Fantastic Friday: Micronauts

Rereading the Fantastic Four comics from the start. With threats coming from outer space, our heroes retreat to inner space in issue #76.

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The set-up is this: Galactus has returned to Earth, demanding that the FF deliver him the Silver Surfer, who has retreated into the microverse. Reed makes a deal with Galactus, saying he’ll go get the Surfer in exchange for Galactus not devouring the Earth. Reed, Ben, and Johnny cram into Reed’s newest invention, a submarine-like “Reducta-craft.” Then it’s a throwback to Fantastic Voyage, where they shrink down to microscopic size and prepare to be shot through a needle. Ben complains with his usual grousing during all this, but Johnny compares it to a roller coaster.

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We then spend some time with pregnant Sue, who has just had a doctor’s visit, assuring her that the baby is doing just fine. She asks Crystal why she hasn’t shown Sue a paper or played the radio in several days. Crystal tries to brush this off, saying it’s just news about “the war.” (That’d be the ‘Nam.) Sue’s no idiot, though, suspecting that this means the three guys are in danger. She has another pity party, fretting about not being able to help, and wondering what it’ll be like after the baby is born.

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Back in the lab, the Reducta-craft flies along, with Reed saying it is propelled by “the power of its own shrinkage.” (Cue Seinfeld reference.) Forget that talk about a needle, because it just flies into the gooey black liquid on a microscope slide, the same liquid that the Silver Surfer used to escape into the microverse. Reed says they’re about to become the first human “micronauts.” Reed says he developed this experiment after the team’s encounter with Psycho-Man, whom you’ll remember was a tiny microscopic guy living inside human sized armor. They follow the Surfer’s path, only to have him fly by them at great speed.

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We then get a killer splash page of the Silver Surfer soaring through the microverse. He’s never looked happier, before or since. The normally deep and contemplative Surfer is now exhilarated and joyous, saying “At last I am free!” Then Reed is a total jerk, firing a stun blast at the Surfer, knocking him off his surfboard. He recovers quickly, bragging about being able to survive meteor storms, but Reed says the blast was only to establish contact.

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The Surfer lands on a nearby planetoid and surrounds himself with a “cosmic protection shield.” Then it’s a couple of pages of our heroes trying to break through the shield, which they can’t. The Surfer borrows a move from Captain America by throwing his surfboard at the FF which, confusingly, knocks all three heroes for a loop. The Surfer flies off, and is pursued by a mysterious green spaceship.

Psycho-Man, whose real form conveniently looks just like his giant armor, says he wants the Surfer’s power for himself. He sends the “Indestructible One” after the Surfer. We don’t see the Indestructible One yet, only from the back. Reed and his pals recover, hopping back in the Reducta-craft and pursuing the Surfer again. The Indestructible One spots them and somehow mistakes them for the Surfer. It attacks and… fighting! The Indestructible One is really a giant android, purple with a green helmet. He and Ben smack each other around the alien landscape for a while. The planet is volcanic, and lava starts spurting everywhere. The Indestructible One is also able to turn intangible, as Johnny’s thermal blasts pass right through him.

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If all this wasn’t cosmic enough, we then cut to Galactus, looking hungrily at the Earth through a scanner. He’s got this kooky little machine that looks a little like a thermometer. When the thingamabob reaches the top, that’s when he’ll devour the Earth. Now we have a ticking a clock.

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Back in the microverse, Reed tells Ben and Johnny to take the ship and go after the Surfer, offering to sacrifice himself by fighting the Indestructible One. “Tell Sue my last thoughts were of her and the baby!” he says. But then, the Indestructible One vanishes right before them. The Silver Surfer has arrived, saying he was watching the fight for his amusement. (What a jerk!) Reed’s gallantry, though, has changed the Surfer’s mind. He agrees to return to Galactus, to save humanity. As he flies off, Reed says the FF will stay behind in the microverse, to find and deal with Psycho-Man.

To be continued!

Unstable molecule: Reed wanting to sacrifice himself seems out of character, but we must remember that stakes are high, with Galactus waiting in the wings. And, yeah, the plot demands it.

Fade out: Sue has gone from worrying about the guys being in danger, to wanting to be out there, helping them save the day. Is that progress?

Clobberin’ time: Ben holds his own against the Indestructible One, even with a volcano exploding underneath him. Ben’s past a pilot is subtly referenced, in that Reed assumes Ben can fly the ship back to Earth.

Flame on: Although cautioned against using his fire, so that it doesn’t set off more volcanic activity, Johnny proves to be so in control of his powers that he can attack the Indestructible One with precision and not destroy the planet.

Trivia time: As noted above, 1966’s Fantastic Voyage is a huge influence on this issue. With the name “Fantastic” in the title, I guess it was only a matter of time.

The Microverse, which is actually called the “Micro-world” or “Sub-atomica” in this issue, has become a staple of the Marvel Universe. It’ll later be defined as an alternate universe that can only be accessed by shrinking, but in this issue there’s definite shrinkage (hehe) with talk of molecules flying past.

To my knowledge, this is the first use of the name “Micronauts” in a Marvel comic, although the Japanese Microman toys that inspired Marvel’s on-again/off-again Micronauts series debuted in 1974. The Micronauts franchise has a crazy convoluted history in both toys and comics.

Commercial break: How huge were Marvel Comics in the ‘60s? You could send away for an autographed photo of Stan Lee:

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Fantastic or frightful: The story goes that Jack Kirby was burned out by this point and ready to leave Marvel, but his art in this issue is so stellar and so like the far-out stuff he’d go on to do in the ‘70s, that I can’t help but feel he’s giving this issue his all. The script has some fun dialogue but a lot of head-scratching elements. (How is there oxygen in the Microverse?) Still, the art elevates it to excellence.

Next: Answering the summons.

****

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21 Jump Street rewatch: “The Best Years of Your Life”

Rewatching 21 Jump Street! In season two, episode twenty, “The Best Years of Your Life,” the Jump Street cops face a deep, emotional crisis in which… wait, is that Brad Pitt?

