Fantastic Friday: Season of the witch

 Rereading the Fantastic Four comics from the start. Generally speaking, fans divide the first 300 or so issues of FF into three eras, the Lee/Kirby years, the “middle years,” and the John Byrne years. Although Kirby is still with the book with this issue, #94, for me it always represented the beginning of the “middle years,” thanks to the introduction of one of the book’s weirdest, wackiest supporting characters.

Agatha7The story begins with the FF at home, where Reed and Sue announce that they’ve chosen a name for the baby — Franklin, after Sue’s father. They further reveal that lil’ Franklin’s middle name is Benjamin, after the Thing. Ben gets all teary-eyed after learning this, the big softie.

Agatha1

 We then catch up with the Frightful Four, who are still a team, but still bickering with one another. The Wizard is secretly spying on the FF, saying he wants his revenge on our heroes, while Sandman hesitates about putting the baby in danger. Then Paste Pot Pete, um, I mean the Trapster shows up with Medusa, so the original Frightful Four is back together. (Wait, isn’t Medusa a good guy now?)

Agatha3

Reed announces that he’s found a “child-rearing specialist” to help take care of the baby while the FF are having adventures. They fly the Fantasticar to the Adirondacks, to a big gloomy mansion that Reed tells us is the home of Agatha Harkness. Harkness, Reed says, has a world-famous reputation as a child specialist. We meet Harkness, a creepy old lady with a black cat named Ebony. She says she’s coming out of retirement, because she couldn’t say no to the famous Fantastic Four.

Harkness’s mansion is of course a big scary house with creepy antiques and paintings all over the place. She does the horror movie “I’ll show you to your rooms” thing. While horsing around in his bedroom, Ben finds a hidden door leading to a secret passage, where he’s attacked by the Wizard. Ben is lifted off the ground from one of the Wizard’s anti-grav discs, and then knocked unconscious by an energy blast. The Wizard and Sandman attack Johnny next, dousing his flame with Sandman’s sand. The Trapster’s paste gun seals the only door to Reed and Sue’s room.

The Frightful Four reunite inside the house, and the Wizard announces that now that the FF is trapped, it’s time to dispose of them permanently. That’s when Medusa strikes, attacking the Wizard with her super-powered hair. Turns out she secretly only joined them to protect the FF, if needed. (Fooled you!) It’s a short fight, after the Trapster traps Medusa in the paste.

Agatha4

 It looks like the fighting is over, but Harkness appears at the top of the stairs. Ebony transforms from an ordinary cat into a giant panther. There’s a strange bit where Ebony chases the Wizard out of a window, and as the Wizard flies off into the sky, Ebony’s face fills the entre sky around him. (Magic, I guess?) Sandman tries to attack Harkness, but she transforms him into hard, solid rock. The Trapster runs for it, but a big demonic monster blocks the exit, and Trapster faints with fear.

Agatha5

We turn the page, and the “demonic monster” was really Ben, who didn’t even lay a hand on the Trapster. The sand, anti-grav disc, and paste have all disintegrated. Medusa is freed as well. They find Sandman and Wizard both paralyzed with fear. Reed and Sue are out of their room, and everyone rushes to Harkness’s room, where the baby is. They find everything is OK — the baby is sleeping and Harkness is sitting there, knitting. Ben sees a book in the room titled “Tales of Old Salem,” and he suspects that Harkness is a witch. She voices his suspicion before he can say it, suggesting that she read his mind, so Ben freaks out and runs out of the room, Scooby-Doo style.

Agatha6

Unstable molecule: It’s never mentioned how Reed learned about Harkness or why he decided she should be the baby’s nanny, but everyone goes along with it.

Fade out: Sue insists several times that the baby must be kept somewhere remote and distant, to keep him safe from the FF’s many enemies.

Clobberin’ time: Despite being a teammate to a genius, Ben is the only one who suspects there’s something supernaturally weird going on with Harkness.

Flame on: The villains’ plan is to take out Johnny fast, before he can summon up his flame. I wonder why more baddies don’t try this approach.

Fantastic fifth wheel: Although Crystal stays behind in New York in this issue, Medusa makes sure to ask how Crystal is doing, setting up the next issue.

Four and a half: The famously blonde Franklin has brown hair in this issue. A panel showing the exterior of the Baxter Building shows funky blue energy crackling all around it as the FF discuss Franklin’s future safety. Could this be foreshadowing Franklin’s powers?

Commercial break: Glo-Gloop?

