21 Jump Street rewatch: “God is a Bullet”

Rewatching 21 Jump Street! Time for another trip back to the inner city, and the societal woes that go with it, in season four, episode five, “God is a Bullet.”

jump1

What’s goin’ down: At the worst, toughest high school in the district, there’s a hardass new principal determined to clean the place up, no matter what. The Jump Street cops are there too, undercover while investigating a drive-by shooting that happened in front of the school.

No need for a caption. These facial expressions say it all.

No need for a caption. These facial expressions say it all.

Here’s Hanson: Depp is off pursuing his film career again.

Penhall’s Prerogatives: Penhall is assigned to be one of the school’s new “safety monitors,” who walk the halls and report what the bad kids are up to.

The "SM" stands for "simplistic metaphor."

The “SM” stands for “simplistic metaphor.”

Undercover blues: A kindly teacher tries to reach Penhall, pointing out that Penhall acts more like a cop than a student. He causes Penhall to question whether the principal’s tyrant-like ways are truly for the best.

Goin’ to the chapel: When Hoffs is establishing her cover story, she says she was expelled from Lincoln High, which was the similarly-troubled school from season two’s “Don’t Stretch the Rainbow.”

The ushe suspects.

The ushe suspects.

Torn from today’s headlines: Where to begin? The episode’s opening montage is a rundown of every “bad school” cliché you can think of — drug dealing, graffiti, guns in school, fighting, and more. Also, the plot is highly reminiscent of the 1987 film The Principal.

Trivia time: The no-nonsense principal is played by Tim Thomerson, best known for his pseudo action hero roles in Dollman and Trancers. He plays the principal with the same gruffness that he used as sci-fi hero Jack Deth.

"That's right, I was Jack Deth."

“That’s right, I was Jack Deth.”

Jumpin’ or not? We’ve gone back to the Jump Street well with this one, which feels like a season one or two episode. Tim Thomerson gives a solid central performance as his principal character keeps tightening his grip on the school, but other than that, there’s a feeling of “Haven’t we done this before?” in this one. Not jumpin’.

Next week: Ooooohh, scary.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment

James Bond rewatch: Die Another Day

Rewatching the James Bond films chronologically. Have you folks watched 2002’s Die Another Day recently? Because yee-ikes. Die1 Blond blurb: Bond is undercover in North Korea when the mission goes bad. He’s abducted and tortured for 14 months (!), and then is let go in a prisoner exchange. Bond (of course) goes rogue in pursuit of his former abductors. The trail leads not to Korea, but to billionaire Gustov Graves, and his palace in Iceland, where he made a fortune discovering diamonds a year earlier. Graves is close (very close) to the North Koreans, and is secretly planning to launch a deadly satellite weapon into orbit.

Die5 Bond background: After his months-long torture marathon, all Bond wants is to go back on the job, hunting down his enemies not so much for revenge, but because that’s just what he does. As the movie gets lighter and funnier as it goes along, it seems to forget the torture stuff, but, if we’re to view these movies as a series, I wonder if this isn’t a turning point for some of the more intense, personal places we’re about to go with Daniel Craig.

die2 Bond baddies: Plot twist! Turns out the North Korean colonel and Graves are… the same person! The colonel got radical genetic therapy, by using a weird glowing neon mask, to turn himself into a white guy. That’s pretty much horrible. Henchmen include Zao, who has diamonds embedded in his face for a cool look, and Mr. Kill, a name that shows the writers weren’t even trying.

Die4 Bond babes: Along comes Halle Barry as NSA agent Jinx. She’s very much a self-aware Bond girl, and her whole performance is all, “tee hee, I’m in a Bond movie!” In a smaller but much more alluring role is Miranda Frost. She’s played by Rosamund Pike, who would later rejoin Pierce Brosnan in Edgar Wright’s The World’s End. (Do you suppose she and Bond did it in the disableds?)

Bond best brains: These movies have always had one foot in the sci-fi genre, but none moreso than this one. Bond drives an invisible car! He has a glass-shattering sonic ring! The new Q (John Cleese) even runs Bond through a training exercise in a freakin’ holodeck! It’s even worse with the villain. Along with the genetic switcheroo, he also bemoans how computers are merely “a suitcase,” so instead he controls his satellite with a special computer suit he wears, which looks like something out of Tron. There are deadly laser beams, electro-shock gloves, a heat-blasting satellite, and surfing on a ridiculous CGI tidal wave. Does this even take place on Earth?

Die7 Bond bash-ups: We begin with an elaborate hoverboat chase, complete with flamethrowers. There’s a brawl and shootout in the gene clinic in Cuba. Later, in Iceland, a rocket sled and the invisible car both get a workout in a big chase out on the ice. The finale isn’t inside a base, but on board Graves’ high tech jet, with everyone fighting as it’s crashing.