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What’s goin’ down: Hanson and Penhall are investigating a series of cat burglaries, believing a local teen is the culprit. When a suspect is caught and arrested, he doesn’t seem like the criminal type. He then commits suicide, leading the Jump Street gang to wonder if something more is going on.

Deep cover.

Deep cover.

Here’s Hanson: Hanson blames himself, fearing that his actions led to the kid’s suicide. Also, he’s seen sporting two earrings in one ear. Maybe this has been in previous episodes, but you can see them in a lot of close-ups here, furthering Hanson’s series-long progression from “straight-laced cop” to “rebellious bad boy.”

Penhall’s prerogatives: Penhall appears to be in denial about the suicide, hanging out at home instead of going to the funeral, and cracking wise during otherwise serious conversations. He later breaks down, revealing how much this bothers him. Penhall is still dating Dorothy the marine biologist, his love interest from the episode “A Big Disease With A Little Name.” She’ll continue to appear in upcoming episodes.

Stress case.

Stress case.

Undercover blues: Hanson and Penhall crash a teen party, where everyone talks suicide and high school angst. Turns out there’s been a whole series of suicides in school, and no one wants to talk about them.

Torn from today’s headlines: You’ve probably guessed that this one’s about suicide. The drama is all about the aftermath of a person’s suicide, and everyone not understanding why it happened.

Hittin' the gym.

Hittin’ the gym.

Goin’ to the chapel: Some new background details in the Jump Street chapel. The upstairs part, where the lockers are, also has a small workout area. (A weightlifting bench, basically.)

Trivia time: Holy crap, it’s Brad Pitt!!! He plays the cool kid in school, and friend of the suicide victim. His hair is ridiculous, but he shows a lot of the charisma and energy that made him a star.

"Just wait 'til you guys hear my Irish accent. You're going to LOVE it!"

“Just wait ’til you guys hear my Irish accent. You’re going to LOVE it!”

Jumpin’ or not? 21 Jump Street is kind of schizophrenic when it comes dealing with important social issues. Sometimes they’re handled with care and sensitivity, and other times they’re used for shock value. They do the latter with this one, going way overboard with the speechifying and high drama. Not jumpin’.

Next: It was a teenage wedding, and the old folks wished them well…

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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The Dark Crystal scene-by-scene, part 25

I freakin’ love The Dark Crystal! Let’s watch it! Today we head deep underground, 1:03:42-1:05:52 on the Blu-ray.

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Jen and Kira have entered the castle from below, and are now in a cave-like tunnel, complete with ominous stalactites and stalagmites. The rock has a wet, glistening look down here, so it’s kind of like they’re walking around inside a living thing. Well, if we remember Brian Froud’s manta of “all things are alive” then I suppose this too is a living creature of some kind. As our heroes move forward, they pass by some flowing water, possibly part of an underground river. This is lit from below (don’t ask me how), giving an eerie lighting to the whole area. More mouselike critters are running around down here, presumably the same ones we saw during the Skeksis’ dinner scene earlier. Kira almost trips, and Jen tells her to be careful. This little character beat reinforces how they are walking into uncertain, unexplored territory.

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Speaking of critters, the camera then focuses on Fizzgig for a while, who runs/rolls ahead. There’s more shots of the mouselike things (Hey, DarkCrystal.com, how about giving these things a name? They’re practically supporting characters.) and I thought we’d see Fizzgig chasing them, but no, it’s just more establishing shots. The cave pathways would appear to meet at right angles to each other, leading me to believe that are not natural but “shaped” into hallways, like the rest of the castle’s architecture. In one of the Fizzgig shots, we can see some glowing green moss on the rock off the one side. I suppose this and the water lit from below are supposed to answer the question of where light is coming from and why it isn’t totally dark down here.

According to the canon, this place under the castle is “the labyrinth.” Careful, that’s a not a word to throw around lightly in a Henson/Froud production, lest we want people thinking a tightly-panted David Bowie is about to appear and start performing “Magic Dance.” (Who am I kidding? It would be awesome if that happened!) This place is also alternatively known as the “lower tunnels.” There’s reference to “sewer tunnels” as well, but I suspect that’s a different area, not seen in the film. Some editions of World of the Dark Crystal come with a book-within-the-book just called The Crystal, which is a recreation of Froud and Henson’s original pitch. It includes mention of creatures called burrowers, who live down in tunnels under the castle and dig tirelessly for gems. We can’t consider this canon (Gelflings are called Gelfens, for example) but it’s too bad the burrowers couldn’t make it into the movie because they seem like cool monsters.

Kira says she wants to go back. Go back where? It’s already been well established that they’re past the point of no return. It makes sense to assume that she means go back down a different corridor in this maze, rather than back home. She adds “I smell death here.” I’m not sure what she’s smelling, exactly, because it’s not like there are corpses around, and I can’t find anything in the canon about Gelflings having heightened senses of smell. Perhaps it’s just an expression. Jen says they have no choice, and they press forward.

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An ominous shadow appears before them, and Kira says, “Skeksis!” It’s the Chamberlain, who arrives without doing his famous whimper for once. It’s unknown how he got down there with them, but I think it’s a given that he can get around pretty easily considered how we’ve seen him traverse the landscape throughout the film. Plus, after living in the castle for hundreds of years, he must know every secret passage. He tells the Gelflings not to be afraid and says he’s there to help them. Note that he’s not using the broken English he used before, and he’s now speaking in complete sentences. He’s changed up his tactics in dealing with them, appealing not just to their inherently good natures, but to their intelligence as well. Instead of “Make peace,” now he says, “I’m here to help you.” Big difference. He says the three of them can show the rest of the Skeksis that Gelflings and Skeksis can live together in peace. He then reaches out and grabs Jen and Kira, each with one hand. He does this slowly, so perhaps he’s using soul-speaking to mesmerize them as well? They resist, though, and Fizzgig gets a hero moment as he tugs on the Chamberlain’s rags, trying to separate him from the Gelflings.