Agatha2

 Trivia time: This is actually not the first time readers learned Franklin’s name. So many readers had written into the letter’s page suggesting the name that Stan Lee more or less unofficially spilled the beans in the letters months earlier. Also, Sandman previously appeared in Hulk #114, where he was turned to glass. A line of dialogue in this issue says the Wizard turned him back to normal.

 Fantastic or Frightful? As a comedic haunted house story, this is an amusing little romp, but the fact that so much stuff happens for no reason shows us that we’ve entered the directionless, meandering storylines of the “middle years.”

Next: They call him “One-eye.”

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment

21 Jump Street rewatch: “Blinded by the Thousand Points of Light”

Rewatching 21 Jump Street. The show’s creators are back to pushing the envelope and going to extremes in season three, episode seventeen, “Blinded by the Thousand Points of Light.”

jump1

What’s goin’ down: Homeless male teen prostitutes are being savagely beaten and left for dead by an unknown assailant driving a nice car. Now, our heroes are undercover on the streets in the bad part of town.

My own private Depp.

My own private Depp.

Here’s Hanson: Johnny Depp is barely in this episode, only in a few scenes. Some fans have speculated that his line, “I hate feeling like a piece of meat,” was some sort of sly commentary of how he wanted off the show to pursue his film career.

Penhall’s prerogatives: Penhall develops a friendship with a girl who suffers serious abuse from the other homeless teens. His “street name” is “Trump,” because he’s so good at conning cash from passersby.

Streetwalker, or jazz man?

Streetwalker, or jazz man?

Book ‘em: Booker’s “homeless” disguise has him wearing a hat. Other than that, he’s wearing pretty much what he always wears.

Undercover blues: To track down the one missing teen who can identify the suspect, Hoffs accompanies one girl back to her parents’ suburban home, for the tear-jerky reunion.

"Homelessness? Still better than starring in The Road to Wellville."

“Homelessness? Still better than starring in The Road to Wellville.”

Trivia time: Bridget Fonda, one of my favorite actresses, plays one of the homeless teens. Also, there’s a rare acting appearance by writer Darin Morgan, known for his outstanding and oddball scripts he wrote for The X-Files, Millennium, and Cartoon Network’s short-lived Tower Prep.

Torn from today’s headlines: A lot of ‘80s shows did “Let’s feel bad about the homeless” episodes, and this one lays it on really thick. The episode’s title refers to U.S. President George H.W. Bush’s famous “thousand points of light” speech, about community organizations and volunteerism. I suppose the title also refers to Manfred Man’s lyrically-confusing 1976 hit song “Blinded by the Light.” (Revved up like a WHAT?!?)

Bummer.

Bummer.

Jumpin’ or not? This one checks off all the boxes — homelessness, drugs, violence, prostitution, and more. It’s dealt with in more of an even hand than other “message” episodes the show has done, though, mostly thanks to some strong character work in the script. The homeless kids come across as real people and not just stock types. It’s jumpin’!

Next week: Shock jock rocks the block.

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment

James Bond rewatch: Octopussy

Rewatching the James Bond films chronologically. Just like 1967 gave us two Bond movies, an unofficial one with Casino Royale and official one with You Only Live Twice, the same thing happened in 1983, with two Bonds in one year. First up this time was the official one, Octopussy. (How, exactly, did that title get past all the censors in the world?)

Octo1

Blond blurb: The Russians are up to no good, with a plan to conquer the rest of Europe. Meanwhile, Bond is on the trail of a stolen Faberge egg, which leads him to India, and a female-led smuggling ring, and an East German circus that… I give up. Can anyone follow the plot of this one?

Octo2

Bond background: After a couple of movies where everyone knows Bond and his reputation, in this movie he’s back to being a spy again, working in secret. There are several references to him working for “Universal Exports,” which I’m assuming is a cover for MI6. Also, Bond is captured after spending the night with a woman, which once again reveals that the ladies are his “blind spot.”

Bond baddies: Head villain Kamal Khan (Shatner: “Khaaaan!!!”) doesn’t do a whole lot except glare angrily at Bond, which he does well. I really like the henchman Golinda, who crushes dice with his bare hands and whose name sounds like a good witch. This is the one with the yo-yo sawblade guy, a nifty but not very practical weapon. Some knife-throwing twins add to the fun as well.

Bond babes: Bond first beds bad girl Magda, who does the Cirque de Soliel escape with her unfolding dress off his balcony. It’s the titular (heh) Octopussy, though, who’s the main squeeze. Never mind that she’s a criminal overlord with her own island full of deadly henchwomen. Bond’s actually into that.

