Ten cent movies: Primal Impulse

A while back, I bought this 50-movie set, Sci-Fi Invasion for only $5. That adds up to ten cents per movie. Today it’s a return to badly-dubbed Italian thrillers with 1974’s Primal Impulse (originally titled Le Orme and alternatively titled Footprints on the Moon).

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Here’s what happens: Alice is an ordinary woman is haunted by dreams of an astronaut stranded on the moon, with no way home. Fearing these are more than dreams, and experiencing gaps in her memory, she investigates.

Speculative spectacle: Turns out there really was a stranded astronaut, left behind on the moon as part of a secret and highly unethical science experiment. His “mental screams” have somehow psychically traveled across the void and into the mind of our heroine. Sure, why not?

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Sleaze factor: Less than five minutes into the movie and there’s a gratuitous shower scene. Alice later gets it on with a hunky guy she meets during her investigation.

Quantum quotables: Little girl: “Your pin says ‘Alice.’” Alice: “My name is Alice.” Little girl: “Not true.” (One of our first indications that something freaky is happening.)

What the felgercarb? Alice’s journeys take her to an exotic seaside resort, where we get a lot of tourist-y shots of her walking around the place. Is this the old “Let’s film the movie where we want to have our vacation” thing?

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Microcosmic minutiae: Actor Klaus Kinski, who has a habit of showing up in weird movies, makes an appearance in this one as a professor. The mysterious little girl is played by Nicoletta Elmi, who apparently has a huge cult following, based on the vast amount of not-creepy-at-all YouTube clips of her.

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Worth ten cents? This one’s kind of interesting, but the slow pace and unnecessarily artsy tone make it a chore to sit through.

*****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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The three Rs for March 11

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This is an author’s blog, so the rules state I absolutely must post about writer-y stuff. Here are your links for (w)riting, reading, and a little bit of randomness.

(W)riting

Author and former agent Nathan Bransford runs a popular blog about writing and publishing. He doesn’t post as often since he left agenting for a day job in social media, but since he just announced his next book will be a non-fiction book on novel writing, now’s a good time to revisit his blog. Dig through his archives and you’ll find some great thoughts and discussion on writing and publishing.

Space monkey/corndog link: http://blog.nathanbransford.com

Reading

Aurorarama by Jean-Christophe Valtat is a challenging book, sometimes overgrown with flowery language, but stick with it and you might find it rewarding, as I did. It’s kind of like steampunk in how it imagines an alternate past that’s technologically advanced, with a gleaming city built in arctic, which turns to crime and ruin over time. There’s a lot of characters and concepts, and it deals with big, big ideas.

Northwest passage link: http://www.amazon.com/Aurorarama-Jean-Christophe-Valtat/dp/1935554131

Randomness

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Let’s all get diabolical

Re-reading the Fantastic Four comics from the start. Thirty issues in, and things are about to get diabolical.

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The issue begins our heroes on vacation… in Transylvania. Ben wonders why they can’t just go to the beach like everyone else, and I’m thinking that’s a damn good question. The FF are lost in the woods, after villagers have warned them not to go wandering off. It’s as if the forest is alive, trying to trap them. They come across a giant abandoned castle. A fellow named Baron Hugo arrives, and exposits that this is the castle of Diablo, a local legend.

Hugo explains that Diablo was an alchemist, obsessed with finding the secret to prolonging human life. The castle is now under Hugo’s protection, and he invites the FF to stay the night. In the dark of night, a strange voice calls out to Ben. He follows it, not sure why, and comes face to face with a cloaked figure, Diablo.

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The next morning, Reed, Sue and Johnny investigate the disappearance, and find Diablo transforming Ben into a new form that is half Thing, half human. Reed is suspicious, fearing that Diablo’s chemicals have affected Ben’s mind, making him perfectly loyal to Diablo. This proves to be correct, as Ben attacks Reed for besmirching Diablo. Rather than keep fighting, Diablo allows Reed, Sue, and Johnny to leave, as Ben stays behind. Reed manages to secretly swipe one of Diablo’s potions on the way out.