As Jen struggles, he does what we’ve been waiting for throughout the entire movie. He uses the crystal shard as a weapon, stabbing the Chamberlain in the hand. Seriously, Jen always holds the shard in the Michael-Myers-raises-his-knife pose, so it’s about time he uses it as such. It strikes the Skeksis with a bright white light, revealing some of the energy it contains. The Champerlain rears his head back in pain and cries, “My hand!” We see that his hand is bleeding, and then there’s a very quick cut to the Mystics, where one of them (OK, it’s urSol the Chanter) has his hand bleeding in the same spot, showing for the first time just how closely related the Skeksis and Mystics are. “So, my hand,” the Mystic says, almost whispering it. The Skeksis has pink/purple blood, while the Mystic has blue/black blood. I wouldn’t read too much into this, as the colors were no doubt chosen by the filmmakers to contrast the puppets’ skin color, to make it clear to viewers that it is, in fact, blood.

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 Look closely: The Mystics are now in a green grassy area, and in the background you can see some big wooden structure, looking like a Stonehenge type of thing. What is that?

Back to the labyrinth, the Chamberlain looks incredulously at his hand, and then he drops the peaceful act, saying, “Gelfling, you die!” He then reaches up and – get this – brings the ceiling down on Jen. Remember that the Skeksis pride themselves on feats of strength, and the Chamberlain has shown himself to be quite the man of action during the film, so it’s not out-of-nowhere for him to Hulk out like this. Jen is buries in rubble, which includes long pieces of wood. This shows that the Skeksis (and the burrowers, maybe?) have done some sort of construction down in this place. There’s a cloud of dust, and when it settles all we can see is the debris. Jen is completely buried.

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The Chamberlain still has a hold of Kira. She calls out to Jen a few times and tries to get away from the Chamberlain, but he drags her off down the next cave path. She tells Fizzgig to stay with Jen. It’s quite a lengthy shot of the Chamberlain dragging Kira away, really hitting home the hopelessness of this situation. The Chamberlain appears to be pointing at the rubble pile as he walks off, but maybe it’s just that he’s holding out his free hand because it’s injured. Cut to a shot of Fizzgig looking sad, to properly tug at viewers’ heartstrings.

Next: The Skeksis’ moment of triumph.

****

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Fantastic Friday: Evil twins and cosmic thought waves

Re-reading the Fantastic Four comics from the start. Last issue, we learned Galactus is returning to Earth. Now, in issue #75, we learn his plans are a little more complex than just “eat the planet.”

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First, I have to say I love the blurb on the cover: “What protiteth a man to flee his fate? For surely he will find… worlds within worlds!” It almost looks like Galactus is looking down at the blurb thinking, “‘Profiteth?’” Anyway, the story begins with Reed, Johnny, and Ben on an island just outside of New York City (where this is, exactly, is not specified) while pregnant Sue is at home being cared for by Crystal. Reed says they’re on an island not to endanger lives when Galactus makes his big appearance. From the island, they can see a “space ray” being fired on NYC, which Reed deduces is Galactus still searching for the Silver Surfer.

Out in space, Galactus speechifies to himself that his hunger has grown so much that he needs to find the Silver Surfer so the Surfer can find him a new planet to eat. (OK, he doesn’t “eat” planets so much as he absorbs all their energy and whatnot.) It’s never explained why he can’t just find his own planets to devour. On some viewscreen-type thing, Galactus sees the FF, remembers that they befriended the Surfer, and says they must be compelled to betray the Surfer. He then says he will attack the FF with, “the power of transcendent thought.”

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On Earth, the island starts tossing and turning, uprooting itself and endangering our heroes. This is basically a fight scene between FF and… nature. First they punch the trees and rocks, and then Reed and Ben get sucked down into the ocean while Johnny flies above. Next, the ocean spits out Reed and Ben, and all three heroes are drawn upward into the sky by some unseen force. In the upper atmosphere, there’s almost no oxygen and freezing temperatures (it’s almost like real science!) Finally, there’s a “noiseless explosion” and the FF are back on the island, as if nothing happened.

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Our heroes take a moment to be befuddled by this, and then three figures emerge from the water. They’re exact duplicates of Reed, Ben, and Johnny. Oohh, yeah, evil twins! Everyone of course attacks each other’s counterpart, and Johnny is surprised to learn Evil Johnny is more powerful than he is.

From there, we catch up with what the Silver Surfer is up to. You might remember (or not) that in the last issue, Johnny left the weakened Surfer behind at the Baxter Building, and later offhandedly remarked that the Surfer had disappeared. We now see that he’s disappeared to the Microverse. He explains (sort of) that the Power Cosmic allows him to shrink down to microscopic size, and that he’s hiding out inside a drop of chemical fluid on a microscope slide in Reed’s lab. He’s all excited to be in the microverse, finding suns and planets way down there.

Back on the island, fighting! It’s a couple of pages of the FF duking it out with their doppelgangers. Ben holds his own (heh) because Evil Ben has his strength but not his fighting know-how. Reed has a tougher time, because Evil Reed keeps going in for the kill, and Reed fears he’ll have no choice but to outright kill the evil him. Johnny’s the one who comes up with the classic “switcheroo” tactic, by not fighting their counterparts, but their partners’ counterparts. So Reed fights Evil Johnny, Johnny fights Evil Ben, and Ben fights Evil Reed (got that?). It’s over quick, as the evil FF is defeated after being simply thrown into the water.

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No rest for our heroes, though, as a vision of Galactus appears before them in a “mental astro-image.” He demands that the FF give him the Silver Surfer, but Ben bluntly refuses before Reed can say anything. Galactus chides them for defying his greatness and he disappears, warning them there will be consequences. Reed and Ben argue, with Reed saying they should have negotiated, and Ben saying he was right to stand up to the big G.