Bond best brains: Oh, so this is the one with the acid-spewing pen. Nice! Bond’s watch gets a lot more gadgets, including a tracking device that gets a lot of screen time. Because this the Moore era, we’ve got a mini-sub shaped like a crocodile. There’s also an amusing bit where Q gets in on the action in the field, doing some surveillance on Octopussy’s hideout and even saving the day in a hot air balloon.

Octo5

Bond bash-ups: The opening is worth the price of admission, with some eye-popping stunts as Bond escapes capture in a super-speedy mini-plane. There’s an amusing taxi chase through an Indian marketplace, with a lot of slapstick gags. More gags follow during Bond’s Most Dangerous Game jungle escape. It then ends with a three-part finale, with a bomb diffusing followed by a shootout in a mansion followed by an airplane escape with Bond clinging onto the outside of the plane.

Octo3

Bond bewilderment: To get past the bad guys while at the circus, Bond disguises himself as a clown, complete with full-on clown makeup. (Really detailed clown makeup, too, which is impressive considering that he only had a few seconds to put it on.) Even stranger, this is foreshadowed in an earlier scene when another 00 agent fights a bunch of guys and then is killed while in the exact same outfit.

Bond baggage: Raiders of the Lost Ark had come out recently. Could it have been an influence? The marketplace chase/fight and Bond’s jungle escape seem a little more Indy than Bond.

Octo4

Bond babble: I’ll be honest. This one was a little hard to sit through. The practical stunts and the lavish scenic locations are great, but who can follow this wonky storyline? Add to that the constant puns and wacky slapstick, and you’ve got a movie that’s a total mess.

Next week: Let’s go to the arcade.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in James Bond rewatch | Leave a comment

Fantastic Friday: In the arena

Re-reading the Fantastic Four comics from the start. Here’s issue #93, which came out in December 1969. It’s the end of the 1960s, and it’s the unofficial end of Jack Kirby’s time on the FF. Sure, he’ll be around for a few more issues, but most experts agree that this arc was the last time he gave a damn. Anyway, to recap: Skrulls who live as old-timey gangsters kidnapped Ben and are forcing him to fight in gladiatorial games.

gangsters6

We begin in space, where the FF is flying along in their Skrull flying saucer which they happen to own, searching for a trail to lead to Ben. Johnny, it’s worth noting, is flying outside of the ship with his flame burning, with absolutely no mention of how he can do this in the vacuum of space. (Remember that way back in issue #6, Ben and Namor needed special helmets to breathe in space.) Our heroes find a radioactive trail which Reed deduces leads to Ben’s abductors.

gangsters3

On the Skrull planet, Ben and his opponent, the robotic Torgo (not the Manos Torgo, sadly) are finally put into the ring. They’re told they must fight to the death. Ben continues to try to convince Torgo to escape, but Torgo is resigned to his fate. He punches Ben real good. Ben’s strength, however, stands up to Torgo’s blows, and Torgo says Ben is the mightiest opponent he’s ever faced. The Skrulls insist that they keep fighting or else their homeworlds will be destroyed by sonic rays. Then there’s a bit of business where somebody throws a bomb into the ring, which knocks Ben back. Torgo is about to strike the final blow, but the Skrulls won’t have it, saying Ben was defeated by the bomb, not by Torgo.

While the aliens/gangsters argue about the rules, Ben finally fights back, punching Torgo. The computer, which I guess is keeping score somehow, determines that the fight’s outcome is voided. Now, they have to start the fight over. (How that’s different from just keeping on fighting, I don’t know.)

The FF arrives at the Skrull planet, and a Skrull ship flies out to intercept them. Johnny envelops the alien’s ship in a “sub-nova heat blanket.” This knocks out the Skrull. As the FF invade his ship, Reed says they’ll learn where Ben is once he comes to.

gangsters4

Torgo and Ben have been given some weird-looking alien weapons that kind of look like big bottle openers, and they continue to fight. Despite all that’s happened, Ben is still arguing that they should work together to escape, but Torgo still believes that they have no choice but to keep on fighting. Ben refuses to go the distance and kill Torgo. Torgo then reveals that the weapons are also gas guns (!) and he blasts Ben with knockout gas. This makes Ben vulnerable to Torgo’s final blow. In the stands, the Skrulls/gangsters once again argue whether these weapons are allowed in the rules (they really should have gone over these rules before the fight started).

