Fantastic Friday: The big one hundred

Rereading the Fantastic Four comics from the start. Time for a milestone: Issue #100!

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Our heroes are returning from meeting with the Inhumans last issue, when something destroys their flying saucer. Crystal uses her powers to float everyone safely to the ground. There, they fall under attack from the duo of Kang the Conqueror and Dr. Doom. They fight, and the Reed discovers that it’s not really Doom and Kang, but lookalike androids. As the FF wonders what’s going on, we cut to Puppet Master and the Mad Thinker, where Puppet Master is cranking out a bunch of living puppets out of his radioactive clay.

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Johnny finds some camels (where are they?) which the FF use to cross the wilderness, only to have them be attacked by more of their foes from previous adventures. Reed has gone ahead and deduced that the Puppet Master is behind this, and that he’s found a new source of radioactive clay to create the androids. From this point, the whole issue is one fight scene after another, with the FF duking it with replicas of their rouge’s gallery. Here’s the lineup:

  •  The Senty (gets beaten up by Ben)
  • Dragon Man (Johnny traps him in a volcano)
  • Namor and a bunch of Atlantis warriors (Blown back to sea by Crystal)
  • The Hate Monger (Sue trips him (!) while invisible)
  • Diablo (Sue hits him with Hate Monger’s shield)
  • The Super Skrull (blown out to see with the Atlantis guys, I think)
  • The Red Ghost (Falls into a hole in the ground created by Ben)
  • The Wizard (Crystal sucks him into a tornado)
  • Paste-Pot Pete, um, I mean the Trapster (Sue uses her force field to cover him in his own super-paste)
  • Sandman (Sent into the sky with one of the Wizard’s anti-grav discs)
  • The Red Ghost’s Super-Apes (Again with the anti-grav discs)

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Back in the lab, Puppet Master unveils his Hulk android, which he says is the most powerful of all. But the Hulk, as we know, cannot be controlled. He Hulks out, destroying the lab. Puppet Master fires a gun at the Hulk, not realizing that the Hulk is standing in front of a bunch of explosives. This destroys the entire lab in a huge blast. (I guess we’re to assume that Puppet Master and Mad Thinker are dead now, but we all know better, right?)

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The FF hitch a ride on a passing NATO jet (!) where Reed reaffirms his teammates/family that they are “the greatest team ever!”

Unstable molecule: Reed does nothing in this issue, except announce who each villain is, and figure out that Puppet Master is behind it all.

Fade out: After so many issues of sitting on the sidelines, Sue finally gets in on the action, singlehandedly taking out Hate Monger, Diablo, and the Trapster.

Clobberin’ Time: In the fight, Ben’s first thought is his friends’ safety, picking them up and throwing them away from danger before clobbering the baddies.

Flame on: Johnny’s flame is powerful enough to bring a dormant volcano to eruption.

Fantastic Fifth Wheel: This one’s a showcase for Crystal, with her using her elemental powers in all kinds of ways. She uses “heavy” air currents to save the FF, she uproots a giant tree to crush Kang and Dr. Doom, she summons winds to create a tornado and to blow several villains out to sea.

Commercial break: This issue begins an odd experiment that had comics on the top of some pages, with ads on the bottom — an experiment that, thankfully, did not last long.

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Trivia time: The story goes that this was originally going to be a double-sized anniversary issue, but it was changed at the last minute to a regular-sized one. As such, it had to be hastily rewritten and redrawn, cramming most of the action into a nine-panel grid.

Fantastic or frightful? I never like it when superheroes are just going about their day, only for villains to show up out of the blue and attack them, and that’s what happens here. I also don’t like when the villain is undone by his own bumbling instead of by the hero’s actions, and that happens here as well. There is a novelty factor to seeing a bunch of villains in one issue, but other than that, this is a disappointing way to celebrate 100 issues.

Next week: World’s greatest.

****

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21 Jump Street rewatch: “Eternal Flame”

Rewatching 21 Jump Street! The show’s producers went and got creative in this one, creating a throwback to old-timey film noir, albeit one with Jump Street’s usual sense of neon-drenched style. It’s season four, episode three, “Eternal Flame.”

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What’s goin’ down: The Funhouse is the hottest nightclub in the city, and allegedly a haven for drug peddlers. For the second week in a row, our heroes are undercover as bouncers. One problem: The club owner’s wife knew Hanson from before he was a cop. Now, his loyalties are divided between doing the job and rekindling feelings for an old flame.