Johnny then points out a giant meteor in the sky. Reed corrects him and says it’s not a meteor, but a planetoid, which is worse somehow. In New York, we catch up with Sue and Crystal, who are staying in a luxury hotel room, as opposed to the nondescript apartment they were at in the last issue. Sue hears commotion outside, but Crystal lies to her and says it’s another protest (this is 1968, remember). Crystal is lying to Sue to “protect” her, again. Sue has herself a pity party, saying that once the baby is born, she doesn’t want it in danger, ever.

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The planetoid is falling toward New York, and Reed says it will “atomize” the city once it hits. Here’s where things get a little wonky. Reed closes his eyes and concentrates, saying that thoughts have “unlimited range,” and that if Galactus can transmit into their minds, than Reed can send a thought back to Galactus. It actually works, because Reed’s genius-brain is just that awesome. He tells Galactus that the FF will find the Silver Surfer for him. Galactus agrees to this, removing the planetoid. He even teleports the FF back to Reed’s lab (that was nice of him). There, Reed deduces that the Surfer has discovered his latest experiment. He opens a door and reveals a submarine-like craft and says the FF must follow the Surfer on “one of the most dangerous journeys of all time!”

To be continued!

Unstable molecule: So Reed basically discovers/invents mental telepathy in this issue? You’d think there would be huge world-changing repercussions to this

Fade out: Sue sits out the action again. I’m afraid it’s going to be a long, long time until we get to John Byrne’s “Sue is the team’s most powerful member” stuff.

Clobberin’ time: Ben has shown nothing but dislike for the Silver Surfer, and yet he’s willing to endanger all of NYC by not handing the Surfer over to Galactus. I guess in his eyes, Galactus is the greater of the two evils.

Flame on: Johnny is pretty heroic in this issue. He’s the key to stopping the FF’s duplicates, and later he suggests using his nova flame against the planetoid, at the risk of his own life.

Trivia time: At one point, Ben asks Reed if Reed has “halavah on the brain.” I looked it up: Halavah is an Eastern Mediterranean sweetmeat made of honey, sesame seeds, nuts, rosewater, and saffron. How is this a part of Ben’s diet? We’ll never know.

Commercial break: And they say girls don’t read comics:

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Fantastic or frightful? This one has a lot of action and I like the Ben/Reed disagreement on whether to negotiate. The big problem with this issue is how out-of-character Galactus is acting. He’s gone from being this godlike entity viewing humans like gnats beneath his feet, to coming up with crazy schemes like cloning our heroes. He’s acting more like a generic mad scientist villain instead of an all-powerful, world-ending threat, and that’s a slight disappointment.

Next week: Micronauts! (No, really)

****

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21 Jump Street rewatch: “Raising Marijuana”

Rewatching 21 Jump Street! It’s drugs versus nerds in season two, episode nineteen, “Raising Marijuana.”

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What’s goin’ down: A mega-rich drug peddler is using high school kids as drivers, so Penhall and Ioki go undercover in school, while Hoffs goes way deeper undercover as the villain’s new love interest.

"But he's a NICE murdering drug tyrant."

“But he’s a NICE murdering drug tyrant.”

Here’s Hanson: No Depp this week, kids. Guess he was already getting movie offers by this point.

Penhall’s prerogatives: To establish a cover, Penhall and Ioki pose as the school nerds. Not nerds! This allows for a running gag in which they try to convince everyone they’re identical twins.

OMFG, nerds!

OMFG, nerds!

Undercover blues: Oh, Hollywood undercover cops, you and your divided loyalties. Hoffs gets to know Charles, the stinking rich drug magnate, and starts to feel he’s a nice guy and not some hardened criminal.

Goin’ to the chapel: Jump Street is partnering on the case with “administrative narcotics” (is that a real thing?). When the narcotics detective is killed, that tips the scales for Hoffs, renewing her purpose to catch Charles.

Busted.

Busted.

Torn from today’s headlines: Marijuana! The point is made that hundreds of thousands of pounds of wacky-tobacky enter the USA every day, and the ones handling the shipping are the ones with the real money and power. I’m actually not a drug dealer, so I don’t know if this is true, but it’s interesting.

Trivia time: A couple of recognizable ‘80s-era character actors in this one. Charles is played by Christian Clemeson, whom you might remember from And the Band Played Played On and The Adventures of Brisco County Jr. The smarmy narcotics detective is played by Sam McMurray, who portrayed similarly smarmy characters in Raising Arizona and The Tracey Ullman Show. (Could McMurray’s involvement mean this episode’s title is direct shout-out to the previous year’s Raising Arizona? It’s possible.)

"Maybe Glen threw in one Polack joke too many."

“Maybe Glen threw in one Polack joke too many.”

The villain-of-the-week Charles would seem to have a lot in common with Gus Fring from Breaking Bad. Both are seemingly ordinary (if rich) guys, who don’t deal directly with addicts and who abhor violence, shipping drugs in vast quantities as merely “business.” I did a ton of Googling, but I couldn’t find anything directly linking Breaking Bad to this episode though, so I guess we’ve got to call it a coincidence.

Jumpin’ or not? We’re in full-on “cop show” mode here, but it’s nice to have an episode with Hoffs in the spotlight without her going into hysterics. This is balanced by comedy high jinks at school so it never gets too serious. It’s Jumpin’.

Next: Surprise guest star!

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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The Dark Crystal scene-by-scene, part 24

I freakin’ love The Dark Crystal! Let’s watch it! Today we’re looking at every girl’s favorite scene (I’m guessing), at 1:02:10-1:03:41 on the Blu-ray.

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When last left our heroes, they were in quite the spot. Outside the Skeksis’ castle, the Garthim have Jen and Kira surrounded and backed up against a cliff. Fizzgig jumps up into Kira’s hands as she and Jen back up to the cliff. With her other hand, she grabs Jen and says “Hang on!” Before he can properly react, she grabs him and jumps over the side, taking him with her. I love how “take charge” Kira is here, and how baffled he looks as she does this.