Elsewhere, one of the gangsters’ henchmen is reported about the fight on the phone, when he’s approached by Reed, now in a full-on gangster outfit. He says he’s with “Reed Richards’ gang” and he demands to be taken to the fight. They hop in a car, where Johnny and Crystal are also in their best Untouchables-era finery. Lest we forget that this is an alien gangster planet, it’s a flying car.

gangsters1

At the arena, Ben’s message finally sinks in, and Torgo says he cannot kill one who has shown him mercy. The Skrulls prepare to fire up the sonic disrupter, but a blast of energy comes out of nowhere and destroys it. The blast came from Crystal, arriving in the nick of time with Reed and Johnny. Ben is so happy to see his friends that he does the old “I must have got something in my eye” gag.

No time for sentiment for Torgo, however, as he frees all the slaves, and they all bring the fight to their Skrull overlords. The FF escape in the commotion, and flee the planet. Ben wonders who Torgo was, and hopes his former cellmate will succeed in the fight for freedom.

gangsters5

Unstable molecule: Note that Reed’s gangster suit isn’t made of unstable molecules. When he stretches his arm, the suit doesn’t stretch with it. Nice detail, there.

Clobberin’ time: Although he’s the one so often quick to fight, Ben’s underlying humanity is the showcase in this issue, as the real fight isn’t in the gladiator ring — it’s the fight to become a better man.

Flame on: Still not sure how Johnny can fly around in space like that. Not even one line of dialogue explaining that he’s protected by a portable energy field or some crap?

Fantastic fifth wheel: Crystal is totally badass when she destroys the sonic world-killing machine.

Commercial break: If you know your comics history, you know about the controversies surrounding these light tables, yet here’s an ad for one — in a comic!

Trivia time: According to the Marvel Wiki, the Skrull gangsters Boss Barker and Lippy Louie were never seen again after this arc, and are presumed dead after the revolution in this issue. If anyone from Marvel is reading this, I dare you to bring these two back.

Fantastic or frightful? If all the rumors are true and this was Jack Kirby’s last genuine work on the FF, then it’s a good one for him to go out on. Many have speculated that the Thing’s personality was basically Kirby’s personality, and here we get to the heart of what Ben is all about. But it’s not over! Kirby is still with us for the next few issues, and there’ll be more to talk about.

 Next week: Season of the witch.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment

21 Jump Street rewatch: “High High”

Rewatching 21 Jump Street. You guys. Seriously. It’s one of my all-time favorite episodes. Season three, episode sixteen, “High High.”

jump1

 

What’s goin’ down: Some scumbag is dealing drugs at a performing arts school. The Jump Street cops must now do the all-acting, all-singing, all-dancing thing while sniffing out the culprit.

"Dude, Disney Channel is showing Lemonade Mouth again tonight!"

“Dude, Disney Channel is showing Lemonade Mouth again tonight!”

Here’s Hanson: Hanson’s music knowledge helps him out in band class, where he can talk the talk with the rock kids. Also, Johnny Depp is sporting some serious Tim Burton hair while at the station in the opening scene. Filming Edward Scissorhands, were we?

Bang. Zoom.

Bang. Zoom.

Penhall’s prerogatives: When Penhall performs a scene from The Honeymooners, the teacher has him play it not for laughs, but instead act as if it’s the real him, and not a character. This is some art imitating life, as the “play the character more like myself” thing was something actor Peter DeLuise mentioned in several interviews around this time.

Book ‘em: Booker’s performance art piece. He stands on stage and says, “My friends always ask me, ‘Why don’t you watch TV?’ Because it gives me a headache.” He then puts on sunglasses, picks up a sledgehammer, and smashes a bunch of televisions, with sparks and smoke flying everywhere. It’s the most badass thing that ever did badass.

I wear my sunglasses at night, so I can, so I can smash televisions.

I wear my sunglasses at night, so I can, so I can smash televisions.

Undercover blues: Turns out there’s not one drug dealer in school, but everyone’s on drugs. Instead of pursuing one crook, the Jump Street gang has to deal with a full-blown drug infestation. Their solution? Throw an assembly, and arrest the entire student body at once!

Goin’ to the Chapel: Blowfish, who, let’s not forget, is Jump Street’s janitor, is for some reason put in charge of cataloging all the confiscated drugs. When asked how he knows so much about narcotics, he responds, “Dragnet re-runs.”

Trivia time: In the opening credits, we read, “Music and Poetry by Wolfgang Amadeus Mozart.” Your guess is as good as mine.

Overly open throats.

Overly open throats.

Torn from today’s headlines: The movie Fame was released in 1980, and was adapted into a TV series in 1982, and then into another TV series, Fame LA, in 1997. It then got a big screen remake in 2009. The success of Glee and High School Musical owes a lot to Fame. Also, there was Hull High in 1990, one year after this episode. I’m sure nobody but me remembers Hull High, so I can get away with saying it was a totally rockin’ high school music show and wasn’t cheesy or stupid at all.