Die8

If this movie has any saving grace, it’s the swordfight. Bond and Graves go at it while at a fencing school, first with fencing swords, and then with katanas. Just the fact that it’s a James Bond swordfight is awesome, but the way these two furiously hack and slash at each other make it the one great scene in an otherwise muddled movie.

Bond bygones: While in Q’s workshop, Bond horses around with gadgets from past movies, most noticeably the jetpack from Thunderball.

Die3

Bond bewilderment: Yes, Madonna has a one scene as a fencing instructor who has some sort of history with Bond. Fans always get worked up over the Madonna cameo, but it’s a whole lot of nothing, really.

Bond baggage: Tensions between North Korea and South Korea are in the forefront, though not handled with any sort of realism.

Die6

Bond babble: What a mess. The first 30 minutes or so are incredibly dark, and then it becomes a whole other movie, a sci-fi/B-movie/cartoon. It’s one “What were they thinking?” moment, after another, after another. This was tough to get through.

Next week: Ante up.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app. cine-high_v3

Posted in James Bond rewatch | Leave a comment

Fantastic Friday: World’s greatest

Re-reading the Fantastic Four comics from the start. After reading issue #100 last week, this week we’re taking a detour. In 2001, a whole slew of well-known comics pros collaborated on a 12-issue miniseries, Fantastic Four: World’s Greatest Comic Magazine.

greatest1

The story was intended to be a speculative “what if” there had been a proper finale to Stan Lee and Jack Kirby’s run on the title before Jack left Marvel. This series takes place between issues #100 and #101, with everyone writing and drawing in a pastiche of Stan and Jack’s styles.

Here’s the lineup. Artwork by: Bruce Timm, Erik Larsen, Keith Giffen, Jorge Lucas, Ron Frenz, Gordon Purcell, Tom Scioli, Shannon Denton, Mike Manley, Rick Veitch, Graham Nolan, Bill Wray, Paul Ryan, Frank Fosco, Dave Ross, Al Milgrom, Steve Rude, and Dan Jurgens. Written by: Erik Larsen, Eric Stephenson, Bruce Timm, Tom DeFalco, Kurt Busiek, Jeph Loeb, and… Stan Lee!

greatest3

The story begins with the FF returning to New York in the NATO plane they hitched a ride on in issue #100. They’re immediately attacked by a small robot sniper. Reed is obsessed with trying to find out who sent it, but the rest of the family drags him out of the lab so they can all go visit Franklin, who’s still with his witchcraft-y nanny Agatha Harkness. Along the way, they’re attacked again, by an unseen energy blast. We cut to Latveria, to learn that Dr. Doom is behind the attacks. He’s keeping the FF occupied as he travels to the US and orchestrates a break-in, stealing a ton of Reed’s equipment, not to mention all of Doom’s tech Reed had previously confiscated, including Doom’s time machine.

From here, the first half of the miniseries is Doom sending random threats the FF’s way, so they are distracted from what he’s up to. This gives us several issues on tour of the Marvel universe at the time. A visit to the X-Men has Johnny and Ben goofing around the mutants’ danger room, and then both teams fighting some Sentinels. In Harlem, the FF joins the Falcon and Captain America in a fight against M.O.D.O.K. and A.I.M. The team then fights a duplicate of the hulk, only for the real Hulk to join the battle. While this is happening, Doom uses the time machine to retrieve the Cosmic Cube from just before it was destroyed. The Cube, of course, grants its wielder godlike powers.

greatest2

Reed finally figures out that Doom is behind all this craziness, and that Doom’s next step to visit the moon and steal the Watcher’s “cache of galactic wonders.” Doom does just that, threatening the Watcher with the Cosmic Cube. The Watcher says that although he’s sworn not to interfere, there’s no way he’s letting Doom steal his stuff, so they battle. With the help of S.H.I.E.L.D., the Black Panther, and the Silver Surfer, the FF make it to the moon as well. Doom uses the cube to summon cosmic replicas of a bunch of the FF’s villains, and it’s a lot of fighting. Doom successfully steals the Watcher’s “ultimate machine.”

There’s a huge explosion, and Doom thinks he’s won. But, no, Sue saved everyone in an invisible force field. (If Doom’s so smart, why didn’t he think that might happen? His famous arrogance, I suppose.) While all this was going on, Crystal was whisked away back to the Inhumans’ city, to learn that a powerful Inhuman artifact was stolen. She returns to find Doom in Reed’s lab, helping himself to more of Reed’s science goodies. On a roll, Doom also steals Namor’s horn from Atlantis, and uses it summon all of those giant undersea monsters to attack New York, like they did way back in issue #4. The FF and the Inhumans are reunited, while the Avengers and the Silver Surfer battle the Atlantean monsters. (Note that this is the second group of Avengers, with Captain America, Goliath, Quicksilver, and Scarlet Witch.) Namor joins the battle, being mentally controlled by Doom, and there’s a great bit where Ben uses Captain America’s shield to knock him out.

