell just as an earthquake rocks New York. Reed obsesses over finding a cure for Ben, which leads to a flashback repeating the group’s origin story. Sue is out shopping when another earthquake hits, and she runs into a Dr. Zoltan Rambow (!) a scientist that she apparently knows from somewhere. The cause of the earthquakes is a strange glowing man roaming the streets of New York, and Rambow urges the FF not to destroy it. Reed gives Crystal the once over in the lab, and discovers that her DNA could be the key to curing Ben. The bad news is, Crystal has to return to the Inhumans, because staying around humans might mean her death. Where this development came from is never explained, but it leads to a lot of tears and heartache.

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Crystal sends for the giant teleporting dog Lockjaw, says her teary-eyed goodbye to Johnny, and she’s gone. Johnny flips out, but comes to his senses long enough to help Sue and Dr. Rambow. Reed starts to heal Ben in a risky procedure, and then learns Sue is in danger. If he leaves Ben in mid-procedure, Ben could die, but if doesn’t go to help Sue, Sue might die. What to do? Cliffhanger!

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Issue #106 has Sophie, um I mean Reed making his choice. He runs off to help Sue, leaving Johnny with Ben, instructing Johnny to absorb all the heat from Ben’s procedure. (Science!) This goes on for several pages of Johnny struggling to keep all machines hooked up to Ben from reheating. Reed joins Sue in the fight against the monster, who is still lashing out and destroying parts of New York at random. Dr. Rambow continues to plead that the monster shouldn’t be destroyed. Reed deduces that monster is Rambow’s son (hey, Son of Rambow, I saw that movie).

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The monster, whose name is Larry (!) was part of an experiment that went horribly wrong, of course, and now he’s out of control. There’s several pages of fighting as Reed rushes Rambow to his lab in hopes of recovering a failsafe device. It works, and Larry is human again. The cliffhanger then is, what has become of Ben?

Middle10

Issue #107 begins with a lot of drama over whether Ben will survive. Not only does he live, but he’s successfully turned back into a human! Even better, he can transform from human to the Thing and back again. Alicia shows up, conveniently, and doesn’t know what to think of the new Ben. Then there’s lots of soap opera stuff with Johnny whining about Crystal leaving, and Sue grousing about Reed spending more time in the lab instead of with her and the baby. Ben and Alicia enjoy a day out in New York, but he’s now very short-tempered and his newfound anger worries Alicia.

Middle8

Sue goes to visit Franklin who’s with his supernatural nanny Agatha Harkness. She’s surprised to learn that Franklin can see her while invisible. Then, in Reed’s lab, a guy named Janus shows up, and even though this is his first appearance, he has some kind of history with the FF. He makes dire warnings about the Negative Zone, but it’s all a trick, as Janus’s whole plan is to enter the Negative Zone himself, and… to be continued!

Unstable molecule: Reed is really the super-scientist in these issues, especially devising the long-lost cure for Ben.

Fade out: Despite Reed worrying about Sue in danger, she holds her own battling Larry, her force fields holding up to his energy blasts. She puts up a pretty good fight against Magneto as well.

Clobberin’ time: Ben’s transformation promises new developments for his character, although there’s still a little of the old self-pitying Ben, as he frets over whether Alicia liked him better as a monster.

Flame on: There’s another new use of Johnny’s powers as he absorbs excess heat from Reed’s machines. This takes a lot of out of him, and he has to fly to space to release the excess flame he’s built up.

Four and a half: Franklin is able to see Sue while she’s invisible, the first hint of his powers. The colorists still can’t decide what color his hair is.

Fantastic fourth wheel: After Crystal and Johnny split a few issues back, now they split up again. Here’s an example of the “let’s just redo what was done before” stories of this era.

Commercial break: Would you trust this guy with your money?

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Trivia time: Not surprisingly, Larry Rambow did not go on to be a Marvel icon, but he did appear a few other times, under his new villain name, simply “The Monster.”

Fantastic or frightful? Already we see the contradictory nature of the middle years. We have exciting new developments for Ben, which promise some exciting stories in the near future, but there’s also a lot of lazily repeating what had been done before. It’s only going to go on from here?

Next week: Negative Zone crazies, and a slugfest for the ages.

****

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21 Jump Street rewatch: “Out of Control”

Rewatching 21 Jump Street! Rewatching 21 Jump Street! This one’s so much of a roller coaster ride that they put an actual roller coaster in it. It’s season four, episode seven, “Out of Control.”