Jumpin’ or not? This one has a lot of great humor, memorable character beats, and slick visual style, courtesy of superstar director Mario Van Peebles. There are a lot of big speeches about art, emotion, pressure to be the best, and living in the moment, but in this case the speechifying feels more natural. It’s woven into the story in a way that fits the setting. I love this episode so much. It’s jumpin’!

Next week: Do the hustle!

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment

James Bond rewatch: For Your Eyes Only

Rewatching the James Bond films chronologically. The fans love to grouse about the cheesiness and camp of Moonraker and Octopussy, but in between those two in 1981, we got For Your Eyes Only, a movie that, it seems, the fans never talk about. Well, I’m going to talk about it… right now!

ForYour3

Blond blurb: In the opening credits sequence, Bond is confronted by Blofeld, and then finally kills him. From there, Bond is investigating a sunken submarine, which puts him in the path of the beautiful-but-deadly Melina Havelock, who seeks revenge for her parents’ murder.

Bond background: We begin with Bond visiting his wife’s grave. This would be the wife who died in Her Majesty’s Secret Service. He’s then attacked by Blofeld. Blofeld has more or less been a different character in each appearance, and in this one, he’s the Joker, making lame puns as he confronts Bond. It’s awfully anticlimactic considering everything these two have been through in past movies.

ForYour4

Bond baddies: The one is interesting in that it doesn’t tell us who the villain is at the start. We see the whole thing through Bond’s point of view, as he uncovers clues and follows leads. The trail eventually leads to the seemingly-nice Kristatos, who is into drug-smuggling and then submarine-stealing. His henchman is the silent killer Loque, who’s not quite as memorable as some of the other silent killers Bond has fought.

ForYour1

Bond babes: Melina is an interesting character. She’s tough and she’s driven by revenge, but she’s also enjoying her adventures, even laughing at Bond’s (Moore’s) awful puns. She’s great, basically. Too bad that Bond also kinda/sorta romances Bibi, a figure skater whose power-rich uncle is involved in the case. It’s the first of several “she’s too young for him” dalliances in the Moore era, but at least this time they call some attention to it.

ForYour5

Bond best brains: There’s another comedic tour through Q’s wacky workshop, with one of my favorites — the killer umbrella. But, really, it’s the hokey “indentigraph” that steals the show. It creates a simplistic police sketch of the villain, which the computer is then able to recognize. Q invented Google image search!

Bond bash-ups: There’s some great helicopter stunts in the opening, followed by a fun car chase in the Greek countryside, and then lots of skiing! Instead of remote mountainside, this ski chase is at a resort, so Bond and the bad guys weave their way in and out of the tourists, which adds a lot of fun gags to the scene. Then there’s a cool gunfight that leads to a real “license to kill” moment, and some awesome undersea diving action in and around the sunken sub. It all ends with an assault on Kristatos’s hilltop hideaway, with mountain climbing and gun blasting.

ForYour6

Bond baggage: Sure enough, the Winter Olympics had been a year before this movie, so Bond makes with the winter sports again. Also, Melina immediately reminded me of Marvel Comics’ Elektra, because they’re both kickass Greek women caught up in international intrigue. Milena even compares herself to the mythological Elektra at one point. Turns out Marvel’s Elektra debuted in 1981, same year as this movie. So who ripped off who?

ForYour2

Bond babble: I’m torn about this one. It’s a slower-paced, more grounded film than others in this series, and that’s clearly by design, but I wonder if it’s at expense of some of the fun. I like a lot of the action and some of the performances, but the plot meanders and there was a lot that didn’t work for me — like why is Bibi even in this movie at all? So… I enjoyed For Your Eyes Only, but it won’t be on any “best of” list I might make. If others feel the same way, maybe that’s why the fans never talk about it.

Next week: Octo-WHAT?!?

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in James Bond rewatch | Leave a comment

Fantastic Friday: The first rule of space fight club is…

Rereading the Fantastic Four comics from the start. Let’s see, how to summarize this plot? The Thing is trapped on a planet of Skrulls who have taken the form of old-timey gangsters, who want him to fight in some gladiatorial games. Got it? Good. Here’s issue #92:

FightClub2

The “gangsters” collect Ben from his cell and say it’s time for him to train for the games. They take off his power-inhibiting collar, and he starts to wreck the place, but he can’t. Ben’s roommate/future opponent Torgo (no, not that Torgo) explains that they’re all under a “hypno-glow” that mentally prevents the prisoners from fighting back.