greatest7

All this was but another distraction, though. While everyone was fighting in New York, Doom entered the Negative Zone for the next item on his list. Perennial superhero sidekick Rick Jones shows up at FF headquarters to tell them this. He knows because he’s psychically linked to Captain Marvel, who’s already on the case in the Negative Zone. Doom is after Annihilus, hoping to steal the big bug’s cosmic control rod. Reed, Ben, Johnny and Crystal join the fight. Sue stays behind at HQ, where a new version of the Frightful Four attacks, with Blastaar taking Medusa’s former place. There’s a lot more fighting, and it ends with Doom getting the rod, Sue abducted, and the rest of the FF trapped in the Negative Zone. The Frightful Four’s infighting gives Sue the opportunity to free her teammates and take out the baddies.

greatest5

Way out in space, Dr. Doom confronts Galactus, who has just successfully devoured a planet. Doom uses all his stolen goodies to steal the power cosmic from Galactus. Reed has figured out what Doom is up to, so the team goes to Thor for help, saying that the raw power of Galactus can only be matched by the gods of Asgard. After some back and forth, Odin and the Asgardians (band name!) agree to help. Using Asgardian tech, Reed sends a message to everyone — the Avengers, the X-Men, S.H.I.E.L.D., the Inhumans, Atlantis, and even the U.S. army. Doom appears in the sky over New York, and you know where this is going: Everybody fights!

The combined might of heroes from all over the Marvel universe put up a good fight, but Doom swats them all away, one by one. He convinces the army guys to lay down their weapons, and, just like that, Doom proclaims himself the ruler of the Earth, as no force in existence can stop him.

greatest6

The FF hide out in their headquarters, trying to find some way to undo what’s been done. Reed looks at a bunch of old comic book covers and gets an idea. Reed sends Johnny out to look for Galactus, who is in a weakened, human-like state without his powers. Everyone then gathers in Latveria, with the human Galactus. Doom is there, and he gets attacked by giant monsters from the comics. These would be from the monster comics Marvel once published before getting into superheroes, giant beasts with names like Fing Fang Foom, Sporr, and the Living Colossus. (Sorry, Guardians of the Galaxy fans, but the original Groot does not make an appearance.)

The FF are mentally controlling the monsters, using the same tech that Doom used to control Namor earlier. Basically, Reed is using Doom’s own tactics against him. Doom wins the fight, but loses the Cosmic Cube. He then begins to feel the same hunger that Galactus once felt, so he decides he has no choice but to devour the Earth. Reed recovers the Cosmic Cube and steals away all of Doom’s powers, shouting “Sic Semper Tyrannis!”

Reed uses the power of the cube to restore everything back to the way it was. This means repairing all the damage done to New York and elsewhere, but it also means returning Doom to Latveria and giving Galactus his powers back. Galactus admits feeling “something akin to what men call gratitude,” and he returns to space. Reed gets the final speech, of course, saying, “In the vast and endless universe, does a world exist where we all can live in peace?”

The miniseries doesn’t have a “The End,” but a “to be continued” in issue #101, which was published about 40 years earlier.

greatest8

Unstable molecule: Reed says Doom’s nanotech is to blame for why it took him so long to realize Doom is behind all this. Uh-huh, sure. His one-time catch phrase “Sic Semper Tyrannis,” is Latin for “Thus always to tyrants,” commonly misinterpreted as “Death to tyrants.” It’s odd that they would use it here, because it’s a phrase most associated with not-nice people like John Wilkes Booth and Crazy Joe Davola.

Fade out: There are a lot of references in this series to how Sue might be the FF’s most powerful member, which we’ll later see in the John Byrne years and beyond. It’s true that she gets left behind during the Negative Zone chapter, but she saves her teammates just as well.

Clobberin’ time: Ben picking up Captain America’s shield and using it in a fight. So cool.

Flame on: Johnny doesn’t do a whole lot except fret about Crystal every time she goes off on her own. Clingy, much? He uses his super-powerful nova flame against both the Hulk and Namor.

Four and a half: Franklin puts in only one appearance, showing that he’s still being cared for by Agatha Harkness. If we’re to take this miniseries as continuity, this is the first time he has blonde hair instead of brown.

Fantastic Fifth Wheel: When Crystal finds Doom alone inside Reed’s lab, she first attacks him, and then tries to reason with him. One thing’s for sure, she never once shows any fear of him.

Trivia time: The creators really did their research to make sure the whole series lines up with what Marvel was doing in 1970. This is when Dr. Strange was wearing the costume with that blue mask, and the Falcon had that weird one-gloved green and yellow costume. This was also the time when the Avengers headquarters wasn’t a mansion, but a nondescript Fifth Avenue apartment, and we see that as well.

Fantastic or Frightful? As part of the ongoing FF saga, there’s not much here — just a lot of running around and fighting. As a pastiche, however, it’s great. The artists and writers to a great job of aping Stan and Jack’s style, including Stan himself, who wrote the script for the final issue. The whole series is a fun and charming love letter to early Marvel, which why I wanted to spotlight it here.