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What’s goin’ down: Hanson is undercover with a group of thrillseeking teens, suspected of breaking into their own homes and stealing stuff. The thrillseeking includes all kinds of troublesome behavior, like pickpocketing teachers and reckless driving stunts.

Not Zoe Bell.

Not Zoe Bell.

Here’s Hanson: Hanson develops a friendship with Quincy, the rich girl ringleader of the hoodlums. He then learns her father recently died, reminding him that he was her age when his father died. He later admits he’s still thinking of quitting the police force and going his own way.

Penhall’s prerogatives: Penhall is undercover with the private security firm who monitors all the rich folks’ houses that are being robbed. He has to pretend to be a rookie as the jerk security guys boss him around.

The titled cap says, "Rookie."

The tilted cap says, “Rookie.”

Undercover blues: The finale has the mischievous teens playing “chicken” with a roller coaster after breaking into an amusement park at night. It’s dark-yet-colorful lighting makes it look like something from a Tim Burton movie.

Fun Land.

Fun Land.

Goin’ to the chapel: This week’s subplot has to do with Ioki preparing to reenter the field following his shooting back in the season finale/premiere. We then learn he’s become addicted to his prescription painkillers. Uh-oh!

"Johnny Depp? Please. I've co-starred with Chucky."

“Johnny Depp? Please. I’ve co-starred with Chucky.”

Trivia time: The naughty rich girl is played by Christine Elise, arguably best known as the final girl from Child’s Play 2, as well as recurring roles on 90210, ER, and China Beach. In 2010 she made her directorial debut with a film called Bathing and the Single Girl.

Gotcha.

Gotcha.

Jumpin’ or not? A fun action romp that then pulls the rug out from under viewers with a dark ending. It’s jumpin’!

Next week: I’m already uncomfortable.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Skyfall

Rewatching the James Bond films chronologically. Here we are at the end (until they make another), so it’s only appropriate that this is the one that really gets at the heart of who our super-spying hero is. It’s 2012’s Skyfall.

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Blond blurb: Bond and MI6 are under fire when a list of international undercover operatives is stolen. The culprit is “Mr. Silva,” a former MI6 agent with a very personal axe to grind. He believes (half-truthfully?) that MI6 are not the good guys they profess to be. He sees himself, M., and Bond as a family of sorts, as the last of their kind in an ever-changing world of intelligence and espionage. As such, the trail leads not exotic foreign locales, but back home — to the place Bond was born.

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 Bond background: Keeping with the “this time it’s personal” theme of the movie, Bond and M. hide out in his ancestral home in Scotland, where he grew up. This setting provides a more intense look into the character than any other film in the series, digging deep into the question of “Who is James Bond?”

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Bond baddies: There’s a lot of weirdness around Silva, like his CGI-enhanced fake teeth and a scene where he tries to seduce Bond. What to make of that? Is he merely trying to catch Bond off guard, is there really an attraction there?

skyfall3

 Bond babes: Bond romances a woman named Severine to get closer to the stolen info. The real relationships in this one, though, is between Bond and M., and Bond and a feisty female rookie agent whose identity is revealed at the end of the movie.

Bond best brains: There’s a new Q., who says the days of gadgets are over, and all Bond needs is a gun and a radio. Bond won’t have that, because during the finale Bond whips up some “things that look like other things” gadgets of his own, to go all Home Alone on his attackers.

skyfall4

Bond bash-ups: Because lots of action movies have guys riding motorbikes on the backs of trains, Skyfall gives us Bond driving huge construction equipment on the back of a train, tearing it apart in pursuit of a henchman. There’s a stylish fight in Shanghai lit by huge electric signs, and a brawl in a nightclub that ends with someone getting fed to a Komodo dragon. (Skyfall becomes a Roger Moore Bond movie for those two or so minutes.) There’s a tense foot chase through the subway as Silva escapes MI6, followed by a surprisingly low tech finale that has guys with shotguns raiding Bond’s old home. It’s the opposite of the raid-the-villain’s-gigantic-base that ends so many other Bond flicks.

 Bond bygones: OK, who didn’t completely flip out when they showed that car? I mean, THAT CAR.

skyfall1

 Bond baggage: Talk of cyber crime and information sharing evokes the explosion of — and concerns about — social media. Newscaster Wolf Blitzer cameos as himself, delivering a news report.