They don’t fall very far until… it happens. Insect-like wings sprout from Kira’s back, allowing her and Jen to glide/hover down slowly. How does this work with the cape she’s been wearing throughout the whole movie? Watching carefully, it appears that the wings emerge from either side of the cape, bunching the cape to the center of her back. Their slowed fall is accompanied by a whistling “falling missile” sound effect. Maybe the filmmakers added this sound so we’d get the point, or maybe the sound means there’s some kind of magic or energy manipulation in effect, allowing Kira to control their fall. There’s a quick shot of the Garthim at the clifftop, and then Jen and Kira land far below them.

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Then we get a near-perfect dialogue exchange. Jen says, “Wings? I don’t have wings.” Kira matter-of-factly responds, “Of course not. You’re a boy.” She’s so dismissive as she says this, with her back to him, walking away from him. The camera closes in on Jen as he does a double-take on this. Whenever I see The Dark Crystal with an audience, Kira’s line always gets a huge response, especially from females in the crowd.

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Gelfling girls and wings. How/why is this a thing? In the Creation Myths graphic novels, there’s a text piece called “How the Gelfling Maid Got Her Wings.” This is a fanciful fairy tale-type of thing, told as a story-within-a-story, so I don’t think we can consider it full-on canon. Another question is whether this really does apply to all Gelfling females. The DarkCrystal.com website specifies Gelflings of the Vapra clan as having “gossamer wings,” with no mention of wings in the other clans. I believe this is just their way of telling us that Kira is a Vapran, though, as the descriptions of the Vaprans are dead-on descriptions of Kira. In the Legends of the Dark Crystal manga, we meet a bunch of other females with wings, notably Kelsee, who does not appear to be a Vapran. This was long after the Gelfling tribes had merged, though, so who can say? In the manga, the artist designed the Gelfling clothes with this in mind, as most of the women are shown with openings on their clothes for their wings to rest flat against their backs. In Creation Myths, the Gelfling Kel doesn’t have any openings on the back of her shirt, but does make with the wings at one point, so I guess we’ll have to surmise that her wings came out of the sides of her shirt, like Kira’s came from the sides of her cape.

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The Garthim just sit there and watch as Kira and Jen walk off. They explore a little down there, in the cavernous space that surrounds the castle (its “moat,” maybe?). Fizzgig barks and growls a little, and Kira quiets him, to remind us that Fizzgig is still with them, and still in the movie. (When you have a main character who doesn’t speak, it’s important to throw in these little reminders.) They then come across a very impressive carving in the rock, a monstrous face with water dribbling from its mouth.

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Jen says, “Yes, a way into the castle.” He further surmises that it leads into “the lower part.” Maybe that second part was unneeded, but remember that this is a far-out fantasy world, so repetition like that is sometimes a necessary evil to maintain the geography of the scene and not confuse audiences as to where these characters are at any time. Speaking of far-out fantasy, this big scary stone face is named “The Teeth of Skreesh” in the canon. (I’m a little tired today, so you kids go ahead and make up your own Saved by the Bell jokes.) Why is it called that or who Skreesh was, we don’t know, except that this is fantasy so everything has to have an inflated, important-sounding name.

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Kira says, “I don’t want to go in there.” But Jen insists, “We have to go on.” This is an interesting little role reversal for them. Just a minute ago, she was the take-charge action hero, with him tagging along in a befuddled state, but now he’s the man of action, charging headlong into danger with her being hesitant. Is this an inconsistency, is there more at work here? Let’s consider what we’ve seen in the film so far. Kira’s hero moments have been on instinct – she slew the crystal bat, she called the landstriders to escape the Garthim, and just now with the wings. Basically, she lives in the moment, and can think or fight her way out of any immediate danger. With the exception of his escape from Aughra’s place, Jen’s hero moments have more been about the bigger picture, and the overall quest. He chooses to leave the Mystics’ valley, he finds the right shard, he interprets the Wall of Destiny, and now he’s walking straight into danger, because that’s where his goal is. What we’re looking at is two differing sides of heroism, made whole by Jen and Kira adventuring together. Will these patterns continue through the rest of the film? It’ll be something to for.

Look closely: There are long, huge tattered, strips of white/grey cloth dangling down the cliff and collected at the bottom. What are these? Former decorative banners from the castle’s glory days, long ago? Remains of a lightweight bridge across the gap? No idea.

As Jen and Kira climb up into the big stone mouth, we cut back up to the clifftop, and there’s the Chamberlain, watching them. He does his whimper again, so we know it’s him. This little bit explains how he’ll get back inside the castle, when we’ll see him next. From this shot, we can surmise that he followed Jen and Kira through the Teeth of Skreesh.

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The passage of time: Finally, there’s another shot of the Mystics, still on their journey. This is where our examination of the passage of time in the movie gets really wonky. Events are about to move very fast for Jen and Kira, yet here we see the Mystics are nowhere near the Castle (it’s not in sight, at least) and they don’t appear to be picking up the pace. This again has me wondering if magic is at work here, allowing them to traverse these great distances in a short-ish amount of time.

Next: Labyrinth! (No, not that Labyrinth.)

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: He’s back

Re-reading the Fantastic Four comics from the start. This week, in issue #74… he’s back.

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The story begins right in the middle of some soap opera stuff, as Ben walks into Alicia’s apartment, only to find her in there with the Silver Surfer. Uh-oh! Alicia says the Surfer is only there because he needs help, but Ben does the jealousy thing, rubbing it in their faces by eating the chocolates he brought as a gift for her. The Surfer says he has received a summons from Galactus, calling him back to space even though he’s still exiled on Earth. The Surfer gives Ben a vision of an alien figure in space. It’s the Punisher. No, not Frank Castle, the other Punisher, that frog-like monster who Galactus unleashed our heroes back in issues 49-51.