Next week: Bedlam… again!

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment

21 Jump Street rewatch: “Come From the Shadows”

Rewatching 21 Jump Street! The show is famous (infamous?) for doing “message” episodes, and this one is one of its most message-ist. Oh, and one of the main characters gets married. It’s season four, episode four, “Come From the Shadows.”

jump1

What’s goin’ down: Our heroes are undercover in a Catholic high school, investigating a priest who is running a charity to help children in El Salvador, but who might be really up to a scheme, illegally selling orphaned babies from that country to childless couples in the U.S.

Back in high school.

Back in high school.

Here’s Hanson: No Hanson this week, and not a mention of where he is. Rumor has it Johnny Depp was off filming John Waters’ Cry-Baby during this one.

Penhall’s prerogatives: Penhall falls head over heels for Marta, a cute Salvadoran lunch lady. Despite her possible involvement in the case, he’s so head over heels for her that he proposes! She says yes, and they run off and tie the knot right then and there.

"Mawwiage!!!"

“Mawwiage!!!”

Undercover blues: Turns out Marta’s a Salvadoran refugee, who was once imprisoned and tortured before fleeing the country to the U.S. She argues that the babies are here with their parents, seeking political asylum and not to be sold. Unfortunately, Marta’s involvement in the case means she gets deported back to El Salvador at the end of the episode, despite her marriage to Penhall. Major bummer.

She said yes!

She said yes!

Goin’ to the chapel: At the chapel, Penhall and Ioki argue about who really invented basketball, modern-day Americans or ancient Aztecs. Junk seen in the background of the chapel include one of those cat clocks with the moving eyes and tail. I look it up — they’re called “Kit Kat Clocks.”

Torn from today’s headlines: The Salvadoran Civil War had been going on for about 10 years at the time this episode aired, and things must’ve gotten pretty nasty. In 1992, the United Nations stepped in and brokered a peace agreement between the government and the various guerrilla groups. A year later, a study revealed that there were numerous human rights violations on both sides during the war.

Discount Hasselhoff.

Discount Hasselhoff.

Trivia time: One of the students is played by the awesomely-named Billy Warlock, who went on to star on Baywatch for several years. Star Trek fans will recognize actress Julie Warner, who played Geordi LaForge’s crush Krisy Henshaw, who didn’t like him “in that way.” (She didn’t know what she was missing, right Trekkers?)

Tree of love.

Tree of love.

Jumpin’ or not? What a depress-fest. All the hand-wringing about the atrocities going on in El Salvador is laid on real thick, so much that it upstages the fact that one of the main characters gets married. To have Penhall and Marta wed only for her to be immediately taken away makes this for one dreary downer of an episode. Not jumpin’.

Next week: This principal is not your pal.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment

James Bond rewatch: The World is Not Enough

Rewatching the James Bond films chronologically. Whenever people talk about 1999’s The World is Not Enough, the only thing they ever talk about is Denise Richards. Denise Richards, Denise Richards, Denise Richards. Here’s an idea: Let’s NOT talk about Denise Richards. Instead let’s talk about everything else in the movie, because once you take she-who-will-no-longer-be-named out of the picture, suddenly this one is really interesting and exciting.

world1

Blond blurb: An oil tycoon and friend of M’s is murdered by a terrorist bomb. Bond is assigned to protect the man’s daughter, Elektra King. They of course get the romance brewing, but then Bond learns Elektra is actually working with the bomber. Said bad guy is Renard, an anarchist who is unable to feel pain, who is plotting to destroy an oil pipeline.

World4

Bond background: M says Bond is the best agent she has, but further says she’d never admit that to his face. This is something else to keep in mind when we get to Daniel Craig. Also, Bond’s education at Oxford gets another mention.

Bond baddies: Our villains this time are interesting in the way they subvert the usual Bond tropes. In any other movie, Renard would be the henchman, but they went ahead and gave him the big job. More importantly, though, is how Elektra is a Bond girl and a Bond villain all at once. The concept appears to be “take a Bond girl and make her the villain.”

World6

Bond babes: Once Bond and Elektra’s relationship takes a turn for the dark and torturous, it raises an important question previously unraised. Does Bond actually have any genuine feelings for all these women he’s been with, or his attitude merely “use ‘em and lose ‘em,” as he’s so often been criticized? Bond is furious when Renard mocks Elektra, yet Elektra slaps him when she believes he’s using her for bait. Bond’s final confrontation with Elektra, despite everything she’s done, is heartbreaking, and one of Pierce Bronsan’s finest moments as Bond.