 Bond babble: It was an enormous risk taking the franchise in this direction after 23 films, but it’s a risk that paid off. Not only is there personal stakes and deep character development for Bond and M., but this exists within a terrific blockbuster action movie. Some people have said that should be the end of the series. I thought that once, too, but upon this rewatch I’m excited to see where’s James Bond’s story takes him next.

Next week: A Bond look back.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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21 Jump Street rewatch: “Old Haunts in a New Age”

Rewatching 21 Jump Street! How perfect is this? It’s almost Halloween, and here I am writing up the Halloween episode. I swear I didn’t plan it this way, just another one of those coincidences. It’s season four, episode six, “Old Haunts in a New Age.”

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 What’s goin’ down: In the days leading up to a school’s big Halloween party, an arsonist attacks the school. One teen girl claims to have premonitions of the fires before they happen.

Let's do the time warp again?

Let’s do the time warp again?

 Here’s Hanson: Hanson is the “Scully,” not believing in supernatural phenomena and insisting there’s a rational scientific explanation for everything.

 Penhall’s prerogatives: Penhall is the “Mulder,” more willing to believe that the psychic girl can help them solve the case. In a scene that goes nowhere, he also has a UFO/alien abduction moment — one that would’ve been right at home on The X-Files.

"I can see the light."

“I can see the light.”

 Undercover blues: The psychic can tell that Penhall and Hanson are cops and not teenagers (because she’s psychic, not because they’re pushing 30). Supernatural or not, her visions do help them find the arsonist at the big Halloween party.

Goin’ to the chapel: The Jump Street chapel is being renovated, and janitor Blowfish plans on restoring the old pipe organ. After the psychic girl makes a prediction about “Death in the chapel,” Hanson and Blowfish discover a skeleton under the floor in the chapel’s basement.

"Does this look like a National Park to you?"

“Does this look like a National Park to you?”

 Torn from today’s headlines: Tons of pop culture references in this one: There are the mashed potatoes from Close Encounters of the Third Kind, the famously psychic enthusiast Shirley McClaine, Ripley’s Believe it or Not, Boris Pickett’s song “Monster Mash,” and magician/huckster Marshall Brodien. Best of all, though, are the EPA guys who inspect the Jump Street chapel, who look awfully familiar:

There's something strange... in this neighborhood.

There’s something strange… in this neighborhood.

Trivia time: The psychic is played Pamela Adlon, who went on to do the voice of Bobby Hill on King of the Hill, in addition to a huge variety of other roles. The internet is trying to convince me that actress Katherine Heigl was an extra during the Halloween party at the end of the episode.

 Jumpin’ or not? Here’s another one written by Glenn Morgan and James Wong, and this would appear to be their audition for The X-Files a few years later. They’re often credited for giving The X-Files a sense of humor, and this episode of 21 Jump Street is one of the funniest, eschewing the usual teen/cop angst for big laughs. It’s jumpin’!

Next week: I found my thrill.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Quantum of Solace

Rewatching the James Bond films chronologically. Everyone pretty much agrees that Casino Royale and Skyfall are awesome, but what about 2008’s Quantum of Solace, sandwiched between the two? Now is a good a time as any to revisit this one.

quantum1

Blond blurb: We begin mere minutes after the end of Casino Royale, as Bond escapes with the captured Mr. White. White says people in his organization are everywhere, and to prove that, M’s bodyguard tries to kill her. This puts Bond on the trail of this mystery organization, called “Quantum,” that has somehow infiltrated MI6.

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Bond background: Bond keeps killing off baddies that M would rather have been brought in for questioning. When M has had enough, he (of course) goes rogue. During one of the movie’s few calmer moments, Bond gets wicked drunk while mourning Vesper, and this becomes a surprisingly emotional moment from him.

Bond baddies: Quantum is led (or is it?) by Dominic Greene, whose only real character trait is his short fuse. He acts all slick, but explodes with anger over any little thing. The setup is that Quantum is after an oil supply in Bolivia, only to have it revealed that they’re really after the water supply, which could be even more damaging in the long run.

Bond babes: Bond is still hurting from Vesper Lynd’s death in Casino Royale, so the romances in this one are in the “kinda-sorta” category. First there’s feisty redhead Strawberry Fields (heh) who gets killed real good. The main squeeze is Camille, who’s after Greene for revenge.

Bond best brains: Bond has a camera with instant facial recognition software, and an earpiece that can hack into the baddies’ private conversations.