Ben’s first opponent is Magno-Man, and this is where we get this panel, which has become something of an internet meme over the last few years:

FightClub1

What you don’t see in this panel is that Magno-Man actually puts up a good fight, throwing Ben all over the gladiator arena. He nearly defeats Ben before Ben rips up the ground underneath him.

Back on Earth, Johnny and Crystal conclude that Ben is not in New York and that Reed was right about suspecting the Skrulls. Inside HQ, Reed is modifying the Skrull flying saucer, which the team took ownership of way back in issue #2. (!) Sue wants to join the team as they head into space, but Reed insists she stay behind to take care of the baby.

FightClub3

The Skrull gangsters continue to blast Ben with nerve rays so he doesn’t fight back, and they test his strength by putting him under a “Hydraulo-press,” which looks really painful. Later, word is spread throughout the planet that the great games are going to start. We’re reunited with Ben’s “owner,” Boss Barker, and his rival Lippy Louie. Louie is the one who has bet against Ben in favor of Torgo. There’s a weird bit where Louie sets off a bomb in Barker’s headquarters, which Barker takes to mean that Louie’s getting scared he’ll lost the bet. Barker travels to the games, where we get another mention of Machine Gun Martin, the Earth gangster who inadvertently inspired this alien society.

FightClub5

Inside Ben and Torgo’s cell, Torgo gets all robot-emo, saying he longs for freedom. Ben tries to convince him to fight against their captors, but Torgo won’t go for it. They start fighting, right there in the cell, before the gangsters break them up. They’re taken to the arena, along with a bunch of other kooky-looking aliens. Ben continues to argue for fighting back, but Torgo says that if any slave fights back, that slave’s home planet is destroyed. (Why is Ben just learning this now?)

FightClub6

The games begin, with the first fight between a “primitoid” and a “cat-man.” Ben watches, worried that there will be no escape. Elsewhere, Reed, Johnny and Crystal have taken off into space in the flying saucer, to the rescue.

To be continued!

Unstable molecule: Reed not only gets an alien spacecraft up and running, but uses the alien navigation system to find the planet Ben is on. Brains!

Fade out: Sue is sidelined again. And they still haven’t named the baby.

Clobberin’ time: Ben spends most of the issue in a weakened state, but he manages another killer put-down: “You got a real anti-social hang-up there, Melvin.”

Flame on: Johnny flies around not in his FF uniform, but in a sweater and jeans. We’re not told these clothes are made of unstable molecules, but we can assume that, right?

Fantastic fifth wheel: When speaking to Johnny, Crystal calls Reed by his full name, “Reed Richards.” Is this to remind us that she’s an Inhuman and still new to the outside world, or just clumsy exposition for new readers?

Commercial break: Man, I used to love these “new fall season” ads for the Saturday morning cartoons. Unfortunately, haven’t heard of most of these shows. Cattanooga Cats?!?

FightClub4

Trivia time: Torgo will show up a few more times in the Marvel Universe after this, getting his sci-fi back story fleshed out a little more. Basically, he’s from another galaxy, where sentient machines overthrew organic life. You know, the usual. The Marvel Wiki informs me that Torgo has “a bit of a sweet tooth.”

Fantastic or frightful? This issue is a tease, building up to the big games, and then cutting to the cliff hanger just as they start. So, it’s all set-up. The rumor is that although Jack Kirby was fed up with Marvel by this time, he loved drawing this gangster stuff. I can believe that, seeing a ton of Kirby’s trademark imaginativeness in the gangster/alien designs.

Next week: The brawl to end it all!

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment

21 Jump Street rewatch: Fathers and Sons

Rewatching 21 Jump Street! Here’s an episode that rewards the loyal fans, as it seems the entire series has been leading up to this one. It’s season three, episode fifteen, “Fathers and Sons.”

jump1

What’s goin’ down: Hanson and Penhall are investigating drugs in a high school, only to discover the head druggie is the son of Jump Street’s archnemesis, the scumbag Councilman Davis, who’s just been elected Mayor Davis. Now, city hall wants the Jump Street gang off the case, but of course our heroes won’t back down.

Bad dudes, or rad dudes?

Bad dudes, or rad dudes?

Here’s Hanson: Hanson’s still dating Jackie the D.A., and their relationship faces some serious hurdles after she inadvertently (or perhaps not so inadvertently) leaked info about the case to the mayor’s office.

Penhall’s prerogatives: Penhall’s still rooming with Ioki, until Ioki has had enough and throws him out. The episode ends with him still without a place to live.

Is this kid on the right one of the aliens from the "V" miniseries?

Is this kid on the right one of the aliens from the “V” miniseries?