World3

Bond best brains: X-ray specs! Bond’s shades can show him who’s packing, and he can check out the ladies’ undies. His car is again ‘roided up with all sorts of gizmos. Most important, though, is this is the last outing with Desmond Llewelyn as Q. He gets to introduce is protégé, “R,” played with maximum goofiness by John Cleese, and he gets to have a nice final scene with 007.

world7

Bond bash-ups: We start with a wild escape from a building, followed by an attack on MI6 headquarters and a hugely elaborate boat chase on the Thames with tons of great stunts — and all before the opening song/credits! There’s another ski chase, this time evoking extreme sports, with Bond jumping out of a helicopter onto a remote summit and then pursued by parasailing snowmobiles (!).Then there’s an escape from an underground plutonium mine (I think) and an outrageous fight in a factory among helicopters with giant sawblades hanging from them. How do they land those things? Bond’s final fight with Renard is pretty brutal, inside a sinking submarine among the nuclear rods.

world2

Bond baggage: No more communists for Bond to fight? Bring on the terrorists. Although the movie is quick to point out that Renard is an anarchist, and not beholden to any one nation or ideology, all this talk about oil and terrorist bombings certainly shows how current events had changed.

Bond bygones: The movie’s title is a callback to On Her Majesty’s Secret Service, in which “The world is not enough” was introduced as a saying on Bond’s family crest.

World5

Bond babble: See, when you take you-know-who out of the conversation, suddenly this is a great movie. Not only is there awesome action, but it has emotional stakes for Bond unlike what we’ve seen in the previous films. This is my pick for most underrated Bond film.

Next week: En garde.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in James Bond rewatch | Leave a comment

Fantastic Friday: The big one hundred

Rereading the Fantastic Four comics from the start. Time for a milestone: Issue #100!

Hundred1

Our heroes are returning from meeting with the Inhumans last issue, when something destroys their flying saucer. Crystal uses her powers to float everyone safely to the ground. There, they fall under attack from the duo of Kang the Conqueror and Dr. Doom. They fight, and the Reed discovers that it’s not really Doom and Kang, but lookalike androids. As the FF wonders what’s going on, we cut to Puppet Master and the Mad Thinker, where Puppet Master is cranking out a bunch of living puppets out of his radioactive clay.

Hundred2

Johnny finds some camels (where are they?) which the FF use to cross the wilderness, only to have them be attacked by more of their foes from previous adventures. Reed has gone ahead and deduced that the Puppet Master is behind this, and that he’s found a new source of radioactive clay to create the androids. From this point, the whole issue is one fight scene after another, with the FF duking it with replicas of their rouge’s gallery. Here’s the lineup:

  •  The Senty (gets beaten up by Ben)
  • Dragon Man (Johnny traps him in a volcano)
  • Namor and a bunch of Atlantis warriors (Blown back to sea by Crystal)
  • The Hate Monger (Sue trips him (!) while invisible)
  • Diablo (Sue hits him with Hate Monger’s shield)
  • The Super Skrull (blown out to see with the Atlantis guys, I think)
  • The Red Ghost (Falls into a hole in the ground created by Ben)
  • The Wizard (Crystal sucks him into a tornado)
  • Paste-Pot Pete, um, I mean the Trapster (Sue uses her force field to cover him in his own super-paste)
  • Sandman (Sent into the sky with one of the Wizard’s anti-grav discs)
  • The Red Ghost’s Super-Apes (Again with the anti-grav discs)

Hundred4

Back in the lab, Puppet Master unveils his Hulk android, which he says is the most powerful of all. But the Hulk, as we know, cannot be controlled. He Hulks out, destroying the lab. Puppet Master fires a gun at the Hulk, not realizing that the Hulk is standing in front of a bunch of explosives. This destroys the entire lab in a huge blast. (I guess we’re to assume that Puppet Master and Mad Thinker are dead now, but we all know better, right?)

Hundred5

The FF hitch a ride on a passing NATO jet (!) where Reed reaffirms his teammates/family that they are “the greatest team ever!”

Unstable molecule: Reed does nothing in this issue, except announce who each villain is, and figure out that Puppet Master is behind it all.

Fade out: After so many issues of sitting on the sidelines, Sue finally gets in on the action, singlehandedly taking out Hate Monger, Diablo, and the Trapster.

Clobberin’ Time: In the fight, Ben’s first thought is his friends’ safety, picking them up and throwing them away from danger before clobbering the baddies.

Flame on: Johnny’s flame is powerful enough to bring a dormant volcano to eruption.

Fantastic Fifth Wheel: This one’s a showcase for Crystal, with her using her elemental powers in all kinds of ways. She uses “heavy” air currents to save the FF, she uproots a giant tree to crush Kang and Dr. Doom, she summons winds to create a tornado and to blow several villains out to sea.

Commercial break: This issue begins an odd experiment that had comics on the top of some pages, with ads on the bottom — an experiment that, thankfully, did not last long.

Hundred3

Trivia time: The story goes that this was originally going to be a double-sized anniversary issue, but it was changed at the last minute to a regular-sized one. As such, it had to be hastily rewritten and redrawn, cramming most of the action into a nine-panel grid.