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Bond bash-ups: The whole movie is basically one big action scene, rocking from one fight or chase right to the next. Story points are brushed over quickly just so we can get to more action. There’s the opening car chase, a fight in some old building as it falls apart, a motorcycle/boat chase, an airplane fight followed by a freefall jump, and, as usual, gunfights and explosions galore in the villain’s HQ during the finale.

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Every Bond movie has a “This is the one with” and for Quantum of Solace, it’s the opera scene. Bond confronts the villains at an opera, fighting henchmen to the opera music. It’s a slick, stylish sequence that impresses me every time I see it.

Bond bygones: Bond finds Strawberry Fields dead after she’s drowned in oil, in a deliberate callback to the woman killed by being dipped in gold in Goldfinger.

Bond baggage: All this talk about oil, red herring or no, certainly speaks to current events.

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Bond babble: This one’s really more of a Casino Royale expansion pack than it is a stand-alone movie. It demands that you see Casino Royale first, and then hop aboard the roller coaster. A lot of the action scenes are sweet, but the movie offers very little else. I enjoyed it, but I would have enjoyed some more story to go along with all the punches and gunshots.

Next week: You can’t go home again… or can you?

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Farewell to the king

Rereading the Fantastic Four comics from the start. Here we are, folks. The end of an era. It’s Jack Kirby’s final issue of Fantastic Four. According to suspicious-sounding internet rumors, Kirby allegedly turned in his resignation letter to Marvel the same day he turned in the artwork for this issue.

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We begin with some comedy shtick. Ben has a cold. Crystal tries to force feed him medicine, and Ben’s sneezes are so powerful that they destroy an entire room. Reed interrupts, saying that Sue and the baby will soon return to supernatural nanny Agatha Harkness, once the rainstorm currently blowing over New York has passed.

KirbyLast2

From there, we cut to Namor the Sub-mariner. He and some of his followers are in a submarine in the ocean, “beneath frozen Antarctica,” to investigate a mysterious shock wave. Namor swims ahead and discovers a warm, tropical area in the middle of the Antarctic continent, complete with still-alive dinosaurs. He finds a lone survivor of the shock wave and… it’s Magneto! (This is picking up the storyline from Uncanny X-Men #63, the first appearance of the Savage Land, in which Magneto was apparently killed in a shockwave.)

KirbyLast3

Then, strange goings-on in New York, as the tops of skyscrapers are mysteriously being torn off by an unseen force and floating off into the sky. Under the sea, Magneto has not only regained consciousness, but found his way into an Atlantean lab, where the high-tech devices can amplify his magnetic powers greatly. He’s granted an audience with Namor, and he proposes an alliance between them, arguing that they are not “truly human.”

Back in Reed’s lab, he has deduced that Atlantis is the source of the magnetic disturbances. He’s sent a probe to Atlantis to investigate. He adds that if there’s a problem, a second press of the button will send a concussion missile along the probe’s path. “To warn them of their folly!” Reed says. Then there’s some action as the magnetic weirdness causes all the futuristic tech seemingly comes to life and attacks the FF. Ben decides to go on the offensive, pressing the button and launching the missile at Atlantis.

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The missile trashes part of Atlantis, with Namor using his awesome strength to save his people. Magneto says he traced the missile’s path back to New York. Namor sees this as an act of war, and Magneto promises to aid Namor in the upcoming fight. Magneto thought-monologues to himself how he’s using the situation to goad Namor into attacking the surface world. Magneto hopes Atlantis will kill off all the humans, allowing mutants to rule in their place.

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Back in headquarters, Reed chides Ben for firing the missile, as his “vibro-alarm” picks up signals of an entire fleet of Atlantean warships headed for New York, ready to start a war.

To be continued!

Unstable molecule: For as much as Reed is angry at Ben for launching the missile, Reed’s the one who built it to blow up Atlantis with the press of a button.

Fade out: Sue sits this one out again, off taking care of the baby.  

Clobberin’ time: Ben, despite all strength, is susceptible to the common cold.

Flame on: Johnny is able to use his flame to draw the magnetized building debris into the ocean. Science!  

Four and a half: Franklin finally has his blond hair this issue, after several issues of his brown hair.

Fantastic fifth wheel: Crystal uses her powers to save the day when all the machines in Reed’s lab come to life. She zaps the control panel real good.  