Studio 54 and a half.

Studio 54 and a half.

Here’s Hanson: The shooting and jail time Hanson went through in the season finale/premiere still weighs heavily on his mind. When asked about what happened to all his hopes and dreams he holds this up as an example as to how much he’s changed.

Penhall’s prerogatives: Penhall’s ticked at Hanson when Hanson doesn’t let him into the club. This was because Penhall was wearing penny loafers. (Penny loafers?!?) It’s just the tip of the iceberg, as Hanson’s romantic woes create a ton of tension between him and Penhall. His love of bowling gets another mention, though, so he’s not totally gone off the deep end.

Can I get a "Yowza!" from the crowd?

Can I get a “Yowza!” from the crowd?

Undercover blues: Turns out Hanson’s ex’s sleazeball husband secretly made her owner of the club so she’d take the fall for the drug empire. It doesn’t work, and Hanson and Penhall take him out in a gunfight. Hanson and his ex then have a Casablanca-style tearjerker goodbye as she leaves him.

Do real nightclubs actually have girls dancing in cages, or it just a Hollywood thing?

Do real nightclubs actually have girls dancing in cages, or it just a Hollywood thing?

Goin’ to the chapel: To look cool for the club, Penhall buys a $1,200 suit and puts it on the police department’s tab. There’s a funny bit where Captain Fuller finds the invoice for the suit stuffed into his jacket pocket.

No, I don't know what's going on with that shirt, either.

No, I don’t know what’s going on with that shirt, either.

Trivia time: The title is a reference the song “Eternal Flame” by the Bangles, which originally appeared in the episode, but has since been replaced with generic music for DVDs/online. Thomas Haden Church of Wings, Sideways, and Spider-Man 3 plays a nightclub thug with HUGE HAIR.

Ned with Stacy's hair.

Ned with Stacy’s hair.

Torn from today’s headlines: The drugs in question are “blotter acid,” which is attached to seemingly innocent-looking buttons handed out at the club’s front door. I actually remember them warning us about this stuff back when I was in high school.

Reservoir Depp.

Reservoir Depp.

Jumpin’ or not? After hitting a home run with last season’s “High High,” Mario Van Peebles proves himself to be the series’ directing rock star with this super-stylish episode. Scenes in the club are ‘80s glitz in the best way, all neon, lasers, and fog machines. When we go behind the scenes at the club, though, we enter the film noir universe, all sharp suits, mournful saxophone music, and dirty double crosses. If you have a friend who thinks 21 Jump Street is nothing but “that cheesy high school cops show,” show them this episode and watch their minds be blown. It’s jumpin’!

Next week: Buy a baby?

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Tomorrow Never Dies

Rewatching the James Bond films chronologically. 1997’s Tomorrow Never Dies is something of an oddity among the series, but is that a good or bad thing?

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Blond blurb: A mysterious “stealth ship” is running around the ocean, destroying military vessels and threatening World War III. The whole thing is orchestrated by media mogul Elliot Carver, for the benefit of his 24-hour news empire. Bond and Chinese operative Wai Lin work together to take down Carver’s operation.

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Bond background: Bond reunites with an old flame, Paris, who is now married to Carver. It raises the question of the exes in his life, and whatever happened to them. We see him with a woman at the end of each movie, but we never see how/when they part ways. Bond’s reunion with Paris explores this, and it’s a theme that’ll be explored in greater detail in the next film.

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Bond baddies: Jonathan Pryce is cartoonishly over-the-top as Carver, in full-on “Hee, look at how evil I am!” mode. He’s having fun, though, and that fun is infectious. He has a hulkingly huge Aryan henchman, because of course he does. Along for the ride are two interesting sub-villains. One is a tech guy played by magician Ricky Jay, and the other is the always-awesome Vincent Schiavelli as a psychotic doctor/sharpshooter (no, really).

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Bond babes: When Teri Hatcher was cast as a Bond girl, the world said, “Yes, this is a thing that should happen.” She doesn’t last long, though, leaving the main squeeze role to Wai Lin, played by Michelle Yeoh, who adds her considerable stunt and butt-kicking work to the role.