Fantastic or frightful? I never like it when superheroes are just going about their day, only for villains to show up out of the blue and attack them, and that’s what happens here. I also don’t like when the villain is undone by his own bumbling instead of by the hero’s actions, and that happens here as well. There is a novelty factor to seeing a bunch of villains in one issue, but other than that, this is a disappointing way to celebrate 100 issues.

Next week: World’s greatest.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment

21 Jump Street rewatch: “Eternal Flame”

Rewatching 21 Jump Street! The show’s producers went and got creative in this one, creating a throwback to old-timey film noir, albeit one with Jump Street’s usual sense of neon-drenched style. It’s season four, episode three, “Eternal Flame.”

jump1

What’s goin’ down: The Funhouse is the hottest nightclub in the city, and allegedly a haven for drug peddlers. For the second week in a row, our heroes are undercover as bouncers. One problem: The club owner’s wife knew Hanson from before he was a cop. Now, his loyalties are divided between doing the job and rekindling feelings for an old flame.

Studio 54 and a half.

Studio 54 and a half.

Here’s Hanson: The shooting and jail time Hanson went through in the season finale/premiere still weighs heavily on his mind. When asked about what happened to all his hopes and dreams he holds this up as an example as to how much he’s changed.

Penhall’s prerogatives: Penhall’s ticked at Hanson when Hanson doesn’t let him into the club. This was because Penhall was wearing penny loafers. (Penny loafers?!?) It’s just the tip of the iceberg, as Hanson’s romantic woes create a ton of tension between him and Penhall. His love of bowling gets another mention, though, so he’s not totally gone off the deep end.

Can I get a "Yowza!" from the crowd?

Can I get a “Yowza!” from the crowd?

Undercover blues: Turns out Hanson’s ex’s sleazeball husband secretly made her owner of the club so she’d take the fall for the drug empire. It doesn’t work, and Hanson and Penhall take him out in a gunfight. Hanson and his ex then have a Casablanca-style tearjerker goodbye as she leaves him.

Do real nightclubs actually have girls dancing in cages, or it just a Hollywood thing?

Do real nightclubs actually have girls dancing in cages, or it just a Hollywood thing?

Goin’ to the chapel: To look cool for the club, Penhall buys a $1,200 suit and puts it on the police department’s tab. There’s a funny bit where Captain Fuller finds the invoice for the suit stuffed into his jacket pocket.

No, I don't know what's going on with that shirt, either.

No, I don’t know what’s going on with that shirt, either.

Trivia time: The title is a reference the song “Eternal Flame” by the Bangles, which originally appeared in the episode, but has since been replaced with generic music for DVDs/online. Thomas Haden Church of Wings, Sideways, and Spider-Man 3 plays a nightclub thug with HUGE HAIR.

Ned with Stacy's hair.

Ned with Stacy’s hair.

Torn from today’s headlines: The drugs in question are “blotter acid,” which is attached to seemingly innocent-looking buttons handed out at the club’s front door. I actually remember them warning us about this stuff back when I was in high school.

Reservoir Depp.

Reservoir Depp.

Jumpin’ or not? After hitting a home run with last season’s “High High,” Mario Van Peebles proves himself to be the series’ directing rock star with this super-stylish episode. Scenes in the club are ‘80s glitz in the best way, all neon, lasers, and fog machines. When we go behind the scenes at the club, though, we enter the film noir universe, all sharp suits, mournful saxophone music, and dirty double crosses. If you have a friend who thinks 21 Jump Street is nothing but “that cheesy high school cops show,” show them this episode and watch their minds be blown. It’s jumpin’!

Next week: Buy a baby?

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment

James Bond rewatch: Tomorrow Never Dies

Rewatching the James Bond films chronologically. 1997’s Tomorrow Never Dies is something of an oddity among the series, but is that a good or bad thing?

NeverDies1

Blond blurb: A mysterious “stealth ship” is running around the ocean, destroying military vessels and threatening World War III. The whole thing is orchestrated by media mogul Elliot Carver, for the benefit of his 24-hour news empire. Bond and Chinese operative Wai Lin work together to take down Carver’s operation.

NeverDies2

Bond background: Bond reunites with an old flame, Paris, who is now married to Carver. It raises the question of the exes in his life, and whatever happened to them. We see him with a woman at the end of each movie, but we never see how/when they part ways. Bond’s reunion with Paris explores this, and it’s a theme that’ll be explored in greater detail in the next film.

NeverDies5

Bond baddies: Jonathan Pryce is cartoonishly over-the-top as Carver, in full-on “Hee, look at how evil I am!” mode. He’s having fun, though, and that fun is infectious. He has a hulkingly huge Aryan henchman, because of course he does. Along for the ride are two interesting sub-villains. One is a tech guy played by magician Ricky Jay, and the other is the always-awesome Vincent Schiavelli as a psychotic doctor/sharpshooter (no, really).

NeverDies4

Bond babes: When Teri Hatcher was cast as a Bond girl, the world said, “Yes, this is a thing that should happen.” She doesn’t last long, though, leaving the main squeeze role to Wai Lin, played by Michelle Yeoh, who adds her considerable stunt and butt-kicking work to the role.