Commercial break: Steampunk before there was steampunk:

KirbyLast6

Trivia time: “Wait a sec,” you say, “I thought issue #108 was Kirby’s last issue.” No, #108 was an inventory comic, drawn by Kirby years earlier and kept in a file, to be used as a backup in case they needed a fill-in at the last minute. Marvel history is rife with stories about these inventory comics, and the times they were and weren’t used.

Fantastic or frightful? A slim issue, with not a lot happening. Kirby doesn’t phone it in, managing to create some perfectly Kirby-ish outlandish visuals for his final go-around.

Next: Magneto in the middle.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app. cine-high_v3

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James Bond rewatch: Casino Royale (2006)

Rewatching the James Bond films chronologically. We’ve reached 2006 now, and the series gets a whole new direction with Casino Royale. The million-billion dollar question is whether this is in continuity or a total reboot, because the movie tries to both.

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 Blond blurb: After gaining his double-O status, Bond is assigned to investigate a bombmaker, which leads him to the sinister Le Chiffre, an international terrorist financier. The trail leads to the Casino Royale in Montenegro, where Bond faces off against Le Chiffre in a high-stakes poker game. The real stakes, though, are Bond’s relationship with fellow agent Vesper Lynn and his questioning his place in the world.

Casino2

 Bond background: OK, so is this a reboot or not? You’d think that, with Bond receiving his double-0 status and being described as a “blunt instrument,” but these blog posts are all about viewing the Bond films as a series, so that’s what I’ll do here. In the previous film, Die Another Day, Bond spent 14 months being tortured. Along comes Casino Royale, with a rougher, scrappier, and harder-edged Bond — one who is starting over. His promotion to a double-0 could easily be a reinstatement. The Die Another Day torture incident could also partially explain how Bond endures being tortured horribly in Casino Royale, as well as his willingness to leave MI6 to start a new life. This hypothesis is strengthened by the fact that M is not only still played by Judy Dench, but it’s clear that she and Bond have a history. This recalls her antagonistic relationship with him introduced in Goldeneye.

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 Bond baddies: Mads Mikkelson is all sleek and intense as Le Chiffre, with his super-creepy tic of randomly crying blood on occasion. A big twist late in the film (SPOILER, I suppose) comes when Le Chiffre’s henchman Mr. White kills him, as it’s revealed White was really running the show.

 Bond babes: Bond first romances Solange, but it’s secretly to get info from her, so some things haven’t changed. It’s Vesper Lynd, however, who has a profound effect on Bond. He admits that he loves her, and he’s willing to leave the spy life to run away with her.

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 Bond best brains: For everyone who says there are no gadgets in this movie, I say Bond has a hidden compartment in his car filled with anti-toxins — and funky blue neon lighting! MI6 also implants a tracking device inside Bond’s arm, to keep track of his vitals and his whereabouts.

 Bond bash-ups: We begin with a foot chase in which both Bond and a parkour guy use the environments they’re running through to their advantage. Then there’s an excellent chase on an airport runway with a lot of great stunts. During a break in the poker game, there’s an amazing fight in a stairway, with Bond and a villain beating on each other while they fall down the stairs. I know that sounds goofy, but it’s really an eye-popping sequence. The finale takes place in Venice, with Bond fighting everyone inside a crumbling building as it sinks into one of the canals.

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 Bond baggage: Poker tournaments inexplicably exploded in popularity on cable TV a few years earlier, so the movie makes it a point to specify that Bond and Le Chiffre are playing Texas Hold ‘Em, just like the TV shows.

 Bond bewilderment: If you want to make an argument that this is a start-from-scratch reboot, CIA agent Felix Leiter returns, and he and Bond act as if they’re meeting for the first time. However, he has several lines of dialogue referring to Bond as his “brother,” so maybe there’s a history there? Maybe?

Bond bygones: The movie delights in taking Bond tropes and subverting them. When asked if he wants his martini shaken or stirred, a preoccupied and stressed-out Bond replies, “Do I look like I give a damn?”

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Bond babble: You know what? Continuity, shmontinuity. This is a great movie, filled with awesome action, excellent performances, and genuine, emotional stakes for Bond. It’s a must-see.

Next week: A night at the opera.

****

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Fantastic Friday: They’re gangsters!

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Rereading the Fantastic Four comics from the start. It’s Jack Kirby’s next-to-last issue on the book, and once again we go back to the “gangster movie” style he was allegedly fond of at the time.

