21 Jump Street rewatch: “The Dragon and the Angel”

Rewatching 21 Jump Street! Ioki is a man without a country in season three, episode seven, “The Dragon and the Angel.”

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What’s goin’ down: While out on the town one night, Ioki runs into a Vietnamese gang. This becomes his next undercover case, where his loyalties are once again tested.

Bad dudes.

Bad dudes.

Here’s Hanson: During a gunfight with the gang members, Hanson is shot… in the butt! Penhall goes overboard in trying to help out his partner.

Penhall’s prerogatives: Uh-oh! Turns out Penhall is the one who shot Hanson, on accident of course. He’s wracked with guilt and wants to make everything better.

Playing doctor.

Playing doctor.

Undercover blues: Ioki befriends the gang leader’s girlfriend’s father (long story), who says he can find Ioki’s grandmother, still alive in Vietnam. Ioki then learns this guy is a communist, and therefore cannot be trusted.

Goin’ to the chapel: Ioki and Captain Fuller have a heart-to-heart about temptation to leave policing and join “the other side.” So, if the police station is also a chapel, does that mean Fuller’s office is where the characters go to confess?

Best thing about joining a gang? Hot dogs in the rain.

Best thing about joining a gang? Hot dogs in the rain.

Torn from today’s headlines: Let’s see… gang violence, communism, political fallout from the Vietnam War – this one has it all.

Trivia time: This episode was an early role for actress Kelly Hu, who’s gone on to have a hugely successful career, staring in X-Men 2, The Scorpion King, Vampire Diaries, and Arrow.

"I have adamantium fingernails."

“I have adamantium fingernails.”

Jumpin’ or not? The Hanson/Penhall subplot is great fun, really demonstrating what great chemistry these guys have. The main plot, though, is rather dull. This is mostly because there’s no real suspense. Because this is television, it’s no surprise that Ioki will choose to go back to being a good guy at the end. Not jumpin’.

Next: Who flu? You flu.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Thunderball

Rewatching the James Bond films chronologically. The S.P.E.C.T.R.E. plotline from the first two films didn’t appear during Goldfinger, but it’s back in a big way in the fourth film, Thunderball.

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Bond blurb: S.P.E.C.T.R.E. agents hijack an airplane and steal two atomic bombs, hoping to ransom them to NATO for an outrageous sum. Bond, while murdering his way through various S.P.E.C.T.R.E. heads, in sent to the Bahamas to investigate.

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Bond background: Bond spends the first part of the movie at a relaxing health spa, where he dodges assassins and uncovers an important clue in the case, except that’s all by coincidence, because he doesn’t learn the facts of the case until later. Once again, we see that Bond is “on the job” even when vacationing.

Bond baddies: The leader of S.P.E.C.T.R.E. is still known only as “Number One” and he’s still just a pair of hands stroking a cat. The main villain, though, is the eyepatch-wearing Largo, the guy with the swimming pool full of sharks. He has a bunch of henchmen, including the silent killer Vargas. There’s also a female assassin Volpe, who’s as smart as she is deadly. I’m totally in love with Volpe.

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Bond babes: Bond first romances Patricia, a woman at the spa. It’s an uncomfortable pairing, as she hops in bed with him while seemingly not liking him very much. Things get more interesting with Volpe and Largo’s mistress, Domino. Bond seduces Volpe, but she turns the tables on him by not joining his side. Not only does this excellently subvert Bond tropes, but it’s also character development for our hero. Bond’s experience with Volpe inspires him to come clean to Domino about who he really is and why he needs her help.

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Bond best brains: Q’s outlandish-for-the-time gadgets are all stuff that exists today – an underwater camera, scuba gear, a flare, and a Geiger counter small enough to wear on your wrist.

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Bond bash-ups: Every Bond movie has a “this is the one with” and in Thunderball, that’d be the deep sea diving action. The underwater cinematography is gorgeous, and the creators do a good job of keeping it moving even though underwater fighting is usually slow-paced. Then, there’s the pre-credits scene, which is like something out of a cartoon. An enemy agent tries to escape Bond by dressing as a woman. They fight, and then Bond escapes with – wait for it – his flying jetpack!!!

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Bond baggage: What was the big thing in 1965? Only James Bond himself. It was the year of Bondmania, when all of pop culture was Bond-related. As such, the hype for the December ’65 release of the movie was insanely huge. They say the Bond films are influenced by the era when they were made, but Thunderball was the one influencing everyone else.

Bond babble: This one’s a little over-long and bloated. All the stuff at the health spa could easily have been cut, I imagine. But I still liked it. There are the underwater fights, the jetpack, an exploding car, a couple of Bond puns, and more. But best of all, I really, really liked Luciana Paluzzi as Volpe. She’s the “Boba Fett” of the Bond series so far, and if any Bond girl deserved a spinoff/prequel, it’s her.

Next: I see you have a tiger in your office.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: Life in Latveria

Rereading the Fantastic Four comics from the start. The Silver Age was coming to a close by this point, and comics were breaking out with smarter, more sophisticated storytelling. This is evident in the arc that begins in issue #84, which brings back Dr. Doom.

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The FF are in a crazy-looking “gryo-ship” on their way back from visiting the Inhumans last issue. The ship is a gift from Black Bolt to help them get home. Somewhere over Europe, though, their flight is interrupted by a bunch of S.H.I.E.L.D. fighter jets. Nick Fury and his mustachioed sidekick Dum-Dum Dugan order the FF to land.

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Elsewhere, an old man is running through a bunch of underground catacombs saying he must escape. He reaches the outside, finds himself on a beach, and is overjoyed that he’s made it. But wait, someone with a gun is waiting for him. It’s Doctor Doom. He says he won’t stand for a single one of his subjects to leave his kingdom. Doom shoots the guy, but doesn’t kill him. He further speechifies about all he’s done for the people of Latveria – he’s given them food, shelter, and everything they could ever want, all in exchange for nothing but their total obedience.

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Elsewhere, at a fortified base, Fury tells the FF that a S.H.I.E.L.D. agent has gone missing while investigating reports of a secret army in the area. He shows them a giant robot arm the agent recovered. Because this is a Marvel comic, the arm immediately comes to life and starts shooting up the place. Johnny destroys the arm, and Fury explains that only Dr. Doom has robotics tech this advanced. Reed agrees to help.

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From there, the FF are in a car driving through “Communist-controlled central Europe,” where the cross the border into Latveria. The border guards surmise that the Americans will disappear in Latveria, never to be seen again. Inside the car, Reed says he knows they’ll likely be captured by Dr. Doom, but that’s the best way to learn what Doom is up to. Once inside Latveria, the car is torn apart by being on a magnetized highway (science!) and Doom’s robots attack. Reed says not to resist, but Johnny and Ben fight anyway, only to be knocked out by some gas. Doom arrives on the scene – hilariously wearing a gas mask over his regular mask – and says the FF will be his prisoners, forever.

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Reed, Johnny and Ben wake up in what appears to be a luxurious hotel. Johnny wants to find Crystal, while Reed tries to deduce why Doom has put them there, instead of in his dungeons. Watching all this on a viewscreen, Doom speechifies that while the FF slept, he gave them hypnotic suggestions, so that now they have mental blocks preventing them from using their powers. Doom says there will be a festival to celebrate his victory over the FF, adding that there is a penalty for anyone who looks discontent.

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Crystal contacts Johnny on a weird-looking phone. She says she’s all right, and that all the people are happy, while seemingly also afraid of something. Outside, there’s a huge festival, with all the Latverians celebrating the FF’s arrival. Johnny and Crystal are reunited, and our heroes are perplexed by this hospitality. Ben jokes that maybe Doom has found religion, but Reed theorizes that the Latverians are merely puppets on Doom’s strings. Reed says he’s going to make a run for it and cross the border, but he’s zapped by one of Doom’s devices right on the spot. (So, is the border right there?) Doom appears on a screen and tells Reed that no one leaves Latveria. “You will remain here,” he says, “and be eternally happy!”

To be continued!

Unstable molecule: S.H.I.E.L.D. comes to Reed when they have a Dr. Doom problem, establishing Reed as the authority on all things Latverian.

Fantastic fifth wheel: Crystal comments that part of the FF’s “basic rule” is that none of them can ever stand too close to each other, because that would make them easy targets. I’ll be pretty surprised if this “basic rule” ever gets a second mention.

Clobberin’ time: Ben’s struggling to remain standing when breathing in the knockout gas is a great moment for him. He goes down fighting.

Flame on: Proving himself to be a real “hot-head” (heh) Johnny is quick to jump into action without thinking in this issue, picking fights and destroying stuff when Reed cautions him not to. Doom’s robots stop him with an electro-pistol.

Commercial break: What, exactly, kind of martials arts are these?

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Trivia time: Who’s this “Dum-Dum” guy? That’s Dum-Dum Dugan, Nick Fury’s sidekick and supporting character of pretty much any S.H.I.E.L.D. story. Not sure how his handlebar moustache and bowler hat are secret agent material, but he’s a tough guy so he can get away with it. Dum-Dum was played by Neal McDonough in the movie Captain America: The First Avenger.

Fantastic or frightful? Not much happens in this one, just setting up future issues. There’s a lot to say about what’s coming, so we’ll keep this one short. It’s an interesting look at Doom’s personality. As ruler, he believes he’s making his people happy, but only as long as he orders them to be happy. A fun issue, but the good stuff is yet to come.

Next: The true face of tyranny.

****

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21 Jump Street rewatch: “Hell Week”

Rewatching 21 Jump Street! Instead of high school, our heroes are heading for college in season three, episode six, “Hell Week.”

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What’s goin’ down: Investigating a rape case at a fraternity, our Hanson and Ioki have to pledge and join, before they can get any of the suspects to talk.

"Ah, I see you've played knifey-spoony before."

“Ah, I see you’ve played knifey-spoony before.”

Here’s Hanson: As a pledge, Hanson has to deal with all kinds of torments on the road to being a brother, including an ongoing knife/spoon/fork game that takes up a lot of screentime. He later uses this game and other hazing rituals to turn the tables on the cruel frat boys. And yes, there is paddling.

Penhall’s prerogatives: Covering all the bases, the other Jump Streeters are undercover in other parts of campus. Penhall is living in the dorms, where he befriends the victim’s brother.

Book ‘em: Booker is undercover with the (gasp!) nerd frat, who live right next door to the evil jock frat. Rather than trying to fit it, he keeps his awesome hair and cool leather jacket. In doing so, he teaches the nerds a thing or two about being cool.

Booker =/= Booger

Booker =/= Booger

Undercover blues: It ends with a hazing incident at a swimming pool, in which someone almost drowns, only for Hanson and Ioki to bring him back with CPR and mouth-to-mouth.

Goin’ to the chapel: Hanson calls Captain Fuller by his first name, Adam, in one scene. This further shows how much Fuller has become part of the “family.”

Oh, you better believe that’s a paddlin’.

Oh, you better believe that’s a paddlin’.

Torn from today’s headlines: Hazing! This is one of the controversies that never goes away, every couple of years, there’s yet another hazing incident that makes headlines. Specifically, the episode calls back to various party-dude comedies of the era, notably Porky’s and Revenge of the Nerds.

Trivia time: We’ve got yet another future Twin Peaks regular as a guest star – Gary Hershberger, who played dopey teenager Mike on Peaks. He’s actually quite good in this episode as the sinister frat leader.

"My turn-ons include one-eyed married women with superhuman strength."

“My turn-ons include one-eyed married women with superhuman strength.”

 Jumpin’ or not? I don’t know why this has to be a rape case, as the cops could just go after the frat for the hazing stuff and, eventually, attempted manslaughter. But I’m not a TV cop, so what do I know? Aside from this nitpick, the episode is fun. Hanson is a total badass the way he can take anything the bad guys throw at him, and Booker’s reluctant friendship with the nerds has a lot of great character moments for him. It’s jumpin’!

Next: A dance with dragons.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: Goldfinger

Rewatching the James Bond films chronologically. Movie number three is the one everybody loves, and certainly the one I’ve seen the most, Goldfinger.

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Bond blurb: Bond is on holiday in Miami when he gets a message to investigate Auric Goldfinger, who is suspected of being up to no good. A businessman with an interest in gold smuggling, Goldfinger wants to nuke Fort Knox, not just to make his personal gold more valuable, but also to go down in the history books as committing history’s greatest crime.

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Bond background: Even when on vacation, Bond is “on the job,” so we learn very little new info about him. Twice in this movie, bad guys get the upper hand on him when he’s alone with a woman. For as much as he’s the suave seducer, the ladies continue to be Bond’s blind spot.

Bond baddies: Auric Goldfinger is an interesting villain. When we first meet him, he’s just some guy on vacation cheating at cards. Notice that every time Goldfinger appears on screen, he’s a little bit more evil each time, and the stakes get raised with every new fact we learn about him. His henchman is Oddjob, the huge dude with the famous razor sharp hat.

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Bond babes: What do you suppose Mr. and Mrs. Galore were thinking when they named their daughter? Either way, you-know-who is a cool character. I imagine that if she’d never met Bond, she’d still be off having cool “action pilot girl” adventures. Bond also dalliances with an unnamed woman who betrays him in the pre-credits sequence, an assassin named Tilly, and a ditzy masseuse with the unfortunate name of “Dink.” Best of all, though, is the super-cute Jill Masterson, who becomes a movie icon after getting the death-by-dipped-in-gold-paint treatment.

Bond best brains: It’s our first visit to Q’s wacky workshop, and the first appearance of Q and Bond’s stuffy teacher/wisecracking student repartee. Q supplies Bond with his Aston Martin car, ‘roided up with all kinds of weapons and gadgets, including the always-popular ejector seat.

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Bond bash-ups: The Aston Martin gets in on the action so much that it’s practically a supporting character. There are not one but several car chases for it to show off its gadgets. The climactic gunfight inside Fort Knox is excellent, right up there with any of today’s action movies, and it ends with Oddjob going out in spectacular fashion. Bond’s final confrontation with Goldfinger is a little cheesy, but the movie totally has the audience on board by that point, so it’s OK.

Bond baggage: It’s 1964 and not even Bond could escape Beatlemania. He says serving Dom Perignon above 38 degrees would be, “just as bad as listening to the Beatles without earmuffs.” Just imagine if “Beatles without earmuffs” had caught on as a catch phrase like “Shaken, not stirred.”

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Bond babble: Goldfinger’s reputation as a classic is well deserved. There’s just so much to love about it – wearing the tux under the wetsuit, Shirley Bassey’s superhuman lung power during the theme song, the laser beam to the crotch, hiding under the model, the bomb’s final countdown, and so much more. One of the best movies ever made.

Next: Bring the thunder!

****

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Fantastic Friday: Hypno-hustling

Rereading the Fantastic Four comics from the start. Last issue saw Crystal become an official member of the team, so this week, in issues #82-83, we check in with her family, the Inhumans.

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The start issue #82 tries to shock us by Crystal announcing that she’s leaving the team. But no, she’s not leaving-leaving, she says she needs her family’s permission for to be a member of the FF. Her family, remember, is the Inhumans’ royal family. She summons the Inhumans’ giant teleporting dog Lockjaw, to transport them all to the Inhumans. But wait, a bunch of Alpha Primitives are here as well, jumping through Lockjaw’s “Interdimensional screen.” The Alpha Primitives are the Inhumans’ “drone race” and they attack for seemingly no reason. The FF fight back, but not before the Alpha Primitives grab hold of Crystal. They and Lockjaw disappear with her. Reed says he’ll prepare the FF’s rocket to travel to the Inhumans’ city and find out what’s going on.

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Elsewhere, a freaky blue-skinned guy reports to his master, saying the Alpha Primitives succeeded. His master is Maximus, who, we learn, has staged a coup, and now sits on the Inhumans’ throne. He has Medusa next in chains next to him, as a symbol of his triumph (her super-powered hair has been coated with a special chemical, so she can’t use it to fight back). He’s also decked out in some truly crazy silver armor. Crystal is brought before him, and Medusa explains that he defeated the royal family by sapping their will with his high-tech “hypno-potions.” Maximus then reveals Black Bolt, Karnak, and Triton trapped in a big glass cage. I imagine their wills are still sapped, because otherwise Black Bolt and Triton should’ve had no problem breaking out of there. Also, Triton has apparently gotten over his “always has to be in water” problem. He’s not even wearing those tube doo-hickeys anymore.

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The FF take their rocket to the Inhumans’ city, located in the Himalayans, with Ben doing comedy “back seat driver” shtick along the way. They land, where portions of the now-destroyed great barrier are still scattered about. Our heroes make their way into the city, escaping a couple of death traps, and then battling Zorr, a super-powered primitive. Basically, he’s a huge robot gorilla. (Robot gorilla!) While fighting, Zorr catches everyone up to speed, letting the FF know that Maximus is in charge. He manages to knock Reed, Ben, and Johnny unconscious.

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Maximus watches the fight on a viewscreen and of course he gloats about how great he is. Karnak, whose power is to find the weakness in any surface, can’t find one in the cage, saying it’s not glass, but that it’s made out of a substance he’s never seen before. Crystal tries to use her powers on Maximus, but he’s protected by a “sub-ionic” force field. Maximus then reveals his plan – he has a huge “hypno-gun” which is powerful enough to blanket the entire planet in hypno-rays, bringing the whole world under his control. And that’s the cliffhanger.

Issue #83 begins with Reed, Ben and Johnny trapped in similar cage as the Inhumans. Johnny can’t burn his way out, and Reed theorizes that the cage is powered by a hypnotic field, and that they’ve merely been made to believe escape is impossible. Maximus prepares for his coronation, and we see some other Inhumans serving him. We get a return appearance of Aireo, not seen since issue #47, and Leonus, an Inhuman with a blond beard and metal hands. There’s also a centaur-like Inhuman and a plant-like Inhuman with branches growing from his forehead like horns. In other comics, it’s revealed that the Centaur is named Stallior and the plant guy is Timberius. Pun names!

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The Inhuman royal family, still trapped in their cage, pleads with Black Bolt to use his powerful voice to escape, even though that might kill the rest of them. Black Bolt instead concentrates his voice with perfect pitch, shattering just one small part of the wall. This is enough for the Inhumans to escape. This also frees Medusa – so it wasn’t a chemical, but another hypno-trick. The Alpha Primitives attack, and there’s a couple of pages of the Inhumans fighting them. Then, the Inhumans march on, in hopes of destroying the hypno-gun.

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We check in with Sue for half a page. She’s looking after the baby, and says that she and Reed still haven’t chosen a name. (I’ve read ahead a little, so I can tell you that we’re not going to learn the baby’s name for quite some time, so settle in for the long haul on this subplot.) Reed, Ben, and Johnny are still trapped in their cage. Reed convinces them to escape not by punching their way out, but by concentrating. They break the hypno-programming with their strength of their own thoughts, and they’re free. Zorr attacks again, but this time the FF acts quickly, taking him down before his built-in hypnotic inducer could work on them again.

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Maximus fires his hypno-gun and it starts to work, as he can feel the minds of everyone on Earth bending to his will. Then he gets greedy, saying he’ll next aim the gun at space and rule the entire universe. Too bad Crystal shows up and destroys the gun with her powers. The Inhuman populace, no longer under hypnotic control, starts to revolt, but Black Bolt stops them from rioting. Maximus and his followers escape into space on board a spaceship, and Johnny and Crystal reunite with a kiss. (We never find out if the Inhumans gave their permission for Crystal to join the FF. I guess that’s implied.)

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Unstable molecule: So, Reed has got to have some kind of latent telepathic abilities, right? He out-brained Dr. Doom in annual #2, he communicated with Galactus across space with his thoughts in issue #75, and now he breaks free of high-tech hypnotism just by concentrating.

Fantastic fifth wheel: Crystal starts the story needing to be rescued, which isn’t so great, but she ends it by destroying Maximus’s giant weapon in a great “girl power” moment.

Clobberin’ time: Ben is pretty much comic relief in this story, tossing more wisecracks than punches.

Flame on: Johnny has to tell Crystal not to hug him until after his flame has died down. You’d think she’d know that. Also, an earlier issue had her walking through flames unharmed, so why wait?

Commercial break: Not sure what this has to do with James Bond, but here you go:

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Trivia time: The FF were busy during these two issues, as they guest starred in Avengers #60, Silver Surfer #5, and Sub-Mariner #14 at the same time.

Fantastic or frightful? This is basically an Inhumans story guest-starring the Fantastic Four. The closest thing there is to a main character is Maximus, as he’s the only one with any real arc. The other characters are all just running around aimlessly. Describing all the tech with the “hypno” prefix doesn’t help. There are some fun Kirby designs, but other than that, this one’s something of a misfire. The really good stuff starts next week.

Next: Doom… and Dum-Dum!

****

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21 Jump Street rewatch: “Whose Choice Is It Anyway?”

Rewatching 21 Jump Street! Time for another hot-button topic in season three, episode five, “Whose Choice Is It Anyway?”

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What’s goin’ down: An abortion clinic is vandalized. Evidence suggests that it was an inside job, but the protestors outside sure look suspicious. Hoffs poses as a pregnant girl to investigate the place, while Ioki is under cover among the protestors.

Mob mentality.

Mob mentality.

Here’s Hanson/Penhall’s prerogatives/Book ‘em: The subplot has to do with Jump Street’s janitor Blowfish having marital troubles at home, so Hanson, Penhall, and Booker conspire to find a woman to be nice to him, to build up his self-esteem. It goes too far, with Blowfish cheating on his wife. Interesting that Booker is “one of the guys” at the start of this story, and goes back to antagonizing his fellow cops by the end.

Bromancin'

Bromancin’

Undercover blues: Hoffs befriends a pregnant girl, who is torn about what to do. Hoffs eventually breaks down in tears, saying that this is one situation that she doesn’t have all the answers for. She later reveals an incident from her past that explains why this case hits so close to home for her.

Girl talk.

Girl talk.

Goin’ to the chapel: Random junk seen in the background of the Jump Street chapel this week includes a 1950s Coke machine, a tiny metal horse statue on top of a filing cabinet, and a star shaped neon sign.

Torn from today’s headlines: There’s probably no more divisive topic than abortion (except maybe whether the Enterprise could destroy the Death Star), and this episode falls mostly on the side of the “Let’s feel bad for the pregnant teens” side of the issue. There were shootings at abortion clinics in the late ‘80s, no doubt an inspiration for this episode. On a lighter note, the English comedy improv show Whose Line Is It Anyway? debuted the same year as this episode. Both are named after a 1972 play, Whose Life Is It Anyway? that was adapted into a film in 1981.

Trivia time: This episode debuts the slick new opening credits sequence, complete with the actors’ names in HUGE LETTERS accompanied by “whoosh” sound effects.

"I didn't kill Laura Palmer, I loved her!"

“I didn’t kill Laura Palmer, I loved her!”

One girl’s skeezy boyfriend is played by Dana Ashbrook, who went on to playing Bobby on my all-time favorite TV show, Twin Peaks. He brings the same wild intensity to this episode as he did in Twin Peaks. Ashbrook is the third Peaks regular to appear on the show, after Sherilyn Fenn and Don Davis.

Jumpin’ or not: The creators do a better job of approaching sensitive subject matter this time, rather than just trying to shock audiences. It’s a heavy episode that almost leaps from drama to melodrama. It’s good, but not up there with the show’s best. Not jumpin’.

Next: Alpha Beta or Lambda Lambda Lambda?

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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James Bond rewatch: From Russia With Love

Rewatching the James Bond films chronologically. The Cold War makes its first appearance, along with a bunch of other Bond firsts, in the second film, From Russia With Love.

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Bond blurb: The evil organization S.P.E.C.T.R.E. is up to no good, with a plot to steal a high-tech cypher machine from a female Russian cryptographer, with their own agents working within both British and Russian intelligence. The villains didn’t expect Bond and the lovely Russian to fall for each other, though. Despite “Russia” in the title, most of the film takes place in Istanbul, complete with a side visit to a gypsy carnival.

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Bond background: Bond is still dating Sylvia Trench, who romanced him briefly in the previous movie. She’s somehow devolved from seductress to clingy girlfriend, which is probably why we never see her again. Bond is much more upbeat and cheery in this film than in the last one, perhaps to make him a more romantic figure rather than a cold and ruthless “license to kill” agent.

Bond baddies: There are tons of villains in this one, all working for S.P.E.C.T.R.E. You’ve got the hulking blonde muscleman Red Grant, knife-shoed Russian sourpuss Rosa Klebb, and various other henchmen. The villain to care about, though, is introduced as “Number One,” seen only as a pair of hands stroking a white cat. You and I both know it’s Blofeld, but this won’t be revealed until future movies. Nice to know that Marvel didn’t invent this type of seed-laying.

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Bond babes: The main love interest is Tatiana Romanova, played with maximum hotness by Daniela Bianchi. This is one Bond film where the romance is central to the story rather than tacked on, and I like that. Sylvia Trench is back for a cameo, and there’s a subplot about two competing gypsy girls, who first have a sexy catfight and then both spend the night with Bond. (Yowza!)

Bond best brains: Bond gets a new briefcase lined with hidden weapons, secret compartments, and a tear gas canister that explodes upon anyone opening it the wrong way. He also has a camera with a built in microphone recorder. (Hey, I bet my iPhone can do that, too.) Let’s not forget that this movie is the first appearance of the great Desmond Llewelyn as Q.

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Bond bash-ups: Villains shoot up the gypsy camp, and there’s a neat bit where a baddie gets taken out with a sniper rifle. Stealing the cryptographer involves shooting up an office with tear gas and escaping through a rat-filled tunnel. The latter part of the film takes place aboard a train, where there is, of course, sneakiness and double-crosses. It ends with a two-part finale with some truly impressive helicopter stunts followed by a boat chase with tons of great practical effects.

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Bond baggage: Dr. No was surprisingly non-political. Bond was an “agent” and Dr. No was a “criminal.” In this film, though, the ever-present Cold War of 1960s makes its appearance, as tensions involving the Russians give the whole movie its drive.

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Bond babble: There’s an odd structure to the movie in that so much of it is setup. Bond doesn’t appear until 17 minutes in, and he doesn’t meet Tatiana to kick off the plot until 53 minutes in. The first hour is devoted to moving the pieces around the board, and it takes a lot of mental dot-connecting to keep track of who’s outfoxing who. Then we get all the stuff on the train. I’d always thought “the one where they spend the whole movie on the train” was the boring one, but on this rewatch, I really got into the watch-your-back suspense of it all. You could argue that the movie’s too long, but it still has a lot of great moments.

Next: He’s the man, the man with the Midas touch.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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Fantastic Friday: The exquisite elemental

Rereading the Fantastic Four comics from the start. Issue #81 introduces a new status quo for heroes. (Or does it?)

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We begin with a splash page of Crystal wearing a blue FF uniform, rather than usual yellow costume. She says now that Sue is home with the baby, someone has to take her place on the team. Then we get this issue’s variation of the “excuse for the character to show off their powers in the first few pages” thing, except this time it’s Crystal showing off her powers. Nonetheless, her power set remains frustratingly ambiguous. She throws Ben and Johnny around the room with a gust of wind, saying she can “harness natural forces” and bend them to her will.

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Reed shows up, reports that Sue and the baby are doing well (we still don’t know the baby’s name at this point) and he questions Crystal about the costume. He says she’s too young to join the team, but she says she’s the same age Sue was when the team was formed. This “passage of time” moment is interesting, in that it reveals that the characters have been doing this for years, something that doesn’t quite come across when reading issues in bulk, but did when you picked them up only once a month.

Then we visit the Wizard, in his hideout, where he has built another pair of super-powered gloves, which he says will give him the combined powers of the Fantastic Four. He’s downright obsessed with the FF, going on and on about how he wants to defeat them.

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Inside Reed’s lab, the Wizard’s old gloves, which the team confiscated in issue #78, disappear in an “electro-wave.” Reed knows this is the Wizard trying to bait our heroes into a trap, but Johnny doesn’t listen. He takes off, flying around New York, looking for a fight. He finds the Wizard destroying an abandoned warehouse (Oh, Marvel’s New York, you and your abandoned warehouses). They fight, and the Wizard shows that he’s now faster than Johnny, and he has the strength to tear off a church steeple and throw it at him. Johnny destroys the steeple with a “bullseye heat blast” and worries that the Wizard has become too powerful.

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Reed, Ben and Crystal head to the scene in the Fantasticar. Ben makes a wisecrack about Johnny, but Crystal is so serious she can’t tell Ben is only kidding. They meet up with Johnny and… fighting! The Wizard throws a water tower at our heroes, but Ben wallops it and Crystal deduces that it will fall harmlessly into the nearby river. The Wizard attacks again, but Crystal uses her “elemental force” on his anti-grav devices, sending him flying all over the city. He recovers and sends shock waves after her, which she stops by creating counter-shock waves. She then unleashes lightning bolts down onto him and fills his lungs with smoke. Johnny wraps up the Wizard is a fire lasso and Ben throws a piece of debris at the bad guy. The Wizard falls under the water, knows he’s been defeated, and flees.

Instead of pursuing the villain, Reed just does a “We haven’t seen the last of him!” He then apologizes to Crystal, and welcomes her as a full-fledged member of the team.

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Unstable molecule: Aside from piloting the Fantasticar, Reed does nothing during the fight. I guess he’s being cautious now that he’s got a kid at home.

Fantastic fifth wheel: Crystal is the team’s first alternate member, setting the precedent for all kinds of “fill-in” guest heroes in the future. She reveals that she’s Medusa’s younger sister, which explains her role in the Inhumans’ royal family.

Clobberin’ time: When Crystal confronts Ben about making fun of Johnny, Ben comes clean and admits that he’s really the Torch’s biggest fan.

Flame on: Johnny is awfully eager to fight the Wizard. Remember, though, that the Wizard was Johnny’s arch-nemesis during his solo stories in Strange Tales, so there’s a lot of history there.

Commercial break: Clean AND fuzzy?

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Trivia time: This issue contains an announcement that Marvel won big at the Society for Comic Art Research and Preservation Awards. Fantastic Four won Best Adventure Comic (Group) and Best Super-powered Group. Stan Lee won Best Writer and Best Editor, Jack Kirby won Best Pencil Artist, Joe Sinnott won Best Inker, and Dr. Doom won Best Villain with more than 50 percent of the vote. Way to go, FF!

Fantastic or frightful? The Wizard in this issue is just a generic villain, somebody who’s here just so the heroes have someone to fight. Similarly, the regular FF heroes are made to look weak and uncoordinated, only so Crystal can look awesome by comparison. The good news is that Crystal is pretty awesome. Her powers are still vaguely defined, but her steel intensity during the fight makes her a good balance against Johnny and Ben’s humor. Welcome to the team, girlfriend.

Next: A maximum makeover.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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21 Jump Street rewatch: “Coach of the Year”

Rewatching 21 Jump Street! Huddle up for season three, episode four, “Coach of the Year.” Are you ready for some football?!?

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What’s goin’ down: After a high school football star is seriously injured, the Jump Street crew suspect the coach is up to no good, pushing his players too hard. To investigate, Penhall and Booker are undercover to join the team.

Lettermen

Lettermen

Here’s Hanson: Hanson’s still dating Jackie, a DA, who gets involved in the case. They try, with some futility, to keep their relationship a secret.

Penhall’s prerogatives: Penhall is delighted at the chance of being a football star. He reveals that when he was in high school, he had a lousy coach and therefore never had a chance for the big victory. Booker and the others worry that he’s taking his role on the team too seriously.

Book ‘em: Booker’s job is to let Penhall bang him up real good on the football, so no teens get injured. There’s immediate tension between Booker and Penhall, but Booker’s tell-it-like-it-is bad attitude manages to cut through Penhall’s bluster and get him to see what’s really important.

Friday night pecs.

Friday night pecs.

Undercover blues: Of course it all comes down to the big game, where Penhall’s leg is injured and he must make a choice — either take himself out of the game, or keep playing and risk further injury in the pursuit of glory. He takes himself out, which inspires another player to come clean about the coach’s sinister ways.

Goin’ to the chapel: We’re reintroduced to Councilman Davis, one of the politicians threatening to shut down Jump Street last season. He proves himself to be a real sleazebag, threatening to shut down the investigation because the evil coach is a pillar of the community.

Do the wave!

Do the wave!

On a more “up” note, the entire Jump Street crew attends the big game, cheering for Penhall and Booker. It’s fun to see them all together like this, reinforcing how this group has come to feel like a family of sorts.

Torn from today’s headlines: For several episodes in a row now, Ioki has been wearing shirts with a “Board Fetish” logo and a picture of a surfboard. This has to be a reference to something ’80-specific, but I can’t find out what. (Googling the word “fetish” brings up all kinds of things.)

Why are they all grimy and sweaty before the game? Wait, don't answer that.

Why are they all grimy and sweaty before the game? Wait, don’t answer that.

Jumpin’ or not? Despite all the heady drama of last week’s episode, this one does a much better job of developing Penhall’s character and really letting us know what makes him tick. Also, the production value is still on the rise this season. The football scenes feel very cinematic, with a lot of slow-mo and quick cuts to flashbacks, which keep things interesting and dramatic. It’s jumpin’!

Next: Let’s get clinical.

****

Want more? Check out my book, CINE HIGH, now available for the Kindle and the free Kindle app.

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