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Back at the Baxter Building, there’s a nice bit of “real world” business, as Johnny is working with some construction workers on repairs to the building, hoping to reinforce it against further supervillain attacks. This answers the questions of how the FF’s headquarters can be partially destroyed in each story only to be just fine by the start of the next one. Ben and the Silver Surfer arrive on the Surfer’s board. The Surfer offers a quick recap of who Galactus is, and that Galactus devours entire planets for their energy. The Surfer surmises that Galactus must be starving with hunger to summon him.

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Then the Punisher arrives, being drawn to the Silver Surfer’s “pulsations.” (Ew.) The caption describes the Punisher as being half-living and half-robot, and “a merciless hardcore mass of mayhem.” OK, then. The Surfer attacks the Punisher with an “atom-compacting thrust,” which slows down the Punisher but also weakens the Surfer.

The construction workers run away, and Johnny stays behind with Surfer as Ben flies off in his new “jet gizmo” to take on the Punisher. The Surfer’s attack trapped the Punisher in a big rock shell, but that doesn’t last long before the Punisher frees itself. Ben exchanges some blows with the monster and then is sucked up into the sky by some unknown force. Turns out the Punisher also has force fields at his disposal, which he uses to throw Ben down a smokestack.

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From there, we cut to Reed, Sue, and Crystal. Reed wants Sue to leave the city, with Crystal as her bodyguard, so the baby is safe from the FF’s enemies. Sue frets about Reed being overly cautious. Then, there’s this weird bit where Crystal sees something out the window, and alerts Reed to it behind Sue’s back. It’s Johnny fighting the Punisher outside. Reed and Crystal close the window, so Sue isn’t alerted to any danger. Reed lies to Sue and says he has to check some things at the Baxter Building, and he leaves. (Could it be possible that this scene takes place in one of Reed’s “secret apartments” mentioned in one of the first few issues?)

Johnny holds his own against the Punisher for a while, until the Punisher takes the fight to the river, dousing Johnny’s flame. Reed arrives on the scene, gets Johnny to safety, and then takes on the Punisher. The Punisher proves his ridiculous speed and strength, twisting Reed around like a big rubber band.

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Then we go to outer space, to check in with the big man himself – Galactus!  His ship looks completely different than the last time we saw it, and this will be a recurring thing in every Galactus appearance. Speaking to no one, he says that every star he visits is barren of life, and that although he pledged to leave Earth alone, he’s going back on that promise because his hunger is just that great. He says he’ll give the Surfer his freedom back if the Surfer will help him devour the Earth.

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Back to Ben, there’s a page of comedy shtick as he gets out of the smokestack and has to take a taxi back to the fight. There, it’s more fighting (and one-liners) as Ben and Punisher duke it out, with assistance from Reed and Johnny. The brawl ends abruptly when the Punisher disappears. Reed somehow deduces that the Punisher was sent to Earth to find the Silver Surfer, and Galactus has recalled the Punisher because the Surfer is too well hidden.

The Punisher returns to Galactus’s ship, and Galactus orders him back to his “cubicle.” (I hope Galactus lets Punisher hang up some Dilbert and Far Side strips in his cubicle, to bring some levity to the workplace.) Galactus then fires a “life probe” at the Earth in his next attempt to find the Silver Surfer. At the end, Johnny remembers that the Silver Surfer said something about “worlds within worlds” before he vanished. I went back and re-read the whole issue, and nowhere does he say that, and there’s no mention of him vanishing. Nonetheless, that’s our cliffhanger.

To be continued!

Unstable molecule: After showing his combat skills in the last few stories, Reed’s powers are ineffective against the Punisher, who kicks the crap out of Reed.

Fade out: OK, what are we to make of Reed and Crystal lying to Sue like that? I get that you don’t want to put the pregnant lady in danger, but Sue should know by now that the FF is going to face dangerous situation on a regular basis, what with them being superpowered adventurers and all.

Clobberin’ time: I’m still unclear on what kind of relationship Ben has with Alicia. Whether they’re a couple or not seems entirely dependent on whether the plot of any given story demands they are. They’ve come down with a case of “Barney Rubble’s job” syndrome.

Flame on: Johnny demonstrates another new use of his powers: Electricity! He’s able to electrically charge lightning rods on building roofs to slow down the Punisher. Also, his overseeing repairs to the Baxter Building shows how he’s become a real member of the team, and more than just “the kid.”

Trivia time: In his last appearance, Galactus says he can wait “all eternity” with patience, yet here he is so starving that he’s willing to break his promise never to bother Earth again. What changed? Some believe that it’s really Sue’s baby, calling to Galactus with psionic powers. I’m skeptical of this, but it’ll be a detail to look for after little Franklin officially joins the cast.

Commercial break: Gotta love a classic: X-ray specs!

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Fantastic or frightful: I’m torn on this one. The whole fight scene ends up being pointless, existing only to tell us that Galactus is back. Also, the issue treats Galactus not as a major event, but merely another member of the rogue’s gallery. This makes him less unique among FF characters, and that’s a disappointment. On the plus side, though, Jack Kirby’s far-out art and Stan Lee’s hilarious comedic dialogue nonetheless make this one a fun, if breezy, read.

Next: Evil space twins!

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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21 Jump Street rewatch: “Brother Hanson”

Rewatching 21 Jump Street! Instead of the usual crooks and drug dealers, this week our heroes take on… God? It’s season two, episode eighteen, “Brother Hanson and the Miracle of Renner’s Pond.”

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What’s goin’ down: At a school with a huge fundamentalist student population, there’s a break-in, and someone burns a bunch of biology textbooks. Further, a controversial teacher insists on teaching Creationism instead of evolution.

Here’s Hanson: Hanson goes undercover as a Christian “thumper,” (their words, not mine) only to find the God-versus-science thing leading to fistfights in class. It’s the spiritual teacher, though, who’s really causing all the trouble by insisting on teaching religious dogma in class.

Convincingly pious.

Convincingly pious.