Word about Diablo’s prowess spreads fast, and people from all over the world come to him seeking his anti-aging formula. He makes plants grow in the desert, and he gives the military an impenetrable substance for defense. Back at Hugo’s castle, Reed experiments on Diablo’s formula and discovers it is a fraud. Hugo arrives, and admits that his ancestors sealed Diablo away in the castle for a reason all those years ago.

Ben sees Diablo meeting with generals and raising an army. Then, the potion wears off, and he becomes the Thing again. He tries to attack Diablo, but Diablo uses a sleeping potion and knocks Ben out.

Word gets out throughout the world that the effects of Diablo’s potions are only temporary, and everyone is outraged. Reed decides to move in before a full-blown world war breaks out. Fighting! First, Reed, Sue, and Johnny get past Diablo’s troops, and then past Diablo’s deadly chemicals. They make it past Diablo and find Ben, sealed up and trapped in an unbreakable glass cage. Diablo shows up again and knocks everyone out with more sleeping gas.

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Ben wakes up, and summons all his strength to break free of the glass cage. (Hero moment!) Ben totally trashes the place, with Diablo on the run the whole time. He eventually destroys the entire castle, trapping Diablo under it and freeing his teammates at the same time. Johnny uses his flame to seal Diablo away from the rest of the world once more. (We’re not told what happened to Hugo and his crew. Hope they’re not dead.) As Ben apologizes to his teammates, there’s a laugh as they got lost in the woods again.

Unstable molecule: Reed gets beaten up a lot in this one, both by Ben and Diablo. He figures out Diablo’s trick, but so does everyone shortly afterward.

Fade out: There’s a funny bit where Sue turns Diablo invisible, and he nearly gets trampled by his own soldiers another example of Lee and Kirby always thinking of new ways for the characters to use their powers.

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Clobberin’ time: This one’s a showcase for Ben. Although Diablo defeats the other three, he’s no match for Ben when Ben really cuts loose.

Flame on: When under attack by Diablo’s army, Johnny does the old “outfly-the-heat-seeking-missiles-by-making-them-fly-into-a-cliff-at-the-last-minute” gag.

Trivia time: This is the first appearance of Diablo. He’s appeared sporadically throughout Marvel history, but never became a major player.

Fantastic or frightful? It’s frustrating how sometimes Diablo’s potions work and sometimes they don’t, which caused for a “Hey, wait a minute” moment every couple of pages. On the plus side, though, the whole issue has this great Universal monster movie feel to it, which makes for a fun change of pace.

Next week: Not all origin stories are created equal.

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Ten cent movies: Battle Beyond the Sun

A while back, I bought this 50-movie set, Sci-Fi Invasion, for five bucks. That adds up to ten cents per movie. 1962’s Battle Beyond the Sun was originally a ponderous Russian sci-fi movie with a ton of anti-U.S. sentiment, reedited into a “rah-rah hooray for America” adventure movie. The result is about as incomprehensible as you’re imagining.

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Here’s what happens: In the far-distant future of 1997, which is after the nuclear devastation of World War III, the Earth is divided into two factions, North Hemis and South Hemis, which are both in a race to put the first man on Mars. One of the ships crash, and its rival sets out on a rescue mission, only to have both crews under siege by ferocious alien creatures.

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Speculative spectacle: Although they seem to threaten the astronauts, the aliens are more interested in fighting each other. One is this one-eyed creature with an uncomfortably suggestive sideways mouth, and the other looks like a headless body with big eyeballs at the end of its arms, where hands should be.

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Sleaze factor: None. This is one stodgy, starched-shirt movie.