Book ‘em: No Booker this week.

Undercover blues: Conflicts with the mayor’s office lead to Captain Fuller being suspended. Later, Davis’s son overdoses, and Davis shows his human side by asking Fuller and Jump Street to go after the drug dealer.

Goin’ to the Chapel: Ioki’s new girlfriend is stunningly gorgeous, but he swears he loves her more for her intellect.

Breaking not-so-bad.

Breaking not-so-bad.

Torn from today’s headlines: The drug use is really explicit in this episode, with depictions of teenagers doing cocaine and crack. How’d they get away with this on prime time Sunday night TV?

Trivia Time: Davis is played by actor Michael Laskin, who has a list of TV guest star credits a mile long. He even did the voice of Junior Gorg on the animated version of Fraggle Rock!

This is the mayor.

This is the mayor.

Jumpin’ or not? This episode is packed! Not only does it have the high school crime caper, but it also devotes generous screentime to the ongoing Jump Street vs. city hall subplot, and to all the characters’ various romance/relationship subplots. If this were the last episode, it would’ve made for one heck of a finale. Fortunately, though, the show continues on, and there’s more cheesy fun to be had. Next week, for example.

Next week: I wear my sunglasses at night… as performed by the cast of Glee!

 

 ****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in 21 Jump Street | Leave a comment

James Bond rewatch: Moonraker

Rewatching the James Bond films chronologically. Time for 1979’s Moonraker. It’s Bond… in SPAAACE!!!

moon1

Bond blurb: A space shuttle owned by billionaire Hugo Drax is stolen. Bond investigates, and it’s clear from the beginning that Drax is behind the theft. Bond travels around the globe putting the clues together. Drax wants to use his space shuttles to take his “perfect race” of idyllic humans into space, and kill the rest of us losers down on the planet. To stop Drax, Bond leads an attack on Drax’s space station for some serious zero-G laser-blastin’ action.

moon5

 Bond background: Bond is actually not a spy in this movie. Like in Dr. No, he’s merely an “agent” investigating a crime. Everyone in the movie already knows his status, so there’s no need for secrecy or intrigue.

Bond baddies: Drax is a real oddity. He’s so stiff and so cold that I can only conclude that it’s the actor’s choice. Perhaps the “space” theme meant that he was intended to be like a robot. Jaws makes a return appearance, now making the jump from bad guy to good guy in the end. I always assumed that Jaws sacrifices his life during the finale, but there’s a quick line of dialogue that says he made it.

moon4

Bond babes: Dr. Holly Goodhead is a delightfully stupid name, but beyond that, I just don’t know who this character is. She’s working for Drax, but she keeps investigating him, running into Bond because they’re on the same trail. She’s a scientist, but she’s got a bedroom full of deathtrap gadgets to take out Bond. Oh, and is she trying to kill Bond, or is she on his side the whole time? I don’t get it. Was there a line of dialogue I missed that said she’s an undercover rival agent or something?

Bond best brains: Bond’s wristwatch now contains a dart gun, which he tests out by firing at a painting in M’s office. He hits the painting right on a horse’s ass (or, to be less crude, he pins the tail on the donkey).

 Bond bash-ups: We’re now in the blockbuster age, so there’s a ton of big set pieces. We’ve got some great skydiving stunts in the opening, a fight atop two precariously-balanced sky trams, and two boat chases — one in South America and one in the Venice canals. The problem is that none of these action beats raise the stakes or move the plot forward. The story stops, Bond gets chased around for a while, and then the story starts again.

moon3

Then, Bond goes into outer space and it becomes a whole other movie. All weaponry is now laser-based, everybody zaps everybody, and Drax’s space station blows up real good. If that’s not enough, Bond then pilots the space shuttle (!) to destroy Drax’s bombs before they reach the Earth.

Bond baggage: Do I really need to tell you that this one was inspired by the huge success of Star Wars in 1977? NASA’s work on the space shuttle was also a big influence. Although the shuttle didn’t actually launch until years later, NASA’s tourism-friendly PR department made sure the shuttle was already in the public eye.

moon2 Bond babble: A few years ago, I attended a Q&A with Richard Kiel, who plays Jaws. He said that the biggest blockbusters of the late ‘70s were family-friendly fantasy movies. Therefore, the lighthearted, campy Bond was what audiences of the time flocked to, and it paid off. Moonraker, for all its silliness, was huge at the box office. I enjoy that it’s jokey and goofy, but I can also understand why goofy and jokey turn so many people off.