Penhall’s prerogatives: Penhall offers some comic relief by doing his “Southern TV preacher” shtick.

Undercover blues: The case gets further complicated when one teen, Cameron, is believed to be a small-town Jesus, having miraculously come back from the dead after falling into a frozen pond. He’s conflicted, to say the least, about his newfound status as “The Miracle Boy.”

Wait... is he Booker or Comstock in this scene?

Wait… is he Booker or Comstock in this scene?

Goin’ to the chapel: The subject matter has Hanson and Capt. Fuller sitting down for a “Do you believe in God?” heart-to-heart chat.

Torn from today’s headlines: The ol’ “Creationism versus evolution” debate is one of those things that’ll never go away. The related prayer in school thing gets a mention as well.

Trivia time: Gregory Itzin, who played a wishy-washy U.S. President on 24, plays a similarly wishy-washy high school principal.

"I want Jack Bauer DEAD!"

“I want Jack Bauer DEAD!”

At one point, the teacher holds up a book from the school library, saying it encourages students to, “lie, cheat, back-talk, and curse.” The book isn’t mentioned by name, but the all-red cover gives it away as J.D. Salinger’s Catcher in the Rye.

Oh, there's also a killer monkey in this episode. I didn't know where else to mention that.

Oh, there’s also a killer monkey in this episode. I didn’t know where else to mention that.

Jumpin’ or not? This one is so much talking about the issue that the basics, like, say, the plot, gets tossed by the wayside. Still, the rebellious teacher attacks evolution with some wry humor and an overall “screw the establishment” attitude, which made him kind of awesome. I don’t think this is what the creators intended, though. The episode is way too issue-heavy and, dare I say, preachy, but it’s also kind of fun, so I’ll say it’s jumpin’.

Next week: High times.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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The Dark Crystal scene-by-scene, part 23

I freakin’ love The Dark Crystal! Let’s watch it! Time for some serious monster-versus-monster carnage in today’s scene, 1:00:31-1:02:09 on the Blu-ray.

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We begin with Jen and Kira riding the Landstriders, but now they’re in a more harsh, sandy and rocky terrain, as opposed to the lush green forest from the previous scene. Part of the reason for this is that this scene is actually filmed outdoors instead of the more controlled soundstage, but the other reason is that they’ve now arrived at the Skeksis’ castle. We see this in the next shot, as a bunch of Garthim march toward the castle. This is our first real look at the castle up close, and in the day. It’s unknown how much of the castle’s rocky spikes actually have rooms in them and how much are merely decorative.

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Again, I wonder about how the passage of time works in this world, and how much time has passed on Jen and Kira’s trip. It’s established that the Landstriders are fast, so our heroes got here in record time, but how much time, exactly? Yes, I know it’s a movie, and editing is employed to give us the illusion of time passing, and every movie will raise these questions if you examine it this closely, but still. Confusing the issue further is that Jen and Kira recognize the Garthim as the same ones who raided Kira’s village earlier in the film.

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Kira says “Let’s go!” and with that, her Landstrider takes off, riding right into the center of the Garthim and attacks. The fans have this image in their minds of Gelflings being all gentle and living quietly off the land, but here we see one going full-on “action hero,” leading the charge into battle. One line of thought is that Gelflings had to learn to adapt and defend themselves thanks to the creation of the Garthim. The manga Legends of the Dark Crystal would have us believe that story was the first time the Gelflings ever went to battle. Against the Garthim, yes, but not the first time ever. The Creation Myths graphic novels and the DarkCrystal.com website speak fleetingly of Jarra-Jen, a sort of Gelfling folk hero. The graphic novel says “lightning was the only force that could match his intensity,” and has a text piece about him overthrowing Creghel, a cruel overlord. (It’s never actually said whether Creghel was an evil Gefling or a heretofore unseen type of creature. He remains another question mark in the mythology.) The point is, fighting and battling are not necessarily a new thing for the otherwise peaceful-seeming Gelfling.

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Kira’s Landstrider attacks the Garthim, and sparks and smoke fly from the Garthim’s shell as the Landstrider’s hoof hits it. Remember that the Garthim are articial creatures fueled by the Dark Crystal’s energy, and we’re seeing some of that energy here. One of the Garthim carries the Podlings from Kira’s village in a big net on its back. The net falls from it and rolls to a spot near the cliff edge surrounding the castle. That’s when Jen joins the action, riding toward the fight. Kira falls from her Landstrider, taking Fizzgig with her, while the Landstrider keeps fighting. It’s surrounded by Garthim, but manages to knock one on its back, giving us a look at the Garthim’s underside. (Oh, like you weren’t curious.) Jen jumps off his Landstrider and helps Kira get the Podlings loose. In an impressive bit of puppetry, one of the Garthim lifts a Landstrider off the ground, and then they both go tumbling over the cliff, with the Landstrider making this awful scream as it falls. The rest of the Garthim surround the remaining Landstrider and pull it to the ground. We don’t see what happens next, but it’s safe to say they killed it. Jen and Kira get the Podlings out of their net, but now the Garthim are marching toward the two of them, backing them up against the cliff.

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Before we get to what happens next, let’s pause for a minute and talk about why this scene is in the movie. We know that our heroes are on a quest to save the whole world, but that’s something hard to visualize, so in this scene we get them actually saving someone in a more hands-on way. This reinforces to the audience that this is what the characters want — to save everyone. Also, this scene ups the stakes. With their transportation gone, this is Jen and Kira’s point of no return, they’ve no choice but to go forward, deeper into danger. Escaping the Skeksis isn’t going to be an option from here on out. (Note that we don’t see the Podlings escape from the Garthim, but I’m pretty sure the movie would have us believe they get away.)

If you want more, the behind-the-scenes featurette on the Blu-ray has a lot of footage of this scene being filmed, including interview segments recorded at this location.

Next: Taking flight.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Guest star bonanza!