Bond best brains: There’s a funny gag with Q working undercover as an Avis rent-a-car guy. He supplies Bond with his remote control car, operated via Bond’s cell phone. Bond’s phone can also shoot scan fingerprints and shoot electric bolts at doors to unlock them. There really is an app for everything.

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Bond bash-ups: This has got to be the fastest-paced Bond film, the fighting and chases just don’t let up the whole time. We’ve got an opening with Bond escaping an illegal arms conference in a jet, a fistfight behind the scenes at Carver’s show, and an elaborate shootout in Carver’s secret lab. This leads to the movie’s most famous scene, in which Bond pilots his remote control car around a parking garage, with him in the back seat. When the action moves to Saigon, we get a harrowing skydive turned deep sea dive, lots of martial arts fighting, and a wild helicopter-versus-motorcycle chase. The finale is, as always, gunfights and pyrotechnics galore aboard the secret ship.

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Bond bygones: When fighting Carver’s goons, Bond uses a cello as a weapon against one of them. This couldn’t possibly be a callback to The Living Daylights, could it?

Bond baggage: It’s no secret at all how Carver is loosely based on Ted Turner. A lot of the plot has to do with GPS technology, which is depicted as something sleek and newfangled.

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Bond babble: What a wild, wacky movie. It seems more interested in being a roller coaster ride than an espionage thriller. It’s nonetheless a fun roller coaster, with all the appropriate high speeds and sharp turns. It’s low-substance, but nonetheless hugely entertaining.

Next week: We’re not going to talk about that.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: When Human Torches attack

Re-reading the Fantastic Four comics from the start. Hope you like relationship woes, because that’s what you’ve got in issue #99.

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We begin with some sitcom comedy shtick as Reed and Sue barge in on Ben as he’s dressed in a skiing outfit. He says he’s preparing to take Alicia on a ski trip. So I guess they’re a couple again. Also, no mention is made of Alicia being blind, and whether that affects her ability to ski. She really is capable! Reed says they’ll have to cancel the trip, because Johnny has taken off, and might be in danger. He’s flying around the world, hoping to return to Crystal, who left him to return to her people the Inhumans back in issue #95.

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Johnny is flying around the world at extreme speed, zipping over France (obligatory Eiffel Tower appearance). He then passes into Russian space, apparently, because the “commies” fire missiles at him, which he avoids. It starts to rain, so he takes shelter in a cave in the Himalayas. (He’s making record time on this flight.) As he sleeps, a mysterious stranger finds him. At headquarters, Reed, Sue, and Ben take off in the team’s repurposed UFO from issues past, and hope to catch up with Johnny by shortcutting through the Earth’s upper atmosphere. Once in orbit, however, their ship comes under attack by meteors, knocking them off course. (The movie Gravity totally ripped off this scene. Totally.)

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Back in the cave, the stranger who found Johnny is — are you ready for this? — the Abominable Snowman! But wait, it’s not the Yeti, it’s an Inhuman, who thinks Johnny is one of them. He flees from Johnny, inadvertently leading Johnny to the Inhumans’ new digs, an underground city. A whole bunch of Inhumans attack Johnny, including a flying guy with fireproof wings, but Johnny takes them all out. The battle is interrupted by the Inhuman royal family — Black Bolt, Medusa, Triton, Karnak, and yes, Crystal is there too. She begs Johnny to leave, saying he doesn’t understand what’s happening. Johnny argues that the Inhumans have brainwashed Crystal, and then there’s more fighting.

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Johnny avoids one of Karnak’s karate chops, only to learn that it was a fake-out, so he’d jump right into Medusa’s hair. There’s a surprisingly dark moment where he threatens to burn her hair to escape. Meanwhile, the FFers have landed in the Himalayas to repair their ship, and to meet some locals, who are all dressed like someone from Genghis Khan’s era (sigh). Back to the action, Johnny confronts Crystal. He goes all emo, saying he wanted to leave with Crystal, but she wanted to go alone, and that means he never meant anything to her. Wah, wah, wah. She flips out, and says she can lose her temper too, unleashing her elemental powers on him. She immediately regrets blasting him, and the other Inhumans argue that Johnny should hear her out, but he doesn’t. He flies off, back out into the city.