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We open with some sitcom shtick at the Baxter Building, as our heroes are throwing a dance party. Alicia is there, with long black hair now. Ben trips while dancing and smashes up some furniture. (How much of the FF’s furniture do you suppose he’s inadvertently destroyed by this point?) The fun is interrupted when a letter arrives from a group called the “Maggia.” They claim to have purchased the Baxter Building, and they’re evicting the FF!

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Meanwhile, at a restaurant downtown, members of the Maggia gather for a secret meeting, complete with giant plates of spaghetti. They’re gangsters! They’re leader, known only as “Top Man,” says the eviction is part of his plot to steal all of Reed’s scientific wonders. He has outfitted his men with special bullet-proof suits to deal with the FF.

It’s winter in New York, and the FF are out for a stroll, all bundled up. While horsing around with some kids, Ben sees a helicopter flying toward the Baxter Building, which Reed somehow recognizes as a Maggia aircraft. Armed goons are on the roof of the building, Johnny flies up there, and… fighting! The bad guys have fireproof suits and ice guns (!) but Johnny outsmarts them by generating a smoke screen that they can’t see through. It doesn’t work, though, as the goons hit him with a “circle of force,” whatever that is. Johnny is knocked out, and the Maggia takes him hostage, along with going inside and raiding the place.

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Reed and the rest of the team make it inside as well, watching the Maggia’s movements on closed-circuit TV monitors. The baddies bust into the room and knock everyone out with “Noxo-gas.” They then seal the FFers in specially-made concrete coffins, drive them out to the Jersey Flats, and dump them in the river. They’re gangsters! Crystal unleashes an elemental shockwave, which frees the team. Reed swears to retake the Baxter Building, no matter what.

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Back at headquarters, Sue sneaks through the place invisible while the Maggia men ransack the place. The baddies have a detector that can sense her presence, but they’re unprepared for her using force fields against them, not to mention a conveniently-placed fire extinguisher. The henchmen’s leader, a guy with the unfortunate name of Gimlet, threatens to send more men to Agatha Harkness’s place to kidnap lil’ Franklin, so Sue surrenders. That’s when Reed and Ben arrive, joining the fight. There’s a real scary bit where Sue traps Gimlet inside a force field as his gun goes off, with the bullets ricocheting all around him. Somehow, he’s not dead, but he gives up the fight.

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Then the FF’s doorman, the one who delivered the letter at the start of the issue, arrives and shoots Gimlet. Reed does the Scooby-Doo thing and unmasks the doorman — it was Maggia leader Top Man all along, posing as the doorman to case the joint. He wanted to evict the FF all legal-like so as not to get his hands dirty, but Gimlet screwed it all up with the helicopter attack. The issue ends Reed makes a big speech about how the FF will continue to fight crime and make the world a better place. The problem is, we never see what becomes of Top Man. Does he sneak away while Reed was speechifying?

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Unstable molecule: Reed keeps his cool during the crisis. Even though the bad guys catch him by surprise, he still works to out-think them rather than out-fight them.

Fade out: We get an excellent three pages of Sue fighting the villains on her own, which is more than we’ve got from her in ages.

Clobberin’ time: Ben lifts up a car to impress the kids he meets on the street. So, who owns that car?

Flame on: Johnny uses his powers to generate thick, black smoke as well as fire, something I don’t recall seeing him do anywhere else. Also, we learn that he can play guitar.

Four and a half: Franklin makes an appearance in a few panels, mostly just to let us know he’s still around, and to increase the sense of danger with the FF’s home being attacked. He has brown hair in one panel and orange-y hair in another.

Fantastic fifth wheel: Crystal is key to rescuing everyone from their underwater graves, and later she consoles the weakened Johnny by letting him rest his head in her lap, which he’s only too happy to do.

Commercial break: This ad appropriately represents the early 1970s. I especially like how the girl’s hair is three-fourths of the frame:

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Trivia time: This is the first appearance of international crime syndicate the Maggia, who has since been all over the Marvel universe. Stalwart Marvel villains like Silvermane, Hammerhead, and Count Nefaria all have Maggia ties. There was controversy whether the film The Godfather could get away with using the word “mafia,” so I imagine the same must have been true for this comic.

Fantastic or frightful? What a weird issue. All the “real world” crime stuff contrasts in a big way with all the high-tech superhero action. I guess it’s a fun issue, but it’s also a mess.

Next week: Farewell to the King.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

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