Re-reading the Fantastic Four comics from the start. Issue #73 is interesting, in that it continues stories started in other comics. You see that all the time these days, but it was something new back then.

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The issue begins with FF (just Reed, Ben and Johnny, as Reed says Sue is out of town) searching for Daredevil, believing that Dr. Doom’s brain has taken over Daredevil’s body. This actually happened in Daredevil #38, published the same month as this issue, but what the FF don’t know is that DD defeated Doom already. The opening splash page has Reed operating a huge gun-like device, but we’re not yet told exactly what it is. Johnny flies out over the city, looking for Daredevil, only to immediately spot him running along a rooftop. Thinking Daredevil is really Dr. Doom, Johnny attacks, causing no shortage of property damage and apparently flat-out trying to kill Doom/Daredevil. Daredevil tricks Johnny into crashing into a nearby rooftop water tower, which puts out his flame and knocks him unconscious. (Do these high-rise water towers ever actually stop fires, or do they exist only to be used as props for superhero battles?)

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While Daredevil frets over what to do, there’s Spider-Man on the roof with him. Spidey doesn’t come swinging in or anything, he’s just standing there all of a sudden. Daredevil says the FF thinks he’s Doom, and Spider-Man promises to help. Spidey swings over to another rooftop, where he saw someone else who can help. It’s Thor, who’s not feeling well. Now this issue isn’t just part two of Daredevil #38, it’s also part two of Journey Into Mystery #150, in which Thor (sort-of) lost his godlike powers, and got smacked around by the Wrecker. Spider-Man says the FF and Daredevil need his help, but Thor is more interested in going after the Wrecker again. Spidey calls Thor a coward, so Thor goes along with him, to prove his worth. (Never call Thor a chicken!)

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Daredevil arrives at the Baxter Building, hoping to open a dialogue, but Reed and Ben aren’t here to talk. They both attack on the spot. There’s a line of dialogue about Ben being struck by Reed’s “nerve ray,” even though we don’t see this happen. This weakens Ben’s awesome strength, allowing him to be knocked off his feet by a kick from Daredevil. After more fighting, Daredevil kicks Ben into Reed’s “Demolo-gun,” the one from the beginning, and destroys it.

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Elsewhere, Spider-Man and Thor make their way toward the Baxter Building, with Thor explaining that without his powers, he can no longer fly. Johnny wakes up and sees Spidey and Thor. He assumes out of nowhere that they are lifelike robots created by Doom, so he attacks. Spidey leads Johnny away and Thor reaches Daredevil, Reed and Ben. Reed and Ben also blindly assume Thor is a robot lookalike, and… more fighting! So, Thor has no powers, and Ben has been weakened by a nerve ray, and that evens things out? It doesn’t matter, because this fight is the whole reason why you want to read this comic. Ben and Thor go at it, pounding away at each other, including an eye-popping splash panel in which Ben says his “Clobberin’ time” catch phrase while taking a blow to the chest from Thor’s hammer.

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There’s a brief interlude with Spider-Man and Johnny, where Spidey uses fumes from a chimney to knock out Johnny. Then, it’s back to the main story, where Reed and Daredevil fall through a hole in the ceiling down into Reed’s lab. Reed totally does not want to listen to reason, even insisting that Daredevil’s heightened senses could only mean he’s a robot. Ben and Thor continue to fight, with Thor calling upon his father Odin for help, which I guess gives him a burst of strength? It’s not really explained, but it lets Thor wail on Ben for a few pages. Ben doesn’t give up, though, and fights back. That is, until he hits something else, but we don’t see what.

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In the lab, Reed continues to attack Daredevil, while Daredevil argues about how to prove himself to Reed. “You should have been a lawyer!” Reed says, amusingly. Reed tries to punch Daredevil, but something invisible stops his hand. It’s Sue, who says she just saw Dr. Doom on the 6 p.m. news, addressing his ministers in Latveria. (Somehow, no one questions whether TV Doom was a robot. Also, I thought Reed said Sue was out of town.)  Reed and Daredevil shake hands, and apparently Johnny and Spider-Man are friends again, because they just appear back in the lab. Thor, however, has gone and run off, already back to his pursuit of the Wrecker. Ben suggests going after the real Doom, but Reed says they can’t attack Latveria, because it’s a sovereign nation. With that, the story just ends.

Unstable molecule: Reed and Daredevil are pretty evenly matched, with his powers nicely balancing out DD’s super senses. It goes to show that for being the brains of the group, Reed really knows how to fight.

Fade out: Sue is barely in this issue, but she manages to save the day just by being there.

Clobberin’ time: The awesomeness of the Ben/Thor fight is diluted somewhat by them both being depowered.

Flame on: I thought Johnny had evolved beyond his fire so easily put out in every fight, but that happens twice in this issue. Guess he’s having an “off” day. On the plus side, he displays another new use of his power, converting his heat into non-lethal “stun blasts.”

Commercial break: Get steel muscles with super isometrics!

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Trivia time: Spider-Man says even Moishe Dayan would have second thoughts about starting a fight with the FF. Moishe Dayan was an Israeli military leader and politician who was an instrumental figure in the Six Days War in 1967. Lookit comics get all topical!

Speaking of Spidey, during this time in his own comic, it was the multi-issue story where he had amnesia, and was wanted by police because they thought he was working with Dr. Octopus. I guess we’ll have to tell ourselves that his FF appearance happens either before or after the amnesia.

Fantastic or frightful? Is it out of character for our heroes to be all punch-first-and-ask-questions later? Remember that the last time they saw Dr. Doom, he was roided up with cosmic energy and about to lay waste to all the Earth, so I can see why they’d want to take Doom out before he makes his move. Also, Doom doesn’t appear in this issue, but his mere influence is so great that all this trouble happens without even doing anything. That’s awesome. Really, though, it’s just an excuse to get a bunch of Marvel heroes in one book, and maybe boost sales for Daredevil and Thor.

Next week: He’s back. That’s all you need to know.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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