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Johnny flies up into the sky above the city and generates a massive fireball. So… he is going to kill them all? Someone fires a strange, rod-shaped device into the fireball, diffusing the flames. Turns out it was Reed, who has arrived on the scene with the others, and brought his newly-invented “heat absorption rod” with him. Johnny is still going nuts, as he attacks his teammates, saying “I’m through being everyone’s pigeon!” (Pigeon?) Sue, ever the heart of the group, finally gets Johnny to calm down, appealing him to act like the man he is, and not a spoiled little kid.

The Inhumans then reveal the truth. Crystal had to come home to save Black Bolt. He was injured in a radiation experiment and needed “vibrations” to survive. Crystal took care of him while Inhuman Gordon (who once singlehandedly defeated the FF, let us never forget that) went on an adventure for a tube of strange liquid that can heal him permanently. Why they didn’t just say this back in issue #95 is unknown, but Johnny nonetheless apologizes to Crystal. She says that even though she has to stay with her people for now, she accepts his apology.

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Unstable molecule: I find it interesting that Reed has this heat absorption device that Johnny knows nothing about. Wouldn’t he have used Johnny’s help to test this in his lab? You don’t suppose he developed this thing in secret, in case Johnny ever went to the bad side, do you?

Fade out: Sue is the only one who can get Johnny to calm down and listen to reason. She also laments having to pursue Johnny around the globe instead of spending the day with Franklin.

Clobberin’ time: Ben’s skis have apparently been designed just for him, extra wide with huge metal boots for his big ol’ feet.

Flame on: This issue raises the question of just how fast Johnny can fly. We’ve seen him zipping around New York, but here he’s flying around the entire world in a single day. The Marvel wiki says he can fly at “supersonic” speed, which I take to mean faster than the speed of sound, but that’s still not a definitive answer. (There’s a Marvel “wikia,” which says Johnny normally flies at 140 miles per hour, and can accelerate to supersonic speed on occasion, but this doesn’t appear to be an official Marvel site.)

Fantastic fifth wheel: This issue has a reputation of being the one where Johnny and Crystal break up, but that’s not the case at all. I did a little reading ahead, and Crystal is going to be around for quite a while.

Commercial break: Turn your bike into a dragster! Then, get beaten up at recess!

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Trivia time: This issue was revisited in Marvel: The Lost Generation #7, published in 2000, in which we learn that time traveler Cassandra Locke was in the cave with Johnny and the Yeti, secretly observing their battle. That mini-series also revealed that the Yeti’s name is, in fact, “Yeti.”

Fantastic or frightful? What’s interesting about this issue is that Johnny is the villain. He’s the unstoppable, destructive force that the FF and the Inhumans have to work together to defeat. After a few phone-it-in issues from Jack Kirby, his art in this one really shines, even though he was fed up with Marvel by this point. Maybe this means he had real affection for the Inhuman characters? It’s nice to have a really great story this close to the end.

Next week: One hundred maniacs.

****

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21 Jump Street rewatch: “Say It Ain’t So, Pete”

Rewatching 21 Jump Street! With all the high drama of the season premiere over, it’s time to get back to undercover cop stuff in season four, episode two, “Say It Ain’t So, Pete.”

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What’s goin’ down: Hanson and Penhall are undercover at a college bar, where some severe beatings have occurred. Penhall is the bouncer, and Hanson is a regular customer. Meanwhile, Ioki returns to Jump Street and everybody’s studying for the upcoming detectives’ exam.

Study buddies.

Study buddies.

Here’s Hanson: Hanson admits he’s thinking of turning in his badge and leaving the police force. He says he doesn’t know what he’ll do next, except that he’ll weigh his options. Penhall wants his buddy to stay, arguing that Hanson was born to be a cop.

Penhall’s prerogatives: Late nights as a bouncer has Penhall sleeping on Fuller’s couch all day. He learns the tricks of the trade, such as using a flashlight to bash skulls, because it’s perfectly legal to carry one around.

A day at the races.

A day at the races.

Undercover blues: The violence at the bar is traced to an illegal gambling ring, where folks are betting big bucks on poker and horse racing, and getting beaten near to death if they can’t pay. Oh, and they also bet on… turtle races!

Donatello, no!

Donatello, no!

Goin’ to the chapel: Ioki shows little interest in passing the detective exam. Whereas he once expressed interest in climbing the police department ladder and eventually becoming a cop psychologist, he know says he’s changed after being shot. Hoffs passes the exam, and Penhall is furious when he doesn’t pass.