Next week: Eyes wide only.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in James Bond rewatch | Leave a comment

Fantastic Friday: “Yer fadder wears space shoes”

Re-reading the Fantastic Four comics from the start. The end of the last issue had the Thing being captured by a Skrull and carried off into space. So why are there 1930s-style gangsters on the cover to issue #91? Let’s see…

Gangster1

We begin with those same gangsters (and their sexy moll) looking at a picture of Ben and talking about how the slave ship is bringing him in. The narrative caption spills the beans a bit too early by stating, “It isn’t a scene from The Untouchables! You’re actually on another planet!” The head gangster, Boss Barker, plans to buy Ben from the slaver and have Ben box a fighter owned by rival gangster Lippy Louie. On cue, Louie shows up to make the bet. He wagers ten “power stones” that Ben can’t defeat his slave, Torgo. (Torgo???)

Gangster3

The Skrull Slaver, who has apparently changed his name to Slave-Master, has Ben trapped in a big stone harness, and he again uses his nerve ray to put Ben to sleep if he tries to escape. They arrive at Kral, a planet on the outer edge of the Skrull galaxy.

Back at FF headquarters, Reed says no one, including police, has seen or heard from Ben in days. The team insists it’s not like Ben to just wander off. Johnny takes off, flying over the city in some desperate attempt to find his pal.

Gangster4

On the Skrull planet, Ben arrives with the Slave-Master and a bunch of other alien slaves. Ben is surprised to learn the planet looks just like New York during the age of prohibition. A bunch of punk kids throw a brick at Ben, he makes the obligatory reference to the Yancy Street Gang, and tries to fight back. More nerve rays from the Skrulls shut him up pretty good. There’s a confusing bit of business where Boss Barker pays his ten power stones as a “down payment” for Ben, with arguing over whether it’s actually ten stones or not. Whatever. He leaves with Ben.

As the aliens/gangsters drive Ben through the streets, we get the backstory. On Earth in the 1930s, a crook named Machine Gun Martin escaped from jail. In his fleeing from cops, he came across a Skrull slave ship, who brought him to Kral. Through him, and then through old gangster movies, the Skrulls of Kral decided to base their entire society on old-timey Earth gangster culture. The exposition is interrupted by an attack from a biplane, equipped with alien superweapons, which tears up the road in front of the car. The Skrulls/gangsters flip a switch, allowing it to fly, and to fight back with its own superweapons.

Gangster5

Ben is brought to the gangsters’ HQ, an old brewery, where Ben is introduced to the Slave-Keeper, who (I guess?) is different from the Slave-Master. He says it’s time for Ben to start his training, with “training” being fighting a giant monster. Ben tries to fight the monster, Taxtor, but his harness is making him too weak. The gangsters/Skrulls toss Ben in a cell, where he discovers he has a roommate. It’s Torgo, who announces he will kill Ben in the upcoming fight. Sadly, this is not the beloved goat-kneed Torgo from Mystery Science Theater 3000, but a big robot-lookin’ guy.

Gangster6

We then cut back to FF headquarters, where Reed deduces that Ben is in space. Because Ben was last seen with an imposter of Reed, Reed goes ahead and assumes the Skrulls have abducted Ben. Reed says to Johnny, “Ben is out there, lad, the captive of a Skrull!”

To be continued!

Unstable molecule: Not sure how Reed jumps straight from learning someone was impersonating him immediately to Skrulls, but, hey, he’s right.

Fade out/Fantastic Fifth Wheel: Sue and Alicia are only seen on one page, and have no dialogue.

Clobberin’ time: In addition to being the center of attention in this issue, Ben makes a classic put-down: “Yer fadder wears space shoes!”

Flame on: I don’t know what Johnny thinks he’s going to accomplish by just flying around randomly looking for Ben, but this desperate act fits his “hot-head” character.

Commercial break: Wrist bands that give you super powers? Is this the first appearance of Quasar?

Gangster2

Trivia time: The Star Trek episode “A Piece of the Action” aired a year before this issue, and it must have been an influence. It’s set on a planet where imitative aliens have adopted a lifestyle based on old-timey gangster fiction.

Fantastic or frightful? Although he’ll stick with the book for a little while longer, this “Gangster movie” arc is often considered Jack Kirby’s last great work on Fantastic Four. It’s certainly imaginative, with the 1930s-era vehicles suddenly flying and blasting each other with futuristic weapons. Stan’s script is a hoot as well, with all kinds of anachronistic gangster-speak. This was Stan and Jack’s last big hurrah, and it’s far from over.

Next: The first rule of Space Fight Club is…

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

cine-high_v3

Posted in Fantastic Friday | Leave a comment