Bond best brains: There’s a funny gag with Q working undercover as an Avis rent-a-car guy. He supplies Bond with his remote control car, operated via Bond’s cell phone. Bond’s phone can also shoot scan fingerprints and shoot electric bolts at doors to unlock them. There really is an app for everything.

NeverDies3

Bond bash-ups: This has got to be the fastest-paced Bond film, the fighting and chases just don’t let up the whole time. We’ve got an opening with Bond escaping an illegal arms conference in a jet, a fistfight behind the scenes at Carver’s show, and an elaborate shootout in Carver’s secret lab. This leads to the movie’s most famous scene, in which Bond pilots his remote control car around a parking garage, with him in the back seat. When the action moves to Saigon, we get a harrowing skydive turned deep sea dive, lots of martial arts fighting, and a wild helicopter-versus-motorcycle chase. The finale is, as always, gunfights and pyrotechnics galore aboard the secret ship.

NeverDies6

Bond bygones: When fighting Carver’s goons, Bond uses a cello as a weapon against one of them. This couldn’t possibly be a callback to The Living Daylights, could it?

Bond baggage: It’s no secret at all how Carver is loosely based on Ted Turner. A lot of the plot has to do with GPS technology, which is depicted as something sleek and newfangled.

NeverDies7

Bond babble: What a wild, wacky movie. It seems more interested in being a roller coaster ride than an espionage thriller. It’s nonetheless a fun roller coaster, with all the appropriate high speeds and sharp turns. It’s low-substance, but nonetheless hugely entertaining.

Next week: We’re not going to talk about that.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in James Bond rewatch | Leave a comment

Fantastic Friday: When Human Torches attack

Re-reading the Fantastic Four comics from the start. Hope you like relationship woes, because that’s what you’ve got in issue #99.

Torch2

We begin with some sitcom comedy shtick as Reed and Sue barge in on Ben as he’s dressed in a skiing outfit. He says he’s preparing to take Alicia on a ski trip. So I guess they’re a couple again. Also, no mention is made of Alicia being blind, and whether that affects her ability to ski. She really is capable! Reed says they’ll have to cancel the trip, because Johnny has taken off, and might be in danger. He’s flying around the world, hoping to return to Crystal, who left him to return to her people the Inhumans back in issue #95.

Torch3

Johnny is flying around the world at extreme speed, zipping over France (obligatory Eiffel Tower appearance). He then passes into Russian space, apparently, because the “commies” fire missiles at him, which he avoids. It starts to rain, so he takes shelter in a cave in the Himalayas. (He’s making record time on this flight.) As he sleeps, a mysterious stranger finds him. At headquarters, Reed, Sue, and Ben take off in the team’s repurposed UFO from issues past, and hope to catch up with Johnny by shortcutting through the Earth’s upper atmosphere. Once in orbit, however, their ship comes under attack by meteors, knocking them off course. (The movie Gravity totally ripped off this scene. Totally.)

Torch4

Back in the cave, the stranger who found Johnny is — are you ready for this? — the Abominable Snowman! But wait, it’s not the Yeti, it’s an Inhuman, who thinks Johnny is one of them. He flees from Johnny, inadvertently leading Johnny to the Inhumans’ new digs, an underground city. A whole bunch of Inhumans attack Johnny, including a flying guy with fireproof wings, but Johnny takes them all out. The battle is interrupted by the Inhuman royal family — Black Bolt, Medusa, Triton, Karnak, and yes, Crystal is there too. She begs Johnny to leave, saying he doesn’t understand what’s happening. Johnny argues that the Inhumans have brainwashed Crystal, and then there’s more fighting.

Torch6

Johnny avoids one of Karnak’s karate chops, only to learn that it was a fake-out, so he’d jump right into Medusa’s hair. There’s a surprisingly dark moment where he threatens to burn her hair to escape. Meanwhile, the FFers have landed in the Himalayas to repair their ship, and to meet some locals, who are all dressed like someone from Genghis Khan’s era (sigh). Back to the action, Johnny confronts Crystal. He goes all emo, saying he wanted to leave with Crystal, but she wanted to go alone, and that means he never meant anything to her. Wah, wah, wah. She flips out, and says she can lose her temper too, unleashing her elemental powers on him. She immediately regrets blasting him, and the other Inhumans argue that Johnny should hear her out, but he doesn’t. He flies off, back out into the city.

Torch7

Johnny flies up into the sky above the city and generates a massive fireball. So… he is going to kill them all? Someone fires a strange, rod-shaped device into the fireball, diffusing the flames. Turns out it was Reed, who has arrived on the scene with the others, and brought his newly-invented “heat absorption rod” with him. Johnny is still going nuts, as he attacks his teammates, saying “I’m through being everyone’s pigeon!” (Pigeon?) Sue, ever the heart of the group, finally gets Johnny to calm down, appealing him to act like the man he is, and not a spoiled little kid.