Quantum quotables: The opening narration states, “The motion picture you are about to see can be called today a fantasy of the future. But one day, maybe not too far distant, audiences will be able to look back on it in the same spirit which we view pictures about the first covered wagons crossing the plains.”

What the felgercarb? At a space station, one guy loses control of the artificial gravity and floats around like a goofball, but why is it just him without gravity and no one else? Am I missing something?

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Microcosmic minutiae: Legendary filmmaker Francis Ford Coppola shows up in the credits as “associate producer.” Here’s how that happened: Roger Corman (Who else?) obtained the rights to a Russian sci-fi film called The Sky is Falling, and he hired Coppola, who was still in film school at the time, to dub and re-edit an Americanized version of the movie. Coppola and equally-legendary-but-for-other-reasons filmmaker Jack Hill worked together on the project, filming some new footage as well. All the stuff with the aliens came from Coppola and Hill, not the original film.

Worth ten cents? The Coppola-Corman-Hill collaboration makes this a novelty item, but mostly it’s tedious viewing.

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Ten cent movies: The Brother from Another Planet

A while back, I bought this 50-movie set, Sci-Fi Invasion, for five bucks. That adds up to ten cents per movie. Unlike others on this set, 1984’s The Brother from Another Planet has real actors, real production value and a real director.

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Here’s what happens: An alien, identified only as “Brother,” crash lands on Earth just outside New York City. He makes his way to Harlem to start a new life for himself. Unfortunately, he runs afoul of some drug dealers and is pursued by mysterious men in black.

Speculative spectacle: Our alien is mute, which definitely puts him in observer mode as he interacts with humans. He has some limited psychic powers, but what really makes him alien is his big ol’ hobbit feet.

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Sleaze factor: The movie starts out light and funny, with some slightly E.T. style antics, but with an inner city twist. As night falls, though, we’re plunged abruptly into a world of streetwalkers and drug dealers. Who, exactly, was the target audience for this?

Quantum quotables: “Walter, my man, you’re a space shot. Cruisin’ the stratosphere!” – My favorite character, Fly, says all kinds of stuff like this while playing the ‘80s-era coin-op video game inside the bar.

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What the felgercarb? Because Brother doesn’t speak, this somehow has everyone else opening up to him, with big dramatic speeches about how tough life is. Obvious social commentary is obvious.

Microcosmic minutiae: Lots of talent in this one: The movie was written and directed by John Sayles, who’s had a long and varied career in the movie biz, crafting great films such as Passion Fish and Lone Star. Joe Morton plays the Brother, and he too has had a successful acting career, most famously appearing in Terminator 2 and Eureka, among many other roles. Character actor David Straithairn plays one of the men in black, and he too has had a huge career of mostly dramatic roles. An impossibly young Fisher Stevens appears as a card shark Brother encounters on the subway.

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Worth ten cents? The plot often takes a back seat to the philosophizing, so don’t expect a lot of chases or special effects. Still, it’s worth seeing, as the whole thing is drenched in metaphor and discussion prompts. It might not be the best movie on this set, but it’s probably the smartest.

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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The Three Rs for March 4

threeRs

This is an author’s blog, so the rules state I absolutely must post about writer-y stuff. Here are your links for (w)riting, reading, and a little bit of randomness.

(W)riting

Jennifer Laughran is a literary agent. Her blog tends to be more about hawking her writers’ works more than advice — which is fine, of course — but this post, which she says answers most writing-related questions, is another must-read for anyone in the writing game.

Always room for this link: http://literaticat.blogspot.com/2010/06/theres-always-market-for-awesome.html

Reading

I’ll recommend a graphic novel this week: Sweet Tooth, written and drawn by Jeff Lemire, is great, with the caveat that it’s not for everyone. It’s a post-apocalypse tale, but it has this twist regarding human-animal hybrid children that makes it different. This Lemire guy is operating on a whole different level from the rest of us.

Mouth-watering link: http://www.amazon.com/Sweet-Tooth-Vol-Out-Woods/dp/1401226965

Randomness

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: It started on Yancy Street

Re-reading the Fantastic Four comics from the start. Issue 29 gives us one of the series’ weirder efforts, “It started on Yancy Street.”

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The opening caption on the first page states, “Once again we begin one of the most exciting experiences of all… the start of a new FF epic!” Pretty haughty words considering the splash page is our four heroes merely walking down the sidewalk. They’re on Yancy Street, of course, where the jokesters from the Yancy Street Gang have set up a bunch of pranks not just for Ben, but for his teammates as well.

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Back at headquarters, the FF debate whether the Yancy Streeters are harmless pranksters or if they are truly evil. Alicia shows up and, out of nowhere, says she wants to break up with Ben. She says she’s not good enough for him, and he says he’s not good enough for her. They immediately reconcile. Ben turns his attention to the FF’s weekly stack of fan mail, only to have one package blow up in his face. The Yancy Street Gang strikes again.

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Our heroes return to Yancy street that night, only to be attacked by a gorilla. Sure, why not? The gorilla is joined by a bunch of other apes, each seemingly intelligent and wielding super powers. The fight goes on for several pages before its revealed what diehard fans already deduced: It’s the Red Ghost and his Super Apes, returned with another evil plot in the works. The Red Ghost wants revenge on the FF after they prevented him from claiming ownership of the moon for his Soviet overlords. He’s the one really behind the pranks, to lure the FF out of their building and into his trap.

The apes manage to knock the wind out of the FF long enough for them to be taken hostage. The Red Ghost puts them all on board his personal spaceship, and we’re off to space. Another fight breaks out, but the apes elude the FF. The Red Ghost then strands the four heroes on the surface of the moon, just as they left him. (Khan-ish punishment.) Sue traps some breathable air inside one of her force fields, and the FF make their way to the blue area of the moon, where there’s more air. There, they enter the home of our old space pal the Watcher. He’s not home, but has left a message encouraging Reed and company not to tamper with any of the highly advanced artifacts inside his home. Reed dismisses these warnings, and uses the Watcher’s tech to draw the Red Ghost’s ship back to the moon.

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More fighting, and this time the apes aren’t as much of a match. The Red Ghost enters the Watcher’s home, still thinking only of revenge. He aims his weapon at Reed, but is distracted by Sue. Reed then fires up the Watcher’s matter transmitter device and transports the Red Ghost to another universe. With him gone, the apes retreat to their spaceship and fly off. (Guess they are smart. Hope they never saw the Matthew Broderick movie Project X.) The Watcher appears and totally flips out for everyone messing around in his home. He sends the FF back to the Yancy Street, where it all began.

Unstable molecule: Reed gets his mad scientist freak on inside the Watcher’s home, first with an alien device that evolves him to higher life form and back again in seconds, and then by spying on a giant planet shrunk down to tiny size so the Watcher can better observe it.

Fade out: Without Sue’s quick thinking on the surface of the moon, everyone would be dead. She saves the day a second time by distracting the Red Ghost at the end of the fight.

Clobberin’ time: Ben and Alicia’s one-page “break-up then make-up” scene is interesting, but has nothing to do with anything that happens anywhere else in the issue.

Flame on: While everyone else fights the apes, Johnny goes straight for the Red Ghost, stealthily avoiding the Red Ghost’s “electron disintegrator pellet.”

Trivia time: The Red Ghost and his super apes were last seen in the famously silly issue #13. His status as a Russian agent is barely mentioned, instead focusing on mere revenge.

Just what are we to make of the Yancy Street Gang? In recent years, it’s been stated that Ben is originally from Yancy Street, and that their pranks are to remind Ben of where he came from. In this issue, however, the FF fret over not knowing who the Yancy Streeters are.

On the plus side, other continuity nods are a reappearance of the Watcher, the blue area of the moon, and the Watcher’s crazy house there.

This issue has the first of those “trippy photo” panels that comics of this era had a lot of. We’ll be seeing a lot more of these as this re-read continues.

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Fantastic or frightful? I get what they’re going for, with a story that starts out in a mundane setting only to get more and more “far out” as it goes along. The Red Ghost is a lot less amusing this time around, and I find it hard to believe that the apes would so easily fight the FF to a standstill not once but twice in a single issue. Good, but not great.

Next week: Let’s all get diabolical!

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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The three Rs for Feb. 25

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This is supposed to be a writer’s blog, which means I have to blog about writer-y stuff. So here’s my version of the three Rs: (W)riting, Reading, and a little bit of Randomness.

(W)riting

A lot of folks swear by Chuck Wendig’s blog as a font of writerly goodness. I haven’t yet (yet!) read his books, so I can’t really comment on his work, but the post at the link below is truly great, and is a must-read by anyone in the writing life.

The link below: http://terribleminds.com/ramble/2013/02/13/the-hardest-writerly-truth-of-them-all/

 Reading

I finally got around to checking out John Scalzi’s Old Man’s War. It’s really great. Scalzi is pretty much the only major author who’s doing the ‘space opera” thing these days, keeping it alive among all the fantasies and steampunks. What makes Old Man’s War work as well as it does is the humor. He delivers loads upon loads of exposition, but his protagonist is so witty that it carries us through the constant info-dumping.

Rejuvenated link: http://www.amazon.com/Old-Mans-War-John-Scalzi/dp/0765348276

Randomness:

 

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Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Ten cent movies: The Gypsy Moon

A while back, I bought this 50-movie set, Sci-Fi Invasion, for five bucks. That adds up to ten cents per movie. Today, it’s a trip deep into classic 1950s sci-fi with The Gypsy Moon.

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Here’s what happens: Heroic space ranger Rocky Jones explores the cosmos with his pals, sidekick Winky (WINKY?!?), elderly Professor Newton, annoying little kid Bobby, and hot space babe Vena. They encounter two moons in danger of crashing into one another, with people living on each one, on the verge of war. Rocky and company fight to put things right. Meanwhile, back on Earth, everyone thinks Rocky is dead, and some evil folks want to use this misunderstanding to their advantage.

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Speculative spectacle: In addition to the usual spaceships-and-alien-planets thing, there’s a universal translator (complete with tickertape!), and alien music that is so awful it is used as a weapon. Hey, I wonder if that music is [INSERT NAME OF SINGER/BAND YOU HATE HERE].

Sleaze factor: None intentional, although space girl Vena is quite the cosmic hottie.

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Quantum quotables: Winky: (Talking about Earth) “You know, there’s a girl back in…” Vena: “Oh, Winky, she’ll be true to you. The longer that absence, the warmer the kiss.”

What the felgercarb? Little Bobby is reading The Odyssey as part of his school work, and he inspires the others to use Rocky’s ship as a Trojan Horse to help save the day. Something something Wesley Crusher something.

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Microcosmic minutiae: You’ve probably guessed by now that this is a couple of episodes of Rocky Jones Space Ranger edited together into a single feature. I’d always believed these were matinee serials, but the internet is trying real hard to convince me they were originally made for television.

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Worth ten cents? Yes, the production values are poor, the acting is stilted, the hand-to-hand fighting is Shatner-y, and everything’s buried under 5,000 pounds of pure cheese, but I can’t help but enjoy it. I have a real soft spot for 1950s sci-fi, there’s an earnestness and genuineness to these things that can’t be replicated.

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic February: The X factor

Re-reading the Fantastic Four comics from the start. Issue #28 is fourth in a four-part run of stories in which the FF meets other Marvel characters. It just wouldn’t be a Marvel crossover without a bunch of X-Men running around, now would it? (Note: I’ll be doing a bunch of these FF posts throughout February to make up for weeks I’ve missed. If all goes according to plan, that’ll put the blog on track to reach Galactus at the one-year mark!)

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The issue begins as Alicia debuts her latest work, a life-size statue of the Thing, while Reed and Sue read a newspaper article about the X-Men, amazed that the young heroes have become famous in so short a time. Elsewhere, Alicia’s father, the sinister Puppet Master, walks through a door into the laboratory of the Mad Thinker, here still referred to as just “the Thinker.” So this isn’t just a superhero team-up story, but it’s a villain team-up as well. We’re also reunited with the Thinker’s Awesome Android, with a reminder that Reed invented the Android, only to be stolen by the Thinker. The Thinker has (of course) an evil plan in the works. He tasks the Puppet Master to creating one of his radioactive mind-controlling puppets in the form of Professor X, mentor the X-Men. The prof resists, so P.M. makes a stronger puppet, and this time it works.

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The professor summons the X-Men. It’s the original five – Cyclops, Angel, Beast, Iceman, and Jean Grey as Marvel Girl. This was during the time that Jean wore that weird mask with the pointy tips on the ends. The professor tells them to go and attack the FF. The X-Men don’t understand why, but they do as the tprof. asks. In their helicopter (the X-Men have a helicopter?), the X-Men arrive at the Baxter Building under the pretense of a friendly visit, only to attack once inside Reed’s lab. We then get several pages of fighting, as each FFer and X-Man shows off his or her powers. It ends with the FF defeated, locked away inside one room in their HQ. The X-Men take Sue hostage (sigh…) and depart.

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Reed, Ben and Johnny regroup, and head out in pursuit of the X-Men. Along the way, there’s an interesting bit of business where Ben jokes about the Beast’s eloquent vocabulary, and Reed says, “You don’t fool us, Ben! You hold a college degree or two yourself!” Ben seems embarrassed by this, and asks Reed not to spread this information around.

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The X-Men land on a rocky plateau out in the middle of nowhere, with the FF right behind them. Another fight breaks out, this time with trap doors opening up beneath them, as high-tech devices inside them help capture the FF. The Thinker and the Puppet Master emerge from hiding underground. The X-Men want no part of this, but P.M. uses Professor X’s telepathy to put them all asleep. (Why didn’t he do this to begin with?) The Beast, however, has enough mental wherewithal to stay awake long enough to crush the Professor X puppet under one of his huge, ugly feet. The FF fight their way back to the surface and free Sue, just in time for the Awesome Android to attack . (“It’s like Old Home Week for villains!” Johnny says.) The Android puts up a good fight, mimicking Ben’s strength and Iceman’s, um, ice. Professor X then comes to and shuts the Android down telepathically. The Thinker and the Puppet Master escape, giving the old “Until next time” speech. Instead of pursuing, the FF and the X-Men shakes hands, departing as allies.

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Unstable molecule: Reed’s powers prove to be a match for Beast’s agility, as neither one gets the upper hand in the fight.

Fade out: Sue is made a hostage yet again, and is defeated by Angel when all he does is grab ahold of her and fly around. Later, she keeps Marvel Girl out of the fight with a force field.

Clobberin’ Time: I still can’t get over this “Ben has a college degree or two” thing. We know Ben was a test pilot and former football star. What else don’t we know about him?

Flame on: Johnny’s flames are no good against Cyclops’s optic blasts. He doesn’t do much else in this one.

Trivia Time: This is actually not the first time the two teams have crossed over. Johnny and Iceman already had a bit of a friendship/rivalry going on in the pages of Strange Tales, starting with issue #120. Many years later, Storm of the X-Men would become a full-fledged member of the FF.

Fantastic or Frightful: The plot is your basic “heroes meet and fight under a misunderstanding” that’s been done a million times. The X-Men are here just enough to give a sense of their personalities and powers before they take off again. There are a lot of smaller moments that are interesting, but this is not a standout issue.

Next week: It started WHERE?!?

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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