Trivia time: Lots of music in this one. The song “Love Shack” by the B-52s is prominently featured on the soundtrack. Because of music rights, YouTube keeps removing the episode, only for others to keep putting it back up. I don’t care, because I got the DVDs! Another song is performed by voice actress and perennial cutie E.G. Daily (Dottie!), who apparently has quite the successful singing career on the side. The producers also throw in the William Tell Overture during one scene.

Ballad of the gamblers.

Ballad of the gamblers.

Jumpin’ or not? The gambling plot is ho-hum, but all the character moments are really great, showing that these people are moving forward with their lives — in one way or another. I’ve often argued that beyond the cheesiness and the ‘80s glitz, what makes 21 Jump Street worth watching are the likable, interesting characters, and that’s the case with this episode. It’s jumpin’!

Next week: The night life.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Goldeneye

Rewatching the James Bond films chronologically. It’s 1995 now, and Pierce Hawthorne, um, I mean Brosnan has taken the role, kicking off a new era in Goldeneye.

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Blond blurb: Bond was betrayed years ago in the USSR by fellow agent 006, Alec Trevelyan. In the present, there’s no more Cold War, but there are still evil plots brewing. But wait, Trevelyan is still alive, part of a separatist group planning to use leftover Soviet nuclear tech for nefarious means.

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Bond background: There’s some serious tension between Bond and the new M, played by Judy Dench. The scene where she rips into Bond about his cavalier attitude is a highlight, showing how much the world has changed around Bond. Being betrayed by his former friend weighs heavily on Bond. When asked how he can be so unemotional about it, he answers, “It’s what keeps me alive.” Also, we learn that Bond is an orphan, after his parents were killed in a climbing accident when he was young.

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Bond baddies: Sean Bean plays Trevelyan with his famous ice-cold stare. Trevelyan is depicted as what might happen if Bond were to turn to crime, and he tries to call Bond out on his loyalty to an outdated system. Russian general Ourumov also brings a lot of intensity to his scenes. Robbie Coltraine shows up as a former Russian official turned Russian gangster, and he’s actually really funny.

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Bond babes: The love interest is computer expert Natalya Simonova. She’s fine, but she gets upstaged in a big way by Famke Jansen as the bad girl, Xenia Onatopp. Jansen steals the entire movie, and you can see her becoming a movie star right before your eyes.

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Bond best brains: Bond’s car has a built in fax machine. The ‘90s!!! The trip through Q’s workshop is especially Three Stooges-ish, with slapstick gags left and right. Bond gets a belt with a retractable grappling wire, a grenade disguised as a pen, and a BMW equipped with stinger missiles.

Bond bash-ups: The opening scene has Bond acting all nice and slick as he infiltrates a Russian base. Then he’s all slick in a car chase with Onatopp, and he somehow remains slick while trashing half of Moscow in a tank. Along the way, there are some truly impressive pyrotechnics when a Russian base is destroyed by a satellite. The finale takes place at a giant satellite dish improbably hidden in a lake, with more gunfights and explosions and a great final bad guy fall.

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Bond bygones: The ‘90s were the decade of retro, when nostalgia for decades earlier riddled the pop culture landscape. As such, each Bond film from here on out has callbacks to previous films in the series. Goldeneye is especially notable in this respect, as the filmmakers strived to include as many “Bond-isms” possible. I must admit, there are a few times when the movie feels a little more set in the ‘60s then the present.

Bond baggage: The fall of the Soviet Union is a big impetus to the plot. Alan Cumming plays a wacky computer hacker who speaks in a lot of early internet jargon, and Miss Moneypenny makes a joke (or perhaps she’s not joking?) about suing Bond for sexual harassment.

Bond babble: Despite my jokes about ‘90s trappings, there’s actually a somewhat timeless feeling to Goldeneye. They set out to make a “pure” James Bond movie, and I say they succeeded. The movie’s great fun, and one of my favorites.

Next week: This… is… CNN.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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21 Jump Street rewatch: “Draw the Line”

Rewatching 21 Jump Street! Season four begins, wrapping up the show’s most elaborate plotline to date. It’s season four, episode one, “Draw the Line.”

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What’s goin’ down: Hanson is still in jail, after failing to prove he was innocent of shooting a corrupt cop, not to mention proving the cop’s corruption. Ioki is still in a coma after a gangland shooting. Although Booker provided the evidence that locked Hanson up, he has second thoughts, and continues to work the case.

Minimum security.

Minimum security.

Here’s Hanson: Hanson is constantly under attack in jail, by all the convicts who hate cops. He successfully knocks out two guys in a brawl before the guards haul him away. Later, he ruminates on his time at the academy, remarking about how much he has changed from the goody-goody cop he used to be to the rebel he is now.

Reunited, and it feels so good.

Reunited, and it feels so good.

Penhall’s prerogatives: There’s a series of gags about Penhall obsessively recording all the sports games to watch later, only to have the final scores spoiled for him. One of his tapes provides a key piece of evidence in the case.

Book ‘em: Booker is teamed up with the corrupt cop’s partner, who talks about leaving the force to work private security for a big company. This plants the seed for the Booker spinoff, which debuted just after this episode aired.

Undercover blues: Booker gets Hanson out of jail on a 24-hour furlough, where the two of them and Penhall can reunite and crack the case. The trail leads to a billionaire who wants to tear down the gangs’ neighborhoods to build a giant convention center. Supplying guns to the gangs was all part of his sinister plan. Yeesh.

Detective work.

Detective work.

Goin’ to the chapel: The Jump Street chapel has a dartboard on the wall, with Richard Nixon’s picture on it. Topical!

Trivia time: There’s a lot of talk in this episode about local sports team, the Outlaws. Sports fans, who is this? A quick search shows former Outlaws football teams in California and Arizona, a Denver lacrosse team, and a California rugby team. Oh, and the Texas Outlaws Roller Derby, of course.

Booker says bye-bye.

Booker says bye-bye.

Jumpin’ or not? Hanson, Penhall, and Booker make a great team in this one, with some excellent three-way chemistry. It’s too bad we won’t really see this again, as Booker leaves for his spinoff, and Hanson is about to drift off into Johnny Depp’s film career. Overall, it’s a nice wrap-up to the three-parter and it satisfyingly closes the book (ahem) on this era of Jump Street.

Next week: Know when to hold ‘em.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: James Bond Jr.

Rewatching the James Bond films chronologically. Here’s a detour: In 1991, we had the animated series James Bond Jr., which ran in syndication for 65 episodes. Yes, this is canon:

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Blond blurb: Teenage James Bond Jr. (hereafter named “Junior”) attends boarding school at the prestigious Warfield Academy, alongside his friends IQ, grandson of Q, and Gordon Leiter, son of CIA agent Felix Leiter. Armed with IQ’s gadgets and Leiter’s muscle, Junior often skips class to travel around the globe and fight evil. There’s also the headmaster’s daughter Tracy, boy-crazy nerd girl Phoebe, and snobby rich kid Noseworthy, who all get swept up in Junior’s adventures as well.

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Bond background: Despite his name, Junior is not the son but the nephew of James Bond. Many have speculated that this means Bond has a brother, also named “James Bond.” As far as I can tell, Junior is not an agent in any sort of official capacity. Instead, he just happens to find his way into trouble, and then saves the day. This is kind of like what we’ve seen in the movies, where Bond accidentally uncovers fiendish plots when he’s supposed to be on holiday.

Bond baddies: The many villains work for S.C.U.M., some sort of offshoot of S.P.E.C.T.R.E. They’re led by Scumlord, a shadowy man whose face we never fully see. He’s quite obviously supposed to be Blofeld, as he pets a small white dog instead of a white cat. A lot of villains from the movies make appearances. Jaws and Nick Nack are teamed up to do the “bumbling henchmen” thing, Goldfinger is here, not only with Oddjob but also with his teen daughter, Goldie. Dr. No shows up too, with green skin for some reason.

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Bond babes: The show provided a lot of one-time love interests for Junior, with appropriately Bondian names — Lotta DeNiro, Marci Beacoup, Bunny Slope, Hayley Comet, and Terri Firmer, for example. But, really, Tracy tags along on every one of Junior’s adventures, and always seems to be jealous whenever he flirts with the other girls. The writers clearly set her up as “the one” for Junior.

Bond best brains: Each episode has IQ giving Junior a gadget in the first act, which comes into play in the third act. These are usually some weird-looking device, or something built into Junior’s watch. There’s very little of the fun things-that-look-like-other-things gadgets we see in the films. Also, Junior starts out the series driving the classic Aston Martin from Goldfinger, but when it’s destroyed, he gets a brand new red Aston Martin convertible, which we’re told is a gift from his famous uncle.

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Bond bash-ups: Because it’s made for kids, there’s no fighting or gunplay, so most action scenes are chases and escapes. Typically, Junior has to climb and jump around a bunch of obstacles to get to a computer to throw a switch to make something blow up. This really isn’t the show to watch for awesome action.

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Bond baggage: The executive producer for James Bond Jr. was Fred Wolf, who was producing the megapopular Teenage Mutant Ninja Turtles cartoon at the same time, and a lot of characters in both shows are the same stock types. IQ and Leiter are Donatello and Michelangelo, Jaws and Nick Nack are Rocksteady and Bebop, and Tracy, Phoebe and Noseworthy are April O’Neil and her coworkers Irma and Vernon.

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Bond babble: I love late ‘80s/early ‘90s TV cartoons, but this is… not the best. Kind of boring and unimaginative, with each episode following more or less the same formula. If it didn’t have the novelty of the Bond name attached, I doubt it would have ever made it to air.

Next week: Hawthorne wipes.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Sea of Tranquili-Kree

Re-reading the Fantastic Four comics from the start. Issue #98 is an interesting beast. The fictional Marvel heroes had walked on the moon several times, and then Neil, Buzz, and company went and did it for real. This comic was created to address real life intersecting the fantastical comic world. So, hey, let’s go to the moon!

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Although published in April 1970, a caption informs us that this story takes place in July 1969. The opening page has Reed deciphering alien symbols (where’d he get those?) that match what he knows about the Kree aliens. Reed is only able to translate one word, “Tranquility.” Then we get a couple pages of sitcom comedy as Johnny flies around Ben while Ben tries to read the newspaper. The paper catches Reed’s eyes, and he snatches it away from Ben. It’s a story about the moon landing, with “Sea of Tranquility” in the headline. Reed surmises that the Kree have been watching Earth from space, and they know about NASA’s efforts to put a man on the moon.

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We then cut to a robotic Kree sentry, living on an island in the Pacific. He flies out over the ocean with a gun that can raise another island out of the water. He searched for a “stimulator” on this new island, which he says can create a map of the moon for him.

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At FF headquarters, Reed, Johnny and Ben blast off in a rocket lent to them by NASA. Reed says they’re not trying to race the astronauts to the moon, just seeing to it that the astronauts get there safely. They fly straight to the island, and there’s some action where Johnny burns a runway into the ground before the rocket can crash. They investigate the island, finding it to be an exact replica of the surface of the moon.

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Meanwhile, the NASA rocket takes off from Cape Canaveral, and there are a few fun panels where ordinary folks around the world are all tuned in to watch. Back on the island, the sentry has found his stimulator, a big alien radar-type thingie, but he is distracted by the FF’s arrival. And… fighting! Johnny is no match for the sentry, but Reed does a sweet move where he grabs the sentry and throws him at Ben, who promptly knocks him out. Yay, teamwork.

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Reed still wants to know what’s going on, and Johnny helps by finding a hidden entrance leading underground. Ben stays behind to guard the unconscious sentry. Underground, Reed and Johnny find the stimulator, which is tracking Apollo’s progress to the moon. Every time Reed or Johnny try to get close to the machine, it sends out rays that weaken them. In space, Apollo is almost landing on the moon, with no idea the stimulator is targeting them. Reed, in his weakened state, calls out to Ben, who runs to their aid and punches out the machine, destroying it.

Of course the underground caves start blowing up, so Ben gets his friends to safety. The sentry also survives, flying off to fight another day. Finally, up in space, Neil Armstrong sets foot on the moon and says that famous line of his.

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Unstable molecule: Reed pursues the Kree message in order to save the Apollo mission, but at the end acts like he has no idea the Kree were sabotaging the moon landing. Maybe he was just being humble.

Fade out: Despite everything that’s going on, Sue wants the whole team to sit down for a family dinner.

Clobberin’ time: Ben makes a lot of jokes about wanting to stay home and watch TV, name-dropping both Walter Konkrite and John Wayne.

Flame on: At the start of the issue, Johnny is at the “air show” to help get his mind of off Crystal leaving him.

Four and a half: Alicia is still around, babysitting Franklin in this issue. Franklin still has brown hair.

Commercial break: Yes, this is a young Arnold Schwarzenegger, a whopping 12 years before starring in Conan the Barbarian.

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Trivia time: Well, obviously, this issue is based on the moon landing. Marvel would later publish a mini-series, Marvel: The Lost Generation, which stated the moon landing happened before the Fantastic Four were formed, causing many a continuity headache.

Fantastic or frightful? It’s cute to tie the FF’s adventures into real-life events like this, but other than that, there’s not much there. The plot doesn’t make much sense and the sentry is hardly a threat.

Next: Soap opera!

****

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James Bond rewatch: License to Kill

Rewatching the James Bond films chronologically. For Timothy Dalton fans, 1989’s License to Kill is THE ONE — the serious, edgy Bond that everyone wanted after the jokiness of the Moore years. Is it really as great as the Daltonites say?

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Blond blurb: Bond and his CIA pal Felix Leiter catch Cuban drug lord Sanchez on the eve of Felix’s wedding. Sanchez escapes custody and enacts bloody revenge against Felix. When Bond investigates without permission, his license to kill is revoked. Now, he’s gone rogue, hunting down the bad guys on his own.

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Bond background: We’ve seen Bond’s many romantic conquests, but this movie explores his friendships. Although Bond and Felix have been kept it mostly professional in past films, there’s a real sense in this one that they’ve grown close. (Bond’s tragically short marriage from On Her Majesty’s Secret Service gets a mention.) This, of course, adds to Bond’s bloodlust once he’s out for revenge.

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Speaking of which, the whole idea of Bond going rogue is never really explored as much as it could have been. I kept expecting him to be dodging his fellow English agents while pursuing Sanchez, but it never happened. At the end, Bond gets his job back without any real consequence for killing without a license.

Bond baddies: The always-cool Robert Davi plays Sanchez. No opera singing this time, though. Yes, that is a young Benecio Del Toro as his henchthug, Dario.

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Bond babes: You’d think there wouldn’t be time for lovin’ with all this revenge business going on, but Bond still finds room to woo one of Felix’s contacts, Pam Bouvier (insert Patty and Selma joke here). She and Bond have the Moonlighting-style banter going on as they track down the villains. Bond later gets close to Sanchez’s girlfriend, Lupe, who wants the abusive Sanchez out of her life.

Bond best brains: Although Bond’s gone rogue, Q still shows up to help him, with a gun disguised as a camera and plastic explosives disguised as toothpaste. Also, to sneak aboard an enemy’s boat, Bond has a convenient mini-sub thing that’s disguised as a manta ray, to throw off the bad guys’ radar. Did Bond just happen to have one of those lying around?

Bond bash-ups: Lots of action in this one. We begin with a confusing helicopter versus airplane chase that ends with Bond and Felix suavely parachuting into the wedding. Then there’s a fight and shootout inside an aquarium, complete with a shark tank and strategically placed electric eels. A big set piece in the middle of the movie starts with Bond deep sea diving, then involved in a water-skiing chase, and then in the air, fighting a guy inside a small plane. A hilarious barroom brawl uses a stuffed swordfish a weapon, and there’s a somewhat random rooftop fight with some ninjas. It ends with a tanker truck chase that feels more like The Road Warrior than a Bond movie, but it features more great stunts and pyrotechnics.

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Bond baggage: Everett McGill of Twin Peaks not only appears in this movie less than one year before Peaks, but his character in both is named Ed! I didn’t know the Bookhouse Boys had contacts with MI6. Kidding aside, he’s actually really good in the role of a traitorous agent.

Bond bewilderment: Suddenly, Wayne Newton shows up. His character is running a phony telethon that’s a front for Sanchez’s drug empire. Seriously, Wayne Newton is in this.

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Bond babble: Timothy Dalton comes to this movie with something to prove, playing Bond with a steely intensity. This “he will kill you if you look at him funny” version of Bond is clearly why Dalton’s fans have so embraced him in the role. The plot is kind of stock ‘80s action, all about drug smuggling and revenge, but I like that it’s (somewhat) more grounded and low-key than others in the series.

Next week: Nice mullet.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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