The Inhumans then reveal the truth. Crystal had to come home to save Black Bolt. He was injured in a radiation experiment and needed “vibrations” to survive. Crystal took care of him while Inhuman Gordon (who once singlehandedly defeated the FF, let us never forget that) went on an adventure for a tube of strange liquid that can heal him permanently. Why they didn’t just say this back in issue #95 is unknown, but Johnny nonetheless apologizes to Crystal. She says that even though she has to stay with her people for now, she accepts his apology.

Torch8

Unstable molecule: I find it interesting that Reed has this heat absorption device that Johnny knows nothing about. Wouldn’t he have used Johnny’s help to test this in his lab? You don’t suppose he developed this thing in secret, in case Johnny ever went to the bad side, do you?

Fade out: Sue is the only one who can get Johnny to calm down and listen to reason. She also laments having to pursue Johnny around the globe instead of spending the day with Franklin.

Clobberin’ time: Ben’s skis have apparently been designed just for him, extra wide with huge metal boots for his big ol’ feet.

Flame on: This issue raises the question of just how fast Johnny can fly. We’ve seen him zipping around New York, but here he’s flying around the entire world in a single day. The Marvel wiki says he can fly at “supersonic” speed, which I take to mean faster than the speed of sound, but that’s still not a definitive answer. (There’s a Marvel “wikia,” which says Johnny normally flies at 140 miles per hour, and can accelerate to supersonic speed on occasion, but this doesn’t appear to be an official Marvel site.)

Fantastic fifth wheel: This issue has a reputation of being the one where Johnny and Crystal break up, but that’s not the case at all. I did a little reading ahead, and Crystal is going to be around for quite a while.

Commercial break: Turn your bike into a dragster! Then, get beaten up at recess!

Torch1

Trivia time: This issue was revisited in Marvel: The Lost Generation #7, published in 2000, in which we learn that time traveler Cassandra Locke was in the cave with Johnny and the Yeti, secretly observing their battle. That mini-series also revealed that the Yeti’s name is, in fact, “Yeti.”

Fantastic or frightful? What’s interesting about this issue is that Johnny is the villain. He’s the unstoppable, destructive force that the FF and the Inhumans have to work together to defeat. After a few phone-it-in issues from Jack Kirby, his art in this one really shines, even though he was fed up with Marvel by this point. Maybe this means he had real affection for the Inhuman characters? It’s nice to have a really great story this close to the end.

Next week: One hundred maniacs.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment

21 Jump Street rewatch: “Say It Ain’t So, Pete”

Rewatching 21 Jump Street! With all the high drama of the season premiere over, it’s time to get back to undercover cop stuff in season four, episode two, “Say It Ain’t So, Pete.”

jump1

What’s goin’ down: Hanson and Penhall are undercover at a college bar, where some severe beatings have occurred. Penhall is the bouncer, and Hanson is a regular customer. Meanwhile, Ioki returns to Jump Street and everybody’s studying for the upcoming detectives’ exam.

Study buddies.

Study buddies.

Here’s Hanson: Hanson admits he’s thinking of turning in his badge and leaving the police force. He says he doesn’t know what he’ll do next, except that he’ll weigh his options. Penhall wants his buddy to stay, arguing that Hanson was born to be a cop.

Penhall’s prerogatives: Late nights as a bouncer has Penhall sleeping on Fuller’s couch all day. He learns the tricks of the trade, such as using a flashlight to bash skulls, because it’s perfectly legal to carry one around.

A day at the races.

A day at the races.

Undercover blues: The violence at the bar is traced to an illegal gambling ring, where folks are betting big bucks on poker and horse racing, and getting beaten near to death if they can’t pay. Oh, and they also bet on… turtle races!

Donatello, no!

Donatello, no!

Goin’ to the chapel: Ioki shows little interest in passing the detective exam. Whereas he once expressed interest in climbing the police department ladder and eventually becoming a cop psychologist, he know says he’s changed after being shot. Hoffs passes the exam, and Penhall is furious when he doesn’t pass.

Trivia time: Lots of music in this one. The song “Love Shack” by the B-52s is prominently featured on the soundtrack. Because of music rights, YouTube keeps removing the episode, only for others to keep putting it back up. I don’t care, because I got the DVDs! Another song is performed by voice actress and perennial cutie E.G. Daily (Dottie!), who apparently has quite the successful singing career on the side. The producers also throw in the William Tell Overture during one scene.

Ballad of the gamblers.

Ballad of the gamblers.

Jumpin’ or not? The gambling plot is ho-hum, but all the character moments are really great, showing that these people are moving forward with their lives — in one way or another. I’ve often argued that beyond the cheesiness and the ‘80s glitz, what makes 21 Jump Street worth watching are the likable, interesting characters, and that’s the case with this episode. It’s jumpin’!

Next week: The night life.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment