Fantastic Friday: The first rule of space fight club is…

Rereading the Fantastic Four comics from the start. Let’s see, how to summarize this plot? The Thing is trapped on a planet of Skrulls who have taken the form of old-timey gangsters, who want him to fight in some gladiatorial games. Got it? Good. Here’s issue #92:

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The “gangsters” collect Ben from his cell and say it’s time for him to train for the games. They take off his power-inhibiting collar, and he starts to wreck the place, but he can’t. Ben’s roommate/future opponent Torgo (no, not that Torgo) explains that they’re all under a “hypno-glow” that mentally prevents the prisoners from fighting back.

Ben’s first opponent is Magno-Man, and this is where we get this panel, which has become something of an internet meme over the last few years:

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What you don’t see in this panel is that Magno-Man actually puts up a good fight, throwing Ben all over the gladiator arena. He nearly defeats Ben before Ben rips up the ground underneath him.

Back on Earth, Johnny and Crystal conclude that Ben is not in New York and that Reed was right about suspecting the Skrulls. Inside HQ, Reed is modifying the Skrull flying saucer, which the team took ownership of way back in issue #2. (!) Sue wants to join the team as they head into space, but Reed insists she stay behind to take care of the baby.

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The Skrull gangsters continue to blast Ben with nerve rays so he doesn’t fight back, and they test his strength by putting him under a “Hydraulo-press,” which looks really painful. Later, word is spread throughout the planet that the great games are going to start. We’re reunited with Ben’s “owner,” Boss Barker, and his rival Lippy Louie. Louie is the one who has bet against Ben in favor of Torgo. There’s a weird bit where Louie sets off a bomb in Barker’s headquarters, which Barker takes to mean that Louie’s getting scared he’ll lost the bet. Barker travels to the games, where we get another mention of Machine Gun Martin, the Earth gangster who inadvertently inspired this alien society.

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Inside Ben and Torgo’s cell, Torgo gets all robot-emo, saying he longs for freedom. Ben tries to convince him to fight against their captors, but Torgo won’t go for it. They start fighting, right there in the cell, before the gangsters break them up. They’re taken to the arena, along with a bunch of other kooky-looking aliens. Ben continues to argue for fighting back, but Torgo says that if any slave fights back, that slave’s home planet is destroyed. (Why is Ben just learning this now?)

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The games begin, with the first fight between a “primitoid” and a “cat-man.” Ben watches, worried that there will be no escape. Elsewhere, Reed, Johnny and Crystal have taken off into space in the flying saucer, to the rescue.

To be continued!

Unstable molecule: Reed not only gets an alien spacecraft up and running, but uses the alien navigation system to find the planet Ben is on. Brains!

Fade out: Sue is sidelined again. And they still haven’t named the baby.

Clobberin’ time: Ben spends most of the issue in a weakened state, but he manages another killer put-down: “You got a real anti-social hang-up there, Melvin.”

Flame on: Johnny flies around not in his FF uniform, but in a sweater and jeans. We’re not told these clothes are made of unstable molecules, but we can assume that, right?

Fantastic fifth wheel: When speaking to Johnny, Crystal calls Reed by his full name, “Reed Richards.” Is this to remind us that she’s an Inhuman and still new to the outside world, or just clumsy exposition for new readers?

Commercial break: Man, I used to love these “new fall season” ads for the Saturday morning cartoons. Unfortunately, haven’t heard of most of these shows. Cattanooga Cats?!?

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Trivia time: Torgo will show up a few more times in the Marvel Universe after this, getting his sci-fi back story fleshed out a little more. Basically, he’s from another galaxy, where sentient machines overthrew organic life. You know, the usual. The Marvel Wiki informs me that Torgo has “a bit of a sweet tooth.”

Fantastic or frightful? This issue is a tease, building up to the big games, and then cutting to the cliff hanger just as they start. So, it’s all set-up. The rumor is that although Jack Kirby was fed up with Marvel by this time, he loved drawing this gangster stuff. I can believe that, seeing a ton of Kirby’s trademark imaginativeness in the gangster/alien designs.

Next week: The brawl to end it all!

****

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21 Jump Street rewatch: Fathers and Sons

Rewatching 21 Jump Street! Here’s an episode that rewards the loyal fans, as it seems the entire series has been leading up to this one. It’s season three, episode fifteen, “Fathers and Sons.”

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What’s goin’ down: Hanson and Penhall are investigating drugs in a high school, only to discover the head druggie is the son of Jump Street’s archnemesis, the scumbag Councilman Davis, who’s just been elected Mayor Davis. Now, city hall wants the Jump Street gang off the case, but of course our heroes won’t back down.

Bad dudes, or rad dudes?

Bad dudes, or rad dudes?

Here’s Hanson: Hanson’s still dating Jackie the D.A., and their relationship faces some serious hurdles after she inadvertently (or perhaps not so inadvertently) leaked info about the case to the mayor’s office.

Penhall’s prerogatives: Penhall’s still rooming with Ioki, until Ioki has had enough and throws him out. The episode ends with him still without a place to live.

Is this kid on the right one of the aliens from the "V" miniseries?

Is this kid on the right one of the aliens from the “V” miniseries?

Book ‘em: No Booker this week.

Undercover blues: Conflicts with the mayor’s office lead to Captain Fuller being suspended. Later, Davis’s son overdoses, and Davis shows his human side by asking Fuller and Jump Street to go after the drug dealer.

Goin’ to the Chapel: Ioki’s new girlfriend is stunningly gorgeous, but he swears he loves her more for her intellect.

Breaking not-so-bad.

Breaking not-so-bad.

Torn from today’s headlines: The drug use is really explicit in this episode, with depictions of teenagers doing cocaine and crack. How’d they get away with this on prime time Sunday night TV?

Trivia Time: Davis is played by actor Michael Laskin, who has a list of TV guest star credits a mile long. He even did the voice of Junior Gorg on the animated version of Fraggle Rock!

This is the mayor.

This is the mayor.

Jumpin’ or not? This episode is packed! Not only does it have the high school crime caper, but it also devotes generous screentime to the ongoing Jump Street vs. city hall subplot, and to all the characters’ various romance/relationship subplots. If this were the last episode, it would’ve made for one heck of a finale. Fortunately, though, the show continues on, and there’s more cheesy fun to be had. Next week, for example.

Next week: I wear my sunglasses at night… as performed by the cast of Glee!

 

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Moonraker

Rewatching the James Bond films chronologically. Time for 1979’s Moonraker. It’s Bond… in SPAAACE!!!

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Bond blurb: A space shuttle owned by billionaire Hugo Drax is stolen. Bond investigates, and it’s clear from the beginning that Drax is behind the theft. Bond travels around the globe putting the clues together. Drax wants to use his space shuttles to take his “perfect race” of idyllic humans into space, and kill the rest of us losers down on the planet. To stop Drax, Bond leads an attack on Drax’s space station for some serious zero-G laser-blastin’ action.

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 Bond background: Bond is actually not a spy in this movie. Like in Dr. No, he’s merely an “agent” investigating a crime. Everyone in the movie already knows his status, so there’s no need for secrecy or intrigue.

Bond baddies: Drax is a real oddity. He’s so stiff and so cold that I can only conclude that it’s the actor’s choice. Perhaps the “space” theme meant that he was intended to be like a robot. Jaws makes a return appearance, now making the jump from bad guy to good guy in the end. I always assumed that Jaws sacrifices his life during the finale, but there’s a quick line of dialogue that says he made it.

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Bond babes: Dr. Holly Goodhead is a delightfully stupid name, but beyond that, I just don’t know who this character is. She’s working for Drax, but she keeps investigating him, running into Bond because they’re on the same trail. She’s a scientist, but she’s got a bedroom full of deathtrap gadgets to take out Bond. Oh, and is she trying to kill Bond, or is she on his side the whole time? I don’t get it. Was there a line of dialogue I missed that said she’s an undercover rival agent or something?

Bond best brains: Bond’s wristwatch now contains a dart gun, which he tests out by firing at a painting in M’s office. He hits the painting right on a horse’s ass (or, to be less crude, he pins the tail on the donkey).

 Bond bash-ups: We’re now in the blockbuster age, so there’s a ton of big set pieces. We’ve got some great skydiving stunts in the opening, a fight atop two precariously-balanced sky trams, and two boat chases — one in South America and one in the Venice canals. The problem is that none of these action beats raise the stakes or move the plot forward. The story stops, Bond gets chased around for a while, and then the story starts again.

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Then, Bond goes into outer space and it becomes a whole other movie. All weaponry is now laser-based, everybody zaps everybody, and Drax’s space station blows up real good. If that’s not enough, Bond then pilots the space shuttle (!) to destroy Drax’s bombs before they reach the Earth.

Bond baggage: Do I really need to tell you that this one was inspired by the huge success of Star Wars in 1977? NASA’s work on the space shuttle was also a big influence. Although the shuttle didn’t actually launch until years later, NASA’s tourism-friendly PR department made sure the shuttle was already in the public eye.

moon2 Bond babble: A few years ago, I attended a Q&A with Richard Kiel, who plays Jaws. He said that the biggest blockbusters of the late ‘70s were family-friendly fantasy movies. Therefore, the lighthearted, campy Bond was what audiences of the time flocked to, and it paid off. Moonraker, for all its silliness, was huge at the box office. I enjoy that it’s jokey and goofy, but I can also understand why goofy and jokey turn so many people off.

Next week: Eyes wide only.

****

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Fantastic Friday: “Yer fadder wears space shoes”

Re-reading the Fantastic Four comics from the start. The end of the last issue had the Thing being captured by a Skrull and carried off into space. So why are there 1930s-style gangsters on the cover to issue #91? Let’s see…

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We begin with those same gangsters (and their sexy moll) looking at a picture of Ben and talking about how the slave ship is bringing him in. The narrative caption spills the beans a bit too early by stating, “It isn’t a scene from The Untouchables! You’re actually on another planet!” The head gangster, Boss Barker, plans to buy Ben from the slaver and have Ben box a fighter owned by rival gangster Lippy Louie. On cue, Louie shows up to make the bet. He wagers ten “power stones” that Ben can’t defeat his slave, Torgo. (Torgo???)

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The Skrull Slaver, who has apparently changed his name to Slave-Master, has Ben trapped in a big stone harness, and he again uses his nerve ray to put Ben to sleep if he tries to escape. They arrive at Kral, a planet on the outer edge of the Skrull galaxy.

Back at FF headquarters, Reed says no one, including police, has seen or heard from Ben in days. The team insists it’s not like Ben to just wander off. Johnny takes off, flying over the city in some desperate attempt to find his pal.

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On the Skrull planet, Ben arrives with the Slave-Master and a bunch of other alien slaves. Ben is surprised to learn the planet looks just like New York during the age of prohibition. A bunch of punk kids throw a brick at Ben, he makes the obligatory reference to the Yancy Street Gang, and tries to fight back. More nerve rays from the Skrulls shut him up pretty good. There’s a confusing bit of business where Boss Barker pays his ten power stones as a “down payment” for Ben, with arguing over whether it’s actually ten stones or not. Whatever. He leaves with Ben.

As the aliens/gangsters drive Ben through the streets, we get the backstory. On Earth in the 1930s, a crook named Machine Gun Martin escaped from jail. In his fleeing from cops, he came across a Skrull slave ship, who brought him to Kral. Through him, and then through old gangster movies, the Skrulls of Kral decided to base their entire society on old-timey Earth gangster culture. The exposition is interrupted by an attack from a biplane, equipped with alien superweapons, which tears up the road in front of the car. The Skrulls/gangsters flip a switch, allowing it to fly, and to fight back with its own superweapons.

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Ben is brought to the gangsters’ HQ, an old brewery, where Ben is introduced to the Slave-Keeper, who (I guess?) is different from the Slave-Master. He says it’s time for Ben to start his training, with “training” being fighting a giant monster. Ben tries to fight the monster, Taxtor, but his harness is making him too weak. The gangsters/Skrulls toss Ben in a cell, where he discovers he has a roommate. It’s Torgo, who announces he will kill Ben in the upcoming fight. Sadly, this is not the beloved goat-kneed Torgo from Mystery Science Theater 3000, but a big robot-lookin’ guy.

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We then cut back to FF headquarters, where Reed deduces that Ben is in space. Because Ben was last seen with an imposter of Reed, Reed goes ahead and assumes the Skrulls have abducted Ben. Reed says to Johnny, “Ben is out there, lad, the captive of a Skrull!”

To be continued!

Unstable molecule: Not sure how Reed jumps straight from learning someone was impersonating him immediately to Skrulls, but, hey, he’s right.

Fade out/Fantastic Fifth Wheel: Sue and Alicia are only seen on one page, and have no dialogue.

Clobberin’ time: In addition to being the center of attention in this issue, Ben makes a classic put-down: “Yer fadder wears space shoes!”

Flame on: I don’t know what Johnny thinks he’s going to accomplish by just flying around randomly looking for Ben, but this desperate act fits his “hot-head” character.

Commercial break: Wrist bands that give you super powers? Is this the first appearance of Quasar?

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Trivia time: The Star Trek episode “A Piece of the Action” aired a year before this issue, and it must have been an influence. It’s set on a planet where imitative aliens have adopted a lifestyle based on old-timey gangster fiction.

Fantastic or frightful? Although he’ll stick with the book for a little while longer, this “Gangster movie” arc is often considered Jack Kirby’s last great work on Fantastic Four. It’s certainly imaginative, with the 1930s-era vehicles suddenly flying and blasting each other with futuristic weapons. Stan’s script is a hoot as well, with all kinds of anachronistic gangster-speak. This was Stan and Jack’s last big hurrah, and it’s far from over.

Next: The first rule of Space Fight Club is…

****

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21 Jump Street rewatch: “Nemesis”

Rewatching 21 Jump Street! After all the hype about introducing this new character of Booker, he hasn’t done a whole lot. That all changes with our first Booker-centric episode in season three, episode fourteen, “Nemesis.”

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What’s goin’ down: While undercover among a bunch of drug-dealing teen “wastoids,” one of the teens is murdered. Someone thought the kid was a narc, so Booker blames himself for the death.

Wastoid is the new black.

Wastoid is the new black.

Here’s Hanson: According to never-wrong internet rumors, this episode was written for Hanson, but Johnny Depp bailed due to “creative differences.” He only appears in one short scene.

Walkin' off this episode like Edgar Wright walkin' off the set of Ant-Man.

Walkin’ off this episode like Edgar Wright walkin’ off the set of Ant-Man.

Penhall’s prerogatives: In a nice continuity touch, Penhall is still in crutches after being injured in the chase through the woods in last week’s episode, “A.W.O.L.”

Book ‘em: We learn that Booker loves old black and white horror movies, hates Chinese food (because he found a worm in an eggroll once), has a scar on his knee from a childhood bicycle injury, and his high school nickname was “Joe Cool.” Then there’s a funny bit where someone finds a COMPLETELY INSANE photo of the Jump Street gang at Booker’s birthday party.

"Don't believe his lies."

“Don’t believe his lies.”

Undercover blues: With suspicions running rampant, Booker is desperate not to reveal he’s really a cop, as the bad kids pressure him to do drugs and even commit murder. He sticks with it, in the hopes of busting up the drug ring and finding the killer.

Trivia time: We meet Booker’s mother, played by actress Linda Darlow. She later reprised the role in one episode of the 1990 Booker spinoff.

Momma's boy.

Momma’s boy.

Torn from today’s headlines: The opening scene is an ‘80s super-stylized dream sequence, straight from the Nightmare on Elm Street films, which were at the height of their popularity in 1988-1989.

Every town has an Elm Street.

Every town has an Elm Street.

Jumpin’ or not? Richard Grieco is a comedic footnote for a lot of people, but he’s great in this episode, expertly doing the “rage brewing just below the surface” thing. The other star is director Ken Wiederhorn. He’s only done a little TV work and a few forgettable films — including Shock WavesMeatballs Part II and Return of the Living Dead Part II — but he infuses this whole episode with an incredible visual style, making it look like a multimillion-dollar feature. It’s jumpin’!

Next week: It’s all politics.

 ****

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21 Jump Street rewatch: “A.W.O.L.”

Rewatching 21 Jump Street! This one’s got it all — comedy, melodrama, action, high school hijinks, and even obscenities. It’s season three, episode thirteen, “A.W.O.L.”

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Rewatching 21 Jump Street! This one’s got it all — comedy, melodrama, action, high school hijinks, and even obscenities. It’s season three, episode thirteen, “A.W.O.L.”

What’s goin’ down: A kid has gone missing from basic training. His drill sergeant is an old friend of Captain Fuller’s, and he asks Fuller and the Jump Street crew to find the kid and bring him back.

Action Depp!

Action Depp!

Here’s Hanson: While tracking down the runaway, who’s posing as a high schooler back at his old school, Hanson and Penhall find themselves in a week’s detention after a misunderstanding.

Penhall’s prerogatives: Penhall says he’d rather be sent off to Siberia than get his picture taken for the yearbook. Makes you wonder how many yearbooks these guys have ended up in.

Book ‘em: When Fuller’s military pal shows off his medals for the Jump Street cops, Booker responds with a “medal” he got at a Ramones concert. (RIP Tommy Ramone.)

Not the Ramones.

Not the Ramones.

Undercover blues: Once the troubled youth has been caught, it’s a road trip back to the military, where Hanson and Penhall befriend the kid and many confessions are made — until there’s another escape attempt into the woods, forcing our heroes to do the wilderness survival thing.

Goin’ to the chapel: Somebody’s calling Hoffs at the station with obscene phone calls. Thing is, it’s a woman doing the obscene calling!

"I'll just check my caller ID, and... Oh, right, it's still the '80s."

“I’ll just check my caller ID, and… Oh, right, it’s still the ’80s.”

Torn from today’s headlines: When meeting the A.W.O.L. kid, Hanson remarks, “At least he’s not an Ollie North wannabe.” This is a reference to the Iran-Contra Affair of the ‘80s, which made a celebrity out of the controversial Lt. Col. Oliver North.

Trivia time: This episode was co-written by Glen Morgan and James Wong, who became superstar writers for their stellar work on The X-Files. They then went on to create the Final Destination film franchise.

Everybody's bundled up in winter gear this episode. How big is their jurisdiction again?

Everybody’s bundled up in winter gear this episode. How big is their jurisdiction again?

Jumpin’ or not? This episode is a blast. There’s a lot of cheesy melodrama, but it’s buttressed by some great humor and a couple of cool “cop show” foot chases for some action. Nothing else to say except that this one’s great fun. It’s jumpin’!

Next week: It’s hot tonight and I’m ready tonight.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: The Spy Who Loved Me

Rewatching the James Bond films chronologically. Now we’re forehead-deep in the 1970s, with 1977’s The Spy Who Loved Me, or, as I like to call it, Car That Turns Into A Submarine.

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Bond blurb: English and Russian submarines have both mysteriously disappeared. Bond and female Russian agent Major Amasova, a.k.a. Agent Triple-X (heh), are both on the case, first as competitors, then as reluctant partners, and then as full-on partners, if you know what I mean. The case leads to billionaire ocean researcher Stromberg, while Bond and Amasova are pursued by metal-toothed henchman Jaws.

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Bond background: We get a quick rundown of Bond’s history, officially connecting the dots that were only hinted at in previous films. Bond is a Cambridge graduate who became a naval commander and was then recruited by MI6 to become a spy. His short-lived marriage and dead wife are also mentioned.

Bond baddies: Stromberg is kind of uninteresting, with his plan to control the world’s oceans. I guess we’ve seen this type of villain in the other Bond movies (Blofeld, mostly) so he doesn’t bring anything new to the table. The real star is Jaws. Played by the astonishingly huge Richard Kiel, Jaws is unstoppable and something to be feared, but also quirky and funny in his own way. First, it’s not enough to give Jaws scary teeth, they keep coming up with different ways for him to use the teeth, which I like. Second, Jaws keeps coming back for more, no matter how many times Bond defeats him. Fun fact: Richard Kiel played the Hulk in the pilot for the ‘70s Incredible Hulk TV series before the part went to Lou Ferrigno. The scene where Jaws tears apart Bond’s car with his bare hands gives us a hint of what his Hulk would’ve been like.

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Bond babes: Just as The Man with the Golden Gun attempted to create a villain who’s Bond’s rival, The Spy Who Loved Me attempts a romantic interest who’s his rival. There’s a running gag where he stops to explain something to her, only for her to already be knowledgeable on the subject. Barbara Bach is kind of cold and distant in the role, though, lacking the feistiness of Tatiana in From Russia With Love. Still, I always say that it’s best when the love story is integral to the plot instead of tacked on, and this movie is perhaps the best example of that.

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Bond best brains: Here’s where we really get into the “Q wacky workshop” thing, with guys testing out crazy gadgets, in the form of weapons that look like ordinary objects. Bond has a watch which prints out a little tickertape message from M, which seems outdated in a movie with satellites, computers, and microchips as plot points. Best of all, though, is the car that turns into a submarine — one of many of its built-in gadgets and weapons, I might add. Too bad the submarine car is so prominently featured in the movie’s marketing. Imagine what it would’ve been like to not know about it and have your mind blown when it transforms.

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Bond bash-ups: Lots of great action scenes in this one. We begin with a great ski chase ending with a big jump, followed by a lot of fights with Jaws, an awesome car chase ending with the submarine transformation, and another massive finale aboard the villain’s secret submarine base, with explosions and gunfights galore.

Bond baggage: Jaws is of course a reference to Steven Spielberg’s mega-blockbuster Jaws, released two years earlier. Also, does anyone else think that this movie’s score is maybe, just maybe, a little bit… disco?

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Bond babble: It’s as if the producers went through the previous Bond films, picked out the stuff that worked the best, and included it all in this one. The huge henchman and the gadget car evoke Goldfinger, the love story and train fight evoke From Russia With Love, and the huge, practical set getting blown up during the finale evokes You Only Live Twice. The alchemy works, though, and The Spy Who Loved Me is a great ride. All the Roger Moore haters should revisit this one, because it’s everything we think of when we think of 007.

Next week: Bond… in SPAAAACE!!!

****

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Fantastic Friday: The issue about nothing

Rereading the Fantastic Four comics from the start. This week, it’s the historic issue #90, in which… nothing happens.

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After all that business with the Mole Man ended last issue, you’d think that the plotline about the mysterious subterranean house would be over, but no. Our heroes are still hanging out in the weird underground house. Reed and Sue reconcile over his almost dying in the fight with the Mole Man, and there’s some exposition reminding us they have a baby at home. Then, the house is rocked by an earthquake.

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But, wait, it’s not an earthquake — Ben is tearing up machines the Mole Man left behind. The machine is booby-trapped, giving Johnny a nasty shock when he joins Ben. Ben and Johnny confront the Mole Man, who is tied up (!) as the FF’s prisoner. We then spend a couple of pages with the FF trying to get the Mole Man to talk, only to have him make a run for it. Even without his high-tech staff and blinded without his special goggles, the Mole Man is nonetheless spry, evading further capture. He escapes into “Subterranea,” his underground kingdom.

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Reed and Sue get all lovey-dovey again over Sue showing compassion for the Mole Man, and Ben decides to take off, wanting to go back to the city and visit Alicia. In the woods outside the house, we’re reunited with the Skrull Slaver, whom we met last issue. He disguises his ship to look like a big rock, he speechifies about how he has a special gun miniaturized inside his glove, and he impersonates a passerby, making himself look human.

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Still inside the mystery house, Reed says they won’t be living there (so why are they still hanging around?) and he hooks up the visophone. He contacts Alicia, who’s been babysitting, and we some cute “they’re a family” shtick where everyone dotes on the baby. Reed and Sue still haven’t chosen a name for the baby, though Sue suggests “Reed Jr.” The house is then rocked by an earthquake again. Our heroes flee as the Mole Man (everyone assumes it’s him) sucks the entire structure into the ground. Now stranded in the woods, Reed finally decides that everyone should head back to New York.

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In the city, the Slaver tracks down the one human he’s come to Earth to find. It’s Ben, who’s on a street corner signing autographs for a bunch of pretty ladies. (Way to go, big guy!) The Skrull changes shape, making himself look just like Reed. He tells Ben that they have to stop an alien invasion. We then cut to the real Reed, who’s with the rest of the team at a police station (why?) unable to track down Ben. He calls Alicia, who says she hasn’t heard from Ben. Alicia frets over Ben, calling him “the strongest, yet tenderest, most wonderful man in the world.”

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The Slaver leads Ben back out into the woods. (Where, exactly, are these woods just outside Manhattan?) In a ballsy move, the Skrull reveals his true form to Ben and announces that he’s there to take Ben prisoner. The Slaver re-bigs his gun, which is a nerve gun that can knock Ben unconscious. He loads Ben onto his ship and takes off for outer space, saying “We must not keep your masters waiting!”

To be continued!

Unstable molecule: Reed says they can’t take the Mole Man to the police, because there are no laws against trying to conquer the world. Let’s all try to remember this later on, when Reed will admit to She-Hulk that intricacies of law are like another language to him.

Fade out: Sue shows compassion for the Mole Man, which gets the house destroyed but, we’re told, is still a good thing.

Clobberin’ time: Ben signing autographs further shows how far he’s come — he’s no longer the monster, but accepting of who/what he’s become, just as others have.

Flame on: Johnny survives a point-blank attack from one of the Mole Man’s machines, saying it only hurt his pride. Either the machine was weak, or Johnny’s gotten a lot tougher.

Fantastic fifth wheel: Crystal makes a comment about “house-hunting.” Is this a thing among the Inhumans’ royal family, or does this show how well Crystal has acclimated to human life?

Commercial break: Baseball fans are CRAZY!

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Trivia time: Lots of celebrity mentions in this one, including actor Dustin Hoffman, FBI bigwig J. Edgar Hoover, and televangelist Jimmy Graham, which provides an odd cross-section of 1969 pop culture.

Fantastic or frightful? I have no idea what to make of this issue. Why spend so much time dealing with the Mole Man and the strange house when that plotline is over? Is it just filler, or this more of Stan Lee’s famous “realism,” in that the heroes have to take time to pick up the pieces after a superhero battle? I don’t know. Either way, the whole thing exists as mere setup for the next issue, and it really could have been told in a few pages, not a whole issue.

Next: Planet Thing?

****

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21 Jump Street rewatch: “The Dreaded Return of Russell Buckins”

Rewatching 21 Jump Street! Hope you like formal wear, because you’ll be seeing a lot of it in season three, episode twelve, “The Dreaded Return of Russell Buckins.”

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What’s goin’ down: Hanson’s troublemaking pal Russell Buckins has become a journalist, publishing a tell-all article about the Jump Street program. Hanson is put on suspension for blabbing about undercover work to someone he thought was his friend.

The original wedding crashers.

The original wedding crashers.

Here’s Hanson: Hanson road-trips to San Francisco to confront Buckins. There, he blunders his way into a politician’s wedding, where everyone mistakenly believes he’s a guy named Robert. Buckins has also crashed the wedding to expose the politician’s corruption — and to find love.

Undercover blues: Both Hanson and Buckins flirt big-time with Louise, an heiress worth millions. When Buckins reveals Louise and Hanson’s newfound love to Hanson’s girlfriend, Jackie the D.A., it’s over between them.

The extras in the background of this scene just walk around like nothing's happening.

The extras in the background of this scene just walk around like nothing’s happening.

Goin’ to the chapel: Buckins’ article describes Ioki as “Bruce Lee with Don Johnson’s wardrobe.” Well, they never said Buckins was a good writer.

Torn from today’s headlines: Tons of references here to tabloid journalism, as this was the height of popularity for The National Enquirer and its brand of celebrity scandal “news.”

Leather wrist bands are mandatory wedding attire.

Leather wrist bands are mandatory wedding attire.

Trivia time: When we met Buckins last season in “Fear and Loathing with Russell Buckins,” it was established that Buckins is a magazine writer. That’s some nice foreshadowing right there. Hanson’s love of bowling gets yet another mention, where he convinces the snooty rich folks to leave their fancy croquet party and join him at the lanes.

Because the teen demographic just loves rich-people-playing-croquet scenes.

Because the teen demographic just loves rich-people-playing-croquet scenes.

 Jumpin’ or not? When we last met Buckins, he was bringing Hanson out of his shell, but in this one, Hanson is the tough guy, not taking any crap from his old pal. This nicely shows Hanson’s ongoing development from “nice guy” to “bad boy.” Beyond that, though, we spend the whole episode doing the “rich family’s tensions come to a head while at a wedding” thing, and it’s a chore to get through. Is this 21 Jump Street or Dynasty? Not jumpin’.

 Next: A private matter.

 

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: The Man with the Golden Gun

Rewatching the James Bond films chronologically. Rumor has it that producers wanted a villain who could be Bond’s equal — a true rival. Therefore, the great Christopher Lee joins the party as The Man with the Golden Gun.

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Bond blurb: Scaramanga (Lee), a high-price assassin, is out to get James Bond. M suggests that Bond lay low, but Bond instead goes on the hunt, tracking Scaramanga down through his signature gold bullets and his lover, Andrea. It all comes to a one-on-one showdown between the two on Scaramanga’s private island.

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Bond background: James Bond is famous! At least in the intelligence community, he is. The whole plot hinges on everyone knowing how badass Bond is, which is why Scaramanga comes after him.

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Bond baddies: Christopher Lee is his usual cool-yet-imposing self, but there are a few moments that humanize Scaramanga. When Bond finally arrives on Scaramanga’s private island, the villain is all happy and upbeat. He’s delighted that Bond is there so they can try to kill each other. Also, Herve Villechaize is here as henchman Nick Nack, basically auditioning for his famous role on Fantasy Island.

Bond babes: Maud Adams plays the exotic yet haunted Angela, and you’d think she’d be the main love interest, so it’s a shock when Scaramanga takes her out in the way he does. The bad news is that this leaves Miss Goodnight to fill romantic partner role. Just who is Miss Goodnight, anyway? As she’s introduced, it’s established that she and Bond already know each other and have been working together. Yet, she’s the worst spy ever. Half of the plot’s complications come about because of her clumsiness and cluelessness. Britt Eckland is certainly cute, and her cavorting in that bikini is appreciated, but the character is bimbo-o-rama.

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Bond best brains: The only real gadgets we get are tracking/communication devices, and a couple of weird guns (including a golden one). There’s a funny running joke where M keeps telling Q to shut up.

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 Bond bash-ups: The ‘70s kung fu craze predicted in You Only Live Twice was in full swing by now, so we’ve got Bond in Hong Kong visiting a martial arts school and helped out by a pair of awesome fightin’ schoolgirls. A car/boat chase leads to the movie’s famous corkscrew car jump, complete with embarrassing slide whistle sound effect. The finale has a laser beam and explosions, but it’s really the face-off with Scaramanga in his kitschy funhouse that’s the movie’s action highlight.

Bond bewilderment: Good ol’ Sheriff Pepper returns, running into Bond while on vacation in Asia. This time he becomes Bond’s sidekick for part of the movie, instead of becoming the main character for part of the movie. Pepper makes a ton of racist comments, just so we can hate him even more.

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Bond baggage: There are a lot of lines about the “energy crisis” and solar power. This was a big deal in the early ‘70s, the era of long lines at the gas pumps.

Bond babble: This flick is a breath of fresh air following Live and Let Die. After the buffoonishness of that movie, this one looks and feels more like we think a Bond movie looks and feels like. More importantly, it brought back an important element of the series — intrigue. Yes, there’s campiness and cheesy jokes, but the fact that Bond has to look over his shoulder throughout the whole movie gave it just enough seriousness and, dare I say, drama that I was invested the whole time. The Man with the Golden Gun is divisive among fans, I hear, but you can count me among its supporters.

Next: Nobody does it better.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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